{"id":12235,"date":"2015-05-06T08:05:05","date_gmt":"2015-05-06T13:05:05","guid":{"rendered":"http:\/\/www.conservators-converse.org\/?p=12235"},"modified":"2015-05-06T08:05:05","modified_gmt":"2015-05-06T13:05:05","slug":"a-team-of-craftsmen-or-the-ravages-of-time","status":"publish","type":"post","link":"https:\/\/resources.culturalheritage.org\/conservators-converse\/2015\/05\/06\/a-team-of-craftsmen-or-the-ravages-of-time\/","title":{"rendered":"A team of craftsmen or the ravages of time"},"content":{"rendered":"<p>In the May 3, 2015 issue the The New York Times\u2019 T Magazine, Jessica Dawson wrote about \u201cFilthy Lucre\u201d, Darren Waterston\u2019s take on James McNeill Whistler\u2019s \u201cPeacock Room\u201d which will soon be exhibited in the Freer and Sackler Galleries along with Whistler\u2019s room.\u00a0 According to Dawson, \u201cWhere Whistler produced unabashed luxury, Waterston has made melancholic decay: In his version, paintings molder, pigments puddle and shelves splinter.\u201d\u00a0 She noted that it took Waterston and a team of craftsmen eight months to produce this \u201cdecay\u201d. How long would it have taken the ravages of time to create similar looking\u00a0but real decay?<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In the May 3, 2015 issue the The New York Times\u2019 T Magazine, Jessica Dawson wrote about \u201cFilthy Lucre\u201d, Darren Waterston\u2019s take on James McNeill Whistler\u2019s \u201cPeacock Room\u201d which will soon be exhibited in the Freer and Sackler Galleries along with Whistler\u2019s room.\u00a0 According to Dawson, \u201cWhere Whistler produced unabashed luxury, Waterston has made melancholic &hellip; <a href=\"https:\/\/resources.culturalheritage.org\/conservators-converse\/2015\/05\/06\/a-team-of-craftsmen-or-the-ravages-of-time\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;A team of craftsmen or the ravages of time&#8221;<\/span><\/a><\/p>\n","protected":false},"author":70,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-12235","post","type-post","status-publish","format-standard","hentry","category-in-the-news"],"_links":{"self":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/posts\/12235","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/users\/70"}],"replies":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/comments?post=12235"}],"version-history":[{"count":0,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/posts\/12235\/revisions"}],"wp:attachment":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/media?parent=12235"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/categories?post=12235"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/tags?post=12235"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}