Weintraub’s Evolution of Environmental Standards — General Session

Drawing on that rare commodity, common sense, is what Steven Weintraub has built his career around. That he has highly honed reasoning skills was evident in his AIC general session presentation on the evolution of environmental standards. Weintraub starts his presentation with reference to Gary Thomson’s The Museum Environment. According to Weintraub, the environmental recommendations that Thomson made in this book reflect a practical knowledge gained over time and based on common sense. Since that time, the conservation profession has place environmental controls that move us farther away from the target.

Weintraub advocates that environmental requirements to preserve artwork are complex systems that have been over analyzed or over simplified. Environmental controls should be based on risk assessment concepts. What level of risk is your institution willing to tolerate? In conservation, our risks should be like insurance actuarial – our environmental controls should be driven by costs and practicality of implementing environmental standards. We must be wary of the one size fits all type of environmental standard, recognizing that conditions that are right in Santa Fe will not apply to New York.

Environmental discussions have circled around recommendations like 40%-60% RH versus 45%- 55% RH, and 16-25 deg C versus 20-24deg C. One approach is to look at the way materials respond to humidity and choose the best set point for all materials – this leads to that 40% RH to 60% RH range. But other factors need to be considered. Environmental standards do have some positive influences. In existing buildings, the ability to maintain such standards has an impact on the operational procedures that may lead to operational and physical improvements. These standards influence the construction of new buildings.

Weintraub then addresses lighting issues and the display of artwork. Originally, light issues were driven by defining the lowest amount of light needed to accurately see the artwork and nothing more. Again this was a practical and common sense approach. Then we moved away from this way of looking at lighting issues and turned to the concept of annual exposure. But annual exposure is a managerial tool, not a conservation tool. For example an object exposed to 50 lux for 8 hours a day for 90 days does not experience the same amount of possible light damage as object that receives 150 lux for 8 hours a day for 30 days. The most important concept to take away is to make every photon count. In moving forward we must return to the common sense past.

The recent trend is studying artwork using microfading testers continues to focus on damage issues. Weintraub feels that this emphasis is overrated. When you use a microfading tester to study artwork, where in that lifetime prediction curve are you for the object? Instead he advocates going back to the idea of lighting the object just enough to see the object without doing damage.

He points to the Harrison report from the early 1950’s that shows that the damage to an object is relative to the wavelength of light to which it is exposed. Spectral damage calculations can be made based on this work that allow you to calculate the amount of damage per lux based on wavelength and specified material. Then you can choose your light source. For example, daylight has two times more damaging than tungsten light.

Next, Weintraub turns to environmental monitoring systems noting that these are really problem solving tools. But what should our metrics be? We need to keep in mind that there is a hierarchy of conditions that affect visual appearance that we perceive. This hierarchy can be things like color temperature or color rendering. These are the conditions that Weintraub feels we should monitor.

In the end, Weinstraub states that we are looking at complex systems that have a pattern. We need to sit down and look at all the data, consider the risks, and try to perceive the patterns.

Architecture Specialty Group Session on Recent Student Research

In a new format, the Architecture Specialty Group (ASG) held a morning session devoted to presentations by students and recent graduates of architectural conservation programs. These papers presented recent research work carried out by the students on a variety of thesis topics.

Jennifer Schork, a recent graduate of Columbia University now working with Integrated Conservation Resources, presented “New Insights into Dolomitic Lime Mortar.” Ms. Schork carried out a laboratory testing and instrumental analysis program to better understand the constituents and properties of dolomitic lime mortars. Dolomitic lime dominates the North American market for repointing mortars, although some may not be aware that they are using it or the affects that it has on the mortar. Ms. Schork’s research showed that dolomitic lime mortars can be 45% stronger than high calcium lime mortars, with the uncarbonated material (brucite: Mg(OH)2) perhaps contributing to this strength.

Casey Gallagher, a recent graduate of The University of Texas at Austin now with the Texas Historical Commission, studied “Biological Growth on the Alamo.” Ms. Gallagher posed three crucial questions in her research: 1) what is the biogrowth? 2) is the biogrowth damaging to the stone? and 3) do cleaning treatments previously carried out affect the stone? Through lab cultures and DNA analysis, species of cyanobacteria were identified on the Alamo stone. This can be particularly damaging to the stone because they are endolithic, penetrating underneath the surface of the stone, and they secrete amino acids, leading to stone deterioration. In addition, cyanobacteria have a hard sheath that is difficult to remove and they can tolerate long periods of desiccation and extreme heat, leading to recolonization. One year after the application of in situ cleaning tests using D2 Biological Solution, BioWash and water, there are not signs of recolonization. However, photographic records show recolonization after previous cleaning of the stone, and recolonization has also occurred in laboratory culture samples.

A testing program to evaluate “Fatigue Behavior of Adhesives for the Repair of Marble” was presented by Laura Michela, a current student at Columbia University. Ms. Michela’s research compared thermoplastic adhesives (Paraloid B-72, Paraloid B-48N and a 3:1 blend of Paraloid B-72 to Paraloid B48N), thermosetting adhesives (Epo-Tek 301-2 and Akepox 2000) and a sandwich of Paraloid B-72 used as a barrier coat with Epo-Tek 301-2. The broken portions of cylindrical samples of Vermont marble were readhered using the different adhesives and then subjected to repeated vibration to simulate fatigue. Some samples broke during the vibration, but the remaining samples were tested in 4-point loading. Some of the observations from the testing program are that all samples subjected to the repeated vibration experienced loss of strength, the samples repaired using thermosetting adhesives had higher strengths than the thermoplastic adhesive samples, and that some samples broke at an area of the cylinder where the adhesive was not present. The research built on previous work carried out by Columbia University conservation students. Areas of further research include looking at different thermoplastic blends, different solvents with the thermoplastic resins, different marble types and different load testing mechanisms.

Alex Kim, a 2009 graduate of the University of Pennsylvania conservation program who now works in the programs Architectural Conservation Laboratory, presented “Soft Vegetative Capping of Architectural Masonry Walls.” Although “hard” mortar capping is often used on exposed masonry ruin walls, mortar capping is prone to cracking, which allows moisture and vegetation ingress, leading to further deterioration of the wall. Mr. Kim’s presentation examined another approach to protecting exposed masonry ruin walls. “Soft” vegetative capping uses geosynthetic membranes, soil and gravel and vegetation to prevent moisture infiltration. It has the benefits of low maintenance cost, improved aesthetics and legibility and retractability. In situ tests performed at semi-arid sites in the southwest United States and central Anatolia show that there is reduced temperature fluctuation with soft capping compared to hard mortar capping. However, moisture infiltration below the waterproofing membrane was noted at one test site, pointing to the need for improved design and installation procedures.

The final paper of the student session was given by Jessica Kottke, a recent graduate of the University of Pennsylvania conservation program. Ms. Kottke presented “Three-Dimensional Laser Scanning for Imaging, Quantifying, and Monitoring Micro Stone Surface Deterioration at Heritage Sites.” Using the case study of work documenting two lion sculptures at the Merchant’s Exchange in Philadelphia, PA, Ms. Kottke showed that three-dimensional laser scanning was useful in creating a background image that could be annotated for condition surveying. However, given the limitations of resolution, it may be impractical to use the three-dimensional models created from laser scanning programs for monitoring changes over time.

Dr. George Wheeler, Director of Conservation at Columbia University, Fran Gale, Senior Lecturer and Director of the Architectural Conservation Laboratory at The University of Texas at Austin, and Frank Matero, Professor of Architecture at The University of Pennsylvania, made several key points that put the student research presentations in context. The thesis research presented during the session is typically only one part of on-going research and is often followed by additional research by other students as part of their theses. The research also often depends on partnerships with organizations such as the National Park Service or academic departments outside of the preservation programs.

Following the presentations of recent student research and answering of technical questions posed to the presenters, there was a discussion on the possibility of developing an annual forum for student presentations. All present in the session seemed to agree on the usefulness of the presentations by students and recent graduates from architectural conservation training programs of their research. A forum for presenting the work of recent student research is valuable to the development of both the emerging professionals, who get feedback from their more established colleagues, and to the experienced practitioners, who learn about recent research that may affect their work.

Two points of inquiry on the organization of a session for recent student research were debated: what venue is appropriate for a presentation of recent student research and who should participate at presenters. On the first point, most people present for the discussion agreed that a half-day session or even full-day session of student presentations held in conjunction with the ASG session of the AIC Annual Meeting is an appropriate venue. This year, funding to cover all student costs to present at the session was provided through the George Stout Memorial Fund, and it is hoped that similar funding will be available in future years.

The question of what criteria should be used to select potential presenters is more contentious. As presented by Frank Matero in his introductory remarks to the session, there are 24 programs that lead to a Master’s degree in historic preservation, and another 20 or so graduate programs in related fields that award certificates in preservation or conservation. There are ten Master degree programs with one or more courses in architectural conservation, but only a handful of these have a full curriculum in architectural conservation. A number of questions were left undecided, such as whether the opportunity to present papers at a student and recent student session should be limited to just those trained in a program with a full architectural conservation curriculum or open to those doing architectural conservation research in other programs, and whether the universities should preselect the papers submitted for presentation or the papers should be submitted by the students to a ASG program committee. These questions will likely be revisited during the ASG business meeting on Friday, May 14, and in future discussion by ASG members.

“Identity Crisis Critical identity: the future of conservation and the role of AIC in its development”

It’s not often that conservators and conservation scientists have a chance to sit down and think about the theory behind our work. Usually the plethora of tasks we face each day gets in the way. Today, Dr. George Wheeler, Columbia University, treats us to a lively lecture on the theory of conservation.

He opens his discussion by talking about the growing pains of the profession. AIC has come through a difficult time with the recent unsuccessful efforts towards certification. He feels that there were lessons to be learned here as we attempt to define ourselves, now and in the future.

Wheeler structures his presentation around “four books and a journal” in a take-off of four weddings and a funeral. He began the discourse with the book, Theory of Restoration, (2005 English translation) by Cesare Branch. In the book, Branch states “restoration is carried out in order to reestablish the critical text of the work of art. . .” Thus all that we do should be defined by the need to reestablish the artwork. Wheeler feels that another important insight from this Italian scholar was the concept that the work of art is recognized as a physical object with dual historical and aesthetic value to be transmitted to the future. Wheeler also points out that only the material of a work of art is restored. We cannot restore a spirit of a work of art.

Next, Wheeler discusses issues in the definition of conservation, based on the work, Contemporary Theory of Conservation, by Salvador Munoz Vinas (2005). He contrasts the AIC definition of art conservation with one offered by Munoz Vinas. AIC’s definition of conservation is “The profession devoted to the preservation of cultural property for the future.” Munoz Vinas states that conservation as we know it today is a complex activity. Wheeler thinks conservation is about defining and developing our activities over and above the professionalism of the job. Another important point that is made is the uncomfortable relationship between conservators and conservation scientists. Conservators mustn’t look to scientists for validation in what they do. Instead, they should look within for authority to guide their actions.

The third book that Wheeler highlights is Securing the Past, by Paul Eggert. Eggert who is an English professor, explores underlying theories behind the different arts and practices of restoring historic objects and texts. Wheeler notes that a key issue addressed in the book is the subject-object relationship. Ultimately, we must define the boundary between who we are and what we work on.

Wheeler introduces us to the journal, FutureAnterior by way of shifting preservation and conservation away from nostalgic antiquarianism towards active involvement. Again, the emphasis is on our actions in relation to the artwork.

Conservation Principles, Dilemmas, and Uncomfortable Truths, a compilation by Alison Richmond, is the fourth book highlighted in the presentation. Within these pages, Wheeler chooses to quote Jonathan Ashley Smith, stating that conservation is in its adolescence. We can’t become a grown up profession simply by saying we are grown up. We cannot mature without the growing pains.

Wheeler concludes by telling us that we must mobilize the creative activity within this organization to determine where we are going in the future.