C2CC Webinar 1/14: A Conservation Primer: Caring for Historic Furniture

Do you have furniture as part of your collections? Learn the best ways to preserve and care for your furniture collection by joining the first C2C Care webinar for 2016 on January 14 at 2:00 EST, A Conservation Primer: Caring for Historic Furniture http://www.connectingtocollections.org/a-conservation-primer-caring-for-historic-furniture/ Sign up now – it’s free!

The Connecting to Collections Care Online Community (www.connectingtocollections.org) provides free training, resources, and assistance concerning collections care for all types of small and mid-sized cultural organizations.

Job Posting: Assistant/Associate Paper Conservator – Saint Louis Art Museum (St. Louis, MO)

ASSISTANT/ASSOCIATE PAPER CONSERVATOR
The Saint Louis Art Museum seeks a collegial, collaborative, and energetic Paper Conservator to join its dynamic Conservation team. SLAM’s collection of works in the prints, drawings and photography collection spans centuries with numerous works by both Eastern and Western masters. This Individual will report to the Head of Conservation and will supervise the Conservation Technician and grant-funded Interns. An ideal candidate will have a broad and solid foundation in paper conservation techniques and be capable of  collaborating with other conservation staff to solve unique preservation challenges. A successful candidate will delight in the opportunity to oversee the conservation of masterworks and will have the attention to treatment and general preservation details that such works require. The Candidate will also have an excellent sense of Project Management and conscientious observations of deadlines. As the Museum’s conservator of paper, the candidate will be expected to plan, supervise, and participate in the conservation and restoration of works on paper in the collections of the Saint Louis Art Museum; to advise the Museum generally on the care of these collections; and to assist in determining conservation policy for the Museum.
 DUTIES, WORK PERFORMED

  • Periodically examine and appraise physical condition of the Museum’s permanent collections:
    • Assess deterioration and damage, and problems involved in remedial treatment.
    • Design and carry out conservation treatment in consultation with the Curator of Prints, Drawings and Photographs.
    • Provide written and photographic documentation to record condition of objects, treatments proposed, and treatments performed.
    • Recommend other Conservators outside his or her field of expertise and review their treatment proposals.
    • Advise on preventative maintenance in the Museum as a whole in the areas of environment, handling, storage, and installation.
    • Examine works on paper prior to acquisition to aid the Curatorial staff in determining their physical and aesthetic condition, as well as their authenticity.
    • Examine works requested for loan to determine suitability for travel and to document their condition, and advise the Registrar and others on any special packing and shipping considerations.
    • Supervise the technician assigned to the Department of Prints, Drawings and Photographs, and in particular, review the design and fabrication of mats and frames for the collection. Advise the Registrar and Curators on the installation, storage and maintenance of works on paper in the collection.
  • Administer the Paper Conservation Lab:
    • Assist in preparing, monitoring and controlling the departmental budget
    • Recommend acquisition of new equipment
    • Monitor and order conservation supplies

QUALIFICATIONS
Qualified applicants must have a degree from an accredited conservation program or its equivalent and a minimum of 8-10 years conservation experience in paper conservation is required.  Prefer at least 2 years’ experience in administration and staff supervision.
The above statements of this job description describe the general duties and level of work performed by employees assigned to this position. They do not claim to describe all of the functions of this position. Employees may be assigned other duties and the essential functions may change or be changed from time to time.
The Saint Louis Art Museum (www.slam.org) is one of the top ten comprehensive art museums in America, based on the scope and quality of its collection. The museum has four modern conservation labs in the areas of objects, paintings, paper and textiles, in addition to an active Print Study Room.
Applicants must apply online at Paper Conservator – Apply Here or at www.slamcareers.org
The position will remain open until filled.
EOE
 
 

Call for Papers: ICOM-CC Photographic Materials Working Group Interim Meeting 2016 (Due: January 15, 2016)

ICOM-CC Photographic Materials Working Group Interim Meeting 2016
September 21-24, 2016, Amsterdam, the Netherlands
Meeting theme: Uniques & Multiples
Call for Papers
The Rijksmuseum Amsterdam and the Photographic Materials Working Group of ICOM-CC are pleased to announce a Call for Papers for the 2016 Photographic Materials Working Group Interim Meeting, scheduled for 21-24 September 2016 in Amsterdam, the Netherlands. This meeting is an important gathering of photograph conservators and historians from all over the world. Past meetings have been held in Wellington, Athens, Rochester, and Paris, among other locations. The 2016 meeting will be comprised of two days of workshops and tours (21-22 September, optional) followed by two days of lectures and a poster display (23-24 September).
Lecture Day 1 will be dedicated to the meeting theme: Uniques & Multiples.
The joint contemplation of the unique and the multiple touches upon the very essence of photography, from its beginnings in the 19th century until the present. While seemingly contradictory, the two concepts are actually inextricably linked and can be explored on many levels. Nicéphore Niépce, for example, was concerned with the reproduction of works of art in order to multiply and disseminate images of them, and yet in fact very few photographic artefacts form his legacy. Daguerre’s process produced a unique photographic object, but many thousands of daguerreotypes can be found in collections today. Early pioneers duplicated daguerreotypes by etching and printing from them or by creating galvanic copies; these techniques then became obsolete within years of their invention.
In our digital era of mass photography, unique analogue processes such as ambrotypes and tintypes are flourishing. Most recently, a 20th century photographic unique, the instant print, teetered on the brink of obsolescence as a result of the takeover of digital photography, but it has been revived and is currently thriving. Many questions remain unanswered on the materials and techniques, but also on the conservation and exhibition of unique photographs, such as daguerreotypes, photogenic drawings, colour screen plates, and contemporary prints with applied media; and serial objects, such as numbered editions of colour photographs and inkjet prints, may pose ethical and practical questions of reprinting and replacement. These and other technically and temporally recurrent variations of the unique and the multiple will be studied in breadth and depth on the first day of the conference.
Lecture Day 2: Free conservation topics
All original submissions covering topics relevant to the analysis, treatment, study and care of photographic materials will be considered.
Key dates to remember:
January 15, 2016        Submission deadline for abstracts for talks and posters
March 1, 2016            Notification of speakers and authors
March 15, 2015          Announcement of programme, Registration opens
Sept. 21-22, 2016       Workshops and tours
Sept. 23-24, 2016       Interim meeting
Conference Websites
https://www.rijksmuseum.nl/en/icom-cc.pmwg
http://www.icom-cc.org/52/event/?id=260
Greg Hill, Coordinator ICOM-CC Photographic Materials Working Group
Martin Jürgens, Conservator of Photographs, Rijksmuseum
Email: ICOM-CC.PMWG.2016@rijksmuseum.nl