{"id":49,"date":"2015-08-17T18:54:08","date_gmt":"2015-08-17T18:54:08","guid":{"rendered":"http:\/\/resources.culturalheritage.org\/anagpic-student-papers\/?page_id=49"},"modified":"2020-04-21T17:52:52","modified_gmt":"2020-04-21T17:52:52","slug":"anagpic-2012-student-papers","status":"publish","type":"page","link":"https:\/\/resources.culturalheritage.org\/anagpic-student-papers\/anagpic-2012-student-papers\/","title":{"rendered":"ANAGPIC 2012 Student Papers"},"content":{"rendered":"\n\n\n
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Presented at the 2012 Annual Student Conference hosted by
\nThe Conservation Center, Institute of Fine Arts, New York University <\/em><\/span>
\n__________________________________________<\/p>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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\"\"\"\" \"\"\"\"<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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Paintings<\/u><\/h3>\n

Kristin Bradley and Sophie Scully<\/strong>, Conservation Center, Institute of Fine Arts, New York University\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0anagpic2012_bradley_scully_paper<\/a><\/p>\n

Gabriel Dunn<\/strong>, Paintings Conservation Fellow, Straus Center for Conservation and Technical Studies, Harvard Art Museums \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0anagpic2012_dunn_paper<\/a>\u00a0 \u00a0anagpic2012_dunn_poster<\/a><\/p>\n

Laura Eva Hartman<\/strong>, Winterthur\/University of Delaware Program in Art Conservation \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0anagpic2012_hartman_paper<\/a><\/p>\n

Photo\/Paper<\/u><\/h3>\n

Margaret Wessling<\/strong>, Conservation Center, Institute of Fine Arts, New York University \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 anagpic2012_wessling_paper<\/a><\/p>\n

Ethnographic\/Natural History<\/u><\/h3>\n

Rebecca Summerour<\/strong>, Buffalo State College, State University of New York, Art Conservation Department, Third Year Intern at the National Museum of the American Indian\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0anagpic2012_summerour_paper<\/a><\/p>\n

Crista Pack and Elena Torok<\/strong>, Winterthur\/University of Delaware Program in Art Conservation \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0anagpic2012_pack_torok_paper<\/a><\/p>\n

Treatment Evaluations<\/u><\/h3>\n

Elizabeth Boyce<\/strong>, Queens University, Art Conservation Program
\n<\/em>anagpic2012_boyce_paper<\/a><\/p>\n

Anna Weiss<\/strong>, Queens University, Art Conservation Program
\nanagpic2012_weiss_paper<\/a><\/p>\n

Ayesha Fuentes and Geneva Griswold<\/strong>, UCLA\/Getty Master’s Program in Archaeological and Ethnographic Conservation
\nanagpic2012_fuentes_griswold_paper<\/a><\/p>\n

Fiona Beckett<\/strong>, Queen\u2019s University
\nanagpic2012_beckett_poster<\/a><\/p>\n

Rita Berg<\/strong>, New York University & Anna Weiss<\/strong>, Queen’s University
\nanagpic2012_berg_weiss_poster<\/a><\/p>\n

Tessa de Alarcon<\/strong>, UCLA\/Getty
\nanagpic2012_dealarcon_poster<\/a><\/p>\n

Gabriel Dunn<\/strong>, Straus Center\/Harvard Art Museums
\nanagpic2012_dunn_poster<\/a><\/p>\n

Timothy Greening<\/strong>, Queen\u2019s University
\nanagpic2012_greening_poster<\/a><\/p>\n

Geneva Griswold, Casey Mallinckrodt, & Brittany Dolph<\/strong>, UCLA\/Getty
\nanagpic2012_dolph_fuentes_griswald_etal_poster<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Photo Credits:<\/strong> (Above, from top) Figure 34: Overall humidification under acrylic dome; Figure 33: The largest fragment after humidification and flattening; Both from Summerour, <\/em>The Examination and Conservation of a Snake Skin Suit Jacket.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

Presented at the 2012 Annual Student Conference hosted by The Conservation Center, Institute of Fine Arts, New York University __________________________________________ Paintings Kristin Bradley and Sophie Scully, Conservation Center, Institute of Fine Arts, New York University\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":9,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-49","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/resources.culturalheritage.org\/anagpic-student-papers\/wp-json\/wp\/v2\/pages\/49","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/resources.culturalheritage.org\/anagpic-student-papers\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/resources.culturalheritage.org\/anagpic-student-papers\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/anagpic-student-papers\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/anagpic-student-papers\/wp-json\/wp\/v2\/comments?post=49"}],"version-history":[{"count":0,"href":"https:\/\/resources.culturalheritage.org\/anagpic-student-papers\/wp-json\/wp\/v2\/pages\/49\/revisions"}],"wp:attachment":[{"href":"https:\/\/resources.culturalheritage.org\/anagpic-student-papers\/wp-json\/wp\/v2\/media?parent=49"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}