{"id":18168,"date":"2018-01-14T21:36:58","date_gmt":"2018-01-15T02:36:58","guid":{"rendered":"http:\/\/www.conservators-converse.org\/?p=18168"},"modified":"2018-01-14T21:36:58","modified_gmt":"2018-01-15T02:36:58","slug":"another-lost-opportunity-to-bring-the-conservators-work-to-the-publics-attention","status":"publish","type":"post","link":"https:\/\/resources.culturalheritage.org\/conservators-converse\/2018\/01\/14\/another-lost-opportunity-to-bring-the-conservators-work-to-the-publics-attention\/","title":{"rendered":"Another lost opportunity to bring the conservator\u2019s work to the public\u2019s attention"},"content":{"rendered":"<p>In the January 14, 2018 issue of The New York Times there is an article by Elisabetta Povoledo about a report by the Italian art expert Isabella Quattrocchi which claims that almost a third of the works in a 2017 Modigliani exhibit in Genoa were forgeries (\u201c<a href=\"https:\/\/www.nytimes.com\/2018\/01\/12\/arts\/design\/modigliani-paintings-authenticity-questioned-genoa.html?_r=0\">Authenticity of Modigliani Works Questioned<\/a>\u201d ). The photograph accompanying the article in both the print and online editions shows a woman retouching or inpainting the frame of a Modigliani painting. The caption reads, \u201cThe painting \u2018Ritratto di Chaim Soutine\u2019 (\u2018Portrait of Chaim Soutine\u2019), attributed to Modigliani in an exhibition in Genoa\u201d, making no mention of the activity going on in the photograph. Here is another lost opportunity to bring the conservator\u2019s work to the public\u2019s attention. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>In the January 14, 2018 issue of The New York Times there is an article by Elisabetta Povoledo about a report by the Italian art expert Isabella Quattrocchi which claims that almost a third of the works in a 2017 Modigliani exhibit in Genoa were forgeries (\u201cAuthenticity of Modigliani Works Questioned\u201d ). The photograph accompanying &hellip; <a href=\"https:\/\/resources.culturalheritage.org\/conservators-converse\/2018\/01\/14\/another-lost-opportunity-to-bring-the-conservators-work-to-the-publics-attention\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Another lost opportunity to bring the conservator\u2019s work to the public\u2019s attention&#8221;<\/span><\/a><\/p>\n","protected":false},"author":70,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-18168","post","type-post","status-publish","format-standard","hentry","category-in-the-news"],"_links":{"self":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/posts\/18168","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/users\/70"}],"replies":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/comments?post=18168"}],"version-history":[{"count":0,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/posts\/18168\/revisions"}],"wp:attachment":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/media?parent=18168"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/categories?post=18168"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/tags?post=18168"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}