{"id":2071,"date":"2011-11-14T22:43:20","date_gmt":"2011-11-14T22:43:20","guid":{"rendered":"http:\/\/www.conservators-converse.org\/?p=2071"},"modified":"2011-11-14T22:43:20","modified_gmt":"2011-11-14T22:43:20","slug":"national-gallery-technical-bulletin-volume-32-leonardo-da-vinci-pupil-painter-and-master","status":"publish","type":"post","link":"https:\/\/resources.culturalheritage.org\/conservators-converse\/2011\/11\/14\/national-gallery-technical-bulletin-volume-32-leonardo-da-vinci-pupil-painter-and-master\/","title":{"rendered":"National Gallery Technical Bulletin Volume 32: &#8220;Leonardo: da Vinci: Pupil, Painter and Master&#8221;"},"content":{"rendered":"<p><a href=\"http:\/\/www.nationalgallery.co.uk\/products\/p_1032030\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright\" src=\"http:\/\/www.nationalgallery.co.uk\/static\/images\/products\/large\/1032030.jpg\" alt=\"\" width=\"400\" height=\"400\" \/><\/a>The National Gallery Technical Bulletin is a unique record of research carried out at the National Gallery. Drawing on the combined expertise of curators, conservators, and scientists, it brings together a wealth of information about artists&#8217; materials,<br \/>\npractices, and techniques.<\/p>\n<p>Volume 32 of the Technical Bulletin is a special issue devoted to the work of Leonardo da Vinci, his training in the workshop of Verrocchio, and his followers and associates. Its publication in print coincides with the National Gallery exhibition Leonardo da Vinci: Painter at the Court of Milan (9 November 2011 &#8211; 5 February 2012).<\/p>\n<p>Series Editor: Ashok Roy<\/p>\n<p>Contents:<\/p>\n<p>Leonardo in Verrocchio&#8217;s Workshop: Re-examining the Technical<br \/>\nEvidence<br \/>\nJill Dunkerton<\/p>\n<p>Leonardo da Vinci&#8217;s Virgin of the Rocks: Treatment, Technique<br \/>\nand Display<br \/>\nLarry Keith, Ashok Roy, Rachel Morrison and Peter Schade<\/p>\n<p>Painting Practice in Milan in the 1490s: The Influence of Leonardo<br \/>\nMarika Spring, Antonio Mazzotta, Ashok Roy, Rachel Billinge and<br \/>\nDavid Peggie<\/p>\n<p>Altered Angels: Two Panels from the Immaculate Conception<br \/>\nAltarpiece once in San Francesco Grande, Milan<br \/>\nRachel Billinge, Luke Syson and Marika Spring<\/p>\n<p>To purchase and for more information, go to <a target=\"blank\" href=\"http:\/\/www.nationalgallery.co.uk\/products\/p_1032030\" rel=\"noopener noreferrer\">www.nationalgallery.co.uk\/products\/p_1032030<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The National Gallery Technical Bulletin is a unique record of research carried out at the National Gallery. Drawing on the combined expertise of curators, conservators, and scientists, it brings together a wealth of information about artists&#8217; materials, practices, and techniques. Volume 32 of the Technical Bulletin is a special issue devoted to the work of &hellip; <a href=\"https:\/\/resources.culturalheritage.org\/conservators-converse\/2011\/11\/14\/national-gallery-technical-bulletin-volume-32-leonardo-da-vinci-pupil-painter-and-master\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;National Gallery Technical Bulletin Volume 32: &#8220;Leonardo: da Vinci: Pupil, Painter and Master&#8221;&#8221;<\/span><\/a><\/p>\n","protected":false},"author":52,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[14],"tags":[],"class_list":["post-2071","post","type-post","status-publish","format-standard","hentry","category-publications"],"_links":{"self":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/posts\/2071","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/users\/52"}],"replies":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/comments?post=2071"}],"version-history":[{"count":0,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/posts\/2071\/revisions"}],"wp:attachment":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/media?parent=2071"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/categories?post=2071"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/tags?post=2071"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}