{"id":47,"date":"2015-08-17T17:46:41","date_gmt":"2015-08-17T17:46:41","guid":{"rendered":"http:\/\/resources.culturalheritage.org\/anagpic-student-papers\/?page_id=47"},"modified":"2020-04-21T17:52:19","modified_gmt":"2020-04-21T17:52:19","slug":"anagpic-2011-student-papers-posters","status":"publish","type":"page","link":"https:\/\/resources.culturalheritage.org\/anagpic-student-papers\/anagpic-2011-student-papers-posters\/","title":{"rendered":"ANAGPIC 2011 Student Papers &amp; Posters"},"content":{"rendered":"<table border=\"0\" width=\"950\" cellspacing=\"0\" cellpadding=\"0\" align=\"center\">\n<tbody>\n<tr>\n<td>\n<div class=\"style2\" align=\"center\">\n<p><span class=\"style41\"><em>Presented at the 2011 Annual Student Conference hosted by the<br \/>\nWinterthur\/University of Delaware Program in Art Conservation <\/em><\/span><br \/>\n__________________________________________<\/p>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table border=\"0\" width=\"950\" cellspacing=\"0\" cellpadding=\"0\" align=\"center\">\n<tbody>\n<tr>\n<td width=\"310\"><\/td>\n<td width=\"310\">\n<div align=\"center\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/cool.conservation-us.org\/anagpic\/2011jpg\/anagpic2011_Moody_OBanion_image.jpg\" alt=\"\" width=\"600\" height=\"289\" border=\"1\" \/><\/div>\n<\/td>\n<td width=\"310\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table border=\"0\" width=\"932\" cellspacing=\"0\" cellpadding=\"0\" align=\"center\">\n<tbody>\n<tr>\n<td height=\"750\n    \"><\/p>\n<table border=\"0\" width=\"494\" cellspacing=\"10\" align=\"center\">\n<tbody>\n<tr>\n<td class=\"style37\" width=\"473\" height=\"265\">\n<h3 align=\"center\"><u>Presentations<\/u><\/h3>\n<p><strong>Kristen Watson Adsit<\/strong>, The Conservation Center, Institute of Fine Arts, New York University <em>An Attractive Alternative: The Use of Magnets to Conserve Homer by John Chamberlain\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<a href=\"http:\/\/resources.culturalheritage.org\/anagpic-student-papers\/wp-content\/uploads\/sites\/11\/2020\/04\/anagpic2011_Adsit_paper.pdf\">anagpic2011_Adsit_paper<\/a><\/em><\/p>\n<p><strong>Gregory Bailey<\/strong>, Art Conservation Department, Buffalo State College<br \/>\n<em>About Time: Analysis and Treatment of a 17th-Century Clock <a href=\"http:\/\/resources.culturalheritage.org\/anagpic-student-papers\/wp-content\/uploads\/sites\/11\/2020\/04\/anagpic2011_Bailey_Paper.pdf\">anagpic2011_Bailey_Paper<\/a><\/em><\/p>\n<p><strong>Tatiana Cole and Steven O\u2019Banion<\/strong>, Winterthur\/University of Delaware Program in Art Conservation<br \/>\n<em>Speaking with the Artist: A Holistic Approach to Preserving Art <a href=\"http:\/\/resources.culturalheritage.org\/anagpic-student-papers\/wp-content\/uploads\/sites\/11\/2020\/04\/anagpic2011_Cole_OBanion_paper.pdf\">anagpic2011_Cole_OBanion_paper<\/a><\/em><\/p>\n<p><strong>Elizabeth Drolet<\/strong>, UCLA\/Getty Master&#8217;s Program in Archaeological and Ethnographic Conservation<br \/>\n<em>Time, Erosion and Earthen Architecture: Documenting the Effectiveness of Protective Shelters for Mud-Brick Structures \u00a0 \u00a0 <a href=\"http:\/\/resources.culturalheritage.org\/anagpic-student-papers\/wp-content\/uploads\/sites\/11\/2020\/04\/2010ANAGPIC_ScottDroletBlaik.pdf\">2010ANAGPIC_ScottDroletBlaik<\/a><\/em><\/p>\n<p><strong>Emily Hamilton<\/strong>, Art Conservation Department, Buffalo State College<br \/>\n<em>The Analysis and Treatment of Food Artifacts: A Sugar Paste Wedding Cake Topper and President Grover Cleveland\u2019s Wedding Cake <a href=\"http:\/\/resources.culturalheritage.org\/anagpic-student-papers\/wp-content\/uploads\/sites\/11\/2020\/04\/anagpic2011_Hamilton_paper.pdf\">anagpic2011_Hamilton_paper<\/a><\/em><\/p>\n<p><strong>Ellen Moody and Steven O&#8217;Banion<\/strong>, Winterthur\/University of Delaware Program in Art Conservation<br \/>\n<em>Digging through Plaster, Wax and Celluloid: The Second Excavation of an Ancient Mesopotamian Bull \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 <a href=\"http:\/\/resources.culturalheritage.org\/anagpic-student-papers\/wp-content\/uploads\/sites\/11\/2020\/04\/anagpic2011_Moody_OBanion_paper.pdf\">anagpic2011_Moody_OBanion_paper<\/a><\/em><\/p>\n<p><strong>Robin Ohern<\/strong>, UCLA\/Getty Master&#8217;s Program in Archaeological and Ethnographic Conservation<br \/>\n<em>On the Surface: A Cultural and Scientific Analysis of the Applied Surface from Two West African K\u00f2m\u00f2 Masks \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0<a href=\"http:\/\/resources.culturalheritage.org\/anagpic-student-papers\/wp-content\/uploads\/sites\/11\/2020\/04\/anagpic2011_Ohern_paper.pdf\">anagpic2011_Ohern_paper<\/a><br \/>\n<\/em><\/p>\n<p><strong>Kristin Robinson<\/strong>, Conservation Center, Institute of Fine Arts, New York University<br \/>\n<em>The Treatment and Technical Study of a Painted Crucifixion by Lorenzo di Bicci \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 <a href=\"http:\/\/resources.culturalheritage.org\/anagpic-student-papers\/wp-content\/uploads\/sites\/11\/2020\/04\/anagpic2011_Robinson_paper.pdf\">anagpic2011_Robinson_paper<\/a><\/em><\/p>\n<h3 align=\"center\"><u>Conference Posters<\/u><\/h3>\n<p><strong>Tasia Bulger<\/strong>, Queen\u2019s University<br \/>\n<em>The Rupture of Mont St. Hilaire: Instrumental Analysis to Discover the Causes of Deterioration \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0<a href=\"http:\/\/resources.culturalheritage.org\/anagpic-student-papers\/wp-content\/uploads\/sites\/11\/2020\/04\/anagpic2011_bulger_poster.pdf\">anagpic2011_bulger_poster<\/a><\/em><\/p>\n<p><strong>Maki Ikushima<\/strong>, Queen\u2019s University<em><br \/>\nA Study of Varnish Coatings for Contemporary Murals in Canada <a href=\"http:\/\/resources.culturalheritage.org\/anagpic-student-papers\/wp-content\/uploads\/sites\/11\/2020\/04\/anagpic2011_Ikushima_poster.pdf\">anagpic2011_Ikushima_poster<\/a><\/em><\/p>\n<p><strong>Nicole Ledoux<\/strong>, UCLA\/Getty Master&#8217;s Program in Archaeological and Ethnographic Conservation<br \/>\n<em>An Investigation of Loss Compensation Materials for the Conservation of Coiled Basketry \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0<a href=\"http:\/\/resources.culturalheritage.org\/anagpic-student-papers\/wp-content\/uploads\/sites\/11\/2020\/04\/anagpic2011_Ledoux_Poster.pdf\">anagpic2011_Ledoux_Poster<\/a><\/em><\/p>\n<p><strong>Dawn Lohnas<\/strong>, UCLA\/Getty Master&#8217;s Program in Archaeological and Ethnographic Conservation<em><br \/>\nCharacterization and Analysis of a Likely Kipu from Northern Chile <a href=\"http:\/\/resources.culturalheritage.org\/anagpic-student-papers\/wp-content\/uploads\/sites\/11\/2020\/04\/anagpic2011_Lohnas_poster.pdf\">anagpic2011_Lohnas_poster<\/a><\/em><\/p>\n<p><strong>Ellen Promise<\/strong>, Winterthur\/University of Delaware Program in Art Conservation<br \/>\n<em>Replicating Missing \u201cLanthorn\u201d Panes: Another Use for the Versatile Melinex\u00ae <a href=\"http:\/\/resources.culturalheritage.org\/anagpic-student-papers\/wp-content\/uploads\/sites\/11\/2020\/04\/anagpic2011_Promise_poster.pdf\">anagpic2011_Promise_poster<\/a><\/em><\/p>\n<p><strong>Cindy Lee Scott<\/strong>, UCLA\/Getty Master&#8217;s Program in Archaeological and Ethnographic Conservation\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<a href=\"http:\/\/resources.culturalheritage.org\/anagpic-student-papers\/wp-content\/uploads\/sites\/11\/2020\/04\/anagpic2011_Scott_poster.pdf\">anagpic2011_Scott_poster<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table border=\"0\" width=\"495\" cellspacing=\"10\" align=\"center\">\n<tbody>\n<tr>\n<td class=\"style37\" width=\"473\"><strong>__________________________________<\/strong><\/p>\n<p class=\"style3\" align=\"left\"><em><strong>Photo Credit:<\/strong> Figure 11: Before treatment x-radiograph of a Mesopotamian metal relief of a recumbent bull from the Penn Museum, Moody and O&#8217;Banion paper, <\/em>Digging through Plaster, Wax and Celluloid: The Second Excavation of an Ancient Mesopotamian Bull<em>.<\/em><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table border=\"0\" width=\"950\" cellspacing=\"0\" cellpadding=\"0\" align=\"center\">\n<tbody>\n<tr>\n<td>\n<div class=\"style2\" align=\"center\">\n<p class=\"style38\" align=\"center\"><span class=\"style48\">The 2011 student paper participants were Gregory Bailey, Emily Hamilton, Ariel O&#8217;Connor, Louise Orsini, Kristen Watson Adsit, Kristin Robinson, Robin Ohern, Elizabeth Drolet, Amber Harwood, Hai-Yen Njuyen, Tatiana Cole, Ellen Moody, Steven O\u2019Banion <\/span><\/p>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Presented at the 2011 Annual Student Conference hosted by the Winterthur\/University of Delaware Program in Art Conservation __________________________________________ Presentations Kristen Watson Adsit, The Conservation Center, Institute of Fine Arts, New York University An Attractive Alternative: The Use of Magnets to &hellip; <a href=\"https:\/\/resources.culturalheritage.org\/anagpic-student-papers\/anagpic-2011-student-papers-posters\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":9,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-47","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/resources.culturalheritage.org\/anagpic-student-papers\/wp-json\/wp\/v2\/pages\/47","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/resources.culturalheritage.org\/anagpic-student-papers\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/resources.culturalheritage.org\/anagpic-student-papers\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/anagpic-student-papers\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/anagpic-student-papers\/wp-json\/wp\/v2\/comments?post=47"}],"version-history":[{"count":0,"href":"https:\/\/resources.culturalheritage.org\/anagpic-student-papers\/wp-json\/wp\/v2\/pages\/47\/revisions"}],"wp:attachment":[{"href":"https:\/\/resources.culturalheritage.org\/anagpic-student-papers\/wp-json\/wp\/v2\/media?parent=47"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}