{"id":11524,"date":"2014-10-08T11:17:55","date_gmt":"2014-10-08T16:17:55","guid":{"rendered":"http:\/\/www.conservators-converse.org\/?p=11524"},"modified":"2014-10-08T11:17:55","modified_gmt":"2014-10-08T16:17:55","slug":"job-posting-director-of-conservation-relations-michigan","status":"publish","type":"post","link":"https:\/\/resources.culturalheritage.org\/conservators-converse\/2014\/10\/08\/job-posting-director-of-conservation-relations-michigan\/","title":{"rendered":"Job Posting: Director of Conservation Relations (Michigan)"},"content":{"rendered":"<h2>Director, Conservation Relations<\/h2>\n<p><em>RHH201423<\/em><br \/>\n<strong><em>The Company<\/em><\/strong><br \/>\nAn integral part of the restoration industry since 1993, our client has established an enviable track record for immediate action and outstanding results.\u00a0 Their restoration capabilities are vast and their specialties are many; from residential &amp; commercial electronics, data recovery, complete factory rebuilds as well as art restoration.\u00a0 With steady and calculated growth, they have evolved into a world-class operation recognized as a national leader in recovery and restoration technology.\u00a0 Their national headquarters is located in a 140,000 sq. ft. state-of-the-art facility in Southeastern Michigan; they also have recovery facilities in several states east of the Mississippi.\u00a0 They currently employ 150+ people nationwide and are experiencing continued growth and geographic expansion.<br \/>\n&nbsp;<br \/>\n<strong><em>The Challenge<\/em><\/strong><br \/>\n&nbsp;<br \/>\nAs a senior manager within the organization, the Director of Conservation Relations will oversee the operation of the art restoration department.\u00a0 The Director of Conservation Relations is responsible for participating in institutional planning and setting and maintaining effective policies with respect to the care and treatment of art. The Director of Conservation Relations will lead the development of special initiatives within the art department, and will represent the organization to a broad range of external constituencies, including most notably; museums, art galleries and other professionals within the conservation profession. The Director of Conservation Relations will need to be a professional who is distinguished within the Art and Gallery communities, will have a substantial knowledge of conservation, and will be responsible for the administrative aspects and implementation of conservation activities in accordance with an ethical code such as the AIC Code of Ethics and Guidelines for Practice.<br \/>\n&nbsp;<\/p>\n<table width=\"666\">\n<tbody>\n<tr>\n<td width=\"240\">\n<ul>\n<li>Flawless Execution<\/li>\n<li>Customer Focused\/Driven<\/li>\n<\/ul>\n<p><strong>\u00a0<\/strong><\/td>\n<td width=\"240\">\n<ul>\n<li>Substantial Knowledge of Art Conservation<\/li>\n<li>Strong Strategic Thinking<\/li>\n<\/ul>\n<p>&nbsp;<\/td>\n<td width=\"240\">\n<ul>\n<li>Results Driven\/Action Oriented<\/li>\n<li>High Energy<\/li>\n<\/ul>\n<p>&nbsp;<br \/>\n&nbsp;<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<br \/>\n<strong><em>Job Definition\/Characteristics<\/em><\/strong><br \/>\n<strong><em>\u00a0<\/em><\/strong><\/p>\n<ul>\n<li>Experience within the mitigation of deterioration and damage to cultural property through the formulation and implementation of policies and procedures for the following: Appropriate environmental conditions. Handling and maintenance procedures for storage, packing, transport, and use.<\/li>\n<li>Develop and monitor the implementation of annual and multi-year work plans in accordance with the organization\u2019s strategic plan. Develop and manage operating, project and program budgets.<\/li>\n<li>The Director of Conservation Relations will create and manage the budget for the art restoration business unit.<\/li>\n<li>Will ensure that business line plans are aligned with the company-wide strategic plan.<\/li>\n<\/ul>\n<ul>\n<li>Ensure the physical art studio is managed in a manner that provides for the safety and proper care of art along with the safety of other employees.<\/li>\n<li>Manage art restoration staff; including providing opportunity for training, education and continued growth.<\/li>\n<\/ul>\n<ul>\n<li>Review and approve proposed treatments to ensure that they will be effective in successfully restoring the damaged art.<\/li>\n<\/ul>\n<ul>\n<li>Direct and monitor conservation treatments on objects in the company\u2019s possession.<\/li>\n<\/ul>\n<ul>\n<li>Plan and coordinate, as needed, the scientific analysis of works of art in the company\u2019s possession.<\/li>\n<\/ul>\n<ul>\n<li>Travel to meet with potential clients such as museums and galleries.<\/li>\n<\/ul>\n<ul>\n<li>Plan and monitor the preparation of documentation related to the analysis and treatment of works of art in the company\u2019s possession.<\/li>\n<\/ul>\n<ul>\n<li>Participate in the analysis and evaluation of art that has been damaged.<\/li>\n<\/ul>\n<ul>\n<li>Develop and monitor the adherence to protocols for the handling, movement, storage, and utilization of materials and equipment in a manner that will protect the health and ensure of the safety of the art restoration department staff.<\/li>\n<\/ul>\n<ul>\n<li>Develop and enforce proper restoration protocol that adheres to the professional guidelines of restoration.<\/li>\n<\/ul>\n<ul>\n<li>The Director of Conservation Relations will serve as the key representative to the conservation profession.<\/li>\n<li>The Director of Conservation Relations will serve as the external representative to those in art related fields, including but not limited to, galleries, museums, conservators and private clients.<\/li>\n<li>Educate insurance professionals on the process and importance of proper art restoration.<\/li>\n<\/ul>\n<ul>\n<li>Uphold professional standards and guidelines of practice of the field while always acting in a manner that is consistent with the best interest of the company and will protect and enhance its reputation and standing within the community of galleries and museums. Uphold professional standards of the field and act in a manner that is consistent with the best interest of the client. Will protect and enhance the company\u2019s reputation and standing within the restoration and art communities.<\/li>\n<\/ul>\n<p>&nbsp;<br \/>\n<strong><em>The Requirements<\/em><\/strong><br \/>\n<strong><em>\u00a0<\/em><\/strong><\/p>\n<ul>\n<li>Bachelor\u2019s Degree in Fine Arts, Art History, Archaeology or Cultural Anthropology.<\/li>\n<li>A Master\u2019s Degree in Art Conservation, Art History or Archaeology is preferred.<\/li>\n<li>Working knowledge in chemistry \/ art materials as it relates to art restoration.<\/li>\n<li>Proven ability to manage a fast paced and entrepreneurial environment.<\/li>\n<li>Very detail oriented with strong leadership and project management skills.<\/li>\n<li>Demonstrated analytical, written communication and organizational skills.<\/li>\n<li>Proven creative problem solving skills with a drive to create \u201csolutions\u201d.<\/li>\n<li>Strongly demonstrated leadership and communication skills involving employees, customers, peers and suppliers.<\/li>\n<li>Highly focused, organized, analytical thinker who initiates as opposed to reacts.<\/li>\n<li>Demonstrated degree of passion and energy with laser focus on execution and results.<\/li>\n<li>Proven \u201ctake-charge\u201d record of accomplishment.<\/li>\n<li>An open, honest and respectful communication style tailored to the audience.\u00a0 Must be comfortable speaking in public, in formal and informal settings.<\/li>\n<li>Displays stamina, energy and is committed to personal growth and development for self and others.<\/li>\n<\/ul>\n<p>&nbsp;<br \/>\n&nbsp;<br \/>\n&nbsp;<br \/>\n<em>If you know of anyone who has these qualifications<\/em><br \/>\n<em>and is looking for a challenging career, please contact us:<\/em><\/p>\n<h1><\/h1>\n<table>\n<tbody>\n<tr>\n<td width=\"168\">\n<h1>Eric Hohauser<\/h1>\n<p><em>Consultant<\/em><\/td>\n<td width=\"150\">\n<h1>Ashley Picklo<\/h1>\n<p><em>Candidate Developer<\/em><\/td>\n<td width=\"174\">\n<h1>Todd Hohauser<\/h1>\n<p><em>Consultant<\/em><\/td>\n<\/tr>\n<tr>\n<td width=\"168\">\n<h1>Harvey Hohauser, PhD<\/h1>\n<p><em>Consultant<\/em><\/td>\n<td width=\"150\"><\/td>\n<td width=\"174\">\n<h1>William Weatherston<\/h1>\n<p><em>Consultant<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h3><strong>All Inquiries Should Be Sent Via Email<\/strong><\/h3>\n<h4>Email: Information@Hohauser.com<\/h4>\n","protected":false},"excerpt":{"rendered":"<p>Director, Conservation Relations RHH201423 The Company An integral part of the restoration industry since 1993, our client has established an enviable track record for immediate action and outstanding results.\u00a0 Their restoration capabilities are vast and their specialties are many; from residential &amp; commercial electronics, data recovery, complete factory rebuilds as well as art restoration.\u00a0 With &hellip; <a href=\"https:\/\/resources.culturalheritage.org\/conservators-converse\/2014\/10\/08\/job-posting-director-of-conservation-relations-michigan\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Job Posting: Director of Conservation Relations (Michigan)&#8221;<\/span><\/a><\/p>\n","protected":false},"author":234,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[12],"tags":[],"class_list":["post-11524","post","type-post","status-publish","format-standard","hentry","category-jobs"],"_links":{"self":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/posts\/11524","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/users\/234"}],"replies":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/comments?post=11524"}],"version-history":[{"count":0,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/posts\/11524\/revisions"}],"wp:attachment":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/media?parent=11524"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/categories?post=11524"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/tags?post=11524"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}