{"id":2406,"date":"2012-01-26T00:41:34","date_gmt":"2012-01-26T05:41:34","guid":{"rendered":"http:\/\/www.conservators-converse.org\/?p=2406"},"modified":"2012-01-26T00:41:34","modified_gmt":"2012-01-26T05:41:34","slug":"2406","status":"publish","type":"post","link":"https:\/\/resources.culturalheritage.org\/conservators-converse\/2012\/01\/26\/2406\/","title":{"rendered":""},"content":{"rendered":"
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Workshop Instructors-Elissa O\u2019Loughlin, Linda Morenus, Doug Nishimura, Barbara Lemmen<\/figcaption><\/figure>\n

I was fortunate to receive an FAIC grant to attend the fall workshop, \u201cRemoval of Pressure-sensitive Tapes and Tape Stains from Photographs.\u201d That grant made my attendance possible. As a conservator in private practice who graduated from the Cooperstown Art Conservation program in the early 1980\u2019s, I have certainly attended a few workshops and professional meetings over the years.\u00a0But I cannot speak highly enough of this week long chance to review material (Teas Charts!!) covered in a classroom over 30 years ago, to exchange ideas and information with new colleagues from not only the U.S. \u00a0but also Columbia, Australia, Italy, the Netherlands – and to brush up my laboratory skills.\u00a0It was a fabulous retreat at the NCTC site in Shepherdstown, WV and the instructors could not have been more helpful. I would encourage all \u201cmid-career\u201d conservators to treat themselves to this type of workshop.<\/p>\n","protected":false},"excerpt":{"rendered":"

I was fortunate to receive an FAIC grant to attend the fall workshop, \u201cRemoval of Pressure-sensitive Tapes and Tape Stains from Photographs.\u201d That grant made my attendance possible. As a conservator in private practice who graduated from the Cooperstown Art Conservation program in the early 1980\u2019s, I have certainly attended a few workshops and professional … Continue reading “”<\/span><\/a><\/p>\n","protected":false},"author":106,"featured_media":2410,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[5,11],"tags":[],"class_list":["post-2406","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ccs","category-grants"],"_links":{"self":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/posts\/2406","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/users\/106"}],"replies":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/comments?post=2406"}],"version-history":[{"count":0,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/posts\/2406\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/media\/2410"}],"wp:attachment":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/media?parent=2406"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/categories?post=2406"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/tags?post=2406"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}