{"id":37,"date":"2015-08-17T17:45:26","date_gmt":"2015-08-17T17:45:26","guid":{"rendered":"http:\/\/resources.culturalheritage.org\/anagpic-student-papers\/?page_id=37"},"modified":"2020-04-13T16:28:18","modified_gmt":"2020-04-13T16:28:18","slug":"anagpic-2006-student-papers","status":"publish","type":"page","link":"https:\/\/resources.culturalheritage.org\/anagpic-student-papers\/anagpic-2006-student-papers\/","title":{"rendered":"ANAGPIC 2006 Student Papers"},"content":{"rendered":"\n\n\n
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Presented at the 2006 Annual Student Conference hosted by the University of Delware\/Winterthur
\nArt Conservation Department<\/em><\/span>
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Tish Brewer<\/span><\/strong>, University of Texas at Austin
\nThe Nature of Forgeries: Iron Gall Ink and Paper Aging in Relation to Forged Historical Documents – An Independent Study \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a02006ANAGPIC_Brewer<\/a><\/em><\/p>\n

Rebecca Capua<\/strong><\/strong><\/span>, New York University
\n<\/em><\/strong><\/strong>Materials and Techniques of George Grosz: American Watercolors 2006ANAGPIC_Capua<\/a><\/em><\/p>\n

Catherine Coueignoux<\/strong>, University of Delaware\/Winterthur
\nAn Exploration of Surface: Deciphering the History and Meaning of the Winterthur Peter Stretch Clock’s Finish \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a02006ANAGPIC_Coueignoux<\/a><\/em><\/p>\n

Amy Crist<\/strong><\/strong>, Buffalo State College
\n<\/em><\/strong>An Investigation of the Characteristics, Compositions, and Identification Methods of Wax Crayons and Colored Pencils, Including a Case Study of a Drawing by Roberto Matta \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a02006ANAGPIC_Crist<\/a><\/em><\/p>\n

Matt Cushman<\/strong>, University of Delaware\/Winterthur
\nA New Method for the Treatment of Iron-Stained Architectural Marble: in situ reduction of iron(III) using photovoltaic polymers and the introduction of a new chelating agent for conservation \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a02006ANAGPIC_Cushman<\/a><\/em><\/p>\n

Lindsay Haynes<\/strong>, Queen’s University
\nAn Investigation into the Materials, Structure and Degradation Behavior of Portraits by William Sawyer \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 2006ANAGPIC_Haynes<\/a><\/em><\/p>\n

Jo-Fan Huang<\/strong>, Harvard University Art Museums
\nA Technical Examination of 7 Thai Manuscripts in the 18th, 19th, and 20th Centuries \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a02006ANAGPIC_Huang<\/a><\/em><\/p>\n

Sandra Kelberlau<\/strong>, Harvard University Art Museums
\nHow One Landscape-Painter Paints: The Technique of Sanford Robinson Gifford\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 2006ANAGPIC_Kelberlau<\/a><\/em><\/p>\n

Mary Oey<\/strong>, New York University
\nSome Problems in Musical Instrument Conservation in Museum Collections 2006ANAGPIC_Oey<\/a><\/em><\/p>\n

Sara Ribbans<\/strong>, Queen’s University
\nPast Practices Causing Modern Problems: The Conservation of Three Jules Cheret Posters\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a02006ANAGPIC_Ribbans<\/a><\/em><\/p>\n

Dana K. Senge<\/strong>, Buffalo State College
\nAnalysis and Treatment of a Chinese Ceramic Mortuary Figure 2006ANAGPIC_Senge<\/a><\/em><\/p>\n

Jim Thurn<\/strong>, University of Texas at Austin
\nResearch on Methods to Remove Mold from Cellulose Acetate Audiotape 2006ANAGPIC_Thurn<\/a>
\n<\/em>__________________________________________<\/strong><\/p>\n

Photo Credits:<\/strong> <\/em>(Top Left) Roberto Matta, <\/em>Untitled, from Amy Crist’s paper; (Middle) Hans Ruckers the Elder, Double virginal, 1581, Metropolitan Museum of Art, New York, from Mary Oey’s paper; (Top Right) Detail of Portrait of Robert J. Carson, 1881, from Lindsay Haynes’ paper.<\/em><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

Presented at the 2006 Annual Student Conference hosted by the University of Delware\/Winterthur Art Conservation Department __________________________________________ Tish Brewer, University of Texas at Austin The Nature of Forgeries: Iron Gall Ink and Paper Aging in Relation to Forged Historical Documents … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":9,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"class_list":["post-37","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/resources.culturalheritage.org\/anagpic-student-papers\/wp-json\/wp\/v2\/pages\/37","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/resources.culturalheritage.org\/anagpic-student-papers\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/resources.culturalheritage.org\/anagpic-student-papers\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/anagpic-student-papers\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/anagpic-student-papers\/wp-json\/wp\/v2\/comments?post=37"}],"version-history":[{"count":0,"href":"https:\/\/resources.culturalheritage.org\/anagpic-student-papers\/wp-json\/wp\/v2\/pages\/37\/revisions"}],"wp:attachment":[{"href":"https:\/\/resources.culturalheritage.org\/anagpic-student-papers\/wp-json\/wp\/v2\/media?parent=37"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}