{"id":1365,"date":"2011-07-12T19:47:03","date_gmt":"2011-07-12T19:47:03","guid":{"rendered":"http:\/\/www.conservators-converse.org\/?p=1365"},"modified":"2011-07-12T19:47:03","modified_gmt":"2011-07-12T19:47:03","slug":"perfectly-damaged-works-of-art","status":"publish","type":"post","link":"https:\/\/resources.culturalheritage.org\/conservators-converse\/2011\/07\/12\/perfectly-damaged-works-of-art\/","title":{"rendered":"Perfectly Damaged Works of Art"},"content":{"rendered":"<p>The summer exhibit at the Derek Eller Gallery (605 West 27th Street, NYC) is a show entitled &#8220;Perfectly Damaged&#8221; <a href=\"http:\/\/www.derekeller.com\/images\/works\/2011perfectlydamaged\/2011perfectlydamaged.html\"> which features works of art &#8220;born from the collision of creation and decreation&#8221;. To quote further from the gallery&#8217;s press release, they have been &#8220;stretched, stained, torn, kicked, dragged, cut, burnt, metled, sprayed, shot, and tossed in a blender&#8221;. As conservators we might wonder what (if anything) this celebration of present damage will mean in the future when these works come to require conservation due to unintended damage. <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The summer exhibit at the Derek Eller Gallery (605 West 27th Street, NYC) is a show entitled &#8220;Perfectly Damaged&#8221; which features works of art &#8220;born from the collision of creation and decreation&#8221;. To quote further from the gallery&#8217;s press release, they have been &#8220;stretched, stained, torn, kicked, dragged, cut, burnt, metled, sprayed, shot, and tossed &hellip; <a href=\"https:\/\/resources.culturalheritage.org\/conservators-converse\/2011\/07\/12\/perfectly-damaged-works-of-art\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Perfectly Damaged Works of Art&#8221;<\/span><\/a><\/p>\n","protected":false},"author":70,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[7],"tags":[],"class_list":["post-1365","post","type-post","status-publish","format-standard","hentry","category-in-the-news"],"_links":{"self":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/posts\/1365","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/users\/70"}],"replies":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/comments?post=1365"}],"version-history":[{"count":0,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/posts\/1365\/revisions"}],"wp:attachment":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/media?parent=1365"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/categories?post=1365"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/tags?post=1365"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}