{"id":81,"date":"2015-08-27T14:42:12","date_gmt":"2015-08-27T14:42:12","guid":{"rendered":"http:\/\/resources.culturalheritage.org\/comment\/?page_id=81"},"modified":"2015-08-28T13:29:27","modified_gmt":"2015-08-28T13:29:27","slug":"appendix-b-participants-12","status":"publish","type":"page","link":"https:\/\/resources.culturalheritage.org\/comment\/charting-the-digital-landscape-of-the-conservation-profession\/appendix-b-participants-12\/","title":{"rendered":"Appendix B – Participants (1\/2)"},"content":{"rendered":"

Invited Forum Attendees<\/u><\/strong><\/p>\n

Fran Bass<\/strong>, Associate Conservator for Objects
\nDallas Museum of Art<\/p>\n

Meg Bellinger<\/strong>, Director Yale Digital Collections Center
\nInstitute for the Preservation of Cultural Heritage, Yale University West Campus<\/p>\n

Brenda Bernier<\/strong>, James Needham Chief Conservator, Head of Weisman Preservation Center
\nHarvard Library<\/p>\n

David Bloom<\/strong>, VertNet Project Coordinator
\nUniversity of California at Berkeley<\/p>\n

Connie Bodner<\/strong>, Supervisory Grants Management Specialist, Museum Services
\nInstitute of Museum and Library Services<\/p>\n

Foekje Boersma<\/strong>, Project Manager, Managing Collection Environments Initiative
\nGetty Conservation Institute<\/p>\n

Angela Chang<\/strong>, Assistant Director and Conservator of Objects and Sculpture
\nStraus Center for Conservation and Technical Studies, Harvard Art Museums<\/p>\n

Tom Clareson<\/strong>, Senior Digital & Preservation Services Consultant
\nLyrasis<\/p>\n

Kirk Cordell<\/strong>, Executive Director
\nNational Center for Preservation Technology and Training, National Park Service<\/p>\n

Pete Dandridge<\/strong>, Conservator and Administrator
\nThe Sherman Fairchild Center for Objects Conservation, Metropolitan Museum of Art<\/p>\n

Michele Derrick<\/strong>, Schorr Family Associate Research Scientist
\nMuseum of Fine Arts, Boston<\/p>\n

Tiarna Doherty<\/strong>, Chief Conservator
\nLunder Center, American Art, Smithsonian Institution<\/p>\n

Deena Engel<\/strong>, Professor
\nDepartment of Computer Science, New York University<\/p>\n

Ben Fino-Radin<\/strong>, Digital Repository Manager
\nMuseum of Modern Art<\/p>\n

Franziska Frey<\/strong>, The Malloy-Rabinowitz Preservation Librarian; Head of Preservation and Digital Imaging Services,
\nHarvard Library<\/p>\n

Benjamin Haavik<\/strong>, Team Leader for Property Care
\nHistoric New England<\/p>\n

Martin Halbert<\/strong>, Dean of Libraries, University of North Texas; President, Educopia Institute<\/p>\n

Kenneth Hamma<\/strong>, Independent Consultant
\nThe Andrew W. Mellon Foundation<\/p>\n

Laura Hartman<\/strong>, Paintings Conservator
\nDallas Museum of Art<\/p>\n

Pamela Hatchfield<\/strong>, Head of Objects Conservation
\nMuseum of Fine Arts, Boston<\/p>\n

Arlen Heginbotham<\/strong>, Associate Conservator, Decorative Arts Conservation
\nJ. Paul Getty Museum<\/p>\n

Unmil Karadkar<\/strong>, Assistant Professor
\nSchool of Information, University of Texas at Austin<\/p>\n

Dale Kronkright<\/strong>, Head of Conservation
\nGeorgia O\u2019Keeffe Museum<\/p>\n

Henry Lie,<\/strong> Director and Senior Conservator of Objects and Sculpture
\nStraus Center for Conservation and Technical Studies, Harvard Art Museums<\/p>\n

Mark Leonard<\/strong>, Chief Conservator
\nDallas Museum of Art<\/p>\n

Michele Marincola<\/strong>, Professor of Conservation
\nInstitute of Fine Arts, New York University<\/p>\n

Max Marmor<\/strong>, President
\nSamuel H. Kress Foundation<\/p>\n

Bert Marshall<\/strong>, Project Director, ConservationSpace
\nNational Gallery of Art<\/p>\n

Richard McCoy<\/strong>, Independent Art Conservator<\/p>\n

Paul Messier<\/strong>, Independent Conservator of Photographs,
\nPaul Messier LLC<\/p>\n

Bonnie Naugle<\/strong>, Communications Director
\nAmerican Institute for Conservation<\/p>\n

Eric Pourchot<\/strong>, Institutional Advancement Director
\nFoundation of the American Institute for Conservation<\/p>\n

Nancie Ravenel<\/strong>, Objects Conservator
\nShelburne Museum<\/p>\n

Koven Smith<\/strong>, Director of Digital Adaptation
\nBlanton Museum of Art<\/p>\n

Eliza Spaulding<\/strong>, Paper Conservator
\nWorcester Art Museum<\/p>\n

Angela Spinazz\u00e8<\/strong>, Senior Director for Collaborative Programs
\nLyrasis<\/p>\n

Robert Stein<\/strong>, Deputy Director
\nDallas Museum of Art<\/p>\n

Erin Stephenson<\/strong>, Andrew W. Mellon Fellow in Paintings Conservation
\nThe Menil Collection<\/p>\n

Courtney von Stein Murray<\/strong>, Samuel H. Kress Fellow in Objects Conservation
\nDenver Art Museum<\/p>\n

Mary Striegel<\/strong>, Chief, Materials Research
\nNational Center for Preservation Technology and Training<\/p>\n

Jeffrey Warda<\/strong>, Paper Conservator
\nSolomon R. Guggenheim Museum<\/p>\n

Eryl Wentworth<\/strong>, Executive Director
\nAmerican Institute for Conservation and Foundation of the American Institute for Conservation<\/p>\n

Paul Whitmore<\/strong>, Director, Art Conservation Research Center
\nInstitute for the Preservation of Cultural Heritage, Yale University West Campus<\/p>\n

Diane M. Zorich<\/strong>, Project Director and Consultant
\nAmerican Institute for Conservation and Foundation of the American Institute for Conservation<\/p>\n","protected":false},"excerpt":{"rendered":"

Invited Forum Attendees Fran Bass, Associate Conservator for Objects Dallas Museum of Art Meg Bellinger, Director Yale Digital Collections Center Institute for the Preservation of Cultural Heritage, Yale University West Campus Brenda Bernier, James Needham Chief Conservator, Head of Weisman Preservation Center Harvard Library David Bloom, VertNet Project Coordinator University of California at Berkeley Connie […]<\/p>\n","protected":false},"author":18,"featured_media":0,"parent":11,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-81","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/resources.culturalheritage.org\/comment\/wp-json\/wp\/v2\/pages\/81","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/resources.culturalheritage.org\/comment\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/resources.culturalheritage.org\/comment\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/comment\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/comment\/wp-json\/wp\/v2\/comments?post=81"}],"version-history":[{"count":0,"href":"https:\/\/resources.culturalheritage.org\/comment\/wp-json\/wp\/v2\/pages\/81\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/comment\/wp-json\/wp\/v2\/pages\/11"}],"wp:attachment":[{"href":"https:\/\/resources.culturalheritage.org\/comment\/wp-json\/wp\/v2\/media?parent=81"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}