{"id":11592,"date":"2014-10-15T13:38:51","date_gmt":"2014-10-15T18:38:51","guid":{"rendered":"http:\/\/www.conservators-converse.org\/?p=11592"},"modified":"2014-10-15T13:38:51","modified_gmt":"2014-10-15T18:38:51","slug":"interventions-journal-seeks-submissions","status":"publish","type":"post","link":"https:\/\/resources.culturalheritage.org\/conservators-converse\/2014\/10\/15\/interventions-journal-seeks-submissions\/","title":{"rendered":"Interventions Journal seeks submissions"},"content":{"rendered":"<p><strong><em><a href=\"http:\/\/www.conservators-converse.org\/wp-content\/uploads\/2014\/10\/intervention-final.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-11570 size-medium\" src=\"http:\/\/www.conservators-converse.org\/wp-content\/uploads\/2014\/10\/intervention-final-300x53.jpg\" alt=\"intervention final\" width=\"300\" height=\"53\" \/><\/a>Call Extended \u2013 Submissions due October 24, 2014<\/em><\/strong><br \/>\nFall 2014 CALL FOR CONTENT Interventions Volume 4, Issue 1<br \/>\n<strong>Object Lesson: Conservation and Art History<\/strong><br \/>\nInterventions is the online journal of Columbia University\u2019s graduate program in Modern Art: Critical and Curatorial Studies. They\u00a0are seeking content for our next issue, focusing on relationships between <strong>art conservation<\/strong> and art historical, curatorial, and artistic practices. Submissions can be in the form of artist projects or essays. Potential topics include (but are not limited to):<\/p>\n<ul>\n<li>\u00a0Works that are open-ended, unfinished, in process, or require replenishment<\/li>\n<li>o\u00a0\u00a0 Use of organic materials<\/li>\n<li>o\u00a0\u00a0 Web-based works of art<\/li>\n<li>Works that are no longer extant<\/li>\n<li>o\u00a0\u00a0 Installations dismantled and\/or dispersed into fragments<\/li>\n<li>o\u00a0\u00a0 Performances, actions, and events<\/li>\n<li>Works recycled or re-purposed into new works of art<\/li>\n<li>Use of untested or volatile materials and processes<\/li>\n<li>Exhibiting \u201crelics,\u201d ephemera, or documentation in lieu of works of art<\/li>\n<li>Exhibiting copies, replicas, or facsimiles<\/li>\n<li>Works of art that thematize physical\/material change<\/li>\n<li>Conservation of time-based media<\/li>\n<li>o\u00a0\u00a0 Discontinued technologies needed to display or play back encoded media<\/li>\n<li>Architectural preservation<\/li>\n<li>Technical art history<\/li>\n<li>Collaborations between conservators and artists<\/li>\n<li>Collaborations between conservators and curators<\/li>\n<\/ul>\n<p>They encourage submissions that approach this topic across artistic, critical, and curatorial frameworks. For this issue, they\u00a0are specifically inviting submissions from conservators of modern and contemporary art and architecture. To submit content, please email an abstract of approximately 300 words, as well as a bio of no more than 100 words, to\u00a0<a href=\"mailto:moda.interventions@gmail.com\"><strong>moda.interventions@gmail.com<\/strong><\/a><strong>\u00a0<\/strong>by\u00a0<strong>Friday, October 24, 2014.<\/strong>\u00a0Submissions will be reviewed and those whose proposals have been selected will be notified by <strong>October 31, 2014<\/strong>. Full texts must not exceed 4,000 words and should follow Chicago Style. Images should be 400 x 600 pixels, 72 dpi, and saved as a .jpg or .gif. Contributors are responsible for copyediting their texts prior to final submission and for attaining rights to all images provided for publication.<br \/>\nInterventions Journal\u00a0is a curatorial platform\u00a0featuring essays, interviews, web-based art\u00a0projects, and experimental investigations of the\u00a0implicit cross-sections between these practices.\u00a0Flexible in format, the project aims to\u00a0cultivate dialogue amongst a diverse body of\u00a0participants including curators, artists, and\u00a0art and architectural historians in order to\u00a0establish a common space and archive of\u00a0exchange.<br \/>\nLaunched in 2011 within Columbia University\u2019s graduate program in Modern Art: Critical &amp; Curatorial Studies (MODA) by Ceren Erdem, Jaime Schwartz, and Lisa Hayes Williams,\u00a0Interventions\u00a0is currently edited by B\u00e9atrice Grenier, Anna Linehan, and Amber Moyles.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Call Extended \u2013 Submissions due October 24, 2014 Fall 2014 CALL FOR CONTENT Interventions Volume 4, Issue 1 Object Lesson: Conservation and Art History Interventions is the online journal of Columbia University\u2019s graduate program in Modern Art: Critical and Curatorial Studies. They\u00a0are seeking content for our next issue, focusing on relationships between art conservation and &hellip; <a href=\"https:\/\/resources.culturalheritage.org\/conservators-converse\/2014\/10\/15\/interventions-journal-seeks-submissions\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Interventions Journal seeks submissions&#8221;<\/span><\/a><\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[24,14],"tags":[207],"class_list":["post-11592","post","type-post","status-publish","format-standard","hentry","category-calls-for-papers","category-publications","tag-call-for-papers-2"],"_links":{"self":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/posts\/11592","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/comments?post=11592"}],"version-history":[{"count":0,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/posts\/11592\/revisions"}],"wp:attachment":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/media?parent=11592"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/categories?post=11592"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/tags?post=11592"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}