{"id":13907,"date":"2016-02-03T13:41:50","date_gmt":"2016-02-03T18:41:50","guid":{"rendered":"http:\/\/www.conservators-converse.org\/?p=13907"},"modified":"2016-02-03T13:41:50","modified_gmt":"2016-02-03T18:41:50","slug":"call-me-cynical","status":"publish","type":"post","link":"https:\/\/resources.culturalheritage.org\/conservators-converse\/2016\/02\/03\/call-me-cynical\/","title":{"rendered":"Call me cynical"},"content":{"rendered":"<p>In the February 2, 2016 issue of The New York Times (\u201cUpon Closer Review, Credit Goes to Bosch\u201d), Nina Siegel writes about the exciting news that, after a careful study of its under layers by the Bosch Research and Conservation Project&#8211; using infrared photography and reflectography&#8211; a small 16<sup>th<\/sup> century oil on panel \u201cTemptation of St. Anthony\u201d owned by the Nelson-Atkins Museum of Art in Kansas City, MO has been attributed to Hieronymous Bosch. \u00a0Julian Zugazagoitia, the museum\u2019s Director and Chief Executive Officer, is quoted as saying, \u201cIt\u2019s the same painting, and all of a sudden you see it with more affection.\u201d Call me cynical, but could it be the extra value that is making the painting more lovable?<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In the February 2, 2016 issue of The New York Times (\u201cUpon Closer Review, Credit Goes to Bosch\u201d), Nina Siegel writes about the exciting news that, after a careful study of its under layers by the Bosch Research and Conservation Project&#8211; using infrared photography and reflectography&#8211; a small 16th century oil on panel \u201cTemptation of &hellip; <a href=\"https:\/\/resources.culturalheritage.org\/conservators-converse\/2016\/02\/03\/call-me-cynical\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Call me cynical&#8221;<\/span><\/a><\/p>\n","protected":false},"author":70,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-13907","post","type-post","status-publish","format-standard","hentry","category-in-the-news"],"_links":{"self":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/posts\/13907","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/users\/70"}],"replies":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/comments?post=13907"}],"version-history":[{"count":0,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/posts\/13907\/revisions"}],"wp:attachment":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/media?parent=13907"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/categories?post=13907"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/tags?post=13907"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}