{"id":2180,"date":"2011-12-09T06:28:46","date_gmt":"2011-12-09T11:28:46","guid":{"rendered":"http:\/\/www.conservators-converse.org\/?p=2180"},"modified":"2011-12-09T06:28:46","modified_gmt":"2011-12-09T11:28:46","slug":"fear-of-forgers","status":"publish","type":"post","link":"https:\/\/resources.culturalheritage.org\/conservators-converse\/2011\/12\/09\/fear-of-forgers\/","title":{"rendered":"Fear of Forgers"},"content":{"rendered":"<p>In an article about the use of the catalogue raisonne to defend the integrity of an artist&#8217;s oeuvre (&#8220;Defending the Integrity of an Artist&#8217;s Life&#8217;s Work&#8221;,The Wall Street Journal, December 7, 2011), Jack Flam notes that when connoisseurship, provenance and historical context are not enough to place a work in or out of an artist&#8217;s oeuvre, forensic testing  is undetaken to determine whether the materials and techniques are in line with the artist&#8217;s practice and time period. He then states, &#8220;But because disclosing such information might provide a road map for future forgers, most caaalogue raisonne projects do not give detailed reasons for a work&#8217;s exclusion.&#8221; Should the fear of providing tips to forgers preclude the public sharing of information about artists&#8217; materials and techniques? <\/p>\n","protected":false},"excerpt":{"rendered":"<p>In an article about the use of the catalogue raisonne to defend the integrity of an artist&#8217;s oeuvre (&#8220;Defending the Integrity of an Artist&#8217;s Life&#8217;s Work&#8221;,The Wall Street Journal, December 7, 2011), Jack Flam notes that when connoisseurship, provenance and historical context are not enough to place a work in or out of an artist&#8217;s &hellip; <a href=\"https:\/\/resources.culturalheritage.org\/conservators-converse\/2011\/12\/09\/fear-of-forgers\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Fear of Forgers&#8221;<\/span><\/a><\/p>\n","protected":false},"author":70,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-2180","post","type-post","status-publish","format-standard","hentry","category-in-the-news"],"_links":{"self":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/posts\/2180","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/users\/70"}],"replies":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/comments?post=2180"}],"version-history":[{"count":0,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/posts\/2180\/revisions"}],"wp:attachment":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/media?parent=2180"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/categories?post=2180"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/tags?post=2180"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}