{"id":12345,"date":"2015-05-20T07:52:21","date_gmt":"2015-05-20T12:52:21","guid":{"rendered":"http:\/\/www.conservators-converse.org\/?p=12345"},"modified":"2015-05-20T07:52:21","modified_gmt":"2015-05-20T12:52:21","slug":"in-this-case-the-names-of-some-of-the-technical-people-will-be-known","status":"publish","type":"post","link":"https:\/\/resources.culturalheritage.org\/conservators-converse\/2015\/05\/20\/in-this-case-the-names-of-some-of-the-technical-people-will-be-known\/","title":{"rendered":"In this case, the names of some of the technical people will be known"},"content":{"rendered":"<p>Conservators, preparators, and installers usually work anonymously. Museum wall panels and catalogues seldom mention the names of the people whose work made the displays possible. Therefore, it was good\u00a0to read in \u00a0The New York Times article about the installation of Picasso\u2019s \u201cLe Tricorne\u201d stage curtain in the New York Historical Society building (\u201cPicasso\u2019s Stage Curtain Is Unfurled At New Home in a Precise Operation\u201d, by Annie Correal, May 18, 2015), that \u00a0lead installer Tom Zoufaly and the rest of the crew signed their names to the wooden slat that holds the curtain to the wall alongside the signature of\u00a0James Lebron \u2014the man who installed the curtain in its former home at the Four Seasons Restaurant in 1959.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Conservators, preparators, and installers usually work anonymously. Museum wall panels and catalogues seldom mention the names of the people whose work made the displays possible. Therefore, it was good\u00a0to read in \u00a0The New York Times article about the installation of Picasso\u2019s \u201cLe Tricorne\u201d stage curtain in the New York Historical Society building (\u201cPicasso\u2019s Stage Curtain &hellip; <a href=\"https:\/\/resources.culturalheritage.org\/conservators-converse\/2015\/05\/20\/in-this-case-the-names-of-some-of-the-technical-people-will-be-known\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;In this case, the names of some of the technical people will be known&#8221;<\/span><\/a><\/p>\n","protected":false},"author":70,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-12345","post","type-post","status-publish","format-standard","hentry","category-in-the-news"],"_links":{"self":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/posts\/12345","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/users\/70"}],"replies":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/comments?post=12345"}],"version-history":[{"count":0,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/posts\/12345\/revisions"}],"wp:attachment":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/media?parent=12345"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/categories?post=12345"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/tags?post=12345"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}