FAIC & the Samuel H. Kress Conservation Fellowships

Since 2011, FAIC has been proudly administering the Samuel H. Kress Conservation Fellowships. These prestigious and competitive awards are given to museums and other conservation facilities so that emerging conservators can have an exceptionally involved experience in the field following graduate work. I was truly delighted when the FAIC review committee scores indicated that Whitten and Proctor Fine Art Conservation would be in the final group of host institutions selected for the 2012-2013 cycle, becoming the first private practice to receive a Fellowship award. Jill Whitten and Rob Proctor have a rich background in teaching, mentoring, research, and publication, and I knew that they could offer a unique and challenging environment for a Kress Fellow. Scroll down to read Jill, Rob, and Gabriel weigh in on the unique perspectives offered by their private practice setting.
Enjoy,
Eric Pourchot
FAIC Institutional Advancement Director
Jill-Whitten-and-Gabriel-Dunn-discussing-treatment
How did you balance your roles as mentors and small business owners?
Jill and Rob: Luckily, teaching comes naturally to us. We have worked with wonderful conservators in the best institutions and we feel that we have a great deal to share. We enjoy the teaching aspects. Being so engaged in the studio is also good for our business and for completing projects.
Learn more about Whitten & Proctor’s Kress Fellowship by reading the rest of the interview…

How to Make the Most of Your Pre-Program Internship: Online Resources from ECPN

Landing a conservation internship or fellowship is tough at any stage of an emerging conservator’s career, but securing a position is only the beginning!  Remember, internships are a two-way street and, whether or not your position is paid or unpaid, there are certain steps you can take to make meaningful contributions and enrich your experience (and portfolio!).
To complement ECPN’s upcoming webinar How to Make the Most of Your Pre-program Internship scheduled for Tuesday, September 24 at 12:00PM ET), we’ve collected a number of online resources that we hope interns and internship supervisors alike will find helpful.
If you would like to register for the webinar, please visit: https://www2.gotomeeting.com/register/766549178
For Interns:  Express enthusiasm and gratitude.  Network within your institution.  Always be professional and behave like an employee.  These are just a few words of advice for making the most of your internship that you will find among the resources compiled below.
Checklist for Interns: Getting the Most out of Your Internship, Virginia Association of Museums
Making the Most of Your Internship(s), Quintessential Careers
Key Advice for Young Creatives from Four Nonprofit Professionals, NYCreative Interns
Internship Dos and Don’ts for College Students, Quintessential Careers
10 Tips to Get the Most out of Your Internship, U.S. News
For Supervisors: Thinking of taking on a pre-program intern but not quite sure?  Interested in freshening your approach to mentoring emerging conservation professionals?  Take a look at these resources and learn a few ways to maintain a mutually rewarding internship program!
Non-profit Interns, National Council for Non-profits
How to Manage Interns, Inc.com
Co-operative Education: 6 Steps to Hire an Intern, University of Arkansas

Finding an Internship: Still searching for a pre-program internship?  Don’t forget to regularly review the following sites for paid and unpaid internship opportunities!
Jobs, Internships, and Fellowship Listings, AIC’s Blog Conservator’s Converse
eNews, International Centre for the Study of the Preservation and Conservation of Cultural Property (ICCROM)
Job and Fellowship Listings, International Institute for the Conservation of Historic and Artistic Works (IIC)
Internship and Job listings, Art Conservation Department, University of Delaware
Career and Job HQ, American Alliance for Museums (AAM)
Listings, Indigo Arts Alliance
Funding for Pre-program Interns: Art supplies are expensive, chemistry courses are not free, and an intern has to eat! Despite the invaluable experience you will receive through your pre-program internships, we all know how difficult it can be if your position is unpaid. Recognizing this challenge faced by many emerging conservators, the Indigo Arts Alliance has established a grant in honor of Denese L. Easerly to support pre-program students and interns as they complete the numerous pre-requisites required for admission to a graduate-level training program.  If you are interested in applying for a pre-program training grant or making a contribution to the support the award of such grants, please follow the link below.
 The Denese L. Easterly Conservation Training Pre-program Grant, Indigo Arts Alliance

Employment in Health and Safety for Conservators

Monona Rossol is one of our field’s greatest spokespersons for conservation lab and artists’ studio health and safety guidelines; she is also a fount of knowledge on changing regulations for use of conservation chemicals and understanding of personal protective procedures and equipment. Please visit her website at  www.artscraftstheatersafety.org/bio.html.
She does general safety and OSHA-required training sessions for art and art conservation students/faculty in universities, colleges, public and private museums, conservation laboratories, and more. What will happen when she retires? She has no understudy! Is there someone out there in AIC with a very strong chemistry background and understanding of conservation lab practices and artists’ materials who would be interested in branching out to include safety training and consultation to their skills? Monona promises to help direct such people to sources of technical training and to share her expertise and training materials. Once someone is qualified, she will gleefully recommend them to her clients. In fact, she has repeatedly offered to turn over her small nonprofit to someone qualified so she can do more writing.
I carried out a history interview with Monona in 2003 and have worried ever since about making sure she has protégés with whom she can share and possibly pass on a great body of knowledge and a very busy practice.  This is certainly an area of our field with increasing need and certain future employment.  If you are interested in exploring this possibility please contact Monona at ACTSNYC [at] cs.com.
–Submitted by Joyce Hill Stoner

ECPN Webinar on September 24: “How to make the most of pre-program internships”

The Emerging Conservation Professionals Network (ECPN) is pleased to announce that our third webinar “How to make the most of your pre-program internship” will take place on Tuesday, September 24th from 12:00-1:00 EDT.
The program will feature two speakers with experience supervising pre-program interns, Emily Williams, Conservator of Archaeological Materials, The Colonial Williamsburg Foundation, and Thomas Edmondson, Paper & Photograph Conservator, Private Practice; and two speakers with more recent experience as pre-program interns, LeeAnn Gordon, Sherman Fairchild Fellow in Objects Conservation, and Ayesha Fuentes, Conservation Intern, Division for Cultural Properties, Department of Culture, Thimphu, Bhutan.
The webinar will include a moderated discussion and Q&A session, where we will learn about navigating pre-program internships and tips on how to maximize your experience.
Participants will have the opportunity to ask questions before and after the webinar here on the AIC blog. Please submit your questions as comments to this post, or email them to Anisha Gupta at agupta[at]udel[dot]edu. Questions will be accepted until the morning of the forum. During the webinar, your questions will be posed anonymously. All unanswered questions will be followed up on after the program in an AIC blog post.
Attendance is free and open to all AIC members. Registration is required and will be open until the forum starts. To register for the webinar, please visit https://www2.gotomeeting.com/register/766549178.
ECPN’s first webinar was held in July 2012 and featured Debra Hess Norris in a presentation and discussion on self-advocacy and fundraising for independent research. With over 90 registered participants from 6 different countries, the webinar was a great success. ECPN’s second webinar, in November 2012, featured three speakers in private practice: Rosa Lowinger, Julia Brennan, and Paul Messier. The webinar included a discussion of their experiences establishing their businesses and their evolution, how they have learned to balance various initiatives and projects, and their advice for those considering going into private practice.
“Self-advocacy and fundraising for independent research” with Debra Hess Norris, July 2012
http://www.youtube.com/watch?v=fDWgqY8umqQ
Follow-up Q&A to “Considering your future career path: working in private practice” with Rosa Lowinger, Julia Brennan, and Paul Messier, November 2012

For more information, please visit www.conservation-us.org/ecpnforum.

News from the Foundation of AIC


What IS FAIC Exactly?

You may have read about FAIC grants and scholarships that have been awarded, upcoming professional development offerings, publications, and other initiatives, but you may still have questions about what exactly FAIC does and what makes it different from AIC. We want to share with you the ways FAIC is working to advance the field of conservation, both nationally and abroad.
Here, we’re highlighting a Heather Brown, a recipient of the George Stout scholarship award, one of the many ways our donors support emerging conservators. We have so much to share, and you can learn more at www.conservation-us.org/foundation.
We hope that you enjoy our updates and welcome feedback from you!
The Foundation Team
(Eryl, Eric, and Abigail)

Meet Heather Brown, Graduate Fellow in the Winterthur/University of Delaware Program in Art Conservation, and George Stout Memorial Scholarship Award Recipient!

Heather Brown- Stout 2013

Heather attended the AIC-PMG/ICOM-CC-PMWG Photographs Conservation Joint Meeting
in Wellington, New Zealand, where she presented a paper titled
“Extending Our Reach: Effective Methods for Engaging Allied and Public Audiences with Photograph Preservation.”

How did you first get involved in conservation? What made you decide to pursue this career path?
As I was finishing up my undergraduate degree in art history, I became interested in the educational mission of museums, so I applied to a one-year MA course on the History and Theory of the Art Museum at the Courtauld Institute of Art in London. When I was accepted into the program, I knew that the Courtauld had an excellent reputation as a leading institute for art history and painting conservation; however, outside of a few mentions of the conservator as scientist during my undergraduate lectures, I did not truly know what conservation was. That was until the end of my first term, during a three-week concentration on the history of conservation. My class took a field trip to visit the labs at Tate Britain, and I was immediately fascinated. What I learned that day was that conservation is not just a science, but the three-legged stool of science, material culture, and fine art—all things that I am passionate about. I followed my instinct that told me a career in conservation was the perfect fit and, six years later, here I am in a graduate program.
How did this conference benefit you as an emerging professional?
Attending the AIC-PMG/ICOM-CC-PMWG Photographs Conservation Joint Meeting was an incredible opportunity for my professional development. With over 150 delegates from 18 countries, the greatest benefit of the meeting was the chance to connect with so many conservators in my specialty. I was able to meet many individuals that I have admired, and network with professionals from all over the world. I enjoyed spending time with fellow conservation students and previous employers, but also took advantage of the experience to make new friends with people that will likely be colleagues throughout my career.
Not surprisingly, many of the meeting attendees also presented in some way. I think this demonstrates that conservation is field eager to collaborate and share our knowledge with other members of the community. The talks were very well researched and presented, as were the posters, and ranged from traditional to contemporary media, and from scientific analysis to treatment and theory. I believe I learned the most from the workshops on Emergency Management and Contemporary Photography because they related directly to my interests and what I have been studying in my work at UD, but what made the Wellington meeting unique was the infusion of Maori culture into each event. Through their blessings, narratives, and handling of objects, it was clear how much the locals respect their heritage. My favorite Maori proverb from the closing of the meeting highlighted the conservator’s role as teacher: “With your full basket and my full basket, together we feed the people.”
Leaving New Zealand at the end of the meeting, I felt motivated to continue with my own research, and inspired to think creatively about my in-progress treatment projects. I hope to participate in many more meetings in the future, and I know that I will look back and appreciate having had the opportunity to make it to Wellington in 2013.

What would you tell someone who is thinking about donating to the George Stout Memorial Fund?
Whether you are an emerging conservator or a Fellow of AIC, attending meetings is an important aspect of professional development. Unfortunately it is not always possible for students to afford the expense as many have significant student loan and other debt incurred during years of preparation for graduate study. The George Stout Memorial Fund allows recent graduates and students, like myself, to take advantage of valuable educational opportunities that will shape our approach to conservation in the future. Your financial support really does make a difference. If you are thinking about donating to the Stout Fund, please consider how your own positive experiences as a student have affected your career. I encourage you to help!

You can help to support young conservators like Heather by donating to the FAIC George Stout Memorial Fund!

supportconservation

Documentary film being made on Ambassador Hotel, and long battle to preserve it

Demolition of the hotel, with L.A. in the background.
Demolition of the hotel, with L.A. in the background.

A documentary film, After 1968, is being made that highlights a 15-year struggle by preservationists to save the Ambassador Hotel in Los Angeles, and creates a “living history” of the building through interviews of local residents and those who stayed at the hotel. Camilo Silva is the director/filmmaker behind the project, and took footage of the actual demolition in 2005. The hotel, which hosted the Academy Awards as well as countless celebrities and U.S. presidents, was also the location of the assassination of Robert F. Kennedy in 1968. The site is now a school.
Silva is funding this project in part via Indiegogo, with the campaign ending on Saturday, August 24, 2013. Below is a press release about the project, and a trailer can be seen at www.after68.com. Silva also is featured in an interesting interview on the National Trust blog PreservationNation.
ICONIC AMBASSADOR HOTEL RISES FROM THE RUBBLE IN NEW DOCUMENTARY AFTER 68
Filmmakers Recover Legacy of Historic Hotel by Resurrecting its Demolished Past
LOS ANGELES, CALIF.
In 2005 the landmark Ambassador Hotel in Los Angeles became one of the most historically significant and celebrated U.S. buildings of the 20th century ever to be destroyed. Nearly a decade later, a dedicated team of documentary filmmakers intend to bring the Ambassador back to life with After 68. The feature length documentary is a gripping exposé on the dynamic history and controversial demolition of the iconic hotel. “Though the hotel’s structure is gone we are working hard to ensure that its legacy lives on. By chronicling its rich history and the emotional fight to save it from demolition, we hope to give the Ambassador its rightful place in history,” states director/producer, Camilo Silva. “This film is particularly important because it goes far beyond just recapping the history of a famous site. It will challenge audiences to think about historic preservation in new ways and question how actively we value our aging structures from the past.”
The Cocoanut Grove was part of the Ambassador Hotel.
The Cocoanut Grove was part of the Ambassador Hotel.

After 68 examines historic preservation through the lens of the 15-year struggle to save the Ambassador Hotel from the wrecking ball. For decades the Ambassador was the epicenter of cultural and civic life in the U.S., playing host to the Academy Awards, celebrities, international dignitaries, iconic authors, artists, scientists and every U.S. President from Hoover to Nixon. The hotel’s legendary Cocoanut Grove was one of the most sought after music venues in the world, showcasing almost every major musical act of the 20th century and launching the careers of countless stars. In 1968 the Ambassador’s fate took a dark turn when it became the site of a tragedy: the assassination of Robert F. Kennedy.
When the hotel closed in 1989, the Ambassador once again garnered national headlines during a dramatic battle between preservationists and the school district over the fate of the site. A heated fight ensued, quickly polarizing the community and sparking a multifaceted debate that pitted education against historic preservation. After a lengthy and costly legal battle, the board voted to demolish the hotel. “California doesn’t preserve much of their history…Tear it down and build something new, there was no interest in the preservation of it” stated Merv Griffin in his After 68 interview.  Coming in at just under $600 million, the new school campus that was constructed would end up with the distinction of being the most expensive school built in U.S. history.
Photo taken during filming of the Cocoanut Grove demolition.
Photo taken during filming of the Cocoanut Grove demolition.

In the first feature film ever to turn the lens back on the Ambassador, Silva weaves together classic photography and historical footage, along with captured footage of the building’s demolition, and emotional interviews from a range of key people involved with the hotel. “As documentarians timing is critical for us because with every day that passes we are threatened with losing the oral histories that only remain within our collective memory and we want to recover them before it is too late,” says Silva.
Using first-hand accounts, After 68 demonstrates how the Ambassador Hotel’s rich history ultimately placed it between opposing cultural divides: a pawn in the power struggle between those who saw the importance of preserving our past as a means to define our future, and those who were willing to destroy it. “The Ambassador’s story marks the irrecoverable loss of an important relic of human and social history, and as filmmakers we want to educate the public about the value of protecting our past, and thereby ensure that the other Ambassadors of the world may be saved” declares Silva. This film is not only a tribute to the life and legacy of the hotel but it will also serve as an important symbol for the value of historic preservation worldwide.
For More Information Visit:
www.after68.com

AIC's Committee on Sustainable Conservation Practice becomes Sustainability Committee

Why the re-branding?
When our committee was founded in 2010, we chose the name “Committee on Sustainable Conservation Practice” after much discussion and a vote. We soon noticed that people both inside and outside the committee would often get the name slightly wrong in postings, articles, and conversation. Common versions included “Committee for Sustainable Conservation Practices” and “Committee on Sustainability in Conservation Practice.”
At first, we thought that this was temporary; the name was new and would take time to get used to. But by the spring of 2013, it became clear that the confusion was proliferating each time the wrong name appeared on a website or article. Committee members would find it necessary to double-check the name (because even we were not certain we could remember it exactly), but had to be careful which site we used to double-check.
Since the name has not become effortless after 3 years, we decided the best thing to do is go with the name that most people find easier to use in conversation anyway, “Sustainability Committee.” (With an optional “the” at the beginning.)
Our email address remains the same: sustainability@conservation-us.org. Contact us if you have a question, a story, or a tip related to sustainable issues in conservation.

US House of Representatives Appropriations Committee to Cut NEH Funding by 49%

Please read the message below from the National Humanities Alliance:
The House of Representatives Appropriations Committee released its FY 2014 Interior and Environment Appropriations bill this morning with a 49 percent ($71 million) cut for the National Endowment for the Humanities. If enacted, this funding level would devastate an agency that has already been reduced by 19 percent since 2010.
This drastic cut would end programs that provide critical support for humanities teaching, preservation, public programming, and research, and result in positive impacts on every community in the country. Programs supported by the NEH teach essential skills and habits including reading, writing, critical thinking, and effective communication that are crucial for ensuring that each individual has the opportunity to learn and become a productive member of society. Further, NEH’s programs strengthen communities by promoting understanding of our common ideals, enduring civic values, and shared cultural heritage.
Click here to send a message today to urge your Representative to vote against these devastating cuts.
Please share this message with your friends.
The NEH desperately needs your help.

ICOMOS Statement on Crac des Chevaliers and the continuing destruction of the cultural heritage of Syria

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PRESS RELEASE: ICOMOS Statement on Crac des Chevaliers and the continuing destruction of the cultural heritage of Syria
ICOMOS, the International Council on Monuments and Sites, expresses its deep concern for the on-going destruction of cultural heritage in Syria, and stands with Syrian cultural heritage professionals for the protection of heritage places in the country.
The continuing conflict situation in Syria, which began in 2011, has led to an extensive humanitarian crisis and the destruction of many invaluable cultural heritage places, including World Heritage properties.
New media reports and video footage of the bombardment and damages to Crac des Chevaliers, one of Syria’s World Heritage properties, are of particular concern to ICOMOS.
Once again, by recalling the 1954 Hague Convention for the Protection of Cultural Property in the Event of Armed Conflict, to which the Syrian Arab Republic is a State Party, ICOMOS urges all parties to this armed conflict to respect and protect the cultural heritage. ICOMOS calls upon all parties to refrain from any use of cultural properties and their immediate surroundings for purposes, which are likely to expose cultural heritage sites to destruction or damage. The parties to this conflict should refrain from any act of hostility, directed against such places. ICOMOS insists on the demilitarization of all cultural heritage of Syria, including monuments and sites with outstanding universal value. ICOMOS further supports the decision of the World Heritage Committee suggesting that the Syrian Arab Republic consider ratifying the Second Protocol (1999) of 1954 Hague Convention.
Crac des Chevaliers and Qal’at Salah El-Din represent the most significant examples illustrating the exchange of influences and documenting the evolution of fortified architecture in the Near East during the time of the Crusades (11th – 13th centuries). Crac des Chevaliers, with further construction by the Mamluks in the 13th century, is among the best-preserved examples of the Crusader castles.
Unfortunately, this is not the first time during the current civil strife that the Syrian people and the international community are witnesses to the damages inflicted on the World Heritage properties of Syria. Many historic parts of the Ancient City of Aleppo, including its ancient markets (suks) and the Great Mosque, have suffered extensive damages, already since 2012.
The reports of illegal excavations in different archaeological sites, and reports of apparently planned and intentional destructions of symbolic monuments have also caused serious concerns.
Because of the continuing threats, all six Syrian World Heritage properties were inscribed on the List of World Heritage in Danger, at the 37th session of the World Heritage Committee, held in Cambodia last June:
Ancient City of Aleppo
Ancient City of Bosra
Ancient City of Damascus
Ancient Villages of Northern Syria
Crac des Chevaliers and Qal’at Salah El-Din
Site of Palmyra
The state of conservation of Syria’s cultural heritage during the on-going armed conflict is among the most urgent concerns for ICOMOS. It continues its efforts to support Syrian professionals and experts by delivering knowledge, providing technical consultancy, raising awareness, and building capacity.
ICOMOS, an Advisory Body of the World Heritage Committee and a founder organization of the Blue Shield, expresses its solidarity with Syrian cultural heritage organizations and professionals, and supports their appeal for the protection and recovery of cultural properties during and after the end of the current turmoil.
It places itself at the disposal of UNESCO for all actions undertaken to ensure the preservation of Syria’s six World Heritage properties currently listed as in danger.
Download the full statement (PDF – English/French)
Links:
Protection of Syria’s Cultural Heritage in Times of Armed Conflict: ICOMOS – ICCROM e-learning course for Syrian cultural heritage professionals
ICOMOS Statement on Aleppo, 27 July 2012
Blue Shield Statement on Syria
______________________________________________________________________________________________________
ICOMOS, the International Council on Monuments and Sites, is a unique, non-governmental, democratic, not for profit international organisation, committed to furthering the conservation, protection, use and enhancement of the world’s cultural heritage.
As an official advisory body to the World Heritage Committee for the implementation of the UNESCO World Heritage Convention, ICOMOS evaluates nominations and advises on the state of conservation of properties inscribed on the World Heritage List.
ICOMOS is one of the founding members of the Blue Shield network, working to protect the world’s cultural heritage threatened by armed conflict, natural and man-made disasters.
For more information see www.icomos.org

AIC's 41st Annual Meeting, Committee on Sustainable Conservation Practice, Sustainability Luncheon: Linking the Environment and Heritage Conservation 2013: Presentation, Tips and Discussion

The Sustainability luncheon consisted of two parts: a progress report about a Life Cycle Assessment (LCA) project that quantitatively evaluated the environmental impacts of three aspects of loans and exhibitions, and a breakout session where the participants brainstormed ideas that lessen the environmental effects disclosed by the LCAs.
 LCA is a tool that quantitatively defines the environmental and economic impact of the activities being examined.  These LCAs explored three aspects of loans and exhibitions including: energy use due to museum standards for relative humidity and temperature, materials and energy use related to loans and exhibitions, and the life cycle of halogens compared to LEDs.
The session introduction emphasized the connection between sustaining our environment and preserving our cultural heritage for future generations, focusing on the link between environmental and heritage conservation. The introduction outlined the collaboration between AIC, conservators, and other museum staff at the Museum of Fine Arts, Boston; and Dr. Mathew Eckelman and his Northeastern University environmental engineering students. The students’ findings were useful and provided a basis for future LCAs.
Breakout Session Challenge Questions and Discussion:
1. What means would you use to distribute/publicize LCA findings?
The importance of bringing the LCA results to all levels of the museum, especially the director, building manager, and board, was discussed. Cost-figures and a list of changes would show how these results can be implemented. The presentation of data is important. Dissemination through peer-to-peer avenues such as staff meetings, retreats, or breakout sessions such as this one may result in people wanting to be more sustainable, rather than feeling forced to do so. Information should be presented in an empowering way that supports personal responsibility.
A professor of conservation encouraged the inclusion of sustainability in the conservation curriculum, similar to the inclusion of conservation ethics. If it is practiced in the classroom, it may become second nature. This approach would preemptively address changing habits, since these students will begin their conservation careers with sustainability in mind and not have to be convinced about its value later.
A two-pronged approach was discussed that involved providing information to staff and outreach to visitors. Ideas about outreach included: distribution via social media sites, distlists, publications, webinars, allied professional groups such as American Association of Museums, and senior museum staff. The application for funding to implement sustainable changes could be advertised to the public and local media as a form of outreach.
2. How would you implement some of the LCA findings?
The implementation of HVAC findings needs to involve non-conservation staff in the pre-planning stages. Potential impacts to the collections should be thoroughly investigated and estimated ahead of time, before periodic shutdown or “coasting” of the system takes place. Regarding the adoption of LEDs, it might be better to wait until the technology improves and becomes more reliable and affordable since they will likely become the norm.
3. The loans and exhibitions identified couriers and plastic vitrines as the least sustainable aspects. Could you identify ways to reduce your institution’s carbon footprint from both? Would your institution accept this challenge?
While conservation as a profession has been a strong advocate for couriers, the role of couriers may need to be re-examined. Colleagues at the borrowing institution or from lending institutions contributing to the same exhibition could be identified to oversee the installation and de-installation of other institutions’ artifacts. There could be a crossover of conservators from different specialties (e.g., paper and textile conservators) to transport, install, and de-install objects similar to but outside their specialty. If items are being transported in sealed packages, it is possible that a courier is not needed. Staff from the borrowing institution or a locally-contracted stand-in could install/de-install the objects.
The possibility of cutting out the courier’s role altogether was raised. While this could work for some scenarios, it might be impossible in other instances for insurance purposes and for the occasional special needs of an artifact. The hiring of a local stand-in at the destination institution to courier the item from the shipper was discussed. Many participants were concerned about safety and security issues. Various questions arose regarding the role of the courier, stewardship responsibilities, and costs. What role does a courier actually play in the safety of an item as it is being shipped? Also, could the availability of equivalent services at the destination institution ascertained? What if there are no local conservators or other appropriate professionals who can perform the role?
Ideas about vitrines were first to re-use them when possible, and recycle when not possible.
For libraries and archives, mats and frames are often of standard sizes, making packing for a loan easier than for three-dimensional objects. Re-using a crate is easier if the materials packed into it will usually be the same shape and size.
4. What about your institution enables sustainability or holds it back?
New ideas, methodologies, and technologies must be thoroughly researched and followed-up upon. There are no “plug-in” fixes and administrators need to know this upfront to avoid unrealistic expectations. Quantitative presentations tend to be more effective. Engaging the expertise of a neutral third-party expert can sometimes be more persuasive than an internal presentation. New projects must be matched to administrative values. Intentions and presentations should be oriented to these as well.