Category: Job, Internship, & Fellowship Postings

HARVARD ART MUSEUMS, Straus Center for Conservation and Technical Studies
Beal Family Postgraduate Fellow in Conservation Science
 
The Straus Center for Conservation and Technical Studies is seeking a postdoctoral scientist for a 3-year research fellowship in the field of conservation science. Reporting to the senior conservation scientist, the fellow works with scientists, conservators, conservation fellows, curators, and academic art historians on research projects, utilizing a broad range of art and artists’ materials collections in the Harvard Art Museums and other institutions. Emphasis will be shared between traditional and modern/contemporary artists’ materials and techniques. Provides analytical services to the Harvard Art Museums’ conservators and curators in the study and preservation of the collections and documents findings. Organizes workshops and symposia to engage others in examining issues related to conservation science research. Assists with instrument maintenance and repair as necessary, and in training others to use the instruments.
 
Required Education, Experience, and Skills
Basic Qualifications
PhD in chemistry/physical science, combined with experimental research experience and an ability to conduct academic research required.
 
Additional Qualifications
The successful candidate will have a high level of scientific achievement and a serious interest in a career as a scientist in the museum field. Experience with microscopy of diverse types, image analysis, and advanced computational skills desirable. Strong oral and written communications skills required. Demonstrated interest in the visual arts, record of publication and/or presentation, and knowledge of one or more foreign languages preferred.
 
Additional Information
The Straus Center has a long history of multidisciplinary collaboration among scientists, curators, and art historians. The Harvard Art Museums house world-renowned art collections and important study collections of art and artists’ materials. The laboratories are equipped with polarized light and reflectance/UV fluorescence microscopes, and GC-MS, MALDI-TOF-MS, FT-IR, Raman, and XRF spectrometers. Beyond the resources of the center, Harvard University and other local universities and museums offer access to specialized analytical equipment and a large scientific community.
Please note this is a term position beginning September 1, 2015, ending August 31, 2018.
 
Application Instructions
A complete application includes a curriculum vitae and statement of interest, not to exceed one page, single-spaced, summarizing the applicant’s interests and intent in the fellowship.
 
Please apply online: http://hr.harvard.edu/search-jobs.
Search by School/Unit: Harvard Art Museums.
 
Application deadline: January 2, 2015
Interview notification: January 26–29, 2015
Interviews held: February 24–March 6, 2015
 
Inquiries may be directed to: am_straus@harvard.edu.
 
We are an equal opportunity employer and all qualified applicants will receive consideration for employment without regard to race, color, religion, sex, national origin, disability status, protected veteran status, or any other characteristic protected by law.

HARVARD ART MUSEUMS, Straus Center for Conservation and Technical Studies
Fellowships in Conservation, 2015–2016
 
The Conservation Fellowship Program at the Harvard Art Museums is designed to broaden the experience of conservators embarking on professional careers in museum conservation. A ten-month fellowship will be offered in each of the following areas: objects, paintings, and paper conservation beginning September 1, 2015.
 
Duties and Responsibilities

• The main focus for the fellow will be examination and treatment of works of art from the Harvard Art Museums’ collections. A technical research project focusing on a work(s) of art from the Harvard Art Museums’ collections will comprise approximately 15% of the fellowship.
• The fellow carries out a broad range of activities, including treating works of art in the collections; preparing accompanying written and photographic documentation, estimates, correspondence, and condition reports for exhibitions, loans, and acquisitions; and presenting research and other projects.
• Serving the museums’ teaching and research mission, the fellow helps provide content expertise and support for the Harvard Art Museums’ public and academic interpretive programs.

 
Required Education, Experience, and Skills
Basic Qualifications
MA, MS, or Certificate in Conservation from a recognized university program; a proven record of treatment and research; and proficiency in both written and spoken English.
 
Additional Qualifications

• Demonstrated record of treatment and research.
• Excellent organizational, interpersonal, and communication skills; ability to work independently as well as collegially.
• Familiarity with state-of-the-art imaging tools used for conservation documentation, including digital photography, x-radiography, and infrared reflectography (IRR).
• Proficiency with computer software, including image editing and management software and Adobe Photoshop.

 
Application Instructions
A complete application includes a curriculum vitae; a statement, not to exceed one page, single-spaced, summarizing the applicant’s interests and intent in the fellowship and their chosen specialization; transcripts of both undergraduate and graduate courses of academic study, with an explanation of the evaluation system if it is not equivalent to that of the United States; and three letters of recommendation. All application materials must be in English.
 
Please apply online: http://hr.harvard.edu/search-jobs.
Search by School/Unit: Harvard Art Museums.
 

1. Please upload curriculum vitae, statement of interest, and transcripts.

 

2. Please ask references to send letters of recommendation to: am_straus@harvard.edu. Letters of reference will be verified.

 

3. Deadline for receipt of application materials and supporting documents is January 2, 2015. Incomplete applications will not be considered.

 
We are an equal opportunity employer and all qualified applicants will receive consideration for employment without regard to race, color, religion, sex, national origin, disability status, protected veteran status, or any other characteristic protected by law.

Conservator of Works of Art on Paper, Floating World Gallery (FWG).
 
FWG has created a new full-time position for a paper conservator who will treat the Japanese prints and paintings in our collection and work in tandem with our current team of conservators and managers.  Given the specialized nature of our collection the candidate should have a demonstrated interest in the preservation of classical and modern Japanese works on paper and a familiarity with the practical treatments used to improve the most common issues associated with their ephemeral papers and fugitive pigments.  The candidate must also have the ability to work efficiently on projects requiring independence, communicate effectively and manage a busy schedule.
 
Located in Chicago, FWG is the largest gallery in the US specializing in Japanese art.  It provides a rich resource for conservation education and hands-on exposure to museum quality works of art.  Candidates must have a Master’s degree in art conservation and at least two years of experience beyond graduation.  Candidates should send a letter of interest to wls@floatingworld.com, including educational and professional qualifications as well as aspects of relevant work experience.  Those invited for an interview will be asked to bring additional information.  Salary will be commensurate with the candidate’s skills and credentials ($36,000 to $48,000 per annum plus benefits).

Contemporary Conservation, a New York City based conservation studio specializing in contemporary art, is seeking a full time Associate Conservator.  The candidate should have demonstrated ability and experience in the treatment of a broad range of contemporary artworks and be capable to work under tight deadlines in our fast paced conservation studio. Working with a team is essential. The candidate should have a Bachelors in Art conservation from an internationally recognized conservation program, and/or equivalent professional experience plus a demonstrated ability to problem solve and work on a wide range of contemporary materials. The candidate should be familiar and experienced with the recent conservation discourse and with a great variety of modern conservation techniques and paint systems.
Applicants should possess an in-depth knowledge of contemporary and modern art. Excellent written and verbal communication skills are required, as well as basic photographic documentation. Strong organizational skills are necessary. Required tasks include assessing a works condition, reporting, accurately estimating treatment times, preparing proposals, and onsite work. Applicants should have profound knowledge in objects and/or painting conservation and experience working with installation art, painting, sculpture, outdoor sculpture to name a few. Ability to make independent decisions sustained by analytical and theoretical application is essential. Applicants must be organized, goal oriented, structured, and willing to adapt to new challenges. They must be able to work collaboratively within a dynamic team. Familiarity with Macintosh platforms is preferred, and a working knowledge of Filemaker, InDesign, and Photoshop is ideal.
Interested applicants should email with a cover letter, resume, contact information and three professional references as well as three sample treatment reports. Please send all documentation to studiomanagercc@gmail.com. Incomplete applications will not be considered.
Deadline for applications is September 15^th. Please do not call about this position. Contemporary Conservation offers competitive salary to commensurate with experience, and a total compensation package that includes health care and a matching 401(k) program. CC is an equal opportunity employer.

The Clock Restoration Project at the City Hall / Courthouse in Minneapolis is officially advertised as of today (August 13^th) with proposals due by September 24^th, 2014.  This project is being procured through the Hennepin County Best Value Process and will be posted on their website.  The site visit and training are not required, but are encouraged a those selected for interviews will need to communicate a good understanding of the building and project.  The first two site visits will also include training on the Best Value Process.  The schedule for site visits is as follows:
Training plus project walk thru – August 27^th meeting will be held in room 132 from 1:30 to 4:30 pm
Training plus project walk thru – September 4^th meeting will be held in room 132 from 1:30 to 4:30 pm
Last Project Walk thru with no questions – September 10^th meeting will be held in room 105 from 1:00 to 3:00 pm
 
The City Hall / Courthouse is located at 350 S 5^th Street, Minneapolis, Minnesota
 
To obtain the RFP documents, please go to Public Plan Room of the Franz Reprographics website:
http://www.ipdservices.com/clients/franz/?FranzReprographics&Show=Planroom
Proposers can look at the documents online, download them, and order prints from the website.  All addenda will also be posted to the website and plan holders will be listed and notified when new documents are available.  Proposers can view the documents as a guest (without signing in) but will need to register with Franz to get a username and password to be listed as a plan holder in order to do anything more than just looking at the documents online.  Downloads will be free.  Printing and mailing costs will be the responsibility of the bidder.
 
If you have questions, please contact Bob Mack or Angela Wolf Scott at 612-341-4051.

Contemporary Conservation, a New York City based conservation studio specializing in contemporary art, is seeking a full time Associate Conservator.  The candidate should have demonstrated ability and experience in the treatment of a broad range of contemporary artworks and be capable to work under tight deadlines in our fast paced conservation studio. Working with a team is essential. The candidate should have a Masters in Art conservation from an internationally recognized conservation program, or equivalent professional experience (at least 5 years), plus a demonstrated ability to problem solve and work on a wide range of contemporary materials. The candidate should be familiar and experienced with the recent conservation discourse and with a great variety of modern conservation techniques and paint systems.
Applicants should possess an in-depth knowledge of contemporary and modern art. Excellent written and verbal communication skills are required, as well as basic photographic documentation. Strong organizational skills are necessary. Required tasks include assessing a works condition, reporting, accurately estimating treatment times, preparing proposals, and onsite work. Applicants should have profound knowledge in objects and/or painting conservation and experience working with installation art, painting, sculpture, outdoor sculpture to name a few. Ability to make independent decisions sustained by analytical and theoretical application is essential. Applicants must be organized, goal oriented, structured, and willing to adapt to new challenges. They must be able to work collaboratively within a dynamic team. Familiarity with Macintosh platforms is preferred, and a working knowledge of Filemaker, InDesign, and Photoshop is ideal.
Interested applicants should email with a cover letter, resume, contact information and three professional references as well as three sample treatment reports. Please send all documentation to studiomanagercc@gmail.com. Incomplete applications will not be considered.
Deadline for applications is September 15^th. Please do not call about this position. Contemporary Conservation offers competitive salary to commensurate with experience, and a total compensation package that includes health care and a matching 401(k) program. CC is an equal opportunity employer.

Fixed Term Position through June 3, 2015. Part-Time: 2 days (16 hours) per week
The Asian Art Museum offers an exciting opportunity for an experienced professional paintings conservator to conserve and restore Asian paintings in this world-renowned collection.
This part-time position will assist the Conservator of Paintings in the conservation of Asian paintings on paper and silk, prints and drawings, including stabilizing collections and preparing for upcoming exhibitions. The position requires the ability to perform skilled conservation work in the preservation and restoration of works of art on paper by preparing condition reports, performing treatments, and completing all necessary documentation to the standard of the American Institute for Conservation’s Code of Ethics.  Work may also include assisting other conservators.
The duration of the position will be through June 3, 2015.
The nature of this highly skilled work requires manual dexterity, intense concentration, and aesthetic sensibility in addition to a background in paintings conservation. The Conservator must have the ability to prioritize work and sequence projects in order to meet agreed upon deadlines. Equally important is the ability to take direction, and work well as part of a team.
Minimum Requirements
Master of Arts or Master of Science degree in Art Conservation specializing in Paper Conservation from a recognized college or university, OR:  Master of Arts degree in Art History with a Certificate in Conservation from a recognized Conservation Training Program;  AND
Three (3) years of verifiable conservation experience, beyond the degree or certificate, with the techniques, materials and equipment used in the conservation of Asian paintings on paper and silk, prints and drawings; or an equivalent combination of education, training and experience.
Knowledge of the technology and materials of Asian paintings on paper and of the chemical and physical processes of their deterioration.
Knowledge of the procedures relating to the examination and the preventative and corrective treatment of Asian paintings on paper and silk, prints and drawings.
Knowledge of the environmental requirements and of controls for handling, storage, exhibition and travel of Asian paintings on paper and silk, prints and drawings.
Ability to write technical reports in an understandable, clear and concise manner, utilizing appropriate punctuation and grammar.
Ability to examine works of art and determine their current state of preservation for new acquisitions, loans, and exhibitions.
Ability to maintain ongoing effective working relationships with Museum staff, colleagues in the field and the public; demonstrate good judgment, flexibility and resourcefulness.
Compensation
$ 1,007 biweekly
Note:  Due to the temporary nature of this position, it does not include a benefits package.
 
Application Procedure
 
Apply online at: http://bit.ly/1lYnFcD
 
Or send a letter of interest and resume ASAP to:
 
HUMAN RESOURCES
Asian Art Museum
200 Larkin Street
San Francisco, CA 94102
FAX: 415.861.2359
 
The Asian Art Museum is one of the largest museums in the Western world devoted exclusively to Asian art and culture. Home to more than 18,000 works of art from over 40 Asian countries, we strive to be a catalyst for discovery, dialogue, and inspiration. With Asia as our lens and art as our cornerstone, we spark connections across cultures and through time, igniting curiosity, conversation, and creativity.
 
The Asian Art Museum embraces diversity in its mission, programs, and staff.
 

The Asian Art Museum offers an exciting opportunity for an experienced professional objects conservator to conserve and restore Asian objects in this world-renowned collection.
This full time, temporary position will provide assistance to the Acting Head of Conservation pending the recruitment and hiring of a new Head of Conservation for the department.  The duration of the position will be through January 18, 2015. 
Responsibilities
The Objects Conservator will perform professional conservation duties related to the examination, preservation, restoration, exhibition, and storage of three-dimensional works of art including sculpture, decorative arts, and arms and armor, as well as materials on loan.  The incumbent prepares a variety of reports to document conservation activities; performs research; keeps abreast of expertise in the conservation community; acts as resource person concerning area of specialty to the museum, collectors, and the public; develops innovative conservation methods as necessary; and performs other duties as required.
The nature of this highly skilled work requires advanced conservation ability and familiarity with radiography, UV, SWIR, and PLM imaging as well as image processing using specialized software.  Manual dexterity and intense concentration are required as well as excellent organizational and writing skills. The incumbent must have the ability to coordinate and consult with curators, preparators, and other museum professionals, prioritize work, and sequence projects in order to meet agreed-upon deadlines. Equally important is the ability to take direction, and work well as part of a team.
Minimum Qualifications
Master of Arts or Master of Science degree in Art Conservation from a recognized college or university, OR:  Master of Arts degree in Art History with a Certificate in Conservation from a recognized conservation training program;
AND
Three (3) years of verifiable conservation experience, beyond the degree or certificate, with the techniques, materials and equipment used in the conservation of Asian three-dimensional art and artifacts; or an equivalent combination of education, training and experience
Knowledge of the technology and materials of three-dimensional art and artifacts, of their chemical and physical processes of deterioration, and of the procedures relating to their examination and preventative and corrective treatment
Knowledge of the environmental requirements and of controls for handling, storage, and exhibition
Ability to write technical reports in an understandable, clear and concise manne
Ability to examine works of art and determine their current state of preservation for new acquisitions, loans, and exhibitions
Ability to maintain ongoing effective working relationships with museum staff, professional colleagues and the public; demonstrate good judgment, flexibility, and resourcefulness
Ability to lift up to fifty (50) pounds
Compensation
$2,518 biweekly
Note:  Due to the temporary nature of this position, it does not include a benefits package.
Application Procedure
Apply online at http://bit.ly/1srwC2R
Or send a letter of interest and resume ASAPto:
HUMAN RESOURCES
Asian Art Museum
200 Larkin Street
San Francisco, CA 94102
FAX: 415.861.2359
The Asian Art Museum is one of the largest museums in the Western world devoted exclusively to Asian art and culture. Home to more than 18,000 works of art from over 40 Asian countries, we strive to be a catalyst for discovery, dialogue, and inspiration. With Asia as our lens and art as our cornerstone, we spark connections across cultures and through time, igniting curiosity, conversation, and creativity.
The Asian Art Museum embraces diversity in its mission, programs, and staff.
 

In 2015 the Whitney Museum of American Art will be moving into a new building that will also house its Conservation Center and a newly formed Works of Art on Paper Study Center.  In response to the developing need and the physical adjacency of these two endeavors, the museum has created a full time position for a paper conservator who will address treatment needs within the collection, assume responsibilities related to the paper and photographic collections, and work in tandem with the curatorial team.
Given the nature of the Whitney’s collection, the candidate should have a demonstrated interest in the preservation of modern and contemporary American art and a familiarity with the theoretical and practical issues associated with that expertise.  The ability to work independently and efficiently, write cogently, communicate effectively, manage a busy schedule, and assume collegial leadership is required as well as an advanced degree in Conservation and at minimum two years of relevant experience. The resultant title and salary will be commensurate with the candidate’s credentials and experience.
Applicants should send a letter of interest stating educational and professional qualifications as well as aspects of relevant work experience and documented research. The application should include the contact information of three references but letters are not required. Candidates who are invited for an interview will be asked for further material at that time.  Applications should be sent to hr@whitney.org and will be accepted until November 1, 2014.
The Whitney Museum of American Art is an Equal Opportunity Employer. The Museum does not discriminate because of age, sex, religion, race, color, creed, national origin, alienage or citizenship, disability, marital status, partnership status, veteran status, gender (including gender identity), sexual orientation, or any other factor prohibited by law.  The Museum hires and promotes individuals solely on the basis of their qualifications for the job to be filled. The Museum encourages all qualified candidates to apply for vacant positions at all levels.  This description shall not be construed as a contract of any sort for a specific period of employment.