{"id":14969,"date":"2016-06-13T08:15:25","date_gmt":"2016-06-13T13:15:25","guid":{"rendered":"http:\/\/www.conservators-converse.org\/?p=14969"},"modified":"2016-06-13T08:15:25","modified_gmt":"2016-06-13T13:15:25","slug":"job-posting-associate-objects-conservator-museum-of-fine-arts-boston-ma","status":"publish","type":"post","link":"https:\/\/resources.culturalheritage.org\/conservators-converse\/2016\/06\/13\/job-posting-associate-objects-conservator-museum-of-fine-arts-boston-ma\/","title":{"rendered":"Job Posting: Associate Objects Conservator &#8211; Museum of Fine Arts (Boston, MA)"},"content":{"rendered":"<p><strong>Associate Objects Conservator &#8211;\u00a0<\/strong><em>Museum of Fine Arts, Boston<\/em><br \/>\n<em>The Museum of Fine Arts, Boston, is an encyclopedic collection comprising more than 450,000 objects. Founded in 1870, the Museum\u2019s collections include ancient archaeological materials, American and European sculpture and decorative arts, African, Oceanic and Asian objects and sculpture, as well as contemporary works.<\/em><em>\u00a0<\/em><br \/>\n<em>Conservation and Collections Management is an integral part of the Museum\u2019s stated purpose to hold its collections in trust for future generations. Members of the department promote the long-term preservation of artworks through development of conservation treatments, study of materials and techniques, scholarly research and documentation. The department follows internationally established standards to document and maintain the aesthetic and physical integrity of works of art through six conservation disciplines, an analytical facility, and a collections management division responsible for safe exhibition, storage, transport, as well as the collections database.<\/em><em>\u00a0<\/em><br \/>\n<em>Founded in 1929, the Objects Conservation Laboratory upholds a long and distinguished tradition of excellence in the examination, treatment, and preservation of cultural heritage, supported by a full range of scientific resources.<\/em><br \/>\nThe Museum of Fine Arts, Boston seeks to fill a full-time <strong>Associate Objects Conservator<\/strong> position beginning in the summer of 2016. The position may be renewed annually through current term end date of April\u00a02019.<br \/>\nUnder the direction of the Head of Objects Conservation or the Conservator, the Associate Conservator will be responsible for the conservation of works to be exhibited at the Museum\u2019s sister museum, the Nagoya\/Boston Museum of Fine Arts (N\/BMFA), as well as objects to be loaned to other exhibition\u00a0partners.<br \/>\nEssential\u00a0Functions:<\/p>\n<ul>\n<li>Survey artworks from all areas of the Museum\u2019s encyclopedic collection to make recommendations relating to travel and\u00a0exhibition.<\/li>\n<li>Create budgets, schedule conservation treatments, and determine requirements for packing, installation, casework, and\u00a0mountmaking.<\/li>\n<li>Carry out treatments and perform all work in accordance with the Code of Ethics and Guidelines for Practice of the American Institute for Conservation of Historic and Artistic Works\u00a0(AIC).<\/li>\n<li>Fully document all work in writing and through photography, in accordance with AIC Code of Ethics and Guidelines for Practice and following departmental standards in MFA\u2019s collections database\u00a0system.<\/li>\n<li>Work closely with curatorial and other staff at the MFA, N\/BMFA, and other venues to plan\u00a0installations.<\/li>\n<li>Significant travel as a courier is\u00a0expected.<\/li>\n<li>Supervise other staff as\u00a0directed.<\/li>\n<li>Carry out research in support of treatments as\u00a0needed.<\/li>\n<li>Perform additional tasks in support of conservation activities in the Objects Lab as\u00a0needed.<\/li>\n<\/ul>\n<p>Qualifications:<\/p>\n<ul>\n<li>Applicants must have a Master\u2019s degree from a recognized conservation training program, or equivalent\u00a0experience.<\/li>\n<li>A minimum of seven years of post-training experience is\u00a0required.<\/li>\n<li>Familiarity with the treatment of a wide variety of materials is strongly\u00a0preferred.<\/li>\n<li>Excellent interpersonal\u00a0skills.<\/li>\n<li>Experience with digital photography, Adobe Photoshop, Microsoft Word, Microsoft\u00a0Excel.<\/li>\n<\/ul>\n<p>Application materials must be received by\u00a0<strong>July 8, 2016<\/strong>. For consideration, please submit your letter of interest, r\u00e9sum\u00e9, and two letters of recommendation to: <a href=\"mailto:resumes@mfa.org\">resumes@mfa.org<\/a>. You may also submit your materials via postal mail to: Human Resources Department, Museum of Fine Arts, Boston, 465 Huntington Avenue, Boston, MA 02115. Confirmation of receipt of complete applications will be sent via\u00a0e-mail.<br \/>\nThe Museum of Fine Arts, Boston is an Equal Opportunity Employer and seeks diversity in its workforce.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Associate Objects Conservator &#8211;\u00a0Museum of Fine Arts, Boston The Museum of Fine Arts, Boston, is an encyclopedic collection comprising more than 450,000 objects. Founded in 1870, the Museum\u2019s collections include ancient archaeological materials, American and European sculpture and decorative arts, African, Oceanic and Asian objects and sculpture, as well as contemporary works.\u00a0 Conservation and Collections &hellip; <a href=\"https:\/\/resources.culturalheritage.org\/conservators-converse\/2016\/06\/13\/job-posting-associate-objects-conservator-museum-of-fine-arts-boston-ma\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Job Posting: Associate Objects Conservator &#8211; Museum of Fine Arts (Boston, MA)&#8221;<\/span><\/a><\/p>\n","protected":false},"author":234,"featured_media":13684,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[],"class_list":["post-14969","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-jobs"],"_links":{"self":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/posts\/14969","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/users\/234"}],"replies":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/comments?post=14969"}],"version-history":[{"count":0,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/posts\/14969\/revisions"}],"wp:attachment":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/media?parent=14969"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/categories?post=14969"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/tags?post=14969"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}