\nFebruary 22-24, 2017
\nBurning Bones Press and Museum of Fine Arts, Houston
\n**Open to conservators and museum professionals**<\/p>\n
Lithography is a complex, chemical printmaking process that requires first-hand experience to fully grasp the technique and potential artistic applications. Conservators and museum professionals are often responsible for the technical identification of prints without having hands-on printmaking experience themselves. This workshop introduces participants to various lithographic processes and techniques commonly utilized by artists and studios, both historically and up to this day.<\/p>\n
The workshop consists primarily of hands-on printing activities at Burning Bones Press but will also include lectures, group discussions and examination of prints in the Museum of Fine Arts, Houston (MFAH) collection. A comprehensive resource binder will be assembled by the participants throughout the workshop from a combination of lecture slides, notes, printing materials (plates and prints), and other useful references. This will allow participants to walk away with a strong understanding of the technique and have invaluable resources at their fingertips.<\/p>\n
This three-day intensive workshop is geared towards both emerging and established conservation and curatorial professionals, especially those who work regularly with lithographic prints.<\/p>\n
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With financial support from the Foundation of the American Institute for Conservation of Historic and Artistic Works February 22-24, 2017 Burning Bones Press and Museum of Fine Arts, Houston **Open to conservators and museum professionals** Lithography is a complex, chemical printmaking process that requires first-hand experience to fully grasp the technique and potential artistic applications. Conservators and museum professionals are often responsible for the technical identification of prints without having hands-on … Continue reading “Workshop: Lithography for Conservators and Museum Professionals: Hands-On Stone and Plate Lithography , Houston, TX”<\/span><\/a><\/p>\n","protected":false},"author":302,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[23,5,1],"tags":[],"class_list":["post-16193","post","type-post","status-publish","format-standard","hentry","category-book-and-paper","category-ccs","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/posts\/16193","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/users\/302"}],"replies":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/comments?post=16193"}],"version-history":[{"count":0,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/posts\/16193\/revisions"}],"wp:attachment":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/media?parent=16193"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/categories?post=16193"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/tags?post=16193"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nFollow the link for more details and registration:
\nhttp:\/\/www.burningbonespress.com\/lithography-for-conservators-and-museum-professionals-hands-on-stone-and-plate-lithography\/<\/a>
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\n <\/p>\n","protected":false},"excerpt":{"rendered":"