{"id":17830,"date":"2017-10-19T15:38:43","date_gmt":"2017-10-19T20:38:43","guid":{"rendered":"http:\/\/www.conservators-converse.org\/?p=17830"},"modified":"2017-10-19T15:38:43","modified_gmt":"2017-10-19T20:38:43","slug":"ecpn-fall-webinar-announcement-showcasing-your-work-preparing-and-maintaining-a-conservation-portfolio","status":"publish","type":"post","link":"https:\/\/resources.culturalheritage.org\/conservators-converse\/2017\/10\/19\/ecpn-fall-webinar-announcement-showcasing-your-work-preparing-and-maintaining-a-conservation-portfolio\/","title":{"rendered":"ECPN Fall Webinar Announcement &#8211; Showcasing Your Work: Preparing and Maintaining a Conservation Portfolio"},"content":{"rendered":"<p>The Emerging Conservation Professionals Network\u00a0(ECPN) is pleased to announce our upcoming webinar, <strong><em>&#8220;Showcasing Your Work: Preparing and Maintaining a Conservation Portfolio<\/em><\/strong><strong><em>,\u201d<\/em><\/strong>\u00a0taking place on\u00a0<strong>Tuesday, November 14<sup>th<\/sup> from 12:30-1:30 pm EST. <\/strong><\/p>\n<p>A well-conceived and eye-catching portfolio can be crucial for emerging conservation professionals to progress in the field. But when is a\u00a0digital\u00a0portfolio appropriate\u00a0versus a hard-copy portfolio? What are the advantages and disadvantages of each? How should your portfolio evolve as you progress in your career?\u00a0This\u00a0Webinar will cover the\u00a0creation and\u00a0use of digital and hard-copy portfolios in\u00a0various scenarios and early-career stages, from pre-program candidate to graduate student and post-graduate.<\/p>\n<p>ECPN has invited two speakers to provide different perspectives on this topic. Susan Heald, Textile Conservator at the National Museum of the American Indian, will discuss her experience reviewing portfolios as part of internship and fellowship applications. Gwen Manthey, a paintings conservator who has worked in both private practice and museums, will\u00a0speak about digital portfolios, including the\u00a0practicalities of compiling and maintaining one.<\/p>\n<p>ECPN is seeking submissions for the Q&amp;A session following the speakers\u2019 presentations.\u00a0To submit your questions in advance, please post in the comments section below\u00a0or send them via email to <a href=\"mailto:ecpn.webinar@conservation-us.org\">ecpn.webinar@conservation-us.org<\/a>. Questions will be accepted until the morning of the webinar, or can be submitted during the presentations via the GoToWebinar platform.<\/p>\n<p>Attendance is\u00a0<strong>free\u00a0<\/strong>and\u00a0<strong>open to all AIC members<\/strong>. Please\u00a0register <a href=\"https:\/\/attendee.gotowebinar.com\/register\/5786128650280787971\">here<\/a>\u00a0to watch the webinar.\u00a0If you are unable to view the program on\u00a0November 14, or are not a member of AIC, the full video will be recorded and uploaded onto the\u00a0<a href=\"https:\/\/www.youtube.com\/user\/aiconservation\">AIC YouTube Channel<\/a> following the broadcast.<\/p>\n<p>&nbsp;<\/p>\n<p>Please see below to learn more about our speakers:<\/p>\n<p>SUSAN\u00a0HEALD has been the National Museum of the American Indian\u2019s textile conservator since 1994, where she has supervised many pre-program interns and post-graduate fellows. Prior to NMAI, she served as the Minnesota Historical Society\u2019s textile conservator, and was a Smithsonian Conservation Analytical Lab postgraduate fellow. She holds an MS in Art Conservation (textile major\/objects minor) from the University of Delaware\/Winterthur Museum, and a BA in Chemistry and Anthropology from the George Washington University.\u00a0She served as chair and vice-chair for the AIC Textile Specialty Group (1997-98), and as a board member for the North American Textile Conservation Conference (2004-09).<\/p>\n<p>GWEN MANTHEY is the newly-appointed Contract Interim Paintings Conservator at the Smithsonian American Art Museum and maintains a private practice outside of Philadelphia. Prior positions include Assistant Paintings Conservator at the Museum of Fine Arts (Boston, MA), National Endowment for the Humanities Fellow at the Chrysler Museum of Art (Norfolk, VA), and the Wyeth Fellow for American Art at the Walters Art Museum (Baltimore, MD). A graduate of the Winterthur\/University of Delaware Program in Art Conservation (B.A.S, M.S., C.A.S.), she is serving as Program Chair for the Philadelphia Area Conservation Association and a mentor for ECPN-HBCU Mentor-Pilot Program.<\/p>\n<p>&nbsp;<\/p>\n<p>&#8212; Posted on behalf of ECPN Webinar Coordinator Jen Munch (<a href=\"mailto:ecpn.webinar@conservation-us.org\">ecpn.webinar@conservation-us.org<\/a>).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Emerging Conservation Professionals Network\u00a0(ECPN) is pleased to announce our upcoming webinar, &#8220;Showcasing Your Work: Preparing and Maintaining a Conservation Portfolio,\u201d\u00a0taking place on\u00a0Tuesday, November 14th from 12:30-1:30 pm EST. A well-conceived and eye-catching portfolio can be crucial for emerging conservation professionals to progress in the field. But when is a\u00a0digital\u00a0portfolio appropriate\u00a0versus a hard-copy portfolio? What &hellip; <a href=\"https:\/\/resources.culturalheritage.org\/conservators-converse\/2017\/10\/19\/ecpn-fall-webinar-announcement-showcasing-your-work-preparing-and-maintaining-a-conservation-portfolio\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;ECPN Fall Webinar Announcement &#8211; Showcasing Your Work: Preparing and Maintaining a Conservation Portfolio&#8221;<\/span><\/a><\/p>\n","protected":false},"author":298,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[29],"tags":[282,291,378,394,828,1068],"class_list":["post-17830","post","type-post","status-publish","format-standard","hentry","category-ecpn","tag-conservation-education","tag-conservation-portfolio","tag-ecpn-2","tag-emerging-conservation-professionals-network","tag-professional-development","tag-webinar"],"_links":{"self":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/posts\/17830","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/users\/298"}],"replies":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/comments?post=17830"}],"version-history":[{"count":0,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/posts\/17830\/revisions"}],"wp:attachment":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/media?parent=17830"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/categories?post=17830"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/tags?post=17830"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}