{"id":15424,"date":"2016-08-30T07:05:27","date_gmt":"2016-08-30T12:05:27","guid":{"rendered":"http:\/\/www.conservators-converse.org\/?p=15424"},"modified":"2016-08-30T07:05:27","modified_gmt":"2016-08-30T12:05:27","slug":"i-shouldnt-be-annoyed-by-it-but-i-am","status":"publish","type":"post","link":"https:\/\/resources.culturalheritage.org\/conservators-converse\/2016\/08\/30\/i-shouldnt-be-annoyed-by-it-but-i-am\/","title":{"rendered":"I shouldn\u2019t be annoyed by it, but I am"},"content":{"rendered":"<p>Every other week, the weekend edition of The Wall Street Journal contains a column by Amanda Foreman titled \u201cHistorically Speaking\u201d in which she writes on history, culture, and world affairs. This past weekend (August 27-28, 2016), the column, \u201cWhen Works of Art Come Apart\u201d, focused on the vulnerability of works of art to a number of things, primarily inherent vice. Foreman details the problems of specific works from Leonardo\u2019s Last Supper to Damien Hirst\u2019s \u201cThe Physical Impossibility of Death in the Mind of Someone Living\u201d (his preserved shark). This is good and informative. The last line of the piece, \u201cThere\u2019s a moral in all this, somewhere\u201d&#8211;almost a throwaway&#8212; seems to belittle all that came before it. I shouldn\u2019t be annoyed by it, but I am.      <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Every other week, the weekend edition of The Wall Street Journal contains a column by Amanda Foreman titled \u201cHistorically Speaking\u201d in which she writes on history, culture, and world affairs. This past weekend (August 27-28, 2016), the column, \u201cWhen Works of Art Come Apart\u201d, focused on the vulnerability of works of art to a number &hellip; <a href=\"https:\/\/resources.culturalheritage.org\/conservators-converse\/2016\/08\/30\/i-shouldnt-be-annoyed-by-it-but-i-am\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;I shouldn\u2019t be annoyed by it, but I am&#8221;<\/span><\/a><\/p>\n","protected":false},"author":70,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-15424","post","type-post","status-publish","format-standard","hentry","category-in-the-news"],"_links":{"self":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/posts\/15424","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/users\/70"}],"replies":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/comments?post=15424"}],"version-history":[{"count":0,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/posts\/15424\/revisions"}],"wp:attachment":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/media?parent=15424"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/categories?post=15424"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/tags?post=15424"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}