Job Posting: Assistant Conservator, Renovation Projects – Peabody Museum (Cambridge, MA)

Auto req ID 36260BR
Business Title Assistant Conservator, Renovation Projects
School/Unit Faculty of Arts and Sciences
Sub-Unit ————
Location USA – MA – Cambridge
Time Status Full-time
Schedule Monday – Friday, 9-5
Department Peabody Museum
Salary Grade 055
Union 55 – Hvd Union Cler & Tech Workers
Duties & Responsibilities This position is responsible for care and conservation of fragile three-dimensional objects that are part of the Museum’s renovation projects. Position is responsible for de-installation, photographic documentation, written object descriptions, and updated data entry in the museum’s collection management database (TMS). The incumbent will complete detailed conservation condition assessments; clean and deinfest objects as needed; undertake object conservation stabilization and treatments; develop housing prototypes for complex composite objects; and work in collaboration with collections assistants in moving heavy large and/or very fragile objects. Oversees workflow, schedules and trains other support staff, students, interns, and casual employees in preventive care measures. May respond to technical inquiries by phone or in person; may compose correspondence related to inquiries. Performs local and national database searches for pertinent information to the objects; histories and construction technologies. May compile data used in preparation for future grant proposals and publications. Reports to the Senior Conservator, and works in alignment with the Senior Collections Manager and collections assistants.
Basic Qualifications BA in conservation, art history, anthropology or museum studies and a minimum of three years work experience caring and conserving three-dimensional objects in a museum environment.
Additional Qualifications MA/MS from a recognized art conservation training program is preferred although a comparable advanced internship experience working with professional conservators may be considered in lieu of the master’s degree. Excellent knowledge of issues of handling, storage, and preservation of object-based collections. Demonstrated work experience in performing written condition assessments and treatment proposals and in conservation treatments of three-dimensional objects. Solid knowledge of established preservation and conservation methods and standards. Specialized technical skills in preparing object descriptions and research as required. Good knowledge of chemistry and good understanding of materials and construction techniques of inorganic and flexible organic objects including those of plant fibers, wood, shell, ceramic, and plaster. Good familiarity with preventive conservation measures, integrated pest management and deinfestation methods, and of object storage techniques. Current understanding of environmental requirements for objects for their long-term preservation. Knowledge of personnel safety equipment and standards.Must have strong organizational and interpersonal skills; strong written, verbal and listening skills. Ability to prioritize, develop organized work plans, and demonstrated ability to meet deadlines. Regular, consistent and reliable attendance is essential. Position requires high accuracy; clear and concise documentation; and must be detail-oriented with a good ability to analyze and make good judgments as part of workflow. Ability to take direction, follow museum and conservation guidelines, policies, and procedures. Collaborative and effective teamwork skills. Ability to work independently and as part of a team. Good knowledge of TMS database is preferred; proficiency with Microsoft Excel, Word, and PowerPoint. Good knowledge of digital photography and photographic documentation of objects .Creativity and enthusiastic approach to collections preservation activities.
Additional Information Physical requirements include walking, standing, stooping, pushing and pulling, and must be able to reach and work above the shoulders,climb ladders, kneel, twist, and squat. Ability to lift heavy objects (up to 30 lbs.) comfortably and to wear a custom-fit respirator on occasion. For candidates under consideration, submission of a portfolio is required that details at least two written object condition reports, treatment proposals and object treatments, and final reports and photographic documentation. This is a term position for two-years from date of hire with no possibility of renewal and is part of a project team with three collection assistants.
Pre-Employment Screening Criminal
Identity
EEO Statement We are an equal opportunity employer and all qualified applicants will receive consideration for employment without regard to race, color, religion, sex, national origin, disability status, protected veteran status, gender identity, sexual orientation or any other characteristic protected by law.

Job Posting: Assistant/Associate Conservator (Part-time)/Paper Conservation Department

The Metropolitan Museum of Art, one of the world’s finest museums, seeks a part-time (three to four days per week) Assistant/Associate Conservator in the Paper Conservation Department.  This position undertakes a wide range of conservation procedures on  Western historic, modern and contemporary drawings, prints; miniatures on vellum, paper and ivory; manuscript illuminations on vellum, Islamic and Indian paintings, paintings on palm leaf (individual leaves and bound albums),  wallpaper and other materials that are under the jurisdiction of the Paper Conservation Department. Conservation procedures include treatment, examination, evaluating new acquisitions, condition checking of works entering and leaving the Museum, surveying of works in the collection, analysis and identification of materials and structure, by chemical and instrumental means, to determine condition, authenticity, and proposals for treatment and housing. In addtion, all works conserved are photographed and electronically documented, discussed with supervisor prior to treatment and initiate and assist with approved research supporting technical art history, conservation treatment, and preservation. Ancillary conservation procedures include but are not limited to laboratory management tasks undertaken with other members of the department, such as organization and maintenance of conservation supplies, equipment and chemicals according to established safety procedures, preparing chemical solutions, consolidants and adhesives for treatment, obtaining product information, testing materials for treatment, and preparation of materials for laboratory workshops.
This part-time position is scheduled to end on December 31, 2015
Primary Responsibilities and Duties:

  • The examination, analysis, documentation and treatment of  assigned works of art.
  • Carrying out condition examination of works to be loaned, or on loan, or to be acquired.
  • Assisting in the management and maintenance of the laboratory including the preparation of  chemical reagents and solutions.
  • Assisting in the housing and hinging of works of art.
  • Other related duties

Requirements and Qualifications:
Experience and Skills:
•  Demonstrated excellence in performing complex conservation treatments.
•  Excellent manual skills.
•  Ability to maintain attention to detail and to sustain focus on long term projects. High
quality work as well as efficient use of time is valued.
•  Working knowledge of chemical and material sciences.
•  Knowledge of preservation standards for archival matting and housing, for  environmental conditions.
•  Ability to use digital cameras and electronic resources in documenting treatment.
•  Ability to devise conservation strategies based on knowledge of materials, chemical
processes, and aesthetic and ethical considerations.
•  In depth knowledge of the history of paper, papermaking, artists’ materials and art
•  Ability to work effectively and constructively both independently and as part of a team,
be attentive and engaged with laboratory activities.
•  Demonstrated interest in works of art, their fabrication and history, and aesthetic criteria
in relation to individual’s conservation projects.
•  Excellent verbal communication skills, excellent written communication skills.
•  Strong organizational skills, time management skills, including the ability to establish
priorities, meet deadlines and achieve goals.
•  Ability to work cooperatively at all times with a large group of conservators and curators.
•  Willingness to accept supervision and guidance.

  • Attentiveness to conservation issues taking place in the laboratory.

Knowledge and Education:

  • A graduate degree in Conservation (a Masters or Certificate/Masters) from an accredited university, including course work in chemistry and material science.
  • Specialization in paper conservation in graduate level conservation studies, and in subsequent employment.
  • A minimum of two years post graduate internship or fellowship in paper conservation, or a minimum of five years of professional paper conservation experience, preferably in a museum conservation laboratory

Please send cover letter, resume, and salary history to careers@metmuseum.org with “Assistant/Associate Conservator/Paper Conservation” in the subject line. The application deadline is 7/17/15.

Job Posting: Conservation Scientist Position – Preservation Research and Testing Division at the Library of Congress (Washington, DC)

The Preservation Research and Testing Division (PRTD) at the Library of Congress is pleased to announce a vacancy for a Chemist
(Vacancy #: 150010). This is at the level of GS-1320-13 with a salary range of $90,823.00 – $118,069.00. The Vacancy Closing Date is April 9, 2015.
The incumbent works only under the most general supervision of the Chief of the Preservation Research and Testing Division, who may outline in general terms the scientific and technical problems to be studied and the chemical areas of opportunity which will contribute to the Library’s preservation research program. Work is carried on with a high degree of independence. Scientific contribution made by the incumbent has significant potential for influencing the preservation of library and archival collections worldwide.
Please see below links to the USA Jobs application site for further information.
Application Information https://www.usajobs.gov/GetJob/ViewDetails/396979500

Job Posting: Paintings Conservation Intern – West Lake Conservators, Ltd. (Skaneateles, NY)

West Lake Conservators Ltd, seeks a paintings conservation pre or post graduate experienced intern, to assist in our busy mixed-specialty firm. Tasks will include assisting the paintings conservators in assessment, documentation and certain treatments.  The internship is for 3 months renewable by contract if both parties agree.
The goal of a degree in paintings conservation from a recognized conservation program is required. Prior internships in a for-profit, lab and experience with frame conservation and framing skills are a plus.
West Lake Conservators is a mixed-specialty preservation firm located in the Finger Lakes region of Central New York and founded in 1975. West Lake’s clientele includes museum and private collections both regional and national.
Three letters of reference are also required to complete selection.
For more information: Visit our web site, www.westlakeconservators.com
Contact:  Applicants should send a letter of interest (including resume) to Susan Blakney at susan@westlakeconservators.com and Margaret Sutton at margie@westlakeconservators.com

Job Posting: Conservator, NARA (College Park, MD)

SALARY RANGE:

$63,091.00 to $98,305.00 / Per Year

OPEN PERIOD:

Monday, October 20, 2014 to Friday, October 31, 2014

SERIES & GRADE:

GS-1001-11/12

POSITION INFORMATION:

Full Time – Permanent

PROMOTION POTENTIAL:

12

DUTY LOCATIONS:

1 vacancy in the following location:
College Park, MD View Map

WHO MAY APPLY:

United States Citizens

SECURITY CLEARANCE:

Not Applicable

SUPERVISORY STATUS:

No

JOB SUMMARY:

You will serve as a Conservator with Research Services, Preservation Programs Division, Conservation Branch in College Park, MD. The duty location could change to the National Archives Building, located in Washington, DC, as required by workload.
Whether you are new to the Federal Government or an experienced professional seeking a career change, you can make history at the National Archives.  Our dedicated staff works across a variety of career fields to safeguard the records of the Federal Government – more than 10 billion of them.
Visit our Employee Gallery at www.archives.gov/careers to see the kinds of dynamic projects our staff are undertaking.  If you want a career where you can see the difference your work makes, then join the National Archives!
For more information visit: http://archives.gov/dc-metro/college-park
View full posting: https://www.usajobs.gov/GetJob/ViewDetails/383893500

Job Posting: Coordinator for “Connecting to Collections Care” (Part-time, Contract)

The Foundation of the American Institute for Conservation of Historic and Artistic Works (FAIC) seeks a part-time contract Coordinator for “Connecting to Collections Care,” an online community for information and training on caring for collections.  In addition to monitoring online discussions and posting appropriate links and documents, the Coordinator will oversee production and archiving of webinars.
For full details, see position description (pdf).
This is a contract, fee-based position, with no benefits, renewable annually.  Total compensation not to exceed $20,800 in the first year.  The Coordinator will work from home or own office.  Telephone, email, and internet connections required.  The Coordinator will report to the FAIC Institutional Advancement Director.  A volunteer advisory group will help provide content support.
Review of applications will begin November 1, 2014, with a start date of December 1 desired.  Applications will be considered until the position is filled.  To apply, please send resume or c.v. and a cover letter to:
Eric Pourchot, PhD
Institutional Advancement Director
Foundation of the American Institute for Conservation
1156 15th St, Suite 320
Washington, DC  20005
Electronic submissions are preferred, and should be sent to: epourchot@conservation-us.org

North Carolina Preservation Consortium Annual Conference

Significant Preservation: Inventories and Assessments for Strategic Planning
William and Ida Friday Center for Continuing Education
University of North Carolina at Chapel Hill
November 7, 2014
Inventories and assessments of heritage collections and sites are vital for meaningful strategic planning that conveys the importance of allocating scarce resources for preservation programs. Establishing the significance of tangible heritage to the communities we serve is essential for prioritizing conservation, storage, exhibition, and emergency planning decisions to protect cultural treasures for present and future generations. This conference will help you influence organizational, political, and community leaders who have the authority to improve preservation funding. Register today for a valuable learning experience with state, national, and international preservation leaders.
Keynote Speakers
Veronica Bullock is the Co-founder and Director of Significance International. She holds a bachelor’s degree in Prehistory/Archaeology from the Australian National University and a master’s degree in Applied Science (Materials Conservation) from the University of Western Sydney. Her fellowship at the International Center for the Study of the Preservation and Restoration of Cultural Property explored how significance assessments and risk assessments are taught in graduate conservation programs in Australia, Canada, the United States, and several countries in Europe. Ms. Bullock will provide an overview of the Significance Assessment methodology developed by the Collections Council of Australia.
Lisa Ackerman is the Executive Vice President and Chief Operating Officer of the World Monuments Fund and a Visiting Assistant Professor at the Pratt Institute. She holds a BA from Middlebury College, an MS in historic preservation from the Pratt Institute, and an MBA from New York University. Her professional service has included membership on the boards of the Historic House Trust of New York City, New York Preservation Archive Project, St. Ann Center for Restoration and the Arts, Partners for Sacred Places, Neighborhood Preservation Center, and the U.S. National Committee of the International Council on Monuments and Sites. Ms. Ackerman will present an introduction to the Arches heritage inventory and management system.
Dr. Paul R. Green is a Cultural Resources Specialist for the U.S. Air Force Civil Engineer Center, an Adjunct Associate Professor at Old Dominion University, and a modern Monuments Man. He holds a BS from Marshall University, MA from the University of Missouri-Columbia, and a PhD in Anthropology (Archaeology) from the University of North Carolina at Chapel Hill. Dr. Green is a member of the U.S. Central Command (CENTCOM) Historical/Cultural Advisory Group and the International Military Cultural Resources Working Group. He will address the challenges and importance of prioritizing global heritage collections and sites for the protection of cultural property during war and armed conflicts.
Lightening Session Speakers
Martha Battle Jackson is Chief Curator for North Carolina Historic Sites. She will provide an overview of the Museum Assessment Program (MAP) for Collection Stewardship sponsored by the American Alliance of Museums.
Andrea Gabriel is Outreach & Development Coordinator for the North Carolina State Archives. She will present an introduction to the Traveling Archivist Program (TAP) administered by the North Carolina Office of Archives & History.
David Goist is a painting conservator in private practice. He will give an overview of the Conservation Assessment Program (CAP) sponsored by Heritage Preservation.
Schedule
8:00 Continental Breakfast
8:30 Registration
9:00 Welcome
9:15 Significance Assessments
10:10 Morning Break
10:30 Arches Heritage Inventory & Management System
11:25 Round Table Discussions
12:00 Lunch
1:00 MAP, TAP, & CAP
1:55 Afternoon Break
2:15 Protecting Cultural Property
3:10 Round Table Discussions
3:30 Final Q & A
4:00 Closing
Networking
The NCPC annual conference is an excellent opportunity to meet collections professionals from a wide range of disciplines and organizations. Take advantage of morning and afternoon refreshment breaks, our communal lunch, and round table discussions to meet new colleagues and visit with old friends. Share your valuable experience and learn from others.
Conference Audience
This conference is designed for professionals, staff, and volunteers working in museums, libraries, historic sites, archives, conservation centers, archaeological collections, and other preservation institutions; advocates for preservation on friends boards, advancement councils, and advisory committees; those working in organizations with a preservation mission; members of the preservation industry; and faculty and students in conservation, museum studies, public history, archaeology, archives, library science, and other preservation disciplines.
Registration
NCPC is committed to keeping registration fees extraordinarily affordable to encourage attendance. Early Bird fees for registrations received before October 1st is $50 for NCPC members and $75 for non-members. After October 1st registration is $60 for NCPC members and $85 for non-members. Registration on-site is $70 for NCPC members and $95 for nonmembers. Those who register on-site are not guaranteed lunch. The registration fee for graduate students is $40 for early bird, $50 after October 1st and $60 on-site. Please register via the NCPC web site.
Scholarships
We value the involvement of students, working professionals, and volunteers whose institutional support is insufficient to attend this conference. NCPC offers a limited number of conference scholarships. This scholarship covers full registration. It does not cover travel, lodging, or other expenses. The application process is simple and consists primarily of telling us why attendance is important for you. The scholarship is intended to promote continuing preservation education and professional networking. Applicants must be employed by or volunteer at a North Carolina institution with a preservation mission that has little or no funding for professional development or a graduate student enrolled in a preservation related discipline at a college or university in North Carolina. To apply, please complete the scholarship form on the NCPC web site by October 1st. Early registration fees will be honored for any applicants who are not granted a scholarship.
Location
The conference will be held at the William and Ida Friday Center for Continuing Education at the University of North Carolina at Chapel Hill. Parking at the Friday Center is free. See Map & Directions.
Air Travel
The Raleigh-Durham International Airport (RDU) combines southern hospitality with high-tech amenities, making it one of the friendliest airports in the country.
Hotels
Several hotels are located near the Friday Center. NCPC does not designate a conference hotel.
Cancellation and Refund Policy
Registration fees are nonrefundable, however substitutions are permitted. In the unlikely event that the conference is canceled (due to adverse weather or other causes beyond our control) registrants will be notified and fees promptly refunded. NCPC accepts no responsibility in such cases beyond the refund of conference registration fees.
About the North Carolina Preservation Consortium
The North Carolina Preservation Consortium (NCPC) is a nonprofit organization dedicated to promoting the preservation of collections in libraries, museums, archives, and historic sites; monuments, memorials, and outdoor art; archaeological sites and collections; historic and cultural architecture; and private collections of family treasures. Learn more about NCPC at www.ncpreservation.org
Connect with NCPC
You can use social media to follow NCPC on Facebook, Twitter, and LinkedIn.
NCPC News
Would you like to receive the NCPC electronic newsletter and email announcements about NCPC programs and projects? NCPC News is free and open to all. Subscribe today.
NCPC Membership
The success of our statewide preservation program depends on the talents, diversity, and generosity of our colleagues. We are honored to welcome institution and individuals as members to the consortium. Our minimum annual institutional membership fee is only $100. Higher levels of support are greatly appreciated. Individual memberships are $25 for working professionals and $10 graduate students. Benefits of NCPC membership include discounts on our continuing education workshops and the annual conference, eligibility for grants and scholarships, networking and leadership opportunities, and recognition for supporting preservation in North Carolina. Together we can make a difference in the survival of our tangible and intangible heritage. Become a member by submitting your application today.
Friends of NCPC
Generous financial support from members, corporate sponsors, and the general public enhance NCPC services and programs. Donations may be given in honor or memory of someone special to you; an inspiring person, teacher, mentor, colleague, friend, or loved one. Your financial support will help NCPC preserve heritage collections and sites for present and future generations. Join the Friends of NCPC today or contact the NCPC Executive Director to discuss giving and fundraising opportunities.
For additional information about this conference contact:
Robert James
Executive Director
North Carolina Preservation Consortium (NCPC)
www.ncpreservation.org
PO Box 2651
Durham, NC 27715-2651
Phone 919-412-2238
Email: robertjamesncpc@gmail.com

AIC Cuba Trip Travelog Part 3

29 January 2014 (Day Six)
Travel_Cuba_20140129103712In the morning, we meet our guide for the next few days, Nancy Benitez , the former director of the City’s Conservation department and an active voice in preservation in the city.  We tour historic center of Trinidad, Cuba’s second UNESCO World Heritage site and a bastion of Caribbean vernacular earthen architecture.  We toured historic mansions now turned into museums, including the Palacio Cantero and the architecture museum, as well as public squares where pilot conservation projects have been carried out, and visits to a couple private homes representing all stages of preservation of the regional art and architecture.  After lunch at El Jigue, the group travelled to Manacas Iznaga historic sugar plantation, founded by Bayamo residents and comprising one of the most important sites in the rural southern coast of Cuba.  It’s part of the UNESCO world heritage site of Trinidad and the Valley of the Sugar Mills. After the tour, we ended day with a cocktail, la canchanchara, a drink made from honey, lime and aguardiente (brady) and made famous in the 1860s by Mambises, Cuban freedom fighters, who were battling Spain for Independence. We had the drink at a bar of the same name and which happens to be the oldest building in the city, dating from the early 17th century.
30 January 2014 (Day Seven)
Travel_Cuba_20140129122802Early in the morning, we departed Trinidad for the Caribbean colonial city of Cienfuegos. Before getting to the town, we stop along the way at the Cienfuegos Botanical Garden, which was founded by Harvard botanists in the very first years of the 20th century and home to more than 2000 species of plants on 240 acres of land just outside the city. After the gardens, we visited the historic center of Cienfuegos, guided by its chief preservation architect, Iran Millan.  During the tour, we visited the Parque Martí, center of the city, and see several important buildings including the 1889 Tomas Terry Theater, one of Cuba’s three exemplary 19th century regional theaters. After the tour, we had lunch in at Villa Lagarto, which sits at the end of the in the point that juts out into the Bay of Cienfuegos.  After we lunch, we departed Cienfuegos for Havana, but this time we were able to take Cuba’s one and only high speed roadway, the Autopista Nacional, which stretches from Havana to the small town of Taguasco in the center of the country and where it abruptly stops (ie the money ran out). Rarely is any traffic encountered on it, and we arrived at our hotel in Havana after a short four hour bus ride…made a little shorter after we “opened of the bar.”
31 January 2014 (Day Eight)
Chief of Mission ReceptionAfter many of us awakened to a view of the bright blue waters of the Straits of Florida outside the windows on the Malecόn side of our hotel, the Hotel Nacional, we began our time in Havana with a tour of the four main colonial plazas of Old Havana, Cuba’s first and most significant UNESCO World Heritage site, starting at the Plaza de Armas, where we will see the oldest Spanish fortress in the Americas, a Greco- Roman style Neo-classical temple that marks the spot where the first mass and town council meeting were held in 1519, and the Palace of the Captains Generals, seat of government from 1776-1930. From there we went to the Plaza de le Catedral before going to Plaza de Francisco and ending at the Plaza Mayor, where we had lunch at a restaurant called Santo Angel. After lunch, we went back to the hotel where we quickly freshen up for our visit to the residence of the Chief of Mission of the U.S. Interests Section of the Embassy of Switzerland, where we were received by the Chief of Mission (“Ambassador”), who updated on the current policy of the United States towards Cuba. We were then able to explain the nature of our trip and plans for future engagement with Cuban conservation professionals before posing for a photograph to commemorate the occasion.  To celebrate the gradual thawing of relations between our two countries and toast to future progress, the group after the reception retreated to El Floridita bar, where we partook in some liquid refreshment, much like Hemingway did when the bar was one of his favorite watering holes. Popularizing a drink known as the daiquiri by notoriously downing many of the cocktails himself, Hemmingway concocted her own preferred version, which calls for grapefruit instead of lime juice and maraschino liquor instead of simple syrup and which they still blend up batches of for tourists who come to pay homage to the author who now lends his name to the drink.  Dinner that night was at San Cristobal, one of the top private restaurants in the city.
1 February 2014 (Day Nine)
Travel_Cuba_20140201152213After a visit the Decorative Arts Museum, we took a walking tour of Centro Habana, which centered on the Parque Central area, stopping at such sites as the Capitolio, Hotel Inglaterra, Bacardi’s glazed terracotta-clad Art Deco headquarters, Sloppy Joe’s bar, and the Paseo del Prado—all of which shows the development which occurred outside the walls in the 19th century. Unfortunately, we didn’t have time to stop for a quick drink at the old Barcardi, where they do actually serve up rum-based drinks–none of which, it almost goes without saying, are made with liquor  under the label of the same name. However, that was okay, because we had to get to lunch at Ajiaco in the lovely little fishing town of Cojímar just outside the city. Cojímar is also home to Finca Vigia, Hemingway’s house, which we toured later that day.
2 February 2014 (Day Ten)
Travel_Cuba_20140202151052In the morning, we visited the Museo Nacional de Bellas Artes with a tour of the Cuban modern art collections by one of the museum’s curators. The museum is in a striking modernist building which was completed in 1953 and exemplifies the combination of sculpture with architecture in Cuban mid-century modernism.  We then visited Havana’s Cementerio de Colόn. Laid out between 1871 and 1886, the cemetery includes more than 500 mausoleums, chapels and family vaults, sculpted in bronze, granite, marble and limestone by leading Cuban and European artists. After the cemetery, we went to the Plaza de la Revolucion before making our way to the hotel Riviera, a perfectly preserved masterpiece of mid-century modern architecture. To cap of our mid-20th century-themed morning, we had lunch at paladar called Vista al Mar, which is in a beautiful oceanfront house overlook the Straits of Florida in Havana’s famed Miramar neighborhood. The rest of the afternoon, the group went to the craft market at Antiguos Almacenes San José or explored the city on their own. The group gathered at the paladar Atelier that night before going to Tropicana.
3 February 2014 (Day Twelve)
Travel_Cuba_20140202123331On our last full day in Cuba, we had a chance to visit the Cuba’s national art school, El Instituto Superior de Arte or “ISA.” Built in 1961 on the grounds of a former golf club, the school was one of the earliest and now recognized best public works projects begun by the Revolucion. A personal project of both Fidel Castro and Che Guevara, the art school reflects the flush of utopian idealism that characterized the revolutionary movement at that moment in its history. Only later in the decade, when Cuba adopted a more Soviet-style functionalist approach, did the art schools begin their decline—all of which is detailed in the recent documentary “Unfinished Spaces.”  Because Cuba now allows artists and musicians to earn a living in hard currency (CUCs) abroad and keep most of it themselves, these professions have become some of the top professions in the country, making placements at the art school some of the most coveted in the country among its young people. This has brought about a resurgence for the school—not to mention, it also makes for great art, which you can buy from students at the school. After lunch at El Aljibe, known for its amazing roasted chicken, the afternoon was free for the group to spend on its own. Some took a ride in one of the old American convertibles from the 50s. Others took a dip in the hotel’s pool, and others who had not yet dropped from all the shopping thus far went to spend their remaining foreign currency. Dinner that night was in the famed paladar La Guarida, which in addition to being one of the oldest in Havana was also the set of the seminal masterpiece of Cuba cinema, Strawberry and Chocolate. Made in the early 90s, the film takes place in Havana, Cuba in 1979 and  tells the story of a growing friendship between a university student and a gay cultural functionary unhappy with the Castro regime’s treatment of the LGBT community as well as the censorship of culture.  The film fundamentally changed the way Cubans both inside and outside the government viewed their LGBT comrades, paving the way for the pro-LGBT reforms currently being considered in the government today.
4 February 2014 (Day Thirteen)
Travel_Cuba_20140204164118All good trips end far too soon, and ours ended early, early in the morning after we checked of the hotel and headed to the airport where we would spend a few hours before boarding a very short charter flight back to Miami and back to reality. Perhaps because of the time warp that is Cuba or the breakneck pace that is our modern, American way of life, our time on the island, though impossible to forget, would soon become a distant memory. As sad as this may sound, it is kind of the way most trips to this place go. The saving grace in this is that it just makes it easier to return, and return often, each and every time.

AIC Cuba Trip Travelog Part 2

AIC Cuba 2014
From Jan. 24 to Feb. 4 a group of 19 AIC members went on a research trip to Cuba.  Over the next week we will be posting about our experiences. Below is an account of  days 3-5. Join us on our journey.

26 January 2014 (Day Three)
In the morning, we toured Santa Efigenia Cemetery, a necropolis second only to Havana’s Cristóbal Colón in importance. Created in 1868 to accommodate the victims of the War of Independence and a simultaneous yellow-fever outbreak, it includes many great historical figures among its more than 8,000 tombs, most notably the mausoleum of José Martí, the intellectual author of Cuban independence. Marti’s imposing tomb is positioned so that his flag-draped casket receives daily shafts of sunlight. A round-the-clock guard of the mausoleum is changed every 30 minutes, amid much pomp and ceremony. Other notable Cubans buried at Santa Efigenia include Cuba’s first president Tomás Estrada Palma (1835–1908); Emilio Bacardí (1844–1922) of the famous rum dynasty; the Spanish soldiers who died in the battles of San Juan Hill; and Compay Segundo (1907–2003), of Buena Vista Social Club fame. Afterward, we toured the Moncada Barracks, a 1938 military garrison where on July 26, 1953, more than 100 revolutionaries led by a little-known revolutionary named Fidel Castro took on Batista’s troops in a spectacularly failed action that also happened to spark the Cuban revolution. Housing a museum which commemorates both Santiago’s most famous political event and the beginnings of the Revolution, the building contains a scale model of the barracks plus artifacts, diagrams, and models of the revolution. After lunch at Aurora, we visited one of Santiago’s most important and best kept museums: the Carnival museum. Then the group went to see San Juan Hill. Later, some of us took salsa “lessons” at the Casa de la Trova. It was more like a crash course, which when out on the dance floor became for some of us more like train wreck. We at least got in our exercise that day, which was helpful to counter the mojitos we had begun to down twice daily. A dinner, we gathered again at the Trova (the scene of the crime from the afternoon) for more music and this time a lot less dancing.
after day 3
27 January 2014 (Day Four)
We left Santiago early in the morning, stopping first for a visit to the Basilica Santuario Nacional de Nuestra Señora de la Caridad del Cobre, or “El Cobre,” which is a 1926 church near a copper mining town that honors Cuba’s patron saint—La Virgin de la Caridad del Cobre. This beautiful church sits in a beautiful valley, and as befitting a church dedicated to a patron saint, the church is a place of pilgrimage for many Cubans. It also became a place of pilgrimage for us as well. Yudi, our Cuban logistical coordinator for the trip, suggested we all light a candle for the renewed relationship between our two countries, and regardless of whether we were religious or not, each of us lit one. It will take more than lighting a candle to finally end the embargo, but at least for now, we could recognize the thaw in our relations that has occurred so far and not focus so much on the long road of diplomatic work we have before us. Leaving El Cobre and our flickering candles behind, we headed for another place of pilgrimage for Cubans—this one more secular in nature. Bayamo, the second of the seven cities founded by Diego Velazquez in Cuba in 1513, has a town center that dates from 19th century. It also happens to be not only the birthplace of Carlos Manuel de Cespedes, the general who led the Cuban war of independence against Spain but also the birthplace of Cuba’s national anthem, the “La Bayamesa,” which at regular intervals can heard blaring across the loud speakers positioned in the main square. After visiting the church where the anthem was first performed, we had lunch at a restaurant called La Bodega, which was right behind the church and overlooked a lush ravine with a shallow stream. From there we made our way to our accommodations that night on the beautiful Playa Santa Lucia, a beachside hotel that is the only place near Camaguey with enough lodging for a group of our size. Very few groups on cultural visits see these resorts, which are mostly filled with Canadians escaping brutal winters up North, and this became apparent by the quality of the back road we used to get there (something tells me the one directly from the nearby airport is much smoother). Thankfully, our guides were prepared for the journey and “opened the bar” on the bus, which made the ride a little smoother if not “jovial.”
after day 4
28 January 2014 (Day Five)
In the morning, we traveled to Camaguey, a UNESCO World Heritage city founded in 1528. Sacked by the pirate Henry Morgan in the 17th century, an effort was made to confuse future marauders by rebuilding the city with an unusual labyrinthine city plan, which we navigated with the help of bicitaxi drivers who took us around the historic center, accompanied by the staff of the city’s conservation training facility and architectural preservation team. After a delicious lunch in Camaguey at La Campana de Toledo, we left for the colonial city of Trinidad, where we stayed in what are known as casas particulares or, as we would call them, “bed and breakfast.” After dinner at our Casas Particulares, we gathered for an evening of music at Trinidad’s own Casa de la Trova.
after day 5
Keep tuned for more blog posts on this amazing trip…

AIC Cuba Trip Travelog Part 1

AIC Cuba 2014From Jan. 24 to Feb. 4 a group of 19 AIC members went on a research trip to Cuba.  Over the next week we will be posting about our experiences. Below is an account of the first two days. Join us on our journey.
24 January 2014 (Day One)
Having flown in from various (mostly snowy) places the day before, the group of 21 members and staffers gathered in the lobby of the Sofitel Miami in the early morning hours (4am!)  to board shuttle buses that would take us to the airport. It would be a short flight–only an hour–but where we were going would be a world away from where we were. Santiago de Cuba, our destination, sits on the eastern side of the island of Cuba, a mere 500 miles from the shores of South Beach, Florida, and with a population of almost 500,000 is its second largest city also capital of a province of the same name. One of the first seven cities founded in Cuba and older than Havana itself, Santiago is surpassed only by nearby Baracoa and Bayamo in age and is home to many of Cuba’s most famous historical sites.
After arriving at Antonio Maceo International Airport–named for the famous general of the Cuban-Spanish wars of the latter 19th century—we quickly passed through passport control with little more than a smile and a welcome-to-Cuba-I-hope-you-enjoy-your-visit nod to our American passports. After meeting our Cuban guides and boarding our Havanatur bus, we immediately headed out to Castillo de San Pedro de la Roca. Known more commonly as El Morro, the castillo (or “fortress”) is a picturesque fortification from the 16th century that sits about 6 miles south of the city and guards the Bay of Santiago. Inscribed to the UNESCO World Heritage list in 1997, it is considered the best preserved example of Spanish New World military installations as based on Renaissance principles. It affords some outstanding views, too!
Castillo de San Pedro de la Roca
After lunch on the site, we checked in at the Melia Hotel, a post-modern style Spanish chain hotel that towers over the city to the east of historical center. As we had all been up so early in the morning, we gather later for a light dinner at the hotel, and then we debated about going out to experience some of Santiago’s greatest cultural heritage: its musical traditions. Thankfully, after a mojito or two, there were enough festive travelers who were keen to explore the city’s music, which is part of its complex and layered cultural blending. So using a tip from a local, we decided to check out the club Patio de Los Dos Abuelos, a small open-air place where a few locals and tourists freely mixed, dancing (some better than others) under the night sky. A resident band Son del Tres was playing, and after a few impromptu lessons from the bandleader, we joined in the whirling fun. As the birthplace of many extraordinary musical traditions given to the world, Santiago de Cuba is truly the best place to experience them.  Some of the country’s best musicians, including Buena Vista Social Club members Compay Segundo, Ibrahim Ferrer, and Eliades Ochoa, and even the Cuban American bandleader Desi Arnaz, hail from the city.
Santiago
25 January 2014 (Day Two)
After feasting on a huge breakfast buffet at the hotel, which caters mostly to European tourists and consequently had a Cuban take on everything from churros to crepes, we went to the office of the historian of the city, where we listened to an introduction to the city. After the lecture, we began our walking tour of Santiago’s historic center, guided by the city’s historian and chief preservation architect. After the tour, we had lunch in the historic center at Los Primos Twice, a great paladar (or private restaurant) where we feasted on shrimp in creole sauce and pork in sweet and sour sauce, as well as the haunting, beautifully sung songs of Chely Romero, a mainstay of the Santiago music scene. After lunch, the Archbishop of Santiago hosted our group at the city cathedral to learn more about the restoration work going on there and in the diocese’s other churches undertaken by a joint Cuban-Italian team. The work they are doing is a rare example of successful conservation being done outside the government system. Dinner that night was at Compay Gallo.
city cathedral

Keep tuned for more blog posts on this amazing trip….