{"id":587,"date":"2023-08-03T21:09:13","date_gmt":"2023-08-03T21:09:13","guid":{"rendered":"https:\/\/resources.culturalheritage.org\/anagpic-student-papers\/?page_id=587"},"modified":"2023-08-03T21:09:13","modified_gmt":"2023-08-03T21:09:13","slug":"anagpic-2022-student-papers-and-posters","status":"publish","type":"page","link":"https:\/\/resources.culturalheritage.org\/anagpic-student-papers\/anagpic-2022-student-papers-and-posters\/","title":{"rendered":"ANAGPIC 2022 Student Papers and Posters"},"content":{"rendered":"\n<p><em>Presented at the 2022 Annual Student Conference, hosted by The Winterthur\/University of Delaware Program in Art Conservation (WUDPAC) and the University of Pennsylvania Program in Historic Preservation<\/em><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/resources.culturalheritage.org\/anagpic-student-papers\/wp-content\/uploads\/sites\/11\/2023\/08\/Screen-Shot-2023-08-03-at-3.37.35-PM.png\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"530\" src=\"https:\/\/resources.culturalheritage.org\/anagpic-student-papers\/wp-content\/uploads\/sites\/11\/2023\/08\/Screen-Shot-2023-08-03-at-3.37.35-PM-1024x530.png\" alt=\"\" class=\"wp-image-593\" srcset=\"https:\/\/faic.wpenginepowered.com\/anagpic-student-papers\/wp-content\/uploads\/sites\/11\/2023\/08\/Screen-Shot-2023-08-03-at-3.37.35-PM-1024x530.png 1024w, https:\/\/faic.wpenginepowered.com\/anagpic-student-papers\/wp-content\/uploads\/sites\/11\/2023\/08\/Screen-Shot-2023-08-03-at-3.37.35-PM-300x155.png 300w, https:\/\/faic.wpenginepowered.com\/anagpic-student-papers\/wp-content\/uploads\/sites\/11\/2023\/08\/Screen-Shot-2023-08-03-at-3.37.35-PM-768x397.png 768w, https:\/\/faic.wpenginepowered.com\/anagpic-student-papers\/wp-content\/uploads\/sites\/11\/2023\/08\/Screen-Shot-2023-08-03-at-3.37.35-PM-1536x794.png 1536w, https:\/\/faic.wpenginepowered.com\/anagpic-student-papers\/wp-content\/uploads\/sites\/11\/2023\/08\/Screen-Shot-2023-08-03-at-3.37.35-PM-2048x1059.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-text-align-center\">View the official ANAGPIC 2022 <a href=\"http:\/\/resources.culturalheritage.org\/anagpic-student-papers\/wp-content\/uploads\/sites\/11\/2023\/08\/ANAGPIC-2022-Schedule.pdf\" data-type=\"URL\" data-id=\"http:\/\/resources.culturalheritage.org\/anagpic-student-papers\/wp-content\/uploads\/sites\/11\/2023\/08\/ANAGPIC-2022-Schedule.pdf\">conference program<\/a>.<\/p>\n\n\n\n<p><strong><span style=\"text-decoration: underline\">Presentations<\/span><\/strong><\/p>\n\n\n\n<p><strong>Jane Henderson,<\/strong> Angelica Zander Rudenstine Keynote Speaker, Professor of Conservation, Cardiff University <em>Greeting Challenges: Ambitions for Change in Conservation<\/em><\/p>\n\n\n\n<p><strong>Hsin-Chen Tsai<\/strong>, Cornelius Van der Starr Associate Conservator of Chinese Paintings, Asian Conservation, Museum of Fine Arts, Boston<br><em><a href=\"http:\/\/resources.culturalheritage.org\/anagpic-student-papers\/wp-content\/uploads\/sites\/11\/2023\/08\/2022-HSIN-CHEN-TSAI-ANAGPIC-paper3-1.pdf\">Modern Tradition: Chinese Paintings Conservation in Boston<\/a><\/em><\/p>\n\n\n\n<p><strong>Robin Canham<\/strong>, Queen&#8217;s University Department of Art Conservation<br><em><a href=\"http:\/\/resources.culturalheritage.org\/anagpic-student-papers\/wp-content\/uploads\/sites\/11\/2023\/08\/CANHAM-Remoistenable-Nanocellulose-Film-ANAGPIC-2022-1.pdf\">Remoistenable Nanocellulose Film: Practical Application and Analysis<\/a><\/em><\/p>\n\n\n\n<p><strong>Ali Cavicchio<\/strong>, University of Pennsylvania Graduate Program in Historic Preservation<br><em>Evaluation of Shelter Coating as a Preventive Conservation Method for Earthen Sites<\/em><\/p>\n\n\n\n<p><strong>Preme Chaiyatham<\/strong>, Columbia University, Historic Preservation Department<br><em>Restored with Light: Use of Projection Mapping in Historic Preservation<\/em><\/p>\n\n\n\n<p><strong>Lauren Conway, Tamara Dissi, Jenny McGough, Isabel Schneider, and C\u00e9line Wachsmuth<\/strong>, UCLA\/Getty Interdepartmental Program in the Conservation of Cultural Heritage<br><em>Benzo-trying-something-new: A Comparison of Corrosion Inhibitors on Copper Coupons<\/em><\/p>\n\n\n\n<p><strong>Emma Guerard<\/strong>, Buffalo State College, Patricia H. and Richard E. Garman Art Conservation Department<br><em>Comparative Study of American Cloth Covered Bindings 1850-1869 and Treatment of <\/em>The Silver Sunbeam<em> (1864)<\/em><\/p>\n\n\n\n<p><strong>Jocelyn Hillier<\/strong>, Queen&#8217;s University Department of Art Conservation<br><em>A Technical Approach to Rembrandt: The Examination of\u00a0<em>Head of an Old Man in a Cap<\/em><\/em><\/p>\n\n\n\n<p><strong>Natasha Kung<\/strong>, New York University, Conservation Center, Institute of Fine Arts<br><em><a href=\"http:\/\/resources.culturalheritage.org\/anagpic-student-papers\/wp-content\/uploads\/sites\/11\/2023\/08\/Natasha-Kung_ANAGPIC-2022-Report-1.pdf\">Piecing Together a Damaged Relievo Ambrotype<\/a><\/em><\/p>\n\n\n\n<p><strong>Caitlin Livesey<\/strong>, University of Pennsylvania Graduate Program in Historic Preservation<br><em>Formulation and Evaluation of a Biophilic Protective Surface Treatment for Stone Substrates<\/em><\/p>\n\n\n\n<p><strong>Jennifer McGough<\/strong>, UCLA\/Getty Interdepartmental Program in the Conservation of Cultural Heritage<br><em>Diamonds in the Rough: Challenges and Trials in the Assessment of Uncatalogued Collections<\/em><\/p>\n\n\n\n<p><strong>Ver\u00f3nica Mercado Oliveras<\/strong>, Winterthur\/University of Delaware Program in Art Conservation<br><a href=\"http:\/\/resources.culturalheritage.org\/anagpic-student-papers\/wp-content\/uploads\/sites\/11\/2023\/08\/ANAGPIC2022_VMercado-2-1.pdf\"><em>Multi-Analytical Examination of an 18th-Century Velvet-bound Spanish Carta Ejecutoria <\/em>(Carta de Ejecutoria de Hidalgu\u00eda de Sangre de Nu\u00f1ez D. Armesto, de Arce)<\/a><\/p>\n\n\n\n<p><strong>Kaela Nurmi<\/strong>, Buffalo State College, Patricia H. and Richard E. Garman Art Conservation Department<br><a href=\"http:\/\/resources.culturalheritage.org\/anagpic-student-papers\/wp-content\/uploads\/sites\/11\/2023\/08\/NURMI_ANAGPIC_2022_PAPER-1.pdf\"><em>Material Analysis and Conservation Treatment of Louise Nevelson\u2019s sculpture <\/em>Dawn\u2019s Image, Night<\/a><\/p>\n\n\n\n<p><strong>Sarah\u00ed Soriano Orozco<\/strong>, Escuela Nacional de Conservaci\u00f3n, Restauraci\u00f3n y Museograf\u00eda &#8220;Manuel del Castillo Negrete&#8221;<br><em>El sistema de senderos interpretativos patrimoniales como alternativa para la valoraci\u00f3n y conservaci\u00f3n del paisaje cultural en el medio rural: el caso de Santiago Huatusco-Quauhtochco, Carrillo Puerto, Veracruz (The Heritage Interpretive Trails System as an Alternative for the Assessment and Conservation of the Cultural Landscape in Rural Areas: the case of Santiago Huatusco-Quauhtochco, Carrillo Puerto, Veracruz)<\/em><\/p>\n\n\n\n<p><strong>Katharine Shulman<\/strong>, Winterthur\/University of Delaware Program in Art Conservation<br><em><a href=\"http:\/\/resources.culturalheritage.org\/anagpic-student-papers\/wp-content\/uploads\/sites\/11\/2023\/08\/Shulman_Agar-Bioplastic_2022-1.pdf\">Agar Bioplastic: Understanding Its Degradation and Exploring Its Viability as a Fill Material for the Conservation of Glass Objects<\/a><\/em><\/p>\n\n\n\n<p><strong>Abigail Slawik<\/strong>, New York University, Conservation Center, Institute of Fine Arts<br><em>LEOcode and beyond: Applying New Tools for Watermark Studies to Leonardo da Vinci\u2019s Papers and Blank Ledger Books<\/em><\/p>\n\n\n\n<p><strong>Meghan Vonden Steinen<\/strong>, Columbia University, Historic Preservation Department<br><em>Effects of Fire and Heat on Interior Architectural Paint Finishes<\/em><\/p>\n\n\n\n<p><strong>Leslie Zacharie<\/strong>, Harvard University, Straus Center for Conservation and Technical Studies<br><em><a href=\"http:\/\/resources.culturalheritage.org\/anagpic-student-papers\/wp-content\/uploads\/sites\/11\/2023\/08\/Leslie-Zacharie-ANAGPIC-UPDATED-10.10.22-1.pdf\">The Journey of a French Conservation Student<\/a><\/em><\/p>\n\n\n\n<p><strong><span style=\"text-decoration: underline\">Lightning Round <\/span><\/strong><span><span style=\"font-weight: bold;text-decoration: underline\">Presentations<\/span><\/span><\/p>\n\n\n\n<p><strong>Melissa Allen<\/strong>, Queen&#8217;s University Department of Art Conservation<br><a href=\"http:\/\/resources.culturalheritage.org\/anagpic-student-papers\/wp-content\/uploads\/sites\/11\/2023\/08\/Melissa-Allen-MgO-Cement-Coatings-1reduced.pdf\"><em>Comparing Coatings for the Conservation of the 3-D Printed, Magnesia-Based Cement Sculpture <\/em>Rygo<\/a><\/p>\n\n\n\n<p><strong>Jonathan Clemente<\/strong>, Columbia University, Historic Preservation Department<br><em>Leaf-induced Damage to Finishes for Outdoor Bronze Sculpture<\/em><\/p>\n\n\n\n<p><strong>Lauren Conway<\/strong>, UCLA\/Getty Interdepartmental Program in the Conservation of Cultural Heritage<br><em>Consolidation of Flaking Paint on a Yoruba Stool<\/em><\/p>\n\n\n\n<p><strong>Tamara Dissi<\/strong>, UCLA\/Getty Interdepartmental Program in the Conservation of Cultural Heritage<br><em>Fungal Pigments: An Investigation into their Environmental Stability and Application to Conservation<\/em><\/p>\n\n\n\n<p><strong>Sarah Freshnock<\/strong>, Winterthur\/University of Delaware Program in Art Conservation<br><em>Possible Material Limitations of Cold Storage<\/em><\/p>\n\n\n\n<p><strong>Elle Friedberg<\/strong>, Winterthur\/University of Delaware Program in Art Conservation<br><em>Analytical Investigation of Robert Rauschenberg\u2019s Dye and Pigment-based Inkjet Transfer Works: A Case Study of Identifying Colorants to Understand Fading&nbsp;<\/em><\/p>\n\n\n\n<p><strong>Kaeley Furguson<\/strong>, Winterthur\/University of Delaware Program in Art Conservation<br><a href=\"http:\/\/resources.culturalheritage.org\/anagpic-student-papers\/wp-content\/uploads\/sites\/11\/2023\/08\/KFerguson_ANAGPIC_2022-1.pdf\"><em>What&#8217;s Cookin&#8217; Good Lookin&#8217;?: A Study of Sampling Techniques for Stain Analysis on <\/em>The Art of Cookery<em> by Hannah Glasse<\/em><\/a><\/p>\n\n\n\n<p><strong>Kathryn Kenney<\/strong>, Buffalo State College, Patricia H. and Richard E. Garman Art Conservation Department<br><em>Navigating Challenges in the Reading Room: Conserving for Patron Use<\/em><\/p>\n\n\n\n<p><strong>Emily Mercer<\/strong>, Buffalo State College, Patricia H. and Richard E. Garman Art Conservation Department<br><em><a href=\"http:\/\/resources.culturalheritage.org\/anagpic-student-papers\/wp-content\/uploads\/sites\/11\/2023\/08\/Mercer_ANAGPIC_2022-1.pdf\">A Topographical Study of Silver Mirroring Treatment Methods on Gelatin Silver DOP Photographs<\/a><\/em><\/p>\n\n\n\n<p><strong>Isabel Schneider<\/strong>, UCLA\/Getty Interdepartmental Program in the Conservation of Cultural Heritage<br><em>The Resurrection of a Corn-Osiris: Technical Study and Conservation Treatment of a Late-Period Egyptian Corn Mummy<\/em><\/p>\n\n\n\n<p><strong>Rachel Stark<\/strong>, Queen&#8217;s University Department of Art Conservation<br><em>Adhesives Testing on a Severely Delaminated Contemporary Oil Painting Containing Zinc: Conservation Treatment and Ethics<\/em><\/p>\n\n\n\n<p><strong>Peiyuan Sun<\/strong>, New York University, Conservation Center, Institute of Fine Arts<br><em>The Accuracy of Wireless Sensor Tags in Measuring Light Intensity<\/em><\/p>\n\n\n\n<p><strong>C\u00e9line Wachsmuth<\/strong>, UCLA\/Getty Interdepartmental Program in the Conservation of Cultural Heritage<br><em>In Search of a Consolidant Befitting Baleen: the Treatment of a Baleen Sled<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Presented at the 2022 Annual Student Conference, hosted by The Winterthur\/University of Delaware Program in Art Conservation (WUDPAC) and the University of Pennsylvania Program in Historic Preservation View the official ANAGPIC 2022 conference program. Presentations Jane Henderson, Angelica Zander Rudenstine &hellip; <a href=\"https:\/\/resources.culturalheritage.org\/anagpic-student-papers\/anagpic-2022-student-papers-and-posters\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":9,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-587","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/resources.culturalheritage.org\/anagpic-student-papers\/wp-json\/wp\/v2\/pages\/587","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/resources.culturalheritage.org\/anagpic-student-papers\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/resources.culturalheritage.org\/anagpic-student-papers\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/anagpic-student-papers\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/anagpic-student-papers\/wp-json\/wp\/v2\/comments?post=587"}],"version-history":[{"count":0,"href":"https:\/\/resources.culturalheritage.org\/anagpic-student-papers\/wp-json\/wp\/v2\/pages\/587\/revisions"}],"wp:attachment":[{"href":"https:\/\/resources.culturalheritage.org\/anagpic-student-papers\/wp-json\/wp\/v2\/media?parent=587"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}