Author: Brittany Dismuke

Job Posting: Tenure-Track Assistant Professor – University of Delaware, Art Conservation Department (Newark, DE)

Assistant Professor (Tenure-Track)
Art Conservation Department
University of Delaware
Beginning September 1, 2016
The Department of Art Conservation at the University of Delaware invites applications for a tenure-track position in art conservation at the assistant professor level beginning September 1, 2016. The department prefers scholars focusing on the History and Technology of Art Materials, whose work speaks to historical as well as contemporary art. In addition to pursuing a research agenda, the appointee will be expected to enhance the department’s course offerings in the history and technology of art methods, and documentation and examination of artifacts, and play an active role in advising both undergraduate and graduate students. The successful candidate will join a department of five full-time UD faculty members with extensive records of scholarship and public outreach in addition to 15 teaching conservators and scientists at Winterthur Museum.
This position is crucial to advancing the Department’s and College’s long-term commitment to excellence for education and training of undergraduates, Master’s-level, and doctoral students in conservation and preservation. The candidate must demonstrate an especially strong commitment to undergraduate teaching and mentoring.  We especially want to encourage individuals to apply who are willing to contribute to the interdisciplinary dialogue between conservators, scientists, art historians, and living artists and other disciplines found on campus. Active research projects with the potential for involving undergraduate students would be crucial to this position. The successful candidate will ideally contribute to the current need to provide artists with a resource that can provide accessible, accurate, and current information about available artist’s materials, their composition, appropriate uses, aging properties, and safety in use. The campus is especially interested in candidates who can contribute to the diversity and excellence of the academic community through their research, teaching and/or service.
Founded in 1743, the University of Delaware is one of the nation’s oldest institutions of higher education and combines tradition and innovation. Our long-standing partnership with the Winterthur Museum allows for unparalleled opportunities for our faculty and students.  Also, the Winterthur Program in American Material Culture and the University of Delaware’s Center for Material Culture Studies, Department of Art, and Department of Art History also enhance the opportunities for interdisciplinary teaching and research.
Responsibilities will include:

  • Regularly teach undergraduate courses on the history and technology of art materials and technical art history.
  • Teach non-destructive examination techniques, alone or as part of a team, for the first- year, master’s- level courses, Conservation Principles 1 & 2
  •  Conduct research on artists’ techniques (this could include living artists or Old Master techniques and materials), or other related topics.  Publications online or in print are to be encouraged.
  • Provide guidance in research and independent study projects to undergraduate and graduate students.
  • Advise undergraduate students on degree completion and professional practice and help to arrange practical internships.
  • Serve on departmental, college, and university committees.
  • Collaborate with faculty and staff across campus, including in the departments of Art History, Art, and Chemistry, and Biochemistry, as well as within regional/national cultural institutions.
  • Provide consultation to contemporary artists on their choices in materials and techniques in order to maximize long-term preservation of their works;
  • Represent the department in professional organizations, both local and national, and other responsibilities as assigned by the Department Chair.

The successful candidate will have a Master’s degree in Art Conservation, and teaching experience at the college level is required. The candidate should demonstrate a strong interest in teaching and research in addition to excellent communication and collaborative skills. The ideal applicant will be a generalist in historical art materials and techniques and be able to work with materials across disciplines and historical artifact categories. The successful candidate should possess experience conducting research on historical artist’s materials and a demonstrated record of scholarship and publication.
Please visit our website at www.udel.edu and the Art Conservation department website at http://www.artcons.udel.edu/. The University of Delaware is an Equal Opportunity Employer and encourages applications from minority group members and women.
The appointment will begin on September 1, 2016. Applicants should visit www.udel.edu/udjobs and read “Applicant Instructions” under the “Resources for Applicants” tab before submitting their applications. Applicants are asked to create and upload a single document that includes a cover letter and a c.v.  Please also arrange for each of your three recommenders to be upload their letters to the online application system . Review of applications will begin upon receipt, with a deadline of October 30, 2015.

Job Posting: Conservation Assistant II – Preservation Department, Yale University Library (New Haven, CT)

Conservation Assistant II
Collections Conservation and Housings
Preservation Department
Conservation Services
Yale University Library
Grade D
Job: #32196
For a complete job description please go to: http://www.yale.edu/jobs/
Position Focus: Under the supervision of the Chief Conservator and/or Assistant Chief Conservator, performs a variety of tasks related to the conservation of books and other library materials from Yale’s general, circulating, rare, and special collections. This position’s primary assignment will be in collections conservation and housings, with secondary assignments from special collections conservation and exhibition production support.
In consultation with the Assistant Chief Conservator, carries out treatments on library materials in accordance with accepted standards for conservation practice; gives time estimates, and documents treatments performed.  Handles intermediate to complex conservation tasks that require knowledge and expertise in multiple techniques and tools and uses skills and abilities to adapt techniques and knowledge to solve unique problems.  Treatments applied in combination include, but are not limited to, conservation rebinding, rebacking and board reattachment; surface cleaning; aqueous treatment to wash and/or de-acidify; mending and/or lining; tape and adhesive removal.  Uses a variety of simple, visual examination techniques and equipment such as a microscope and ultraviolet illumination to describe the materials, construction and condition of cultural property.  Designs and makes complex, custom-fit enclosures for fragile objects using supplied materials.  These may include custom 4-flap, clamshell or 2-piece boxes, which can be made by hand or using a Kasemake automated box-making system and its unique software.  Housing may also include matting, framing and encapsulation.  Tracks incoming and outgoing collection items for the unit.  Fields questions from Library staff about individual items, and ensures that recall and rush requests are filled in a timely manner.  Assists conservators with conservation and preservation outreach activities.  May assist with the training of student assistants.  May assists conservators with surveys noting general conditions of cultural property via written or electronic reports.  Assists with laboratory maintenance, supply inventories,and restocking; prepares solutions and other stock treatment essentials (e.g., paste, adhesives); cleans and maintains equipment; participates in laboratory safety training.  May assist in the preparation of library materials for exhibition.  Fabricates simple mounts and, in consultation with the Exhibits Production Coordinator.
Education and Experience: Six years of directly relevant work experience, four of them in the same job family at the next lower level, and a high school level education; or four years of related work experience and an Associate degree or little or no work experience and a Bachelor’s degree in a related field; or an equivalent combination of education and experience.
Preferred Education, Experience and Skills:  Minimum of one year experience in book conservation at another institution or practice, under the supervision of a conservator.  Required Skills and Abilities:  Demonstrated knowledge of the fundamentals, techniques and history of bookbinding, paper treatment and conservation.  Excellent manual dexterity and sustained concentration with delicate and occasionally repetitive tasks.  A portfolio of relevant work is required.
 

2016 Rome Prize Competition Now Open

11
The American Academy in Rome invites applications for the 2016 Rome Prize.
For over a century, the Academy has awarded the Rome Prize to support innovative work in the arts and humanities. Through a national juried competition, Rome Prizes are awarded to emerging and established artists and scholars working in the following disciplines:

  • Ancient Studies
  • Architecture
  • Design (includes graphic, industrial, interior, exhibition, set, costume, and fashion design, urban design, city planning, engineering, and other design fields)
  • Historic Preservation and Conservation
  • Landscape Architecture (includes environmental design and planning, landscape/ecological urbanism, landscape history, sustainability and ecological studies, and geography)
  • Literature
  • Medieval Studies
  • Modern Italian Studies
  • Musical Composition
  • Renaissance and Early Modern Studies
  • Visual Arts (includes painting, sculpture, drawing, photography, film/video, installation, new media, digital arts, and other visual arts fields)

Ranging from six months to two years, the thirty fellowships include a stipend, room and board, and individual workspace at the Academy’s eleven-acre center in Rome.
Submissions due: NOVEMBER 1, 2015
Visit aarome.org/apply for guidelines.

Revisions – Zen for Film, Bard Graduate Center, NY

Revisions—Zen for Film
Bard Graduate Center, New York
September 18, 2015–January 10, 2016
How do works of art endure over time in the face of aging materials and changing interpretations of their meaning? How do decay, technological obsolescence, and the blending of old and new media affect what an artwork is and can become? And how can changeable artworks encourage us to rethink our assumptions of a work of art as fixed and static? Revisions—Zen for Film, on view this fall and winter in the Bard Graduate Center Focus Gallery in New York, explores these questions through Zen for Film, one of the most evocative artworks by the Korean-American artist Nam June Paik (1932- 2006). Created during the early 1960s, Zen for Film consists of the screening of blank film leader for several minutes. As the film ages and wears in the projector, the viewer is confronted with a constantly evolving work. Revisions—Zen for Film provides a fresh perspective on an artwork with a rich history of display by asking precisely what, how, and when is Zen for Film?
Developed during a two-year Andrew W. Mellon “Cultures of Conservation” Fellowship at Bard Graduate Center, Revisions—Zen for Film offers a unique and intimately focused encounter with the materiality of Paik’s work, present here in one specific instance in a series stretch­ing back to the early 1960s.The rationale behind the project is to critically revise—and question—some assumptions about Zen for Film so as to foster a broad reflection not only about media that refuse simple classifications but also about artworks radically shaped by curatorial, conservation, and presentation deci­sions.
The digital interactive with contributions by BGC master’s students frames Zen for Film through conceptual associations that correspond to viewers’ experiences of it—boredom, chance, materiality, nothingness, silence, time, and trace. Through these concepts, Zen for Film is linked with a number of artworks that can be viewed as potential inspirations, antecedents, or contemporaries. Together these suggest issues of appropriation and continual reinterpretation. Included in the digital interactive are artworks by Cory Arcangel, John Baldessari, Robert Barry, Joseph Beuys, George Brecht, John Cage, Com&Com, Tony Conrad, Merce Cunningham, Guy Debord, Marcel Duchamp, Ceal Floyer, Ken Friedman, Yves Klein, Imi Knoebel, JODI (Joan Heemskerk / Dirk Paesmans), Joseph Kosuth, Christine Kozlov, Peter Kubelka, Kasimir Malevich, Christian Marclay, Nam June Paik, Robert Rauschenberg, Man Ray, Robert Ryman, Paul Sharits, Hiroshi Sugimoto, Mungo Thompson, Michel Verjux, Lawrence Weiner, and Andy Warhol.
The exhibition was curated by Hanna Hölling, Andrew W. Mellon Visiting Professor, Cultures of Conservation, at Bard Graduate Center.
The exhibition is accompanied by Revisions: Zen for Film—a fully illustrated book by Hölling that offers an in-depth analysis of Zen for Film by con­structing a sequence of ten thematically ordered chapters, or “revisions,” spanning a theoretical-historical context and the frameworks of exhibition, dissemina­tion, and continuation.
Visit bgc.bard.edu/revisions for more information about the exhibition, to access the interactive and to find out about related public programs.  A symposium Revisions: Object—Event—Performance—Process since the 1960s with participating international scholars in film, performance, and curatorial and conservation studies will take place on September 21, 11:15am-6pm.
On September 24, 6:30pm-8:00pm, Curator’s Corner: On Curating Nam June Paik will focus on some of challenges posed by technology-based media in the extended field of conservation and curatorial practice (with Hanna Hölling and Michelle Yun).
Location
38 West 86th Street, Lecture Hall: symposium and public programs
18 West 86th Street, Focus Gallery: exhibition
 

Job Posting: Collection Management Specialist – Smithsonian Institution (Washington, DC)

Job Title:Collections Management Specialist

Agency:Smithsonian Institution

Job Announcement Number:15R-JW-300916-DEU-NCP
This position serves as a Collections Management Specialist reporting to the Director of the National Collections Program (NCP). The incumbent collaborates with NCP staff to carry out the office’s mission, which is dedicated to improving the overall stewardship and management of Smithsonian collections by providing central leadership and policy oversight of Institution-wide collections initiatives. This position serves as a principal advisor on Smithsonian collections emergency management and collections management professional development training.

DUTIES:

The incumbent is responsible for planning, developing, and coordinating implementation of the Smithsonian’s collections emergency management and collections management professional development programs. Duties include:

  • Planning, developing, and implementing policies and procedures for Smithsonian-wide collections emergency management.
  • Developing and coordinating implementation of the Smithsonian’s collections emergency management plan, including preparedness, response, and recovery policies, procedures, training, and logistical support, working closely with Smithsonian collecting units, the Office of Emergency Management, and other central offices to ensure collections-related issues are integrated and addressed by the Smithsonian’s general emergency management program.
  • Developing and providing leadership of the Preparedness and Response in Collections Emergencies (PRICE) committee.
  • Planning, developing, and coordinating implementation of the Smithsonian’s collections management professional development program to ensure the successful application of Smithsonian collections management policy standards and professional best practices.
  • Developing, conducting, and facilitating a series of professional development training and continuing education opportunities on Smithsonian collections and collections management for Smithsonian staff with direct and indirect responsibilities for collections care.

For more information, or to apply, visit the posting directly:
https://www.usajobs.gov/GetJob/ViewDetails/415375700
https://www.usajobs.gov/GetJob/ViewDetails/415379400

Job Posting: Digital Preservation Specialist – Qatar Preservation Library (Doha, Qatar)

Qatar National Library has an open vacancy for a Digital Preservation Specialist and we would like to ask you kindly if is possible to advertise in  the IAC page again, details of the vacancy are:
Qatar National Library has a new opening for a Digital Preservation Specialist position, if interested please send us your CV to recruitment@qf.org.qa
Job Purpose:
The Digital preservation Specialist is the key professional member of the Library digitization team. This position will develop Oral history program, scope, standards, and future direction. S/he works closely and in partnership with the QNL’s Archivist to identify, record and create METADATA for long term preservation.
Key Result Areas

  • Serve as a senior mentor, role model and coach, bringing knowledge of the professional standards of the oral history profession to Qatar National Library Digitization program.
  • Carry out high priority interviews from start to completion—including but not limited to archival research, interviewing, editing, following up with interviewees, and preparing final interview materials for deposit in the QNL Archives.
  • Create training materials and direct workshops for oral history volunteers.
  • Collaborate with the Library’s Special Collection and Archives team to develop oral history program, scope, standards, and future direction.
  • Identify and prioritize oral history topics, themes, and individual interviews to be pursued.
  • Develop METADATA for oral history items as per international current standards
  • Set standards and ensure quality control throughout the oral history program, for example, documenting best practices, reviewing completed interviews, and advising on resolution of sensitive issues as they arise.
  • Serve as the National Library’s professional oral history advocate, speaking and writing about its oral history program
  • Identify oral history opportunities of potential interest to outside funding sources and prepare proposals for oral history program support.
  • Work with providers from within and outside the Library to evaluate current technology appropriate for capturing oral histories.
  • Maintain a broad network of contacts with professionals engaged in oral history in order to promote professionalism and new ideas within the Qatar National Library oral history program.
  • Keep abreast of developments, trends and issues in areas of responsibility
  • Participate in team work and committees as needed
  • Perform miscellaneous duties and conduct special projects as assigned
  • Familiarize, understand and implement QF health, safety, and environment policy, procedures, legal regulations and objectives applicable to areas of responsibility.
  • Ensures coordination with HSE department in implementing, monitoring and reviewing of HSE performance to ensure work under his/her control is performed in a safe, healthy and environmentally sound manner.
  • This position includes, but is not limited to, other duties as required and defined by the scope, purpose, and spirit of the institution and are not always indicative of the title and grade of the position

Job Requirements

  • Diploma in any Arts and Design or related fields
  • Minimum 2 years’ experience in Oral History operations and support
  • Strong knowledge of capturing Oral History with at least 2 years of demonstrated interview experience (including carrying out research and editing transcripts)
  • Strong knowledge of digital data preservation for long term
  • Strong facilitation, communication, and conflict resolution skills, both verbal and written
  • Audio and video production and editing skills desirable
  • Strong knowledge of standards and best practices related to Oral history and IT Operations and support
  • Experience developing and sustaining outstanding working relations with a very diverse community of Qatar and the region
  • Knowledge of copyright law
  • High level of computer literacy with spreadsheets, word processing and database software and/or business systems (Word, Access, Excel, PowerPoint, MS Project, VISIO, VB, other graphic software).
  • Good to have a detailed and analytical approach with hands-on experience with project management tools (e.g., Microsoft Project) and strong organizational skills.
  • Established connections within the oral history profession highly desirable
  • In-depth understanding of the Qatar and Arab Region culture is required
  • Be able to work independently as well as in a team.
  • Excellent interpersonal skills as well as written/oral communications skills in supporting client needs are essential.
  • Perform miscellaneous duties and conduct special projects as assigned
  • Familiarize, understand and implement QF health, safety, and environment policy, procedures, legal regulations and objectives applicable to areas of responsibility.
  • Ensures coordination with HSE department in implementing, monitoring and reviewing of HSE performance to ensure work under his/her control is performed in a safe, healthy and environmentally sound manner.
  • This position includes, but is not limited to, other duties as required and defined by the scope, purpose, and spirit of the institution and are not always indicative of the title and grade of the position

For more information about Qatar National Library or Qatar Foundation, please feel free to visit www.qnl.qa or www.qf.org.qa

Estimates Request: Maintenance of Outdoor Bronze Statuary – City of Livermore (Livermore, CA)

Location: Livermore, CA (Northern CA, east San Francisco Bay Area, east Alameda County)
Artwork: Sunday with Jessie by Susan Geissler
Medium: Bronze traditional patinas with some acrylic paint
Dimensions: 34” tall (boy) x 45” long (two figures) (Figures are attached.)
Request:  an estimate of maintenance costs and schedule for on-going maintenance of this new piece after initial installation
Background: A donor has offered to contribute the above statuary to our City.  We currently have a few small outdoor bronze or metal statuary, but none have ever been maintained.  The above piece would be placed in a well-traveled location and would attract much attention from children and adults.  I would expect it to be touched regularly and we would want to keep it maintained.  We are considering contracting with a service for the maintenance of all our outdoor statuary and would issue an RFP when we are ready to move forward.  In the meantime I need an estimate of the on-gong maintenance costs for the above piece so that our City Council can determine whether or not to accept the donation.  I have a Tuesday, 9/8 deadline to submit this information.
Providing an estimate will not obligate anyone.  If the City accepts the donation we will move forward with the issuance of an RFP for a firm to provide the maintenance for this piece and possibly all of the City’s pieces.
Please let me know if you are able to help me with my request.  I have received one estimate, but I’d like to have one or two more to use as a comparison.  The estimate that I received was for:
One annual waxing of bronze elements and cleaning of painted surfaces – 3 hours
A second 6 monthly cleaning, and inpainting of any damages – 2-3 hours
Annual report and photography – 1hour
The sculptor recommended washing/waxing at least once per year but only estimated one hour or less per event.  I don’t want to overinflate my estimate of maintenance costs to my City Council and would appreciate any additional information that I can get in the next few days.
Thanks so much,
Rebecca Cox
Staff Liaison, Commission for the Arts
City of Livermore
1052 S Livermore Avenue
Livermore, CA 94550
(925) 960-4581
Arts@cityoflivermore.net
www.cityoflivermore.net

Job Posting: Researcher, Conservation Science – Tate (London, UK)

Opportunity type: Fixed-term, Full-time

Working hours: 36 hours per week

Salary: £29,300 per annum

Location: London – Tate Britain, Millbank

Closing date: 01 October 2015 at 17:00

Funded by the EU, the NANORESTART project aims to address the often extremely fast degradation of materials used by contemporary artists. Working at the cutting edge of modern chemistry and material science, the project will focus on the development and evaluation of highly innovative conservation techniques.
This is your chance to work with one of the most globally important art institutions on ground-breaking research into one of the most significant challenges facing modern and contemporary art conservation. You will make a significant contribution by producing test polymeric substrate samples and evaluating substrate cleaning systems using analytical and imaging technologies. You’ll also circulate results to our research partners, contribute to the dissemination of research and facilitate the transfer of knowledge from the project into practice within Tate. The scientific analysis of our collection will also fall within your remit.
An active post-doctoral researcher, or having recently completed doctoral studies, you will have experience of conservation science, heritage science, technical art history or a physical science. Alongside at least two publications that demonstrate autonomous and original research, preferably related to conservation or heritage science, you will bring experience of gas chromatography, FTIR spectroscopy, digital microscopy or equivalent. As the role will involve multiple collaborations with international partners, meticulous organisation and attention to detail will be essential. Above all, you will be driven to achieve with the ability to use your own initiative.
This position is offered on a fixed-term contract of 23 months.
Our jobs are like our galleries, open to all
To Apply: https://workingat.tate.org.uk/pages/job_search_view.aspx?jobId=2212&JobIndex=1&categoryList=&workingPatternList=&locations=&group=&keywords=&PageIndex=1&Number=23
 

Job Posting: Conservator, USS Monitor – The Mariners' Museum and Park (Newport News, VA)

Position Information
Title: Conservator, USS Monitor
Supervisor: Director, USS Monitor Center
Purpose: 

The conservator will undertake the direct treatment and preventive conservation care of objects recovered for the wreck of the USS Monitor in consultation with the Senior Conservator and Director, USS Monitor Center. This individual will work closely with conservation staff and other museum personnel to conserve artifacts and to prepare them for exhibition and/or long-term storage.

Duties:

  • Conduct examination, documentation, and artifact treatment within the Monitor collection following established conservation procedures, methodologies, and ethics.
  • When necessary, based on the conservation needs of an artifact, develop new conservation techniques and procedures in consultation with the Senior Conservator and/or Director, USS Monitor Center.
  • Maintain detailed before, during, and after treatment records including both written and photographic documentation.
  • Support preventative conservation methodology, initiate requests, implement solutions under established conservation guidelines, and make recommendations for resolving difficult or unusual problems.
  • Construct storage support systems for artifacts with special needs directly; otherwise provide instruction/oversight to the Monitor Conservation Technician.
  • Consult/work directly with the Senior Conservator, Director, USS Monitor Center, and Exhibit Design in the preparation of mounts/installation of artifacts within the museum’s galleries; this includes providing the requirements for lighting and environmental conditions. Also, provide recommendations on the ability for objects to travel outside the museum based on their condition post-treatment.
  • Assist in the maintenance/operation of laboratory equipment and facility, and participate in the ordering of supplies and additional equipment as required.
  • Promote the importance of conservation within the museum and in an outreach capacity whenever possible.
  • Perform other duties as assigned.

Knowledge, Skills, Abilities:

  • Working knowledge of acceptable practices for conservation and maintenance of objects.
  • Working knowledge of the archaeological method and practices.
  • Continued professional development in the conservation field.
  • Familiarity with a wide variety of materials including metals and organics required; experience with objects from a marine environment.
  • Working knowledge of analytical equipment and methods, not limited to but including FT-IR, SEM, XRF, digital radiography, optical microscopy, chloride analysis, metals sample preparation, and film/digital photography.
  • Working knowledge of metal fabrication and welding preferred.
  • Working knowledge of Microsoft Office and Adobe Photoshop.
  • Organizational skills necessary for planning/organizing of professional seminars, lectures, workshops, and publications.
  • Development of educational materials/activities for public outreach.
  • Attention to detail and accuracy.
  • Familiarity with accepted practices for achieving and insuring safety in the laboratory.

Education, Licensure, Certifications:
A Master’s degree (or equivalent) in conservation or related field is required.
Conditions of Employment:

A minimum of four years conservation experience is required, including work with marine archaeological materials.

Interested candidates must apply at www.marinersmuseum.org/employment

Job Posting: Third and fourth positions in Navy Conservation Branch – Naval History and Heritage Command (Richmond, VA)

The Collection Management Division of the Naval History and Heritage Command (NHHC) is advertising vacancies in its new four-person Conservation Branch.  The third and final announcement can be found at
https://www.usajobs.gov/GetJob/ViewDetails/414369800
The closing date of the announcement is September 4, 2015.  Note that this announcement is for two positions at the GS-11 level.
NHHC, headquartered at the Washington Navy Yard, is responsible for the preservation, analysis, and dissemination of U.S. naval history and heritage.  NHHC activities include the Navy art and artifact collections, underwater archeology, Navy histories, the Navy Department Library, the Navy Operational Archives, nine museums, USS Constitution’s repair facility and the historic ship Nautilus.
In the past year, NHHC has consolidated its historic artifact collection into a single Collection Management Facility at the Defense Supply Center, Richmond VA, and has brought on staff to manage the collection there.  This summer we are establishing a four-person Conservation Branch at the Richmond facility to undertake conservation of selected artifacts from across the NHHC enterprise, conduct site visits to Navy museums around the country, and provide care guidelines for artifacts on Navy installations but not in NHHC’s custody – for example, outdoor ordnance displays.  We are in the early stages of fitting out a laboratory for the branch’s use.
The branch will be staffed by a GS-1015-13 Branch Head (announcement already closed), a GS-1015-12 Lead Conservator (also already closed), and two GS-1015-11 Conservators (this announcement).  All applicants should understand that this is a new operation, with all of the opportunities and uncertainties that implies.
To view photos of some of the historic naval artifacts in the NHHC collection, please visit some of the command’s Flickr page at https://www.flickr.com/photos/navalhistory/sets/.   For more information on NHHC, visit www.history.navy.mil or its Facebook page at https://www.facebook.com/navalhistory.