National Trust for Historic Preservation: 2017 Preservation Award Nominations Open

Last year the National Trust for Historic Preservation showcased 10 outstanding projects, organizations, and individuals at PastForward Conference in Houston, TX, including the Stony Island Arts Bank in Chicago’s Southside, the Charles W. Morgan whaling ship, and several exemplary preservationists for their individual impact in the field of preservation.

The nomination submission period for the 2017 National Preservation Awards is now open.

Nominate a deserving individual, organization, or project by March 1, 2017.

For more information, visit: forum.savingplaces.org/2017-preservation-awards.

Jobs, internships & fellowship digest: February 3, 2017

  1. Information Analyst, Digital Preservation, British Library
  2. Inspector of Historic Buildings and Areas, Historic England
  3. Associate Director of Collections, Archives and Logistics, Smithsonian Institution
  4. Preventive Conservator, Historic Royal Palaces – Hampton Court Palace
  5. Project Officer, King’s Topographical Collection, British Library
  6. Bruman Map Project Assistant Conservator, UCLA Library Conservation Center
  7. Commissioned Treatment Coordinator, Historic Royal Palaces
  8. Community Assets Division Director, City of Seattle
  9. Director, National Museum of African Art, Smithsonian Institution
  10. Conservator, British Library
  11. Andrew W. Mellon Fellowship in Conservation of Photographs, The Art Institute of Chicago
  12. Andrew W. Mellon Media Conservation Fellowship, The Museum of Modern Art
  13. Fellowship in Paper Conservation, Conservation Center for Art and Historic Artifacts
  14. Conservation Internship, Boston College John J Burns Library
  15. Associate Textile Conservator, The Textile Museum/The GWU Museum
  16. Conservation Technician, The National Conservation Service
  17. Conservation Technician, Notarial Archives, Office of The Clerk of Civil District Court
  18. Archivist, Clerk of Civil District Court for the Parish of Orleans
  19. Preservation Administrator, Clerk of Civil District Court for the Parish of Orleans
  20. Assistant/Associate Conservator – Arts of Africa, Oceania, and The Americas, The Metropolitan Museum of Art
  21. Assistant Objects Conservator, Dallas Museum of Art
  22. Conservator, Museum of Cultural History, University of Oslo
  23. Head of Archival Processing and Collections Management, Georgetown University – University Library
  24. Senior Consultant, Turley Heritage
  25. Associate Public Records Office, City of New York – Department of Records & Information Service

1. INFORMATION ANALYST, DIGITAL PRESERVATION, British Library (London, UK)

  • Closing Date: February 7, 2017
  • Interview Date: February 16, 2017
  • Job no. 01078
  • Full Time, Fixed Term for 6 Months

This is an exciting opportunity to gain some practical experience in digital preservation and help ensure that the Library’s digital collections are preserved for future generations. As an Information Analyst, you will work as part of a dynamic team to assess the condition of our digital collections, gather and analyze data about technical environments for digital preservation, and provide quality assurance for Library projects. You will also work with colleagues elsewhere in the Library to help ensure that long term preservation and access requirements are realized.

The post holder will need to have some knowledge and transferable experience of working with digital collections. You should have a good understanding of digital preservation challenges as well as the importance of lifecycle management. Most importantly you should care about the longevity of the Library’s digital material and be motivated to work with content owners to identify and mitigate risks to its survival over time.

The successful candidate should be able to work successfully in a team environment with good data management skills and an excellent eye for detail.

For more details and to apply, go to: https://britishlibrary.recruitment.northgatearinso.com/birl/pages/vacancy.jsf?latest=01001014.


2. INSPECTOR OF HISTORIC BUILDINGS AND AREAS, Historic England (Northampton, UK)

  • Closing date: Sunday, February 12, 2017 at Midnight
  • Starting salary of £32,359, Permanent
  • Location: Homeworking or Windsor House, Northampton, NN1 5BE. Ref: 8046

This is an exciting opportunity for an experienced and creative historic buildings and areas specialist to join our Development Management team in the East Midlands, as an Inspector. This is an opportunity to apply your extensive knowledge and experience of historic buildings, landscapes and areas to the management of the historic environment.

In this role, you will apply our ethos of ‘constructive conservation’ to help manage change to some of the most significant heritage assets in the East Midlands, from urban centers such as Leicester, to the ‘spires and squires’ of rural Northamptonshire, and the fenland towns of Lincolnshire.

At the heart of the role is the delivery of Historic England’s advice in response to pre-application and statutory consultations for secular buildings, conservation areas, designated landscapes, and places of worship under the Ecclesiastical Exemption. You will be working closely with our Business Officers to meet the tight deadlines.

You will need in-depth knowledge of planning policy and statutory procedures, and experience of dealing with heritage assets in a planning context. Site-based work will be a key part of your role and you will be expected to travel across the region. You will also be involved in supporting the activities of the Heritage at Risk team to find creative solutions to Heritage at Risk and the Historic Places team to engage with strategic planning issues.

As the public body that champions and protects England’s historic environment, we help people understand, value and care for a diverse range of heritage assets. You will interface with a wide range of customers and partners and will need to have great communication and persuasion skills, to deliver a high level of expertise in an approachable manner. You may need occasionally to express the view of Historic England to the media. You may also be asked to manage the performance and development of an Assistant Inspector.

You will be rewarded by playing a key role contributing to the development of the local region and enhancing our historic environment for the future. We also offer a wide benefits package including access to the Civil Service pension scheme, 28 days’ holiday plus bank holidays, free entry into English Heritage sites, and the flexibility in your working day that creates a strong work-life balance.

The post can be based either in our Northampton office or Homeworking, with travel across the East Midlands.

Further information and to apply, visit: https://historicengland.org.uk/about/jobs/vacancies/job/?ref=8046.

Interviews and assessments will be held on Thursday 23 February 2017 in Northampton.


3. ASSOCIATE DIRECTOR OF COLLECTIONS, ARCHIVES AND LOGISTICS, Smithsonian Institution (Washington DC, USA)

  • Application deadline: February 13, 2017
  • Job announcement no. EX-17-03
  • Control no. 463429600

The Smithsonian’s National Air and Space Museum (NASM) reports to the Office of the Smithsonian Provost. NASM collects, preserves, studies and exhibits artifacts, archival materials, and works of art related to the history, culture, and science of aviation and spaceflight and the study of the universe. Its research and outreach activities serve all audiences, within and beyond its walls. The Museum commemorates the past and is committed to educating and inspiring people to foster appreciation for the importance of flight to humanity.

NASM is administered as one Museum with multiple locations: the National Mall building; the Steven F. Udvar-Hazy Center in Chantilly, Virginia; and the Garber Facility in Suitland, Maryland. NASM provides access to the nation’s aviation and space flight history to an average of 7– 9 million visitors from around the world each year, making it one of the most visited museums in the world. In addition, NASM draws tens of millions of virtual visitors to its website and broadcast and webcast educational programming.

In 2015 NASM created a 10-year strategic plan in order to establish goals and objectives that will position the Museum for the future. The Revitalization of the Museum’s National Mall Building (NMB) and Transformation of its 23 exhibits over the next decade will impact every aspect of the Museum. This building revitalization ($676M) and gallery transformation ($250M) will touch every surface of the NMB, inside and out. At the same time, NASM is embarking on an initiative to enhance the visitor experience. Leveraging the extraordinary advances in digital engagement, NASM will create a fundamentally new visitor experience both inside and beyond the walls of the Museum.

The incumbent of this position serves as the Associate Director for Collections, Archives and Logistics, National Air and Space Museum (NASM), with responsibility for the overall planning, development and management of NASM’s programs and activities related to all aspects of collection management, archives, revitalization and facilities-related matters to include serving as NASM Project Executive for Revitalization of the NMB. The Collections and Facilities Directorate is comprised of Conservation, Preservation/Restoration, Registrar, Collections Processing Unit, Archives, Facilities and Health and Safety.

QUALIFICATIONS
Basic Qualifications
Applicants must clearly demonstrate the necessary level of managerial and leadership skills and competence to perform successfully in this position. This includes a degree in an applicable subject matter field, or a combination of education and appropriate experience that provides knowledge comparable to that normally acquired through successful completion of a four-year course of study in an applicable subject matter field. An MBA/advanced degree in a related field from a leading university is highly desired.

Specialized Experience 
In addition, applicants must have one year of specialized experience at the GS­15 level or equivalent private sector level. This experience is defined as the demonstrated knowledge and leadership skills of managing programs and activities that are related to collections, archives, revitalization and facilities management of a museum or culture organization and that have been acquired through years of progressive experience.

The applications that meet the basic qualifications will be evaluated further against the following criteria:

1. Demonstrated leadership and familiarity with museum management, including collections management, preservation/restoration, conservation, and archives.

2. Demonstrated skill in managing major constructions or renovation projects within time and cost parameters.

3. Leadership experience at the managerial level that includes goal setting, establishing policies and procedures, and developing strategies for a large museum or cultural organization.

4. Skill in leading and managing a multi-disciplined and culturally diverse workforce, including fostering teamwork and high morale; attracting, retaining and motivating employees; and implementing EEO/Affirmative Action policies and programs.

WHO MAY APPLY
This position is open to Smithsonian employees only.

For a full job description and to apply, visit: https://www.usajobs.gov/GetJob/ViewDetails/463429600.


4. PREVENTIVE CONSERVATOR, Historic Royal Palaces – Hampton Court Palace, (East Molesey, UK)

  • Closing date: February 19, 2017
  • Pay range: GBP25,912 pro rata
  • Full time – (Tuesday to Saturday, maternity cover. Six months with possible extension to 12)
  • Based at Hampton Court Palace

Historic Royal Palaces (HRP) is the independent charity that looks after the Tower of London, Hampton Court Palace, the Banqueting House, Kensington Palace, Kew Palace and Hillsborough Castle.

Historic Royal Palaces displays, stores and cares for thousands of historic objects, many of them on open display in their original royal setting.

The key responsibilities of this role will be to carry out hands-on collection care and safeguarding routines including cleaning the collection and protecting it during education, creative and commercial events.

We are looking for a proactive and enthusiastic individual who can remain calm under pressure whilst managing the risks to our buildings and collections during events.

In addition, you will be a member of the team responsible for environmental monitoring and analysis, pest control management, condition auditing and exhibition work.  This role also includes regularly explaining our conservation work to the public.

Successful candidates will have a recognized conservation qualification and wish to build on their knowledge of preventive conservation by gaining practical experience working in a delicate heritage environment.  Both independently and as a strong team player you will be motivated to achieve goals by working closely with your colleagues in a reactive environment.

Historic Royal Palaces encourages PACR accreditation.

This position will be based at Hampton Court Palace; however, there may be a requirement to work from other palaces.  Additionally, hours of work will include evenings. The ability to work at heights is essential.

Find out more and apply by visiting www.hrp.org.uk/recruitment.

Historic Royal Palaces is an equal opportunities employer and truly values a diverse workforce.  Applications are welcome from candidates regardless of their background.


5. PROJECT OFFICER, KING’S TOPOGRAPHICAL COLLECTION, British Library (London, UK)

  • Closing Date: 19 February 2017
  • Interview Date: 9 March 2017
  • Job reference no. 01093
  • Full Time, Fixed Term Contract to 31 March 2018

We are looking for a suitably qualified Project Officer to help co-ordinate a current cataloguing and digitizing project. Housed at the British Library, the King’s Topographical Collection is one of the world’s greatest collections of maps and topographical prints and drawings, dating from primarily the 17th, 18th and 19th centuries. As Project Officer, you will be part of an exciting project to digitize and catalogue this unique and internationally important collection.

Your main tasks will be to work with the Lead Curator of Western Prints and Drawings and a team of cataloguers to ensure that the project runs to deadline, is as comprehensive in its coverage as possible, and reaches a wide range of users.

You will be responsible for cataloguing maps and views in the collection at an agreed rate alongside maintaining up to date documentation on the project’s progress, preparing images for ingest both on the catalogue and on a learning site currently under development, preparing documentation for processes such as rights clearance, overseeing conservation, and working with colleagues in Western Heritage and Digital Scholarship to explore other options for further dissemination and project development.

For more details and to apply, visit: https://britishlibrary.recruitment.northgatearinso.com/birl/pages/vacancy.jsf?latest=01001029.


6. BRUMAN MAP PROJECT ASSISTANT CONSERVATOR, UCLA Library Conservation Center (Los Angeles, CA, USA)

  • Application deadline: February 20, 2017
  • Requisition No. 25332

Under the direction of the Head, Library Conservation Center, the Bruman Map Project Assistant Conservator (BMPAC) performs a wide range of conservation treatments on UCLA Library maps and atlases according to American Institute for Conservation of Art and Historic Artifacts (AIC) Professional Code of Ethics. Communicates with UCLA map librarians to help select items for treatment; coordinates the logistics of safe delivery to and from the conservation lab; and maintains statistics of work completed. The BMPAC completes treatment documentation and treatment workflow appropriate for treating batches of similar materials as well as unique single items. Assists with functions of the UCLA Library Conservation Center in support of the preservation and conservation of library and archival collections. Using established selection and decision making criteria, sorts materials and determines appropriate type of treatment for incoming materials requiring repair or housing in the lab. Performs book and paper documentation and conservation treatment as directed for circulating and special collection materials. Assists the Head, Library Conservation Center and other conservation lab staff as needed with treatments and special projects. Creates basic and custom housings for all collections as needed.

The UCLA Library Preservation Department supports the Library’s mission to develop, organize, and preserve collections for optimal use, provides stewardship for the intellectual record in the formats required by contemporary scholars, and ensures the safekeeping of the artifacts that are entrusted to the UCLA Library. The UCLA Library Preservation Program is responsible for coordinating and managing the preservation operations of the Library, including environmental monitoring, reformatting, disaster planning, library binding, and physical preparation. The Preservation Department includes the Library Conservation Center (LCC), a state-of-the-art conservation lab that provides conservation services to collections for all units of the library, the Audiovisual Preservation Studio, and the Collections Care Unit. The Department’s staff work in close coordination with library units to plan and initiate new activities and services in response to library preservation needs and emerging technology, research, and developments in the preservation community.

For further information, and to apply, please visit: hr.mycareer.ucla.edu/applicants/Central?quickFind=69881.


7. COMMISSIONED TREATMENT COORDINATOR, Historic Royal Palaces (East Molesey, UK)

  • Applications closing date: February 20, 2017
  • Interview: w/c March 6, 2017
  • Pay range: GBP28,688 (pro rata)
  • Conservation and Collection Care, Collections Management
  • Temporary (3 months)
  • Part time – four days per week
  • Based at Hampton Court Palace

Historic Royal Palaces (HRP) is the independent charity that looks after the Tower of London, Hampton Court Palace, the Banqueting House, Kensington Palace, Kew Palace and Hillsborough Castle in Northern Ireland.

This is an opportunity for an experienced conservator with knowledge of multiple conservation disciplines to join the team responsible for hands-on conservation of thousands of historic objects and decorative features across these six sites.

We are looking for a proactive and enthusiastic individual with an ability to work under pressure whilst managing multiple on-site hands-on non-textile treatment projects. Under the direction of the Commissioned Treatment Supervisor you will use your expertise and skills in contract management to commission and manage external contractors to carry out audits, investigation, hands-on treatments and conservation maintenance work to highest professional standards for a wide variety of collections including wall and ceiling paintings, decorative architectural features, works of art, giltwood furniture, external sculpture, social history and archaeological objects.

You will be planning, creating and processing tenders, managing contracts and supervising specialist conservators on site, ensuring that the projects are delivered to deadlines and within budget. Working to conserve the collections within the public spaces of our palaces, you will need to liaise with stakeholders such as Historic England and the palaces’ Operations, Curatorial, Surveyor of the Fabric and Health and Safety teams to ensure that these on-site works are implemented safely, successfully and to schedule.

As a graduate of a recognized conservation training program you will possess in-depth knowledge of conservation care and expert-level of hands-on treatment experience of a wide variety of materials.  You will be a main contact and the source of detailed technical information about the treatment projects you manage. Good negotiation and project management skills are essential as is the ability to work with a significant degree of independence.  You must be able to communicate effectively with people at all levels and have a track record of accurate and timely archiving records of all activities undertaken.

Being passionate about and taking responsibility for explaining and profiling our conservation work internally and externally is an important part of the job of every conservator at Historic Royal Palaces. Although based at Hampton Court Palace you may be required to work at our other sites and must be comfortable working at heights.

Find out more and apply by visiting www.hrp.org.uk/recruitment. Historic Royal Palaces is an equal opportunities employer and truly values a diverse workforce.  Applications are welcome from candidates regardless of their background.


8. COMMUNITY ASSETS DIVISION DIRECTOR, City of Seattle (Seattle, WA, USA)

  • Application deadline: February 21, 2017 at 4:00 p.m. Pacific
  • Job No. 2017-00134
  • Salary: $84,334.32 – $114,840.00 Annually

Have you been looking for a way to share your historic preservation expertise with a City who is reframing the conversation around finding solutions to growth? Are you an urbanist that sees historic preservation as one of ways we can meet growth needs rather than as a barrier to development? Would you like to lead a team that stakeholders see as a partner helping them work through options and to find the best answer for all concerned?

The Department of Neighborhoods is searching for candidates to lead the Community Assets Division. This division is made up of three highly visible programs which have a huge impact on the character and livability of Seattle:
– Historic Preservation
– Major Institutions and Schools
– P-Patch Community Gardening

In this role, you would have the opportunity to develop public policy recommendations related to these programs as well as evaluating and improving their prominence and accessibility to community stakeholders. You will report to the Director and become a member of the executive team and would provide subject matter expertise to city staff, department heads, and elected officials.

JOB RESPONSIBILITIES
To be successful in this role, you will have a passion for:

  • Using historic preservation as a tool for innovation rather than an impediment
  • Engaging with internal and external stakeholders to get input on programs
  • Synthesizing input and creating understandable policies and programs
  • Providing direction and advice to staff, department heads and elected officials
  • Fiscal analysis of programs
  • Working with community and advisory boards

To be prepared for this role, you will have experience with:

  • Managing programs and staff in a political environment
  • Building relationships with a variety of stakeholders internally and externally
  • Developing policies, establishing protocols, and determining deliverables
  • Managing a budget and maximizing efficient use of resources

QUALIFICATIONS
In addition to the qualities listed above, you will also have the following requirements (or a combination of education, training, and/or experience which provides an equivalent background and skills to perform the job):

  • A Bachelor’s degree
  • At least three years’ experience managing a program, team, and budget

Ideally, you would also have:

  • A Master’s degree in Historic Preservation, Urban Planning, or a closely related field
  • Experience or familiarity with municipal budget processes

ADDITIONAL INFORMATION
To be considered, please complete the application fully and attach:

  • a current resume
  • a cover letter explaining your interest in and ability to do the job

Questions? Please contact Kate Moore at kate.moore@seattle.gov.

Hiring process involves background check of conviction and arrest records in compliance with Seattle’s Fair Chance Employment Ordinance, SMC 14.17. Applicants will be provided an opportunity to explain or correct background information.

This position is open to all candidates that meet the minimum qualifications.

For more details and to apply, go to: https://www.governmentjobs.com/careers/seattle/jobs/1647353/community-assets-division-director.

The City of Seattle values diverse perspectives and life experiences. Applicants will be considered regardless of race, color, creed, national origin, ancestry, sex, marital status, disability, religious or political affiliation, age, sexual orientation, or gender identity. The Department encourages people of all backgrounds to apply, including people of color, immigrants, refugees, women, LGBTQ, people with disabilities, veterans, and those with diverse life experiences.


9. DIRECTOR, NATIONAL MUSEUM OF AFRICAN ART, Smithsonian Institution (Washington DC, USA)

  • Deadline for submission of applications: February 24, 2017
  • Control no. 463433600
  • Job announcement no. EX-17-07

The Smithsonian National Museum of African Art (NMAfA) is the nation’s leading center of scholarly and artistic excellence on the arts of Africa. Its mission is to inspire conversations about the beauty, power, and diversity of African arts and cultures worldwide. The Museum’s unparalleled collections, exhibitions, programs, publications, and educational initiatives are widely accessible and are strengthened through collaborations with African, diasporic, and global arts communities.

The Museum is an important resource for artists and scholars, and a gateway to African creativity for more than 250,000 individuals of diverse backgrounds, ages, and interests who visit the Museum annually, and millions more who are exposed to the arts of Africa through the Museum’s publications, websites, social media, educational activities and public programs. The Museum is dedicated to the scholarly understanding and public appreciation of Africa’s arts and to the exceptional artists and cultures that have created and nurtured them.

The Museum houses a collection of ~ 11,000 objects from around the continent, and includes the renowned Walt-Disney Tishman African Art Collection. The collection comprises traditional masks and figural sculpture, musical instruments, textiles and headwear, metalwork, and personal and household objects, as well as important modern and contemporary artworks in all media.

The Museum hosts permanent and changing exhibitions, a full suite of family programs, films, after-hours and special events, and often serves as a venue for visiting African dignitaries and leading figures in arts and culture. Museum functions include research and study, the acquisition and conservation of collection items, and public engagement through exhibitions, educational programs, and public outreach and engagement that highlight the contributions of African artists.

The Museum has 30 staff, not including guards, gallery attendants, and facilities staff that are provided centrally by the Smithsonian. The staff is supplemented by a loyal group of docents and volunteers, interns, fellows and visiting scholars. The annual operating budget varies from about $7-8M, with federal appropriations providing over $4.5M annually and most of the remainder coming from philanthropic gifts and foundation grants. A small endowment and small revenue stream provide additional funds. The Smithsonian provides an additional $5M or so for facility maintenance, utilities and other costs.

DUTIES
1. Provides the intellectual vision and overall leadership for NMAfA, its staff, supporters and volunteers, and serves as the key communicator for the Museum to the public, the media and other constituencies. Formulates both high level and operation plans to achieve its overall mission, defines program goals, objectives, and priorities, and issues policy guidelines for program operations and consistent with museum and Smithsonian Institution (SI) strategic plans.

2. Provides executive leadership and direction to all NMAfA departments in the planning, development, and management of programs and activities. Develops and monitors short- and long- range program plans covering all aspects of operations, including new acquisitions, collections management, conservation, digitization, and dissemination, fundraising, external affairs, research, publications, exhibits, public service, and facilities management. Makes major policy decisions concerning programs, including matters relating to budget, staffing, organization, and facilities. Coordinates closely with the adjacent Sackler Gallery and the Ripley Center on building operations, visitor services and support functions.

3. Develops and maintains standards and criteria for program development and execution. Reviews and evaluates proposals for new projects and initiatives or major shifts or expansions in existing programs. Approves or disapproves such proposals, and provides leadership and guidance on improving the proposed programs. Continually evaluates program operations and initiatives, and directs management studies to achieve improvements.

4. Plans, directs, and is deeply engaged in effective fundraising initiatives to support NMAfA programs and operations. These efforts involve working closely with the Advisory Board and identifying needs, assigning priorities, and locating potential donors from private, corporate, and foundation sources. Plans and participates in the Smithsonian’s fundraising campaign activities, coordinates efforts with appropriate Smithsonian leadership and offices, and provides strategies to meet NMAfA fundraising goals.

5. Develops and implements criteria for acquisition of artworks to the collection, and acts to obtain artworks through gift and purchase for the permanent collection. Seeks advice of the Advisory Board regarding proposed acquisitions that meet threshold criteria for review by the collections committee.

6. Oversees the development, justification, presentation, allocation, execution, and control of the annual operating budget. Works with subordinate staff to develop budget projections that reflect long-range planning for new and ongoing programs. Reviews budget justifications for and presentation of proposed budgets to the Smithsonian’s Office of Planning, Management and Budget, the Office of Management and Budget, and the Congress. Continually evaluates operations and services, and initiatives or directs management studies to achieve improvements.

7. Directs and coordinates the activities of the staff. Develops and implements operating policy, standards, and procedures to assure the continued high quality of staff performance. Develops and administers policies to achieve management objectives in such areas as staff development, labor management, employee relations, affirmative action, and equal employment opportunity. Assures that subordinate supervisors effectively carry out their supervisory responsibilities. Initiates and directs major studies to improve organization, staffing, and operations.

8. Works closely with the NMAfA Advisory Board, its Chair, Co-Chair, and standing and ad-hoc committees to develop a strategic plan, broad operating objectives and policies, and overall fundraising goals and priorities. Provides leadership and collaboration in the Advisory Board’s efforts in raising the profile and public awareness and in developing national and international constituencies. Works closely with the Advisory Board Chair on revisions to the Advisory Board’s by-laws and on the development of appropriate agendas for all board meetings.

9. Encourages, explores, and develops joint programs in cooperation with other SI museums, research and educational organizations, as well as with universities, federal organizations, non-SI museums, and other cultural agencies and organizations in Africa or dealing with Africa’s arts and cultures. Assures NMAfA representation at national and international conferences, meetings, and art committees. Renders expert advice and consultation to federal agencies and to professional and other organizations.

10. Works closely with SI management, directors and various leadership to achieve the SI’s mission and improve its effectiveness, efficiency and relevance. Attends high level SI policy meetings and conferences, making contributions to the development of SI policy and priorities. Testifies at Congressional hearings on budget requests and other matters as required.

QUALIFICATIONS

Specialized Experience
In addition, applicants must have one year of specialized experience at the Federal GS-15 level or equivalent private sector experience. This experience includes leading and managing a program that elevates the profile and visibility of a large museum, cultural or education institution with an emphasis on Africa and African art collections.

The applications that meet the basic qualifications will be evaluated further against the following criteria:

1. Knowledge about Africa, experience and demonstrated results in presenting Africa’s art contributions, themes and issues through scholarly research, public programming, exhibitions and /or publications with particular emphasis on reaching, interacting, and engaging with communities through social media and digitial technology.

2. Demonstrated entrepreneurial ability to build relationships and lead collaborative initiatives internally and externally with organizations to leverage support for and participation in programs.

3. Successful track record of raising funds from individuals, foundations, corporations and governmental organizations through gifts, grants and partnerships.

4. Demonstrated skills for leading and managing a multi-disciplined and culturally diverse workforce, including fostering teamwork and high morale, attracting, retaining, and mentoring staff, fellows, interns and volunteers, and implementing EEO/Affirmative Action policies and programs.

For a full job description and how to apply, go to: https://www.usajobs.gov/GetJob/ViewDetails/463433600.


10. CONSERVATOR, British Library (London, UK)

  • Closing Date: February 26, 2017
  • Interviews will take place in mid-March 2017
  • Job reference No. 01095
  • Adam Matthew Digitization Project
  • Full Time, Fixed Term Contract to March 31, 2018

The British Library leads and collaborates in growing the world’s knowledge base. We have signed a partnership with Adam Matthew Digital to make thousands of digitized historic documents and manuscripts available online to researchers, scholars and the general public. The Conservation department, which comprises some 50 people, is responsible for the care of one of the largest, richest and most diverse research collections in the world.

This is an opportunity for an experienced Conservator to work closely with the imaging team, Project Manager and Curators.  For the majority of the time you will be based in the imaging studio carrying out the ordering of materials to ensure the workflow, condition checks and preparation treatments on a range of collection items that are being digitized as part of this project. Some conservation treatments will be carried out in the conservation studio. You’ll operate with minimal supervision and have the skills and knowledge to plan, manage and track your work to ensure that deadlines are met. You must be able to communicate effectively with people at all levels, and be able to keep clear, consistent and accurate records of all activities undertaken.

You need to have either a degree in conservation or equivalent knowledge and skills sets, and practical hands-on experience in conservation of library materials for digitization and/or large-scale conservation projects. A broad knowledge of available conservation treatments within the field of book/ paper conservation together with the ability to diagnose conservation problems and to develop and evaluate options for solutions. You should also have a high level of manual dexterity and the ability to treat fragile and delicate materials, together with knowledge of materials chemistry and the properties, behaviors and interaction of a wide range of organic and inorganic materials. A good knowledge of preventive conservation issues is also required with the ability to deliver training on the handling of library material to support and implement best practices within the British Library/Adam Matthew Digital partnership project and collaboration with the colleagues in the main British Library Conservation Studio (BLCC).

For the full job profile and to apply please visit British Library website,  https://britishlibrary.recruitment.northgatearinso.com/birl/


11. ANDREW W. MELLON FELLOWSHIP IN CONSERVATION OF PHOTOGRAPHS, The Art Institute of Chicago (Chicago, IL, USA)

  • Application deadline: February 28, 2017

The Art Institute of Chicago is offering an advanced fellowship in the conservation of photographic materials beginning in September 2017. The Fellowship will be for one year with the possibility of renewal for a second and third year.

Under the supervision of the Senior Conservator, the Fellow will participate in a wide range of activities in the Department of Photography and will gain experience in all aspects of conservation while working in a large museum setting. The Fellowship will provide excellent hands-on experience on the xamination, documentation, analysis, and treatment of photographs as they are prepared for loans, exhibitions, and storage.

Opportunities also exist for long-term research, with publishable results expected; additional professional development activities will be supported.

A successful candidate will be a graduate of a recognized conservation-training program with a clear specialization in the medium of photography, or have equivalent education and work/life experience. A proven record of research and writing ability, as well as English-language skills is required. An electronic portfolio of treatments and research projects will be required of applicants selected for interview.

The fellowship includes a stipend, paid vacation, health insurance, and funds for travel and research support.

The Art Institute of Chicago requires all applicants to complete an online application to be considered for employment. http://www.artic.edu/employment – job opening 9581.


12. ANDREW W. MELLON MEDIA CONSERVATION FELLOWSHIP, The Museum of Modern Art (New York, NY, USA)

  • Application deadline: March 1, 2017
  • September 2017 to August 2020

The Conservation Department at The Museum of Modern Art is pleased to offer a two-year fellowship in Media Conservation, starting September 2017. Working as part of the media conservation team, and responsible for the preservation of the audio, film, performance, software, and video-based artworks in the collection, the fellow will be involved in a variety of activities, including acquisition, exhibition, collection care, research, and projects related to media conservation.

The fellow is strongly encouraged to present and publish the results of their research and projects.  The fellowship also provides an opportunity to acquire comprehensive training in media conservation in a museum setting.

Fellowship activities involve collaboration across departments at the Museum, including Audio Visual, curatorial, Exhibition Planning and Administration, Information Technology, and Collection Management and Exhibition Registration.

This postgraduate fellowship is the second to be offered in a series of three overlapping fellowships within a larger four-year Media Conservation Initiative. The fellow will have the opportunity to participate in the planning and preparation of workshops and peer forums, which form part of the Media Conservation Initiative at MoMA.

Please note: the first two years of the fellowship will be at MoMA with the possibility of a third year at a related institution.

MINIMUM REQUIREMENTS
Master’s degree in conservation or related discipline, such as audiovisual archiving and preservation, computer science, film/television production, or information science, and familiarity with the AIC Code of Ethics and Standards of Practice.

PREFERRED QUALIFICATIONS
Candidates will ideally possess one or more of the following:

  • Prior experience in the conservation of time-based media artwork.
  • Experience with condition- assessing media works (video, film, software, etc.) using various hardware and software tools (GUI, command-line).
  • Experience characterizing and documenting media formats and complex installations.
  • Understanding of digital-preservation principles and practices.
  • Familiarity with the installation of time-based media artwork.

Stipend: $45,000 plus benefits and vacation, with $3,775 for research and travel.

Candidates must submit a statement of interest, a current CV, and a list of references, to jobs@moma.org, no later than March 1, 2017.  Please reference the position title in the subject line.

The Museum of Modern Art’s Media Conservation Initiative is made possible through a generous grant from The Andrew W. Mellon Foundation.

The Museum of Modern Art is an equal opportunity employer and considers all candidates for employment regardless of race, color, sex, age, national origin, creed, disability, marital status, sexual orientation or political affiliation.


13. FELLOWSHIP IN PAPER CONSERVATION, Conservation Center for Art and Historic Artifacts (Philadelphia, PA, USA)

  • Application deadline: March 3, 2017

The Conservation Center for Art and Historic Artifacts (CCAHA), the non-profit paper conservation laboratory located in Philadelphia, PA, is pleased to offer a twelve-month fellowship in the conservation of works on paper beginning September 1, 2017.  The candidate will have the opportunity to work on a wide range of paper-based materials, in a modern, well-equipped conservation laboratory.  The candidate may also have the opportunity to participate in on-site collection surveys, treatment projects, and educational programs.

The applicant should have a Master’s Degree from a recognized conservation training program or have equivalent experience from a formal apprenticeship.   In addition to a stipend, comprehensive health insurance, two weeks’ vacation, two weeks’ research leave, and a $2,000 travel allowance are provided.

Interested applicants should send a resume, three letters of professional reference, and three sample treatment reports to Mary Schobert, Director of Conservation, CCAHA, 264 South 23rd Street, Philadelphia, PA 19103.


14. CONSERVATION INTERNSHIP, Boston College John J Burns Library (Boston, MA, USA)

  • Application deadline: May 5, 2017

The John J. Burns Library for rare books, special collections, and archives at Boston College is pleased to offer a summer internship in the Library’s conservation lab.  With educational guidance offered by the Burns Library conservator, the intern will have the opportunity to learn about and participate in project-based book conservation.  Discussions with the conservator regarding: treatment options and documentation, climate control, emergency response and other conservation issues will also be offered.

The internship availability will be up to 10 hours per week offered between Tuesdays and Thursdays on site beginning in early June and available through July 2017.  We will not provide parking or transportation assistance and this is an unpaid internship. Fluency in English will be necessary in order for students to receive the full educational and training value of the internship.

If interested, please submit a cover letter, resume, and two letters of recommendation to Barbara Adams Hebard, Conservator at The John J. Burns Library, barbara.hebard@bc.edu.


15. ASSOCIATE TEXTILE CONSERVATOR, The Textile Museum/The GWU Museum (Washington, DC & Ashburn, VA, USA)

  • Full time, Staff position

The Textile Museum/The George Washington University Museum is seeking an experienced Associate Conservator to add to our expanding department.  The institution’s recent $5 million gift from the Avenir Foundation has allowed the museum to equip new lab facilities as well as increase the conservation department’s staffing.

The position has responsibility for exhibition preparation and maintenance duties and in the re-housing of objects for storage.  The position also undertakes or supervises Environmental Monitoring and/or Integrated Pest Management.  The bulk of the collection is textile based and a foundation in textiles is required.  However, the combined museums now hold smaller paper as well as fine and decorative arts collections so familiarity with a variety of mediums is an asset.  As an exhibition driven organization, a strong background in preparation of exhibits through all their phases is required.

Full details on the posting, including how to apply can be found at https://www.gwu.jobs/postings/40653, posting #S006090.


16. CONSERVATION TECHNICIAN, The National Conservation Service (Oxfordshire, UK)

The National Conservation Service is seeking expressions of interest in a part-time (4days/28hrs per week) Conservation Technician post to work at the NCS Collaborative Storage Scheme site, Upper Heyford, Oxfordshire, UK.

The post holder will assist the Lead Conservator at the site in the care of stored collections and in basic conservation projects such as cleaning, packaging, monitoring and movement of objects and boxed collections.

NCS is a non-profit membership organization for archives, libraries and museums, working on-site and remotely in over 130 institutions across the UK.  The NCS storage scheme was established in 2013 in partnership with Restore Plc and currently looks after the collections of over 50 museum, gallery, library and archive institutions, storing at present approximately 45 kilometers’ equivalent of material in two specially converted storage shelters, with new collections arriving all the time.

For more information about the scheme and location go to www.ncs.org.uk.

The successful post holder will need to have had experience in assisting in the preventive and interventive conservation of heritage collections.  A formal conservation qualification is desirable but not essential.  Training will be provided and support to achieve a further qualification will be available as appropriate.  Applicants must have a driving license and own a car for access to this remote site and for occasional support on site at NCS member institutions and other NCS studios when required.

The salary for the post will be GBP15,680 (pro rata full time GBP21,000). Extra hours and some late or weekend working may be required from time to time for which payment will be made.

If you are interested in the post, please write to us at enquiries@ncs.org.uk, providing a CV.


17. CONSERVATION TECHNICIAN, Notarial Archives, Office of the Clerk of Civil District Court (New Orleans, LA, USA)

The Office of the Clerk of Civil District Court for the Parish of Orleans, located in New Orleans, Louisiana, is seeking qualified individuals for the position of conservation technician in the Notarial Archives Division. The technician will perform basic stabilization and minor conservation treatments to paper objects (both bound and flat); perform condition surveys of archival materials; and assist occasionally with reading room duties.

The position is full time with benefits. Salary is commensurate with experience.

For a full job description, visit: www.orleanscivilclerk.com/employment.html.

Applicants should send a resume with cover letter by email to: hrclerk@orleanscdc.com, or by mail to: Human Resources, 1340 Poydras, Suite 400, New Orleans, LA 70112.


18. ARCHIVIST, Clerk of Civil District Court for the Parish of Orleans (New Orleans, LA, USA)

The Clerk of Court for the Parish of Orleans invites applicants for the position of Archivist for the Office of the Clerk. Under the supervision of the Supervising Archivist, the Clerk of Civil District Court and the Chief Deputy Clerk, the Archivist is responsible for the preservation of and access to the collection of the Office of the Clerk.

The archivist oversees environmental planning, conservation, bookbinding preparation, reference and outreach services, collection descriptions, statistics, and space planning in the Land Records Division of the Office of the Clerk; and conservation planning and records management in both the Land Records and Civil Divisions of the office. The Archivist manages the overall functions of the Notarial Archives Research Center, including daily reading room activities serving public requests, managing staff, seeing to the proper use and storage of notarial volumes and surveys, expanding finding aids, and offering occasional tours and seminars to groups and the general public.

The archivist compiles reports and makes recommendations in these areas for submission to the Supervising Archivist. Essential functions include: maintaining general spreadsheets controlling the collection of bound notarial, conveyance, and mortgage volumes (including surveys of condition); supervising the preparation of acts for binding (including verifying digital images, condition, and recordation features); assisting with quality control of newly bound volumes; describing records; supervising departmental staff, responding to public inquiries, maintaining files and records, providing accurate and complete documentation of holdings, creating job descriptions, interviewing applicants, and performing related duties as required.

The Archivist must have excellent working knowledge of Microsoft Office Suite, Photoshop, and related software.

Apply by email to hrclerk@orleanscdc.com, or by mail to Human Resources, 1340 Poydras Street, Suite 400, New Orleans, LA 70112.


19. PRESERVATION ADMINISTRATOR, Clerk of Civil District Court for the Parish of Orleans (New Orleans, LA, USA)

The Preservation Administrator for the Office of the Clerk of Civil District Court for the Parish of Orleans, under the supervision of the Archivist, is responsible for the preservation management of the collections of the Office. The incumbent oversees all preservation initiatives in both the Land Records and Civil Divisions, including condition assessment and treatment prioritization; advanced conservation treatment and routine collection stabilization; conservation space planning; equipment and materials procurement; statistics; commercial bookbinding; disaster planning, response and recovery; and environmental monitoring. The preservation administrator compiles reports and makes recommendations in these areas for submission to the Clerk and the Deputy Clerk.

Apply by email to hrclerk@orleanscdc.com or by mail to Human Resources, 1340 Poydras Street, Suite 400, New Orleans, LA 70112.


20. ASSISTANT/ASSOCIATE CONSERVATOR – ARTS OF AFRICA, OCEANIA, AND THE AMERICAS, The Metropolitan Museum of Art (New York, NY, USA)

The Objects Conservation Department at The Metropolitan Museum of Art upholds the highest professional standards in the conservation of the Museum’s three-dimensional works of art. The Assistant or Associate Conservator will be responsible for conservation of the collection of the Arts of Africa, Oceania, and the Americas (AAOA), consisting of more than 11,000 works of a wide range of materials and types, representing diverse cultural traditions from 3000 B.C.E. to the present. The Assistant or Associate Conservator will also be the primary Objects Conservation liaison, in conjunction with the senior embedded AAOA conservator, for planning and executing the renovation of the AAOA galleries, projected to begin in 2020. The project will involve gallery deinstallation and the relocation of approximately 5000 works of art to temporary storage locations; a second phase will involve the renovation and reorganization of permanent storage locations, and gallery reinstallation.

PRIMARY RESPONSIBILITIES AND DUTIES:

  • Undertake conservation of objects in the Arts of Africa, Oceania, and the Americas collection, including examination, treatment, and oversight of environmental conditions in storerooms and galleries.
  • Working closely with the senior embedded AAOA conservator, collections manager, curators, technicians, and other staff, plan and coordinate execution of objects-related aspects of AAOA gallery renovation project, including supervision of temporary staff.
  • Examine and document objects for acquisition, incoming or outgoing loans and gifts.
  • Examine objects for questions of material identification and technology, including use of analytical instrumentation such as x-radiography and microscopy.
  • Prepare samples for analysis by the Department of Scientific Research, and communicate with scientists regarding goals and results.
  • Liaise with conservators, preparators, curators, technicians, riggers, Buildings staff, Exhibitions staff, and Registrar on incoming and outgoing loans, exhibitions, permanent gallery rotations, and storage concerns.
  • Prepare visual and written documentation of treatments and research, and file according to department protocols.
  • Travel domestically and internationally as needed to examine, treat, and courier artworks in connection with loans.
  • Supervise departmental contract conservators, fellows, and students.
  • Assist senior staff in time-sensitive projects as assigned by Conservator in Charge.
  • Participate in departmental fundraising activities.
  • Broaden knowledge of the conservation field by taking advantage of the department’s expertise and resources, and the Museum’s opportunities for professional development.
  • Disseminate activities and findings in a range of platforms including public and professional lectures, and print and digital publications.
  • Other related duties

REQUIREMENTS AND QUALIFICATIONS
Experience and Skills

  • Minimum of two (Assistant) or five (Associate) years of professional experience working in a museum required.
  • Experience in the examination and treatment of a wide range of objects, including both organic and inorganic materials, required.
  • Expertise in the examination and treatment of objects from Africa, Oceania, and/or pre-conquest America preferred.
  • Excellent written, verbal, and interpersonal skills required.
  • Skill using state-of-the-art conservation documentation tools, including digital photogaphy, multi-spectral imaging, and Reflectance Transformation Imaging preferred.
  • Ability to lift up to 50 pounds and work on a ladder or rig required

Knowledge and Education

  • Master’s degree from an internationally recognized graduate conservation program or the equivalent, required.
  • FDNY C-14 Laboratory Certificate of Fitness or willingness and ability to attain certification within six months of hire required

Please send cover letter, resume, and salary history to careers@metmuseum.org with “Assistant/Associate Conservator – AAOA” in the subject line.

The Metropolitan Museum of Art provides equal opportunity to all employees and applicants for employment without regard to race, color, religion, creed, sex, sexual orientation, national origin, ancestry, age, mental or physical disability, pregnancy, alienage or citizenship status, marital status or domestic partner status, genetic information, genetic predisposition or carrier status, gender identity, HIV status, military status and any other category protected by law in all employment decisions, including but not limited to recruitment, hiring, compensation, training and apprenticeship, promotion, upgrading, demotion, downgrading, transfer, lay-off and termination, and all other terms and conditions of employment.  AmeriCorps, Peace Corps, and national service alumni encouraged to apply.


21. ASSISTANT OBJECTS CONSERVATOR, Dallas Museum of Art (Dallas, TX, USA)

  • Job code: 332
  • Reports to: AssociateConservator
  • Department: Conservation
  • Classification: Exempt Full-time, Full Museum Benefits

The Dallas Museum of Art is both a responsible steward of cultural heritage and a trusted advocate for the essential place of art in the lives of people locally and around the globe. The DMA is transparent, ethical, and takes informed risks. It promotes research, dialogue, and public participation, helping to reveal the insights of artists from every continent over the last 5,000 years.

SCOPE OF POSITION
The Assistant Conservator will engage with the treatment, study, maintenance and preventive care of a wide range of objects and materials in the DMA’s permanent collection, working in consultation with the Associate Conservator. The successful candidate will actively participate in all aspects of practical conservation including examination, documentation and treatment of a range of inorganic and organic materials, both traditional and contemporary; preventive conservation activities such as monitoring the environment, maintenance of micro-environments, pest management and materials testing; assisting in exhibition installations and deinstallations; participating in conservation science research projects; and the mentoring of pre-program interns and post-graduate fellows.

ESSENTIAL FUNCTIONS

  • Carries out technical studies and conservation treatments on DMA collections in support of the long-term preservation and accessibility of the permanent collection
  • Ensures that conservation labs and other relevant work spaces are operational for the range of preservation activities to be carried out in the project
  • Creates condition reports for documentation and upcoming exhibitions
  • Records object conditions and preservation treatments in the museum’s collection database (TMS), documenting with photography as required and prioritizing future treatment requirements
  • Engage with the treatment, maintenance and preventive care of a wide range of objects and materials
  • The candidate will participate in examining, documenting and treating a wide range of inorganic and organic materials
  • Working with traditional as well as contemporary works of art
  • Working in close collaboration with the Associate Conservator and all members of the conservation and curatorial departments

EDUCATION, EXPERIENCE, AND CERTIFICATIONS

  • MA/MS degree in art conservation from a recognized training program
  • Minimum of three years’ professional conservation experience specializing in objects conservation in a museum setting

KEY QUALIFICATIONS

  • Must be able to frequently move/lift heavy objects (up to 35 lbs.), and must be able to wear a respirator equipped with organic vapor cartridges, have confidence and ability whilst working at heights, possess a valid driver’s license
  • Candidate must have a thorough knowledge of conservation principles and practices; knowledge of analytical techniques frequently used in conservation
  • Has demonstrated excellence while performing conservation treatments in accordance with the American Institute for Conservation’s Code of Ethics and Guidelines for Practice
  • Knowledge of cultural history, technology, and materials of three-dimensional objects as well as a good understanding of chemical and physical processes of deterioration
  • Possesses an interest in contemporary art with a willingness to work with art work from all time periods
  • Ability to work both independently and as part of a team
  • Good analytical and problem solving skills; ability to establish and achieve priorities
  • Possesses a strong attention to detail
  • Good communication and interpersonal skills required
  • Ability to work simultaneously on multiple projects in a highly productive lab
  • Ability to maintain high standards under tight deadlines and follow through on repetitive tasks.
  • Must be aware of environmental hazards posed by substances such as solvents and mold; and must possess knowledge of safe methods for handling chemicals and hazardous materials based on OSHA standards
  • Capable of using specialized conservation tools, equipment and solvents
  • Capable of working evenings and weekends on rare occasion with given notice

The Dallas Museum of Art (DMA) has an encyclopedic collection of over 24,000 works of art, with objects dating from antiquity to today.  With an expanding collection of contemporary art, previous experience within the specialty of contemporary art conservation is essential.  For more information about the Dallas Museum of Art, please go to https://www.dma.org/.

HOW TO APPLY
Please send a letter of intent, resumé and names of two references to:bhttp://chp.tbe.taleo.net/chp01/ats/careers/requisition.jsp?org=DMA&cws=1&rid=332

The Dallas Museum of Art is committed to building a culturally diverse staff and is an Equal Opportunity Employer. All qualified applicants will receive consideration for employment without regard to race, color, religion, sex, national origin, age, disability, or genetics.


22. CONSERVATOR, Museum of Cultural History, University of Oslo (Oslo, Norway)

Closing date for applications: February 6, 2017

Position as Conservator in the research project Saving Oseberg

Temporary position until December 31, 2019

The Museum of Cultural History invites applications for a conservator position (temporary position) in the research project Saving Oseberg, Phase II. The museum houses the extensive and highly valued Oseberg collection which represents one of the most comprehensive collections of Viking Age wooden objects in the world. Many of these wooden artefacts are severely threatened by a slow but on-going deterioration process caused by a conservation treatment (alum treatment) applied over one hundred years ago. In order to develop a preservation strategy for these highly complex and degraded artefacts, the museum launched the research project Saving Oseberg phase I which ended December 31, 2016.

In this following second phase of Saving Oseberg, From Lab to Pilot 2017-2019 the activities is organized in two research groups. The first group will apply and compare different impregnation methods, addressing the three main problems: high acidity, presence of harmful metal ions and consolidation of the fragile wood. This work will include the development of a testing protocol, chemical analyses before- and after-treatment and studies of behavior of the impregnation agents in the highly degraded archaeological wood. The second group will work with chemical variation and improvement of the materials for consolidation, neutralization and inactivation of metal ions. Attempts will be continued to develop a multifunctional, bio-inspired material which is chemically functionalized in a way that all three tasks can be fulfilled by one material. The two groups will work in close cooperation with each other as well as in a national and international network of research institutions.

The responsibilities of this position are in particular connected to group 1, testing and evaluation of materials and methods. The work includes object survey of alum-treated wood including organizing survey data. It also includes sample preparation and various forms of measurements such as calculating wood density, maximum moisture content, etc.

Furthermore, it involves reconservation of samples of alum-treated wood from Oseberg. It is expected that the candidate will participate in public engagement activities, conferences and contribute to the general organization of project meetings and seminars.

Full job description, requirements and how to apply can be found at: http://uio.easycruit.com/vacancy/1759479/71569?iso=no.


23. HEAD OF ARCHIVAL PROCESSING AND COLLECTIONS MANAGEMENT, Georgetown University – University Library (Washington DC, USA)

Located in a historic neighborhood in the nation’s capital, Georgetown offers rigorous academic programs, a global perspective, exciting ways to take advantage of Washington, D.C., and a commitment to social justice. Our community is a tight knit group of remarkable individuals interested in intellectual inquiry and making a difference in the world.

The Booth Family Center for Special Collections, Georgetown University Library, seeks aHead of Archival Processing and Collections Management to coordinate the intake, processing, and ongoing maintenance of archival collections, regardless of format. The Head of Archival Processing and Collections Management coordinates, directs and supervises staff in archival processing efforts to provide scholarly access and to ensure long-term preservation of the collections, and coordinates collections management efforts for materials in other formats as needed. The ideal candidate will have significant supervisory and project management experience, the ability to think strategically about the description and management of special collections and archival materials, and a record of sustained engagement with the archives and/or library professions.

RESPONSIBILITIES

  • Develops and implements an integrated and coordinated approach for accessioning and processing new acquisitions and backlog holdings, supervising, prioritizing, and participating in archival appraisal, accessioning, arrangement and description of archival materials.
  • Oversees the creation, revision, and maintenance of documentation of policies, practices, and procedures that guide accessioning and processing.
  • Supervises the preparation of online and printed finding aids, catalogs, or other resources to provide access to the collections in accordance with the standards and practices of the profession.
  • Coordinates and supervises stacks maintenance, storage and access schemes, including the inventory and shifting of materials within and outside the BFCSC’s collection spaces.
  • Participates in inventory control and maintains accession records and records of values of BFCSC holdings.
  • In consultation with colleagues, coordinates preservation activities with the Preservation Unit, and participates in setting preservation, conservation, and security priorities.
  • Collaborates with colleagues to enhance discovery of BFCSC holdings through online access and digitization projects; participates in setting digitization priorities; oversees handling of special collections materials while being digitized.
  • Participates in developing and implementing metadata standards for digitized and born-digital special collections materials in consultation with other librarians.
  • Participates in grant funding efforts by creating work plans, developing budgets for processing, cataloging, preservation and digitization projects, and writing progress reports.
  • Recruits, hires, trains, supervises and evaluates manuscripts archivists, special projects staff, and student workers; oversees grant- and donor-funded processing and cataloging.
  • Participates in providing Special Collections reference service and staffing service points.
  • Depending on qualifications and subject expertise, may participate in promotion, exhibitions, instruction and outreach, donor relations, and/or collection development for particular subject areas or formats.
  • Serves on the BFCSC Director’s Management Team and on other Library and University-wide committees and task forces.
  • Contributes to the profession through writing for publication, presentation, and active involvement in local, regional and national professional associations.

REQUIREMENTS

  • ALA-accredited Master’s degree in Library or Information Science and/or advanced degree in a relevant discipline with relevant archival management and special collections training. Preferred: Certification by the Academy of Certified Archivists; a second subject Master’s degree.
  • 5 years of experience in an archival repository or special collections library with increasing supervisory responsibility, preferably in a university environment with large archival and special collections holdings.
  • Demonstrated experience supervising permanent staff and managing project teams. A proven track record of successful archival processing projects and collection management projects.
  • Preferred: A record of sustained engagement with the archives and/or library professions; a record of professional presentation, publication, and/or leadership in relevant organizations such as SAA or RBMS.
  • A firm understanding of the descriptive standards for archival and manuscript materials such as DACS and EAD is essential.
  • Preferred: Knowledge of or familiarity with other relevant standards, including DCRM, AACR2, RDA, MARC, DublinCore, AMREMM, EAC, MODS, METS, LCNAF, and LCSH.
  • Preferred: Experience with ArchivesSpace (and/or Archivists’ Toolkit or Archon).
  • Preferred: Knowledge of preservation and metadata standards for media and electronic records; working knowledge of intellectual property rights and issues related to born-digital content and digitized special collections.
  • Excellent written and oral communication skills including excellent public speaking skills.
  • The ability to work collaboratively in a fast-paced and diverse environment.
  • Desirable knowledge includes skill in paleography and the practice of archival research, and at least some knowledge about rare books, photographs, fine prints and other artwork.
  • Preferred: a good knowledge of American history, 19th- and 20th-century British and American literature, Catholic history with an emphasis on the Society of Jesus, the history of American diplomacy and intelligence, and/or other subject strengths of the BFCSC.
  • Reading knowledge of at least one foreign language preferred.
  • Experience managing long-term and complex processing and/or cataloging projects desirable.
  • Experience writing and/or reviewing grants is preferred.

The Booth Family Center for Special Collections, based in newly renovated quarters in Georgetown’s Lauinger Library, collects, organizes, interprets, preserves, makes available and promotes the use of the Library’s rare and unique materials in manuscripts and rare books, the University Art Collection, and the University Archives. It supports primary source research and instruction by students, faculty and the broader scholarly community. Georgetown’s rich collections range over the historical aspects of almost every humanistic discipline and many scientific fields of study. Areas of special strength include Jesuit history, early American Catholicism, English recusant history, English and American literature with emphasis on English Catholic literary figures, American printmakers, intelligence and espionage, diplomacy and international affairs, and Georgetown history.

SALARY/BENEFITS/RANK
Salary commensurate with experience. Comprehensive benefits package including 21 days/year paid leave; medical; TIAA/CREF; tuition assistance. This is a 12-month, Academic/Administrative Professional (AAP) appointment.

SUBMISSION GUIDELINES
If you currently work at Georgetown University, please exit this website and login to GMS (gms.georgetown.edu) using your Net ID and password.

Please note that in order to be considered an applicant for any position at Georgetown University you must submit a cover letter and resume for each position of interest for which you believe you are qualified. These documents are not kept on file for future positions.

NEED ASSISTANCE
If you are a qualified individual with a disability and need a reasonable accommodation for any part of the application and hiring process, please click here for more information, or contact the Office of Institutional Diversity, Equity, and Affirmative Action (IDEAA) at 202-687-4798 or ideaa@georgetown.edu.

Need some assistance with the application process? Please call 202-687-2500.

For more details and to apply, visit: https://tinyurl.com/jxf38td.

Georgetown University is an Equal Opportunity/Affirmative Action Employer fully dedicated to achieving a diverse faculty and staff.  All qualified applicants are encouraged to apply and will receive consideration for employment without regard to race, color, religion, national origin, age, sex, disability status, protected veteran status, or any other characteristic protected by law.


24. SENIOR CONSULTANT, Turley Heritage (Various locations, UK)

Our 15-strong team is involved in some of the most exciting and high profile heritage projects across the UK. We are looking for a commercially astute, committed and ambitious Senior Heritage Consultant to help us grow our service which has delivered iconic projects at Tower Bridge, Liverpool Football Club’s Anfield Stadium and the United States of America London Embassy.

We have opportunities in our London team for you to develop and further your career in a dynamic and vibrant consultancy practice that includes planning, economics, design, engagement and sustainability services.

You will have a good level of experience, ideally in part from consultancy, and membership of the IHBC or the RTPI. You will be experienced in promoting change in the historic environment and in building sound client relationships. Your continued personal and professional development will be supported through the Company’s Learning Academy.

Turley is an employee-owned business, operating from 11 offices in the UK.

We offer excellent remuneration, flexible benefits, travel allowance, non-contributory pension, ownership dividend and performance related bonus.

Please send your CV with a covering letter, including details of your salary expectations in confidence to Katie Simpson, HR Manager at katie.simpson@turley.co.uk.


25. HEAD, PRESERVATION AND CONSERVATION (ASSOCIATE PUBLIC RECORDS OFFICE), City of New York – Department of Records & Informaiton Service (New York, NY, USA)

  • Job no. 271823
  • Level: 02
  • Title code: 60217
  • Salary: $57,221.00/$65,804.00 to $81,791.00

The NYC Department of Records & Information Services (DORIS) seeks an experienced conservator and preservation professional to manage all aspects of the preservation program for Library and Archival collections. With considerable latitude for independent judgment, the Head will assume wide-ranging responsibilities which include: surveying and project planning; disaster preparedness; pest management (including mold remediation); handling and care training; storage and housing; treatment; managing the daily operation of the conservation laboratory and supervising subordinate staff; participating in professional development and outreach activities including tours and exhibits; ensuring compliance with industry standards and best practices; and serving as a resource for NYC agencies. The Head will assume a vital role in current initiatives which include maintaining an effective disaster/emergency response and recovery plan; advising on measures necessary to protect collections during the relocation to a new facility; and establishing an internship program. The Head will work in close collaboration with the Director of the Municipal Archives, as well as library and archives staff.

MINIMUM QUALIFICATIONS REQUIREMENTS
1. A master’s degree from an accredited college in Library Science, Archival Science, American History, Political Science or a related area, plus two years of full-time experience in archival or library science, one year of which must have been in a supervisory capacity of incumbents performing at a professional level; or
2. Education and/or experience equivalent to “1” above. however, all candidates must have a master’s degree from an accredited college and the one year of supervisory experience as described in “1” above.

PREFERRED SKILLS

  • A master’s degree in conservation and preservation of library and archival materials
  • At least three years of experience in an active Conservation lab
  • Knowledge and demonstrable experience with simple to complex treatments on varied formats especially books and paper
  • Demonstrated knowledge and skills in the evolving practice of conservation
  • Demonstrated project management experience
  • Enthusiasm and the ability to work effectively in collaboration with others
  • Strong writing and public speaking skills

RESIDENCY REQUIREMENT
New York City residency is generally required within 90 days of appointment. However, City Employees in certain titles who have worked for the City for 2 continuous years may also be eligible to reside in Nassau, Suffolk, Putnam, Westchester, Rockland, or Orange County. To determine if the residency requirement applies to you, please discuss with the agency representative at the time of interview.

TO APPLY

No e-mails, phone calls, faxes or personal inquiries permitted. only those candidates under consideration will be contacted.

The City of New York is an Equal Opportunity Employer

Book Conservation Summer School Scholarship, Nicholas Hadgraft Memorial Scholarship

  • Application deadline: April 7, 2017

Re-creating the medieval palette, an Italian fifteenth century binding and a conservation variation for the Ethiopic binding are just some of the topics the winner of this year’s Nicholas Hadgraft Memorial Scholarship could be enjoying thanks to Conservation By Design Limited (CXD).

CXD invites conservators and skilled book binders to apply for the renowned scholarship for the 13th consecutive year. The winner will receive £1,500 towards the cost of attending the Montefiascone Book Conservation Summer School, a unique bookbinding & restauration course held each year in the medieval town of Montefiascone, Italy.

Running from the heart of the medieval town throughout the month August, each week, the summer school features a different specialized course and tutor, which this year includes; Cheryl Porter, Jim Bloxham, Shaun Thompson, Alison Ohta, Scott W. Devine, Marco Di Bella and Dr. Nikolas Sarris.

The scholarship is offered in memory of Dr. Nicholas Hadgraft, a good friend of Conservation By Design who died tragically in 2004. Nicholas was a fellow of the University of the Arts London and a key collaborator on the “Squelch Drying” technique devised by Stuart Welch (the founder of CXD), the most effective way to date of drying valuable rare books.

Application forms are now available from the CXD website: www.conservation-by-design.com.

Completed applications must be received by April 7, 2017, and the successful applicant will be notified by the end of April.

For further information on the Nicholas Hadgraft Memorial Scholarship, contact Conservation By Design on +44 01234 844 260 or visit www.conservation-by-design.co.uk.

Conservation Grant & Scholarship

1. Plowden/ Clothworkers’ Foundation CPD Grant, Anna Plowden Trust and The Clothworkers’ Foundation
2. Conservation Training Bursaries, Anna Plowden Trust


1. PLOWDEN/ CLOTHWORKERS’ FOUNDATION CPD GRANT, Anna Plowden Trust and The Clothworkers’ Foundation

  • Applications deadline: March 22, 2017

The Anna Plowden Trust and the Clothworkers Foundation – two of the leading funders of training and development for conservators – have teamed up to offer greater support for conservators undertaking continuing professional development (CPD). The Anna Plowden Trust has provided more than 100 grants for CPD during the last two decades and the Clothworkers Foundation conservation program has given over 150,000 GBP in CPD grants during the last eight years.

For 2017, the Clothworkers Foundation has awarded a grant of 20,000 GBP to the Anna Plowden Trust, specifically to help increase support for conservators seeking to improve their knowledge or skills, or to broaden their professional experience. The Anna Plowden Trust will administer the award of Anna Plowden Trust Clothworkers Foundation CPD grants on behalf of both funders, simplifying the process for applicants and greatly increasing the level of support available to UK-based conservators.

The next deadline for applications is March 22 2017 (with the remaining deadlines in 2017 on June 5 and September 14, 2017).

You can find out more about the grants and download an application form by visiting the Anna Plowden Trust website: www.annaplowdentrust.org.uk/applying-to-us/cpd-grants.

Note that from January 2017 The Clothworkers Foundation will not offer CPD grants directly, it will only do so through this partnership with the Anna Plowden Trust.


2. CONSERVATION TRAINING BURSARIES, Anna Plowden Trust

  • Application deadline: June 5, 2017

The Anna Plowden Trust offers grants towards the fees for attending a full-time conservation training course. Applications are considered from those who wish to embark on a career in conservation or from existing conservators who need to broaden the base of their formal training by attending a course for at least one year.

– Courses that prepare students for a career in conserving the movable heritage (e.g. paintings, textiles, archaeological objects etc.) as well as heritage affixed to buildings (stained glass, wall paintings) are eligible.

– Courses on the conservation of the non-movable heritage (e.g. buildings) are not eligible

– Applications are invited from individuals but please note that if a grant is made the funds will be paid to the institution at which the student is studying.

– Successful applicants may be awarded a free subscription to a journal if this offer is generously repeated in 2016 by the Routledge, Taylor and Francis Group, one of the Trust’s sponsors.

Our funds are heavily over-subscribed so potential applicants may wish to bear in mind that we will normally give preference to applicants who intend to make their careers in the UK.

The deadline for applications for the 2017/18 academic year is June 5, 2017. You must apply using our application form, which you can download at: APT_Conservation_Bursary_application_2017%2018.doc.

For more information, visit: www.annaplowdentrust.org.uk/applying-to-us/conservation-training-bursaries.

PhD Scholarship & Banner Conservation

1. PhD Scholarship, Sheffield Hallam University

2. Banner Conservation – SouthWest Museum Development Program, Heritage Lottery Funds


1. PhD SCHOLARSHIP, Sheffield Hallam University (Sheffield, UK)

The following project is available for a Graduate Teaching Assistantship (GTA) Ph.D Scholarship at the Materials and Engineering Research Institute, Sheffield Hallam University: “High porosity salt resistant mortars for the repair of historic structures.”

The scholarship is for UK/EU applicants. It covers tuition fees (at UK/EU levels) and maintenance at Research Council UK levels, for three years of full-time study commencing in October 2017.

All applicants should hold a strong undergraduate degree (2.1 or above) and/or a relevant masters qualification (or expectation of the same).

For more information please visit: https://tinyurl.com/z264fy9 and https://tinyurl.com/zxdpmw9.

The closing date for applications is 12 noon on Friday, February 24, 2017.

Interviews will be held on April 24 and 25, 2017.


2. BANNER CONSERVATION, SouthWest Museum Development Program – Heritage Lottery Funds

The SouthWest Museum Development Programme has been awarded funding by the Heritage Lottery Fund for the conservation of 15 banners (textile, some with painted decoration, others with embroidery or applique designs).

Details of the five contracts are available at www.southwestmuseums.org.uk/projects-grants/raising-the-standard/.  Please scroll to the bottom of the page and click on the grey bar labelled “Contracts to support delivery of project.”

Conservators are welcome to apply as individuals or with one or more colleagues, for any number of the contracts. The timetable is an important part of the project.

Applications must be submitted by noon on February 20, 2017 to the email address listed in the contract.

Jobs digest: January 30, 2017

1. Collections Coordinator, University of Michigan
2. Conservation/Heritage Projects Manager, International Conservation Services
3. Conservation /Heritage Project Assistant, International Conservation Services
4. Collections Assistant, The Wolfsonian Museum
5. Team Leader-Conservator, Liverpool Record Office
6. Head Conservator, Christchurch Art Gallery Te Puna O Waiwhetu
7. Conservator, Durham University
8. Museum Conservator Ii, Museum of Vancouver
9. Assistant Conservator, Durham University
10. Post-Doctoral Research Assistant, University of Glasgow
11. Heritage at Risk Project Officer, London Borough of Tower Hamlets
12. Lecturer in Conservation Science, University of Kent
13. Part-Time Head of Conservation, University of Oxford
14. Pre-program Internship in Preservation and Conservation, Huntington Library – Art Collections and Botanical Gardens
15. Professor of Paintings Conservation, SUNY Buffalo State
16. Object Conservator, Museum Centre In Hordaland
17. Senior Built Heritage Consultant, AECOM


1. COLLECTIONS COORDINATOR, University of Michigan (Ann Arbor, MI, USA)

  • Deadline: February 3, 2017
  • Job ID No. 136617
  • Salary: $41,665.00 – $44,720.00

HOW TO APPLY
A cover letter is required for consideration for this position and should be attached as the first page of your resume. The cover letter should address your specific interest in the position and outline skills and experience that directly relate to this position.

RESPONSIBILITIES
Responsible for information management of museum collection. Creates and manages descriptive text and photographs or scans collection items for catalog records. Manager of museum’s Past Perfect Collection Database including data entry, updates, corrections and uploading files for the internet version. Backs up system data and coordinates with Dental School IT and Past Perfect Database vendor. Resolves issues with museum’s Past Perfect online web interface, working with Dental School website staff as needed. Trains part-time museum assistants in museum collections management functions, including use of Past Perfect database.

Performs all museum registration processing for new acquisitions utilizing Past Perfect accession system. Arranges and receives deliveries, prepares forms and corresponds with donors and U-M Gift-in-Kind processing. Manages museum loan and deaccessioning processes. Reports permanent collection and incoming loan values to Risk Management as needed. Provides searches and reports to Curator to facilitate collection decisions. Provides photo searches and manages and processes image orders of collection. Manages electronic and paper files related to the museum collection. Assists Curator in strategic planning related to collections. Reviews and updates Collection Procedures Manual including forms.

Maintains collection access for all storage (including off-campus storage facility) and exhibition spaces. Supervises access and artifact handling and photography for volunteers, researchers,  and paid temporary workers. Arranges access for preventative maintenance at off-site storage. Plans space allocation and creates location codes. Manages all collection movements.

Supports exhibition development goals. Creates artifacts and image spreadsheet reports for exhibit planning meetings. Contributes to exhibition planning and reviews exhibit labels for accuracy. Working with Curator and Dental School website managers, coordinates content changes for museum web-pages.

Assesses and reports museum collection preservation needs with periodic inventories and ongoing electronic environmental monitoring. Assists with museum disaster planning and reports problems affecting collections on exhibit or in storage. Reports and may need to take protective action following disasters affecting the collections on-site and off-site. Creates artifact condition reports for incoming loans. Prepares and updates Disaster Response and other collection policy documents with Curator.

In Curator’s absence: addresses requests from potential donors, Dental School staff, facilities staff and researchers. Stays current on museum best practices including reproduction rights and copyright standards, maintains professional contacts, reads professional literature and attends workshops and meetings when budget allows.

REQUIRED QUALIFICATIONS
BS/BA in Museum Studies, American History, Information Science/Archives, Anthropology or similar field. 3 years of professional museum experience managing a historical object collection and associated catalog database. One year or more supervisory experience in a museum setting. Knowledge of best practices for museum collection stewardship and digital preservation. Demonstrate understanding of image capture equipment, including cameras, lighting, digital scanners. Prior experience creating or modifying Collections Management Policies, procedures and forms. Has experience managing an organization’s website with searchable image database component. Excellent interpersonal, and communication skills. Able to set priorities, handle multiple assignments and deadlines and displays excellent professional judgement in a collaborative environment. Excellent attendance record. Be willing to take initiative and responsibility. Routinely moves equipment weighing up to 30 lbs. Must have own transportation to get to off-campus storage facility.

DESIRED QUALIFICATIONS
MA/MS in Museum Studies Information Science/Archives or similar field. 4 years of professional experience managing historical object collection and associated catalog database. 2 years experience creating records in Past Perfect. Knowledge of copyright guidelines for published and unpublished works. Prior work experience creating and managing an ongoing digital imaging project. Prior experience with Photoshop, Druple.

APPLICATION DEADLINE
Job openings are posted for a minimum of seven calendar days. This job may be removed from posting boards and filled anytime after the minimum posting period has ended.

The University of Michigan is an equal opportunity/affirmative action employer.


2. CONSERVATION/HERITAGE PROJECTS MANAGER, International Conservation Services (Sydney, Australia)

  • Applications Close: February 10, 2017

This position is available for immediate commencement on either a short term or long term contract. Applications will be considered upon submission, up until Friday 10 February 2017.

ICS has a vacancy for an experienced Conservation/Heritage Projects Manager in the Objects and Heritage Team. The position is based at our offices in Chatswood, Sydney.

Conservation work undertaken by the Objects and Outdoor Heritage Team includes a wide range of work for public institutions and private clients covering metal objects, sculptures, monuments and memorials, organic and plastic objects, ceramic, stone and glass objects, and archaeological and industrial artifacts. The team also regularly consults on and writes condition assessments, maintenance plans and treatment proposals.

Site based and in-house conservation and heritage projects will form a significant component of work undertaken by this role, with a requirement for both project management and hands-on technical skills. On-site projects are focused on the conservation of heritage objects, monuments, memorials and outdoor artworks. In-house work includes conservation treatments and co-ordination of projects.

We are looking for an experienced person to take responsibility for devising and implementing appropriate conservation methodologies, preparing quotations and tender submissions, negotiating conditions of contract, preparing condition assessments and reports, coordinating permits and site access, sourcing materials and managing subcontractors. In addition, responsibilities include working to achieve on time/on budget project outcomes, developing and maintaining excellent relations with clients, and contributing to smooth team functioning.

This position would suit an objects conservator, specialist tradesperson or hands-on project manager. Applicants should have:

  • a minimum of 5 years’ experience in heritage or conservation project management, or a closely related field
  • hands-on skills or site work experience in one or more heritage or conservation disciplines
  • strong written and verbal communication skills
  • ability to foster client relationships and engage in networking to promote future work opportunities
  • membership of an appropriate professional organization, or eligibility to apply for membership
  • qualification in a relevant field
  • Australian citizenship or residency

Salary will be commensurate with experience in the range of AUD $66,528 to $81,120 plus 9.25% superannuation.

Please visit our website at www.icssydney.com for more information about our business.

Submit your application using this online application form. You must include a detailed resume, and a covering letter outlining why you believe you are suited for this job. Please refer to the selection criteria on the final page of the position description.

For further information contact Ruth Thompson, Operations Manager by email: r.thompson@icssydney.com.

Applications close on Friday, February 10, 2017. However, as the position is available for immediate commencement, applications will be considered as they are received.

For more details go to: www.icssydney.com.au/employment.


3. CONSERVATION /HERITAGE PROJECT ASSISTANT, International Conservation Services (Sydney, Australia)

  • Applications Close: February 10, 2017

This permanent position is available for immediate commencement. Applications will be considered upon submission, up until Friday 10 February 2017.

ICS has a vacancy for a Projects Assistant in the Objects and Heritage Team. The position is based at our offices in Chatswood, Sydney.

Conservation work undertaken by the Objects and Outdoor Heritage Team includes a wide range of work for public institutions and private clients covering metal objects, sculptures, monuments and memorials, organic and plastic objects, ceramic, stone and glass objects, and archaeological and industrial artefacts. The team also regularly consults on and writes condition assessments, maintenance plans and treatment proposals.

Working on site-based and in-house conservation and heritage projects, the Projects Assistant will utilise both administrative and hands-on technical skills. On-site projects are focused on the conservation of heritage objects, monuments, memorials and outdoor artworks. In-house work includes assisting with conservation treatments and co-ordination of projects.

We are looking for a person with diverse skills who can support our projects managers and conservators in undertaking hands on conservation work, preparing quotations and tender submissions, contract compliance, preparing condition assessments and reports, coordinating permits and site access, sourcing materials and managing subcontractors. In addition, responsibilities include working to achieve on time/on budget project outcomes, developing and maintaining excellent relations with clients, and contributing to smooth team functioning.

This position would suit an objects conservator, specialist tradesperson or a person with hands-on project experience in the arts sector. Applicants should have:

  • 2 years’ experience in heritage or conservation sectors, or a closely related field
  • hands-on skills or site work experience in one or more heritage or conservation disciplines
  • strong written and verbal communication skills
  • ability to foster and maintain good client relationships
  • membership of an appropriate professional organization, or eligibility to apply for membership
  • qualification in a relevant field
  • Australian citizenship or residency

Salary will be commensurate with experience in the range of AUD $54,072 to $61,536 plus 9.25% superannuation.

Please visit our website at www.icssydney.com for more information about our business.

Download a detailed position description.

Submit your application using this online application form.

You must include a detailed resume, and a covering letter outlining why you believe you are suited for this job. Please refer to the selection criteria on the final page of the position description.

For further information contact Ruth Thompson, Operations Manager by email: r.thompson@icssydney.com.

Applications close Friday 10 February 2017. However, as the position is available for immediate commencement, applications will be considered as they are received.


4. COLLECTIONS ASSISTANT, The Wolfsonian Museum (Miami, FL, USA)

  • Application deadline: February 10, 2017 at 12 a.m. of the close date
  • Job ID 512932
  • Location: Biscayne Bay Campus
  • Salary: $33,280 per year/$16 per hour

JOB SUMMARY

  • Assists with inventory, rehousing, and packing of the museum’s collection under the supervision of the project collections manager and project conservator.
  • Assists with basic cataloging with great attention to applying data standards and following data entry guidelines during inventory.
  • Assists with photography, including file numbering and management during inventory.
  • Imports inventory spreadsheets and digital images into Re:discovery Proficio database.
  • Performs mass location and collection information updates, as well as data clean-up in Re:discovery Proficio database as needed.
  • Organizes and compiles source documents relating to individual works of art as needed during inventory.
  • Confers regularly with collections manager to ensure accuracy of information and the use of appropriate authority tools.
  • Under the supervision of the project conservator, carry out basic cleaning and other object treatments as needed.

MEDIUM QUALIFICATIONS
Bachelor’s degree in related discipline.

DESIRED QUALIFICATIONS

  • Minimum 2 years’ experience handling museum collections.
  • Knowledge of collections management, documentation, and preservation standards, policies, and procedures.
  • Experience with collections management systems, specifically Re:discovery Proficio.
  • Experience working with diverse collections and materials; specific experience with works on paper, fine art, furniture, textiles, decorative arts relevant to The Wolfsonian’s holdings is an advantage.
  • Knowledge of proper methods for moving and handling museum objects; experience packing museum objects for storage and transport.
  • Experience with art handling, packing, crating, preparing objects for storage and exhibition (including removing mats and frames, making storage mounts), location tracking, and local transport of objects to/from storage facility.

For more details on how to apply, visit: http://tinyurl.com/zdkaved.


5. TEAM LEADER-CONSERVATOR, Liverpool Record Office (Liverpool, UK)

  • Closing Date: February 10, 2017
  • Job No. LCC01167
  • Contract Type: Permanent
  • Salary: GBP 26,556 – 30,480 year

Liverpool City Council are looking to recruit a Team leader to assist with the provision of an excellent library and archive service for the whole community.

The post holder will specialize in conservation of library materials and especially archives, local studies materials, rare books, and special collections, in line with the latest standards. This will include carrying out preservation surveys, assistance with monitoring conditions in which collections are housed, advice on disaster prevention and recovery planning and salvage methods, packaging of collections, development of policies and planning of priorities for preservation and conservation of collections, advice and support on safe handling of documents by staff and public and safe and effective display in internal and external exhibitions.

The post holder will manage and deploy staff including their appointment, training, mentoring, motivation, supervision, counseling, discipline, health and welfare, including attendance management and you will supervise volunteers.

The post holder will liaise closely with other staff to assist with the proper management of relevant budgets which are used to deliver services to the public.

The post holder will work with existing partners and identify new partners and funding and income generation opportunities to help deliver service priorities. To include some externally funded work for external partners and applications for grants.

KEY ACCOUNTABILITES

  • To assist with ensuring long-term preservation of unique archives and special collections from the 13th century onwards and meeting archival standards. This will include planning and prioritization of preservation and conservation, ensuring full and effective use of the well-equipped Conservation Studio, and monitoring environmental conditions in the purpose-built repository.
  • To assist with the planning, development and delivery of training programs to help to deliver a quality library and archive service. The post holder will manage staff and volunteers.
  • To will support the exhibitions program.
  • To help to provide a customer friendly service achieving high levels of satisfaction and performance. You will participate in events and activities to promote services to the public.
  • To contribute to the development of relevant service plans.
  • To assist with income generation and advise partners and depositors.
  • To represent the library and archive service at appropriate meetings.
  • To deputize for senior staff as appropriate.

AVAILABLE DOCUMENTS

For more details and to apply, visit: http://lccjobs.liverpool.gov.uk/details.aspx?id=P1LFK026203F3VBQBV77VF6FT&nPostingID=4476&nPostingTargetID=8837&mask=lccext&lg=UK


6. HEAD CONSERVATOR, Christchurch Art Gallery Te Puna o Waiwhetu (Christchurch, New Zealand)

  • Application deadline: February 12, 2017
  • Reference No. 6486

Christchurch Art Gallery Te Puna o Waiwhetu is Christchurch’s public art gallery in the heart of the city. This is your opportunity to join the largest art institution in the South Island, home of one of New Zealand’s most important public art collections.

We are currently seeking a Head Conservator to join the Christchurch Art Gallery team. You will be responsible for managing the conservation laboratories and services that support the exhibitions and collections activities of the Gallery. As a leader you will plan, organize and control the functional output of staff within your area to achieve results and outcomes that drive achievement of the Gallery’s visions and key performance indicators.

You will develop and maintain a program of (preventative and remedial) conservation for the Gallery to ensure the immediate and long-term priorities of the collection are met. You will provide consultation and examine, survey and undertake conservation treatments relevant to your area of expertise. Where required, you will manage the outsourcing of work to external parties and provide advice to colleagues and community partners on the preservation of cultural material.

The successful applicant will have a recognized tertiary qualification from an accredited conservation training program and relevant conservation work experience. You must have proven experience in managing a conservation laboratory and the supervision of staff. As part of your proven success you will be capable of planning and implementing a conservation program for the Gallery collection and loaned items.

We are pleased to invite applications for this position from highly motivated candidates who enjoy working in a team environment. Salary will be discussed with the successful applicant.

Christchurch Art Gallery is a unit of Christchurch City Council.


7. CONSERVATOR, Durham University (Durham, UK)

  • Application deadline: February 15, 2017

Culture Durham brings together University venues including Durham Castle, The Oriental Museum, Palace Green Library, and the World Heritage Site Visitor Centre; collections and audiences, supporting research, teaching, student engagement and creating a sense of cultural buzz.

We are seeking a conservator to work in the Conservation Unit, based at Palace Green Library, which houses exceptionally rich and varied collections, including manuscripts, archives, books, maps, prints, and photographs. Based in a new conservation studio, the Conservator will work as part of a small team under the direction of the Head of Conservation, deputising for the Head when appropriate. The team undertakes a wide range of work, including the conservation of paper, parchment, books, and maps, condition reporting for exhibitions, mountmaking, and installing exhibitions.

Applicants should be accredited archive conservators or in the process of applying for accreditation, and experienced in both paper and book conservation and collections care. They will be self-motivated, keen to keep up-to-date with new techniques and developments in the field of conservation and collections care, and with an ability to be flexible and innovative, to set and achieve goals, and to prioritise workload. They should be enthusiastic and committed with the ability to adapt skills to a variety of work and should be prepared to work outside normal working hours when required. Knowledge of paper conservation and collection care is essential and experience of supervising trainees would be useful.

To apply, visit: www.jobs.ac.uk/job/AWX578/conservator/.


8. MUSEUM CONSERVATOR II, Museum of Vancouver (Vancouver, Canada)

  • Closing Date: February 15, 2017
  • Reports to: Senior Manager, Curatorial
  • Salary: Pay Grade 26 ($28.91-$34.19 / hr CDN)
  • Hours: Regular Full-Time (35 hrs/week)

This is museum conservation work involving the research, planning, recommendation and implementation of an artifact conservation program within the Museum of Vancouver. The work of this class includes conservation duties, monitoring the environment of storage and display areas. Instructing museum staff in the care and handling of artifacts, providing technical assistance to curatorial and display staff, and conducting on-going research on conservation techniques.

Considerable independence of action and judgement is exercised in all technical duties while matters of the museum policy are referred to a superior who evaluates work performance in terms of the quality and effectiveness of conservation and restoration services rendered.

DUTIES AND RESPONSIBILITIES
* Develop and maintain appropriate conservation standards within the organization;
* Monitor and record the environment of artifacts in storage or on display to control the effects of lighting, humidity, temperature, mounting and layout, and similar considerations;
* Produce and maintain full conservation records including condition and treatment reports, and associated digital images;
* Clean, support and repair/treat objects, including preparation for display
* Develop and maintain an integrated pest management program
* Instruct new museum staff in the proper care and handling of artifacts, and provide on-going instruction to museum staff in the techniques of preventive conservation as required;
* Provide technical information and assistance to curatorial and display staff;
* Supervise volunteers, interns, junior conservation staff and students;
* Propose and estimate the time and costs of treatments, artifact packing, etc.;
* Organize the logistics of long-term conservation-related projects;
* Pack, unpack incoming and outgoing loans;
* Assist in vetting potential acquisitions and loan requests from an artifact preservation point of view
* Keep up to date with the latest conservation techniques and practices, through research and training;
* Host laboratory or storage tours for visitors (infrequent);
* Deliver talks and presentations to amateur and professional audiences;
* Liaise with City staff regarding facility storage and display areas with regard to preventive conservation such as maintenance of a stable environment, paint selection, etc.
* Liaise with museum curators and other colleagues and help to set up exhibitions;
* Consult and collaborate with other conservators;
* Whenever necessary accompany objects in transit to other locations;
* Monitor/oversee condition of artifacts on long-term loan
* Write conservation related grants
* Manage conservation budget
* Participate in department planning
* Perform related work as required

REQUIRED QUALIFICATION, KNOWLEDGE, EDUCATION AND SKILLS
* Thorough knowledge of the theory and practice of the conservation and display of museum artifacts including preventive conservation and integrated pest management (IPM);
* Considerable knowledge of hazardous materials that may be found in museum collections and knowledge of containment options;
* Considerable knowledge of the principles of art, chemistry, bacteriology; physics, and laboratory techniques as they apply to museum conservation work;
* Working knowledge of the overall objectives of a civic museum and of museum display techniques;
* Ability to supervise and participate in the work of a subordinate engaged in conservation duties;
* Ability to plan, implement and monitor an effective program of artifact preservation and maintenance;
* Ability to establish and maintain effective working relationships with museum staff and a wide variety of external contacts;
* Skill in the use and care of scientific laboratory equipment;
* Digitization and database work experience an asset;
* Knowledge of the Code of Ethics and Guidance for Practice of the Canadian Association for Conservation of Cultural Property and of the Canadian Association of Professional Conservators
* Canadian XRF certification or ability to apply

REQUIRED EXPERIENCE
* Completion of a Master’s degree in conservation plus 3-year experience in museum conservation work or an equivalent combination of training and experience;
* Valid BC driver’s license

HOURS
This is a Regular Full-Time position with a 35-hour work week.

Note: This position falls under the jurisdiction of CUPE local 15.

TO APPLY
The Museum of Vancouver is an equal opportunity employer. We welcome all applicants. Please submit a covering letter and resume by email no later than 9:00 a.m., Wednesday, February 15, 2017 to humanresources@museumofvancouver.ca.

Regretfully, only those applicants selected for interviews will be contacted.


9. ASSISTANT CONSERVATOR, Durham University (Durham University, UK)

  • Application deadline: February 15, 2017

Culture Durham brings together University venues including Durham Castle, The Oriental Museum, Palace Green Library, and the World Heritage Site Visitor Centre; collections and audiences, supporting research, teaching, student engagement and creating a sense of cultural buzz.

We are seeking an Assistant Conservator to work in the Conservation Unit, based at Palace Green Library, which houses exceptionally rich and varied collections, including manuscripts, archives, books, maps, prints, and photographs. Based in a new conservation studio, the postholder will work under the direction of the Head of Conservation as part of a small team which undertakes a wide range of work, including the conservation of paper, parchment, books, and maps, condition reporting for exhibitions, mountmaking, and installing exhibitions.

Applicants will be self-motivated, keen to keep up-to-date with new techniques and developments in the field of conservation and collections care, and with an ability to be flexible and innovative, to set and achieve goals, and to prioritize workload. They should be enthusiastic and committed with the ability to adapt skills to a variety of work and should be prepared to work outside normal working hours when required. Knowledge of paper conservation and collection care is essential.

To apply, visit: https://tinyurl.com/hzmu5rx.


10. POST-DOCTORAL RESEARCH ASSISTANT, University of Glasgow (Glasgow, Scotland)

  • Application deadline: February 14, 2017
  • Job reference No. 015936
  • Salary: £27,629 to £31,076

A PDRA is required to make a leading contribution to a 3 year EPSRC funded project entitled “The Mechanisms of Fatigue in Viscoelastic Multi-layer Paint Systems on Wood.” The PDRA will be working with the lead investigator Dr Christina Young and the Technical Art History Group at Glasgow University as well as with the collaborating team at Imperial College, London.

The post requires expert knowledge in the areas of experimental mechanical engineering and viscoelastic polymers, very good communication skills and a genuine interest in cultural heritage. The research is focused on wooden cultural heritage, specifically panel paintings from the National Trust property Knole House and works within Scotland. You will be working in an interdisciplinary team including your counterpart PDRA in modelling at Imperial as well as scientists, conservators, curators and art historians.

For more detailed information and complete an application please follow the link www.jobs.ac.uk/job/AWU839/research-assistant-in-conservation-science/, and/or contact christina.young@glasgow.ac.uk.


11. HERITAGE AT RISK PROJECT OFFICER, London Borough of Tower Hamlets (London, UK)

  • Application deadline: February 19, 2017
  • Interview date: February 28, and March 1, 2017
  • Vacancy: DEV00837

Heritage at Risk Project Officer, London Borough of Tower Hamlets £36,549 – £39,459 (Pro Rata. Actual Salary £18,093 – £ 19, 076). 17.5 hours per week (2.5 days per week, 32 months contract).

The London Borough of Tower Hamlets is one of the most exciting places to live and work in the country. It possesses a rich built heritage which fully reflects the history of the Borough but is the focus of enormous development pressure. It is critical that the Borough’s Heritage assets are protected and enhanced.

This is an exciting opportunity for you to join the Council’s Place Shaping Team as Heritage at Risk Project Officer to help improve the condition of the Borough’s Heritage, working with a wide range of internal and external stakeholders.  You will have a valuable role within a committed team of urban design, conservation and heritage specialists.

We are passionate about what we do and are committed to improving the condition of the heritage as part of our remit.  To help us achieve this we are ideally looking for someone who has relevant specialist experience working on projects which have successfully repaired / revitalized heritage assets on the Heritage at Risk Register.  Experience of complex negotiations and use of relevant planning powers is important.  If this sounds like you, we would love to hear from you.

This opportunity is open to architects, heritage and conservation specialists who ideally have a background and/or qualification in building conservation or a related discipline. The closing date is Sunday 19th February 2017.Interviews will take place on February 28, and March 1, 2017.

For an informal discussion please contact the Strategic Planning Manager, Adele Maher on +44 (020) 73645375 or the Place Shaping Team Leader, Sripriya Sudhakar on +44 (020) 73645371.

To apply, please visit: https://tinyurl.com/zcs8z3w.


12. LECTURER IN CONSERVATION SCIENCE, University of Kent (Canterbury, UK)

  • Application deadline: February 22, 2017

The School of Anthropology and Conservation is seeking to appoint an ambitious and highly motivated Lecturer in Conservation Science, with a strong research profile in conservation social science and expertise in quantitative methods, to join the Durrell Institute of Conservation and Ecology (DICE).

DICE is a world-leading conservation research center which sits within the School. It carries out high impact research to inform conservation management and/or policy, in order to protect biodiversity and the ecological processes that support both ecosystems and people. DICE is one of the largest conservation focused academic institutes in the UK, setting itself apart from more traditionally-minded institutions by conducting applied conservation research that breaks down the barriers between natural and social sciences.

The successful candidate will have a primary research focus in conservation-related social sciences, together with expertise in quantitative skills. They will bring a cutting-edge research agenda and publication profile that will contribute to the REF strategy of the School and the University.

The post-holder will have an academic background that enhances the existing strengths of DICE and the School in biodiversity conservation, natural resource management or the environment more broadly. We would especially welcome applications from candidates with a track-record in conservation and development/livelihoods, sustainability, conservation governance/policy, or conservation psychology and behavior change.

As Lecturer in Conservation Science you will:

  • Carry out internationally excellent, cutting-edge research, independently and collaboratively.
  • Produce publications of world-leading quality that will contribute significantly to the School’s REF strategy.
  • Actively promote the School’s scholarly activities.

To be successful in this role you will have:

  • PhD (or equivalent) in an area relevant to conservation (awarded or to be completed by 1st February 2017)
  • Strong track record of high-impact research publications in journals.
  • Excellent communication and interpersonal skills.

School of Anthropology and Conservation: The School of Anthropology and Conservation at Kent was founded in 1997. It is unique in recognizing the importance of the fundamental link between human society, human evolution, and conservation of the natural environment.

Further Information: Interviews are to be held: w/c March, 13 2017.

If you require further information regarding the application process, please contact Caren Ward on c.s.ward@kent.ac.uk.

Applications must be made via the University’s online application system. You will be required to fill in the main details section of the application form as well as upload your CV and a cover letter / summary document. You should provide clear evidence and examples in your application which back-up any assertions you make in relation to each criterion. We recommend a maximum of 4 x A4 sides for this document.

CVs or details sent directly to the department or via email cannot be considered.

If you are invited for an interview, we will request references for you at that stage.

Info: https://www11.i-grasp.com/fe/tpl_kent01.asp?newms=jj&id=40679&aid=14243.


13. PART-TIME HEAD OF CONSERVATION, University of Oxford (London, UK)

  • Application deadline: February 23, 2017

The Museum seeks a Head of Conservation who will be responsible for managing all aspects of conservation and collections care of approximately 300,000 ethnographic and archaeological objects, plus an equal number of photographs and manuscripts. As a member of the Pitt Rivers Museum strategic planning team, the Head of Conservation contributes to the development and delivery of the museum’s strategic plan, with particular emphasis on balancing the long-term preservation of the collections with facilitating access. The Head of Conservation will have responsibility for the efficient and effective management of a minimum of three conservators, plus project specific contract staff, along with supervising student placements, interns and volunteers. The promotion of research, teaching, publishing, outreach and work with originating communities and artists, are integral to the management of the department, as is supporting effective collaboration between departments. As part of the GLAM group (Oxford Universities Gardens Libraries and Museums) our Conservation team work in close collaboration with other members in support of the University’s teaching, research and widening engagement activities and its heritage and legal responsibilities.

Full details of essential and desirable requirements are available in the job description.

This is a part-time role 0.8FTE (30 hours per week).

The closing date for applications is 12.00 noon on Thursday 23 February 2017. Interviews are likely to take place during the beginning of March 2017.

Info: www.recruit.ox.ac.uk/pls/hrisliverecruit/erq_jobspec_version_4.jobspec?p_id=126110.


14. PRE-PROGRAM INTERNSHIP IN PRESERVATION AND CONSERVATION, Huntington Library – Art Collections and Botanical Gardens (San Marino, CA, USA)

  • Application deadline: March 15, 2017

Supported by an endowment established in 1981, The Huntington annually offers a Mellon Internship in Preservation and Conservation. The internship, offered in the preservation and conservation of either books and/or works on paper, is for individuals who have a Bachelor’s degree and can demonstrate a commitment to entering a graduate program in conservation. The intern will work with the Preservation Department’s conservators, who will make use of The Huntington’s collections materials in providing instruction. Through training in conservation treatment techniques and readings from the conservation literature, the intern will advance their knowledge of the underlying principles of conservation, and the tools and techniques used in the conservation of library collections materials. Mellon interns are encouraged to document their work and make a short presentation to Huntington staff upon completion of their internship term.

The term of the internship is 10 weeks. Stipend amount: US $5,000.

To apply for the Mellon Internship beginning June 2017, please send cover letter, resume, and contact information for three references to:
Attn: Holly Moore
Lloyd E. Cotsen Head of Preservation and Conservation
Huntington Library, Art Collections, and Botanical Gardens
1151 Oxford Road
San Marino CA 91108
Tel: +1 (626) 405-2197
Fax: +1 (626) 405-3444
hmoore@huntington.org


15. PROFESSOR OF PAINTINGS CONSERVATION, SUNY Buffalo State (Buffalo, NY, USA)

The Art Conservation Department at SUNY Buffalo State invites applications for the tenure track position of assistant professor of Paintings Conservation. The successful candidate will teach lecture and laboratory courses in paintings conservation and the pertinent history of paintings materials and techniques. She/he will supervise graduate student projects and provide mentoring and advisement to students specializing in paintings conservation. Advisement includes assisting students in obtaining suitable third-year internships and guiding students in focused investigatory Master’s projects required during their second year, in cooperation with other department faculty. Although teaching is the primary responsibility, it is expected that the candidate will pursue a scholarly, research and creative activity agenda, as well.

The paintings conservation professor will actively participate in the life of the department, including: upkeep and maintenance of the paintings conservation studios, managing and organizing all paintings related activities, coordinating with the department’s guest lecturer program, serving on department and college committees, participating in department and college events, advancing the department’s public outreach initiatives, managing all paintings conservation treatment projects, meeting with clients, assigning projects to students, and representing the department/college by participating in professional organizations.

REQUIRED QUALIFICATIONS
A terminal degree in art conservation which can include certificates from internationally recognized academic conservation programs; commitment to teaching at the graduate level; a demonstrated progressive experience in the conservation of the multitude of paintings materials; evidence of a high degree of proficiency and skill in the performance of a variety of conservation treatments on a wide range of paintings; evidence of initiating a scholarly agenda such as publishing in peer reviewed journals and/or speaking/presenting papers on professional conservation issues at conferences; well developed communication skills; evidence of ability to work cooperatively and collegially within an interdisciplinary work environment.

PREFERRED QUALIFICATIONS
Evidence of ability, interest in and commitment to teaching at the graduate level; knowledge and experience with modern and/or contemporary painting techniques and treatments; advanced studies or research in the conservation of paintings, the scientific and technical art history of paintings, material science of paintings and painting materials, or a closely related area of paintings conservation.
Appointment: Full-time tenure-track appointment beginning January 2018 contingent on funding. Salary is competitive nationally, with excellent benefits.

To apply, go to: https://jobs.buffalostate.edu/applicants/Central?quickFind=51766.

The Art Conservation Department is an internationally recognized professionally oriented graduate program, offering conservation specializations in objects, paintings, photo, library/archives and works of art on paper.  The department maintains close working relationships with the regional cultural institutions such as the Albright-Knox Art Gallery, The Buffalo Museum of Science, The Buffalo History Museum, Frank Lloyd Wright’s Darwin Martin House, and the University of Rochester Memorial Art Gallery to name just a few. With over 400 graduates working in museums, regional centers and private practices across the country and overseas, the Art Conservation Department’s alumni play an integral role in the preservation of our nation’s and the world’s cultural heritage.

APPLICATION DEADLINE
Review of applications will begin March 1, 2017.  Applications will be reviewed until the position is filled.

Submit cover letter addressing qualifications, teaching philosophy and professional activities, curriculum vitae, list of Internet links to samples of conservation treatments, publications, and other research/scholarly/creative work, along with names, email addresses and telephone numbers of three references online to: https://jobs.buffalostate.edu<https://jobs.buffalostate.edu/.

Email questions to the Art Conservation Department at artcon@buffalostate.edu.

Learn more about SUNY Buffalo State and the Art Conservation Department at http://artconservation.buffalostate.edu.

A commitment to the mission and core values of SUNY Buffalo State is expected. SUNY Buffalo State is an Equal Opportunity/Affirmative Action Employer and particularly encourages applications from women and minority candidates.


16. OBJECT CONSERVATOR, Museum Centre in Hordaland (Hordaland, Norway)

  • Object Conservator – full-time, 1 year project

The Museum Centre in Hordaland (MuHo) is a consolidated museum group which preserves the heritage traditions and cultural landscape of the county of Hordaland. MuHo engages in conservation, research and education relating to cultural heritage and landscape history from the past to the present. MuHo also provides conservation and collections management services to other museums in Hordaland and clients throughout Norway.

The Museum Centre in Hordaland has exciting opportunities within the conservation department to work alongside a motivated and dynamic team providing preservation services to the museums in Hordaland.

The Conservation Department is based in Salhus, near Bergen. The position form part of a team of nine permanent staff members who work with conservation of textiles and cultural artefacts, preventive conservation and collections management for all museums in Hordaland county. In addition, the department manages a joint storage facility for the museums in Hordaland. It also undertakes conservation assignments for museums and external customers, and sees increasing demand in this area.

The position primarily involves conservation of furniture and mirrors for customers for one year, and can be extended.

We are seeking a conservator with approved education (master’s degree) in objects conservation, as well as relevant work experience.

We are looking for candidates that:
– are outgoing, have good collaborative skills and are able to work independently
– are positive and flexible
– have good language skills in a Scandinavian language or English (written and spoken)

For more information, visit: www.muho.no/en/bevaringstenestene/job-opening-conservation-department.


17. SENIOR BUILT HERITAGE CONSULTANT, AECOM (Leeds, UK)

  • Vacancy No. 149757BR

AECOM is a premier, fully integrated professional and technical services firm positioned to design, build, finance and operate infrastructure assets around the world for public- and private-sector clients. With nearly 100,000 employees — including architects, engineers, designers, planners, scientists and management and construction services professionals — serving clients in over 150 countries around the world, AECOM is ranked as the #1 engineering design firm by revenue in Engineering News-Record magazine’s annual industry rankings, and has been recognized by Fortune magazine as a World’s Most Admired Company. The firm is a leader in all of the key markets that it serves, including transportation, facilities, environmental, energy, oil and gas, water, high-rise buildings and government. AECOM provides a blend of global reach, local knowledge, innovation and technical excellence in delivering customized and creative solutions that meet the needs of clients’ projects. A Fortune 500 firm, AECOM companies, including URS Corporation and Hunt Construction Group, have annual revenue of approximately $19 billion. More information on AECOM and its services can be found at www.aecom.com.

JOB SUMMARY
AECOM is one of the largest heritage teams within the UK within one of the largest and most respected engineering and environmental consultancies in the world. We work locally, nationally and internationally on some of the highest profile projects; offering an unparalleled and unique range of opportunities within planning, environment and engineering sectors.

AECOM heritage team offers a comprehensive heritage services to a wide and varied range of clients across the UK and further afield. We have an excellent reputation for providing heritage advice that is second to none. Our experience in many sectors enables us to offer clients expert advice combining strong academic strength, extensive professional experience and intelligent commercial awareness with an intuitive appreciation of the positive role that heritage can have in creating successful projects and places.

We are seeking an experienced Senior Built Heritage Consultant to join us on an initial 9-month contract who will uphold our commitment to excellence and provide independent, expert and confident advice on a wide range of heritage issues within a planning, environmental and engineering context. You will be joining our established and reputable heritage team in our multi-disciplinary office of environmental and engineering consultants in central Birmingham or Leeds.

As a Senior Built Heritage Consultant, you will be required to provide expert advice, analysis and assessment; and, professional, strong and compelling advocacy. With a varied workload that will include providing independent historical research and analysis, sound written and verbal advice to clients on world heritage sites, listed buildings, conservation areas, registered parks and gardens, non-designated heritage assets, legislation (including issues relating to consents), policy and guidance; preparation of Heritage Statements, Statements of Significance, Environmental Impact Assessment (EIA); and, Heritage and Characterization Assessments.

This is an exciting opportunity for a senior consultant in our growing and expanding heritage team to join us at a time when we are dealing with some of the UK’s largest, most interesting, challenging and complex projects. It is an excellent opportunity within an established engineering and environmental consultancy offering you scope to continue and grow your career and professional development. AECOM develops individuals through a portfolio of training and development activities designed to help you make the best of your abilities and talents. These are reviewed with individuals through an annual performance and rewards process.

AECOM’s heritage team is a Registered Organization with the Chartered Institute for Archaeologists.

MINIMUM REQUIREMENTS
To be successful in this role we are looking for the following:

  • Full knowledge of the planning process (including EIA) and be fully conversant with the relevant heritage legislation, policy and guidance;
  • Robust knowledge of UK architectural history;
  • Extensive experience of identifying and describing the significance of heritage assets;
  • Extensive experience of identifying and describing the contribution that setting makes to significance of heritage assets;
  • Willingness and/or experience of working on appeals and public inquiries;
  • Experience of delivering environmental impact assessments and supporting programs for complex large infrastructure and/or major schemes;
  • Excellent report writing skills;
  • Willingness to work across the UK as fits project requirements;
  • Experience in both commercial consultancy and for local authorities;
  • Excellent research skills;
  • Client focused team player with a positive, ‘can do’ attitude;
  • Professional, organized and thorough approach to work which demonstrates an attention to detail to get things right first time;
  • Ability to manage own time and comfortable working both within a team or alone to tight deadlines;
  • Excellent communication skills,
  • Flexible approach to working hours to meet the demands of the role, including occasional working away from home.

A current full UK driving license is essential.

PREFERRED QUALIFICATIONS
Candidates will have:

  • A relevant first degree or post-graduate qualification in a relevant subject such as archaeology or buildings conservation;
  • Relevant masters level or higher qualification in heritage or planning;
  • Appropriate level of membership of the Chartered Institute for Archaeologists or IHBC.

WHAT WE OFFER
AECOM is a place where you can put your innovative thinking and business skills into high gear and work alongside other highly intelligent and motivated people. It’s a place where you can apply your skills to some of the world’s most challenging, interesting, and meaningful projects worldwide. It’s a place that values the diversity of our areas of practice and our people. It’s what makes

More details are available at: https://tinyurl.com/js2xo2c.

AECOM a great place to work and grow. AECOM is an Equal Opportunity Employer.

6th International Architectural Paint Research (APR) Conference

The 6th International Architectural Paint Research (APR) Conference will be held from March 15 – 17, 2017 in New York City on the historic campus of Columbia University. This conference promises to bring together many members of this vibrant, creative community that includes historic paint analysts, scholars of historic interiors, art and architecture conservators, material scientists, decorative painters, preservation architects, and heritage managers. The conference agenda is on the website: http://www.apr2017.org.

The theme of the conference, “Powers of Ten,” is reference to a short film from 1977 by Charles and Ray Eames.  Like the film, Architectural Paint Research (APR) deals with magnitudes of scale, from a single pigment particle, to a painted house, to the decorative tastes of an entire region. In the spirit of the film, the 2017 APR conference aims to take a closer look at how we carry out our research at every level, from the micro to the macroscopic.

The conference includes an incredible line up of tours but they are filling up fast. The conference includes behind the scenes tours of some of New York’s most unique and special sites. The tours range from an in-depth look at the conservation of Herters Brothers and Tiffany Studio rooms at the 7th Regiment Armory to a tour of the conservation of the “ruin” rooms of the Lower East Side Tenement. We also have a tour of a wallpaper manufacturing facility, the south side of Ellis Island and a look at the conservation of the Keith Haring mural in the LGBT Center.  Details of these tours are now available on the conference website.

Registration is open at: http://www.apr2017.org/registration/.

IIC Presents: Exploring the historic and conservation challenges of objects created for social protest and solidarity

by IIC Point of the Matter Dialogue Series

The International Institute for Conservation (IIC) invites you to register for their free* Point of the Matter Dialogue on “Viral Images. Exploring the historic and conservation challenges of objects created for social protest and solidarity.”

Historic events of the past years have highlighted art as a creative means of social expression as well as a powerful tool used during social protests. A few images and words scribbled on a collection of post-it-notes or a graphically designed phrase captured in a Tweet heard around the world have had an unexpectedly lasting influence. But what happens to the art work when the protesters leave? Was it ever intended to be collected or preserved? Is there precedence for archiving these ephemeral materials? Who is collecting them? How do we preserve the intent and impact of these creative works for posterity?  Archiving this form of cultural heritage presents many challenges.

The dialogue will take place on February 14, 2017 from 2:30 to 5:00 p.m., in the Bonnie J. Sacerdote Lecture Hall of the Uris Educational Center of the Metropolitan Museum of Art (5th Avenue & 82nd Street, New York City).  There is no charge to attend.

Panellists:

  • Aaron Bryant, Mellon Curator of Photography at Smithsonian National Museum of African American History and Culture
  • Michael Gould-Wartofsky, sociologist and author of “The Occupiers. The Making of the 99% Movement”
  • Christian Scheidemann, conservator and founder of Contemporary Conservation Ltd.
  • Gregory Sholette, founding member of Political Art Documentation/Distribution and Associate Professor, Sculpture and co-founder of Social Practice Queens(Queens College, City University of New York)
  • Lidia Uziel, Head of the Western Languages Division (WLD) and Bibliographer for Western Europe, Harvard Library
  • Ralph Young, Professor of History, Temple University and author of “Dissent: The History of an American Idea” and “ Make Art Not War: Political Protest Posters from the Twentieth Century”

Space is limited, so register now to receive your admittance ticket. Just visit: https://www.eventbrite.co.uk/e/iic-point-of-the-matter-dialogue-on-protest-art-viral-images-tickets-30359401788.

To support this event, go to: https://www.justgiving.com/campaigns/charity/iichaw/point-of-the-matter-dialogue-on-protest-art.

*A limited number of reserved seats are available in advance for a minimal $5 administration fee. All other ticketed seating will be unreserved, with open seating available the day of the event. Please visit our Evenbrite page for further details.

We hope to see you there!

Amber Kerr and Rebecca Rushfield, IIC Dialogue Organizers

Fellowships/scholarships Digest: January 23, 2017

1. Mellon Fellowship in Photography Conservation, The Museum of Modern Art
2. Andrew W. Mellon Post Doctoral Fellow in Architecture and the Humanities, Rice University
3. Mellon/ACLS Public Fellows Competition for Recent PhD Graduates, American Council of Learned Societies


1. MELLON FELLOWSHIP IN PHOTOGRAPHY CONSERVATION, The Museum of Modern Art (New York, NY, USA)

  • Closing date for applications: March 1, 2017

The Museum of Modern Art offers a full-time two-year fellowship, renewable for a third year, in the conservation of photographic materials beginning in September 2017.  Photography Conservation works closely with the conservation staff, including the Museum scientists, as well as all curatorial departments: Photography, Drawings and Prints, Architecture and Design, Painting and Sculpture, Library and Archives and Electronic Media and Film. The candidate will work on a wide range of modern and contemporary works and participate in all departmental activities including courier responsibilities.  An emphasis will be placed on assisting permanent Conservation staff in the treatment of collection materials for exhibition and loan.  Research on conservation treatment techniques, optimal preservation environments, artistic practice and characterization of photographic materials is integral to the department and participation in these activities will be fostered.  Additional professional development activities will be supported.

The successful candidate will have a completed M.A. degree or Advanced Certificate from a recognized fine arts conservation program, with a focus in conservation of photographic materials. Preference will be given to those candidates who can demonstrate team and communication skills, the ability to manage time in a multitasking environment, and who show a systematic and methodological approach to research.

The closing date for applications is March 1, 2017. Salary is $49,250.00 plus generous benefits, including four weeks paid vacation.

Applicants should send a statement of interest, a writing sample, resume with a list of references and an electronic portfolio containing two treatments to Lee Ann Daffner, Andrew W. Mellon Foundation Conservator of Photographs, leeann_daffner@moma.org.

The Museum of Modern Art is an equal opportunity employer and considers all candidates for employment regardless of race, color, sex, age, national origin, creed, disability, marital status, sexual orientation, or political affiliation.


2. ANDREW W. MELLON POSTDOCTORAL FELLOW IN ARCHITECTURE AND THE HUMANITIES, Rice University

  • Deadline for applications to be received March 3, 2017

The Humanities Research Center, in association with the School of Architecture and the Department of Art History, is seeking to appoint a Postdoctoral Fellow with a terminal degree in the history or theory of modern or contemporary architecture, including urban history. This fellowship is intended to give promising early career scholars the opportunity to teach and conduct independent research in a supportive environment. Aside from developing or continuing individual or collaborative research projects, the fellow will play a pedagogic role in the School of Architecture and/or the Department of Art History, participating in the core history and theory courses and workshops at the graduate and undergraduate levels in architecture as well as teaching and informal advising of both graduate and undergraduate students in art history. Total teaching obligations will not exceed one course per semester in addition to occasional participation in collaboratively taught courses, to be determined in consultation with the Department of Art History and/or School of Architecture. Selection of the fellow will be made on the basis of his/her scholarly record and career trajectory. Preference will be given to applicants who would particularly benefit from and contribute to the intellectual life of the campus.

This is a full-time, benefits eligible, one-year appointment, renewable for a second year, with an annual salary of $55,000 and allowances for research and relocation to Houston.

Eligibility
Applicants from any humanistic, architectural, or urban design discipline are eligible to apply and must have received their Ph.D. no earlier than July 1, 2009. The fellow will be expected to reside in or near Houston during the academic year in order to fully engage in the broader Rice University community.

Application Materials

  • Cover Letter
  • Curriculum Vitae
  • 1,000-word personal research project proposal
  • Samples of Scholarly Work
  • Three references

Shortlisted candidates may be asked to submit additional material at a later date.

Contact: Adriana Chiaramonti, acc14@rice.edu.

In order to apply, please visit: https://jobs.rice.edu/postings/9143.

Rice University is an Equal Opportunity/Affirmative Action Employer and all qualified applicants will receive consideration for employment without regard to race, color, religion, sex, national origin, disability status, protected veteran status, or any other characteristic protected by law.


3. MELLON/ACLS PUBLIC FELLOWS COMPETITION FOR RECENT PhD GRADUATES , American Council of Learned Societies

  • Application deadline: March 22, 2017, 8 pm EDT

ACLS invites applications for the seventh competition of the Mellon/ACLS Public Fellows program. This year, the program will place up to 22 recent PhDs from the humanities and humanistic social sciences in two-year term staff positions at partnering organizations in government and the nonprofit sector. Fellows will participate in the substantive work of these organizations and receive professional mentoring. Fellows receive a stipend of $67,500 per year, with individual health insurance and up to $3,000 to be used toward professional development activities over the course of the fellowship term.

This initiative, made possible by a grant from The Andrew W. Mellon Foundation, aims to expand the role of doctoral education in the United States by demonstrating that the capacities developed in the advanced study of the humanities have wide application, both within and beyond the academy. The Mellon/ACLS Public Fellows program allows PhDs to gain valuable, career-building experience in fields such as public policy, development, conservation, arts and culture, and digital media.

ACLS seeks applications from recent PhDs who aspire to careers in administration, management, and public service by choice rather than circumstance. Competitive applicants will have been successful in both academic and extra-academic experiences.

For more details and to apply, please visit: www.acls.org/programs/publicfellowscomp/.

Jobs Digest: January 23, 2017

1. Assistant Collections Manager: Care and Access, The British Museum
2. Conservator: Collections Move Project X 2, The British Museum
3. Assistant Collections Manager: Loans & Display, The British Museum
4. Conservator: Ceramics, Glass and Metals, The British Museum
5. Conservator: Ceramics, Glass and Metals Conservation Section, The British Museum
6. Project Curator: Google Maya Project, The British Museum
7. Manuscript Conservator, The Arni Magnusson Institute for Icelandic Studies
8. Conservation Technician, Northwestern University Libraries – Preservation Department
9. Tenure-Track Assistant Professor or Associate Professor Positions, College of Architecture – Texas A&M University
10. Assistant Professor‐ Historic Preservation, Ball State University
11. Senior Furniture Conservator, The Conservation Center


1. ASSISTANT COLLECTIONS MANAGER: CARE AND ACCESS, The British Museum (London, UK)

  • Application Deadline: 26 January 2017 at 12:00 p.m. Noon
  • Reference 1628485
  • Salary: £20,118 per annum pro-rata
  • Contract: Fixed Term Contract – 12 months (Full time)

This is an exciting opportunity to join the teams that work directly with the world-renowned collections of the British Museum. As an Assistant Collections Manager: Care and Access you will be responsible for all practical aspects of care and preservation of the artefacts, with a primary focus on the day to day care of and access to the collections.

The post-holder will work as part of an existing team and will each be assigned to work primarily, but not exclusively, with the Asia collections.

Key areas of responsibility

  • To monitor the security of objects and to maintain them in good condition in storage, in transit and whilst on display.
  • To observe best practice in all aspects of object handling and collections storage and follow Integrated Pest Management procedures.
  • To supply objects for study and to supervise study rooms.
  • To facilitate the movement, packing and display of objects across the collections and assist with training and skills-sharing as required.
  • To maintain and update essential object documentation, including location information.
  • To construct mounts and to install objects in the Museum and at other venues.
  • To assist with collections audits and create condition reports for objects.
  • To assist with the delivery of the Museum’s loans and exhibitions program. This may involve some travel.

Person Specification
The successful candidate will be educated to GCSE level or equivalent, have a demonstrable interest in aspects of the Museum’s collections and a good overall understanding and appreciation of materials and objects. Excellent communication and problem solving skills are essential for this role, as is the ability to work flexibly as part of a team. Practical experience of object/art handling and installation in a museum or gallery is desirable but not essential for this role.

ABOUT THE BRITISH MUSEUM
Founded in 1753, the British Museum’s remarkable collection spans over two million years of human history and culture. With over 6.8 million visitors in 2015, the Museum is the top visitor attraction in the UK, and its world-famous collection includes the Rosetta Stone, the Parthenon sculptures, Egyptian mummies, the Admonitions Scroll, and the Amaravati sculptures.

The Museum adheres to the HMG Baseline Personnel Security Standard (BPSS) requirements for all staff at the British Museum.

If you have any queries regarding this role, please email us at bm@penna.com or call +44 0845 601 1124. Please quote the job reference number in the subject line of any email and at the beginning of a call.

To apply, go to: http://tinyurl.com/juzdgpu.


2. CONSERVATOR: COLLECTIONS MOVE PROJECT x 2, The British Museum (London, UK)

  • Application Deadline: January 26 2017, at 12:00 p.m. Noon
  • Interview Date: February 14 or 15, 2017
  • Reference 1626867
  • Salary: £20,118 per annum pro-rata
  • Contract: Contract: Fixed Term: until 31 October 2020 (Full time)

The British Museum is seeking two Conservators to care for the collection in support of the Museum’s operating plan, in particular the relocation of indigenous and world cultures collections from off-site storage to new facilities in Bloomsbury.

The post-holders will work collaboratively with a range of colleagues across the Museum and contribute to public outreach activities relating to collections move projects and the Department of Conservation. You will be involved with the conservation of a wide range of objects, particularly objects made of organic materials.

The successful candidates will possess a recognized professional conservation qualification, to degree level or equivalent, including training emphasizing the conservation of organic materials. With demonstrable experience in the heritage sector as a skilled conservator, you will have a strong understanding of contemporary principles and practice in preventive conservation.

We are interested in hearing from individuals who are able to undertake highly detailed tasks to agreed schedules and budgets. As an effective communicator, you will be confident in presenting work publicly to a variety of audiences.

ABOUT THE BRITISH MUSEUM
Founded in 1753, the British Museum’s remarkable collection spans over two million years of human history and culture. With over 6.8 million visitors in 2015, the Museum is the top visitor attraction in the UK, and its world-famous collection includes the Rosetta Stone, the Parthenon sculptures, Egyptian mummies, the Admonitions Scroll, and the Amaravati sculptures.

The Museum adheres to the HMG Baseline Personnel Security Standard (BPSS) requirements for all staff at the British Museum.

If you have any queries regarding this role, please email us at bm@penna.com or call +44 0845 601 1124. Please quote the job reference number in the subject line of any email and at the beginning of a call.

To apply, go to: http://tinyurl.com/jppom9r.


3. ASSISTANT COLLECTIONS MANAGER: LOANS & DISPLAY, The British Museum (London, UK)

  • Application Deadline: 26 January 2017 at 12:00 p.m. Noon
  • Reference 1628490
  • Salary: £20,118 per annum pro-rata
  • Contract: Fixed Term Contract – 12 months (Full time)

This is an exciting opportunity to join the teams that work directly with the world-renowned collections of the British Museum. As an Assistant Collections Manager: Loans & Display you will be responsible for all practical aspects of care and preservation of the artifacts, with a primary focus on mount making, loan packing, and exhibition installation.

Key areas of responsibility

  • To monitor the security of objects and to maintain them in good condition in storage, in transit and whilst on display.
  • To construct mounts and to install objects in the Museum and at other venues.
  • To observe best practice in all aspects of object handling and collections storage and follow Integrated Pest Management procedures.
  • To facilitate the movement, packing and display of objects across the collections and assist with training and skills-sharing as required.
  • To maintain and update essential object documentation, including location information.
  • To assist with collections audits and create condition reports for objects.
  • To supply objects for study and to supervise study rooms.
  • To assist with the delivery of the Museum’s loans and exhibitions program. This may involve some travel.

Person Specification:
The successful candidate will be educated to GCSE level or equivalent, have a demonstrable interest in aspects of the Museum’s collections and a good overall understanding and appreciation of materials and objects. Excellent communication and problem solving skills are essential for this role, as is the ability to work flexibly as part of a team. Practical experience of object/art handling and installation in a museum or gallery is desirable but not essential for this role.

ABOUT THE BRITISH MUSEUM
Founded in 1753, the British Museum’s remarkable collection spans over two million years of human history and culture. With over 6.8 million visitors in 2015, the Museum is the top visitor attraction in the UK, and its world-famous collection includes the Rosetta Stone, the Parthenon sculptures, Egyptian mummies, the Admonitions Scroll, and the Amaravati sculptures.

The Museum adheres to the HMG Baseline Personnel Security Standard (BPSS) requirements for all staff at the British Museum.

If you have any queries regarding this role, please email us at bm@penna.com or call +44 0845 601 1124. Please quote the job reference number in the subject line of any email and at the beginning of a call.

To apply, go to: http://tinyurl.com/jb2r8vl.


4. CONSERVATOR: CERAMICS, GLASS, AND METALS, The British Museum (London, UK)

  • Application Deadline: 30 January 2017, 12:00 p.m. Noon
  • Reference 1628753
  • Full time Permanent
  • Salary: GBP 25,872 per annum
  • Contract: Fixed Term: 12 Months (Full time)

The British Museum is seeking a Conservator to take responsibility for the assessment, standby support and treatment on the reserve collections of medieval tiles and post-medieval ceramics and glass in the British Museum Ceramic Study Centre, in preparation for and during its move to new storage areas.

The post holder will carry out all aspects of practical conservation on a wide range of predominantly ceramic and glass objects, as well as evaluating the condition of objects and assessing their suitability for handling, study, loan and display. In addition to this, you will collaborate with colleagues in the various curatorial Departments and in Conservation and Scientific Research, on the treatment, display, storage and research of the Museum’s collections, whilst keeping accurate records of work undertaken.

With a recognised professional qualification in the conservation of archaeological and historical objects, you will be able to demonstrate a strong understanding of conservation theory and ethical decision making. The ideal candidate will have experience working in a museum conservation studio for at least one year and will be IT literate. You must also be able to pass a colour vision test.

We are looking for an individual who can demonstrate their ability to work independently, whilst also contributing to team working. With demonstrable problem-solving and decision-making skills, you will be confident at presenting in a professional and public forum.

ABOUT THE BRITISH MUSEUM
Founded in 1753, the British Museum’s remarkable collection spans over two million years of human history and culture. With over 6.8 million visitors in 2015, the Museum is the top visitor attraction in the UK, and its world-famous collection includes the Rosetta Stone, the Parthenon sculptures, Egyptian mummies, the Admonitions Scroll, and the Amaravati sculptures.

The Museum adheres to the HMG Baseline Personnel Security Standard (BPSS) requirements for all staff at the British Museum.

If you have any queries regarding this role, please email us at bm@penna.com or call +44 0845 601 1124. Please quote the job reference number in the subject line of any email and at the beginning of a call.

To apply, go to: http://tinyurl.com/jezgadt.


5. CONSERVATOR: CERAMICS, GLASS AND METALS CONSERVATION SECTION, The British Museum (London, UK)

  • Application Deadline: 30 January 2017, Midday
  • Reference 1627923
  • Full time Permanent
  • Salary: GBP 25,872 per annum

An opportunity has arisen at the British Museum for a Metals Conservator to care for the collection through a combination of interventive and preventive measures. The post-holder will have specialist knowledge in the area of historic metalwork, which includes practical silver and/or goldsmithing expertise. You will also have an understanding of, and an interest in archaeological metal conservation and the ability to develop practical skills in this area.

As Conservator, you will primarily assist with the conservation of historical and archaeological metal objects and prepare objects for loans, exhibitions and display. The role will also involve contributing to the public outreach activities of the department through supporting public events, writing for social media, and working with film crews.

The ideal candidate will be educated to degree level, or equivalent, in a relevant subject and will be experienced in working in the museum/library/archive sector. You will have excellent skills in the conservation of historical and archaeological metals and will have strong knowledge of contemporary practices in preventive conservation.

We are looking for an excellent communicator who can confidently present information to a variety of individuals and work well as part of a team. You will be able to plan your workload effectively and maintain attention to detail whilst working under pressure.

ABOUT THE BRITISH MUSEUM
Founded in 1753, the British Museum’s remarkable collection spans over two million years of human history and culture. With over 6.8 million visitors in 2015, the Museum is the top visitor attraction in the UK, and its world-famous collection includes the Rosetta Stone, the Parthenon sculptures, Egyptian mummies, the Admonitions Scroll, and the Amaravati sculptures.

The Museum adheres to the HMG Baseline Personnel Security Standard (BPSS) requirements for all staff at the British Museum.

If you have any queries regarding this role, please email us at bm@penna.com or call +44 0845 601 1124. Please quote the job reference number in the subject line of any email and at the beginning of a call.

To apply, please visit: http://tinyurl.com/zhswc84.


6. PROJECT CURATOR: GOOGLE MAYA PROJECT, The British Museum (London, UK)

  • Application Deadline: February 6, 2017 at 12:00 p.m. Noon
  • Reference 1626468
  • Salary: £35,319 per annum pro-rata
  • Contract: Fixed Term: 36 months in duration (Full time)

The Project Curator: Google Maya Project will manage and plan the Google Maya Project under the supervision of the Head of the Americas section as part of a major Museum research project.

The post-holder will ensure that all levels of the project run to time and on budget and that agreed project outputs are delivered. You will act as a key point of contact for all stakeholders, whilst reporting on progress and development. In this role, you will collate the project catalogue and undertake fieldwork expeditions to source nations.

We are interested in hearing from candidates educated to PhD level, or equivalent, with fluency in Spanish and demonstrable project management experience. You will have significant experience of research-led outputs to public audiences and fieldwork experience in Latin America.

The successful candidate will possess proven leadership skills and will be experienced in managing people, budgets and projects. As a resourceful and adaptable individual, you will have excellent communication skills. You will demonstrate cultural sensitivity in dealing with source community members, whilst maintaining a diplomatic and professional manner.

ABOUT THE BRITISH MUSEUM
Founded in 1753, the British Museum’s remarkable collection spans over two million years of human history and culture. With over 6.8 million visitors in 2015, the Museum is the top visitor attraction in the UK, and its world-famous collection includes the Rosetta Stone, the Parthenon sculptures, Egyptian mummies, the Admonitions Scroll, and the Amaravati sculptures.

The Museum adheres to the HMG Baseline Personnel Security Standard (BPSS) requirements for all staff at the British Museum.

If you have any queries regarding this role, please email us at bm@penna.com or call +44 0845 601 1124. Please quote the job reference number in the subject line of any email and at the beginning of a call.

To apply, please visit: http://tinyurl.com/hmzpqlm.


7. MANUSCRIPT CONSERVATOR, The Arni Magnusson Institute for Icelandic Studies (Reykjavik, Iceland)

  • Closing date for applications: February 20, 2017

The Arni Magnusson Institute for Icelandic Studies in Reykjavik invites applications for a full-time position as conservator of its manuscript collection.

The work will consist in both active conservation of the manuscript collection, with bound manuscripts, diplomas and fragments on parchment and paper, and preventive conservation, with monitoring of the climate in the manuscript storage room and the exhibition areas, as well as transport and condition reports in connection with loan. The conservator also assists researchers ensuring that manuscripts are handled correctly in the reading rooms and during classes.

Qualifications
Applicants must have a B.Sc. or cand.scient.cons. degree in conservation and be specialized in conservation of manuscripts or library materials. Emphasis will be put on knowledge and demonstrable experience in conservation of books and understanding of the preservation issues related to books and parchment. The applicant should be able to do practical conservation on paper and parchment manuscripts as well as supervising handling of manuscripts, setting up exhibitions, monitoring and controlling the climate. The collection has only one conservator and the applicant must therefore be able to work independently.

The successful applicant need not have Icelandic as his or her native language.  However, the appointee is expected, within a reasonable time, to learn enough Icelandic to be able to participate actively in all functions the position may involve. Fluency in both written and spoken English is a prerequisite.

Salary and working conditions

  • The successful candidate’s salary will be set in accordance with current agreements between the Civil Servants Association, or the Association of University Teachers, and the Minister of Finance.
  • The successful applicant will be appointed from the 15th of March 2017 or shortly thereafter, for three years in the first instance, with the possibility of renewal.
  • The manuscript department, including the conservation workshop, is currently housed in Arnagardur on Sudurgata, 101 Reykjavik. Plans are in place for a new building for the institute which is expected to be operational by 2020. The new building will include a state of the art conservation workshop.

Applications
The closing date for applications is February 20, 2017. Applications should be sent to Kari Kaaber, kari.kaaber@arnastofnun.is.

Applications should be accompanied by all relevant degree certificates and by relevant academic transcripts.  Applicants should include the names of two individuals who can supply references in support of their application. All applications will be acknowledged, and all applicants will be informed when a decision has been taken in respect of the appointment.

Further information on the advertised position may be obtained from Dr. Svanhildur Oskarsdottir, Head of the Manuscript Department, svanhildur.oskarsdottir@arnastofnun.is, telephone +354 5254012.

THE INSTITUTE
The Arnamagnaean Manuscript Collection, now divided between Reykjavik and Copenhagen, takes its name from the Icelandic scholar Arni Magnusson (1663-1730); it comprises the single most important collection of Old Norse-Icelandic manuscripts extant, and was inscribed on UNESCO’s Memory of the World Register in 2009 following a joint submission by Iceland and Denmark. The Arni Magnusson Institute for Icelandic Studies in Reykjavik holds approximately 2000 manuscripts on parchment and paper, as well as diplomas, apographs, etc. The manuscript department of the institute undertakes manuscript research and the preparation of scholarly editions; it is also responsible for the conservation, imaging and cataloguing of manuscripts. For more information see: www.arnastofnun.is.


8. CONSERVATION TECHNICIAN, Northwestern University Libraries – Preservation Department (Evanston, IL, USA)

  • Job ID: 30143
  • Hours: Full-time, 37.5 hours/week

The Conservation Technician is based in the Preservation Department’s conservation lab, reports to the Chief Conservator, and has the primary responsibility of performing a broad range of conservation treatments on circulating and non-circulating library material. Assists with disaster planning and response, assessment and stabilization of new collections, internal and external preservation education initiatives, and other activities related to the day to day operation of the conservation lab.  The Conservation Technician plays an important role in providing technical support for an active library exhibits program.

Please note: Work is in the library conservation lab and may involve working for periods of time in the library stacks doing collection surveys and assessments.

Specific Responsibilities

  • Performs conservation treatments on paper, cloth, and leather bindings from the circulating collections. Treatments include re-sewing, re-backing, repairing damaged paper, repairing existing covers, and constructing new covers. Treatments are completed in accordance with established departmental guidelines. Constructs boxes, wrappers, and other protective enclosures. Assists as needed with shelf preparation and bindery preparation. Effectively manages time to complete deadline-driven work. Utilizes good communication skills to convey changes in scope of work that may affect project deadlines. Monitors conservation lab supplies to insure that materials for ongoing workflow as well as special projects are available when needed. Maintains accurate statistics for all completed work.
  • Performs a variety of higher level conservation treatments with an emphasis on non-circulating materials used for exhibition, teaching and research.  Treatments include re-sewing, re-backing, repairing damaged paper, repairing existing covers, constructing new covers, washing paper, humidifying paper and parchment, deacidifying paper, and encapsulating brittle or fragile items. Treatments are completed in accordance with established departmental guidelines. Completes written and photographic treatment documentation to established standards. Constructs boxes, wrappers, and other protective enclosures for books and other three dimensional objects. Effectively manages time to complete deadline-driven work. Utilizes good communication skills to convey changes in scope of work that may affect project deadlines. Monitors conservation lab supplies to insure that materials for ongoing workflow as well as special projects are available when needed. Maintains accurate statistics for all completed work.
  • Assists with the installation of exhibits, including placement of materials, creation of labels, and construction of book cradles.
  • Assists Chief Conservator to insure that materials are being handled according to established exhibition guidelines:
  • Reviews material scheduled for exhibition or loan and works with Chief Conservator to determine if conservation treatments is required.
  • Reviews exhibit to insure compliance with established guidelines regarding light levels and placement of exhibit cases.
  • Assists in the proper packing of materials going out on loan and prepares preservation paperwork, including exhibition instructions and documentation.
  • Effectively manages time to complete deadline-driven work. Utilizes good communication skills to convey changes in scope of work that may affect project deadlines. Monitors exhibit supplies; organizes and oversees inventory of exhibit cradles and mounts.
  • Assists with disaster planning and response, assessment and review of new collections, and the implementation of collection surveys for preservation planning purposes.
  • Participates in weekly conservation lab meetings (and/or training sessions) to discuss workflow and treatment decision making.  Meets as needed with curators and other responsible parties to discuss treatment options and conservation needs.
  • Performs other duties as assigned.

Minimum Qualifications

  • Successful completion of a full 4-year course of study in an accredited college or university leading to a bachelor’s or higher degree; OR appropriate combination of education and experience.
  • Excellent manual dexterity as demonstrated through previous bookbinding or conservation experience or other work requiring a high level of eye-hand coordination.
  • Experience with MS Office, including spreadsheets and databases; knowledge of email and calendar software.
  • Ability to push/pull loaded book trucks.
  • Ability to lift a minimum of 20 pounds.
  • Excellent oral and written communication skills and good interpersonal skills
  • Facilitates open and effective communication, cooperation and teamwork within and outside of one’s own team; respects the needs and contributions of others.
  • Effectively performs duties and responsibilities; displays attention to detail; follows a logical process/method for problem solving; supports organizational policies; anticipates demands/pressures of assignments and adjusts accordingly.
  • Demonstrates ability to work on multiple projects simultaneously.
  • Plans, organizes and schedules in an efficient, productive manner; anticipates contingencies and pays attention to detail; targets projects or initiatives that require special attention and focuses on key tasks when faced with critical deadlines.

Preferred Qualifications

  • Proficient in conservation treatments including full range of circulation collection repairs (rebacking, recasing, pamphlet binding, drop spine box and wrapper construction, resewing paper repair, repair of leather bindings with tissue)
  • Demonstrated understanding of conservation principles.
  • Experience using OCLC and the Voyager library management system.
  • Successfully uses multiple software programs independently, including Adobe Suite and FileMaker Pro.
  • Identifies opportunities to improve procedures and practices; shows imagination.

As per Northwestern University policy, this position requires a criminal background check.  Successful applicants will need to submit to a criminal background check prior to employment.

To apply, please visit: https://careers.northwestern.edu/psp/hr92prod_er/EMPLOYEE/HRMS/c/HRS_HRAM.HRS_APP_SCHJOB.GBL?Page=HRS_APP_SCHJOB&Action=U&FOCUS=Applicant&SiteId=1 and type ‘30143’ in the search button.

Review of applications will begin immediately and continue until the position is filled.

Northwestern University is an Equal Opportunity, Affirmative Action Employer of all protected classes, including veterans and individuals with disabilities. Women, racial and ethnic minorities, individuals with disabilities, and veterans are encouraged to apply. Hiring is contingent upon eligibility to work in the United States.


9. TENURE-TRACK ASSISTANT PROFESSOR OR ASSOCIATE PROFESSOR POSITIONS, College of Architecture – Texas A&M University (College Station, TX, USA)

The Department of Architecture at Texas A&M University invites applications for tenure-track Assistant Professor or Associate Professor in any of the following areas for Fall 2017.

Architectural Design: Successful candidates must demonstrate professional experience in architectural design and a record of recognized research including built work, theoretical explorations, creative work and/or scholarship in the form of grants, publications and exhibitions. Candidates should have the ability to integrate their research interests, creative work or professional practice in teaching. A terminal professional graduate degree is required.

Architectural History and Theory: Successful candidates must demonstrate a strong record of research and teaching in Architectural History and Theory from the Medieval to Early Modern periods in a global context. Teaching responsibilities will include introductory surveys, advanced undergraduate and graduate courses. A Ph.D. is required. An ABD for junior positions may be considered if the candidate will be awarded the Ph.D. by September 2017. Architectural Historic Preservation: Successful candidates must demonstrate professional design experience and an established body of recognized peer-reviewed scholarship and research in Historic Preservation. Responsibilities will include teaching design studio and courses in Historic Preservation, and participation in the research and outreach activities of the Center for Heritage Conservation. A terminal professional graduate degree is required.

Architectural Structures: Successful candidates must demonstrate disciplinary knowledge in both structural engineering and architectural design and have the capacity to bridge between technology and the design culture along with a record of recognized research which includes built work, theoretical explorations, scholarship, grants, and/or creative work.

Teaching responsibilities will include courses in architectural structures and the integrated design studio. A Ph.D. is required. An ABD for junior positions may be considered if the candidate will be awarded the Ph.D. by September 2017. Teaching opportunities are available for undergraduate and graduate levels. All positions have responsibilities that include mentoring master’s final studies, master’s thesis and doctoral dissertations. The Department is committed to design inquiry as central to its mission to support the architectural professions. The successful candidate will demonstrate abilities to contribute to the Department of Architecture through teaching, research, and service. Salary is commensurate with experience and qualifications for all candidates.

Texas A&M is a Tier 1 research university with strong emphasis in both teaching and research. The Department of Architecture offers both undergraduate (B.E.D.) and graduate degrees (M.Arch, M.S. and Ph.D.) Further information about the Department is available at: www.arch.tamu.edu.

Interested individuals should send a letter of application, curriculum vitae, portfolio of their professional and creative work and three letters of recommendation to: Department of Architecture, M.S. 3137, Texas A&M University, College Station, Texas 77843-3137. Candidates are expected to provide examples of their teaching portfolio if applicable.

Application deadline: Review of Applicants will begin January 2017. The Department of Architecture is committed to diversity in its students, faculty and its curriculum. All applicants are welcome to apply and are due every consideration in our efforts to bring the very best educational experience to our students.

Texas A&M University is an affirmative action/equal opportunity Employer committed to diversity.

For further details, visit: www.arch.tamu.edu/inside/employment/


10. ASSISTANT PROFESSOR‐ HISTORIC PRESERVATION, Ball State University (Muncie, IL, USA)

The Department of Architecture seeks candidates at the rank of Assistant Professor with an ability to teach in the area of Historic Preservation. This tenure‐track faculty position is available starting August, 2017.

The College of Architecture and Planning (CAP) at Ball State University has a rich 50‐year history in community engaged, professionally grounded, innovative and impactful design education.  The Department of Architecture offers undergraduate and graduate architecture programs that emphasize the education of architecture students through design studio, immersive and experiential learning, design computation, digital fabrication, engagement with social and environmental justice issues, and critical practice in pursuit of preparing the next generation of leaders in architecture.

In addition to undergraduate and graduate architecture degrees programs, the department offers a Master’s of Science in Historic Preservation (MSHP), graduate certificate programs in Digital Fabrication and Social + Environmental Justice, and undergraduate minors in Historic Preservation and Social + Environmental Justice.  Allied disciplines within the college include Landscape Architecture, Urban Planning and Urban Design. The Department of Architecture values and is committed to building diversity in the departmental community.

Our department engages in an interdisciplinary approach to preservation education emphasizing community engagement, sustainable preservation practice, and critical thinking in preparing the next generation of preservation leaders. The core content areas within the Graduate Program in Historic Preservation are the history of the built environment, graduate level research, preservation policy, preservation technology and an exploration of contemporary issues in the preservation field.

Major responsibilities:  Teach lecture and seminar courses in historic preservation for both graduate and undergraduate students; provide leadership in the Historic Preservation Program; provide student mentoring in the Historic Preservation Program; collaborate with the design education curriculum in the Department of Architecture; develop productive scholarship through research/creative work; participation in university/professional service.

Minimum qualifications:  Master’s degree in Historic Preservation, Architecture, or a closely related field before date of appointment; academic and/or professional experience in historic preservation; teaching experience. Preferred qualifications:  Experience in teaching a range of topics in the field of historic preservation; evidence of excellence in teaching historic preservation courses; track record of academic or professional leadership in area of expertise; doctorate degree in a field with relevance to historic preservation; track record in productive scholarship (research/creative work) with an active research, grant solicitation and publication agenda; track record in professional service.

Submit a letter of interest articulating teaching pedagogy relative to historic preservation as well as the motivation for joining the educational community in the Department of Architecture at Ball State University; a portfolio (including examples of teaching, preservation work, and scholarship); a current curriculum vitae; a copy of official transcript of highest degree attained; and names and contact information of three references that can speak to your professional or academic work to:   Search Committee ‐‐ Historic Preservation c/o Tammy McCord, Administrative Coordinator Department of Architecture Ball State University Muncie, IN, 47306‐0305 or digitally to tamccord@bsu.edu.

Review of applications will begin January 9, 2017 and will continue until the position is filled.

Ball State University is located in Muncie, Indiana, on an attractive campus 45 miles northeast of Indianapolis. Approximately 22,000 graduate and undergraduate students enroll in one of eight academic colleges that offer 190 undergraduate programs.  We offer more than 140 master’s, doctoral, certificate, and specialist degrees, with many of them ranking among the best in the nation.

Ball State aspires to be the model of the most student‐centered and community‐engaged of the 21st century public research universities, transforming entrepreneurial learners into impactful leaders – committed to improving the quality of life for all.  The university offers an excellent benefits package, including health care and retirement plans, tuition assistance for employees and dependents, and generous time off with pay.

For more details, go to: http://cms.bsu.edu/about/administrativeoffices/humanresources/employopp/public/faculty/colarchitectureplanning/assistant-professor-historic-preservation-department-of-architecture

EEO/AA Employer/Veterans/Disabled


11. Senior Furniture Conservator, The Conservatio Center (Chicago, IL, USA)

The Conservation Center in Chicago is searching for a Senior Furniture Conservator in an effort to expand the company’s Furniture Department. The ideal candidate must have the following: Working knowledge of materials, techniques and ethics of furniture conservation; extremely fine manual skills; the ability to carry out treatments of minor to major complexity; sound judgment; the ability to meet scheduled deadlines; and the ability to work effectively with colleagues and clients as a positive and productive team member.

QUALIFICATIONS:

  • Formal training in Furniture Conservation from a recognized program and a minimum of 8-10 years post graduate experience in private practice.
  • Ability to execute difficult conservation techniques both in the lab and onsite.
  • Ability to provide comprehensive condition reports, treatment recommendations, and post-treatment reports.
  • Has experience with disaster response, and ability to work in a disaster situation.
  • Ability to work with large volumes of work efficiently.
  • Ability to converse comfortably with clients.
  • Prepared to travel to various locations throughout the U.S. to examine or treat damaged works.
  • Ability to perform the physical labor as required for specific treatments.
  • Responsible for seeing projects through from start to completion.

This is a full-time salaried position. Compensation will be commensurate with qualifications and experience- Benefits include medical insurance, vacation pay and a 401(K) retirement program.

All qualified candidates are encouraged to contact info@theconservationcenter.com.

Please submit a cover letter, resume, and salary history, and three professional references which illustrate qualifications. If applying outside the U.S. a U.S. work visa is required before applying.

The Conservation Center is an equal opportunity and affirmative action employer.

More details: www.theconservationcenter.com/careers/2016/12/13/senior-furniture-conservator.