Presentations from Anoxia and Microfading: The impact on Collection Care (12-13 September 2011) are now available online and can be
\nfound at http:\/\/channel.tate.org.uk\/media\/1240387754001#media:\/media\/1240387754001\/1240462743001&context:\/channel\/most-popular<\/p>\n
Presentations include:<\/p>\n
Keynote Speaker: Dr David Grattan
\nFormer Manager of Conservation Research at Canadian Conservation
\nInstitute, Ottawa
\n“Anoxia and Microfading: The Impact on Collection Care,
\nContext and Challenge”<\/p>\n
Stephen Hackney
\nSenior Consultant for Conservation Science, Tate, London
\n“The Benefits of Sealed Enclosures for Works on Paper”<\/p>\n
Zane Cunningham
\nProject Manager and Product Developer, Tate, London
\n“Designing Low Oxygen Frames”<\/p>\n
Dr. Shin Maekawa
\nSenior Scientist, The Getty Conservation Institute, Los Angeles
\n“Getty’s Oxygen-Free Display and Storage Cases”<\/p>\n
Dr. Matija Strlic
\nSenior Lecturer
\nCentre for Sustainable Heritage, University College London
\n“Hypoxic Storage of Organic Materials: Paper, Ink, Parchment,
\nPhotographs, Canvas”<\/p>\n
Jacob Thomas
\nResearch Assistant, Kinetics of Heterogeneous Reactions Group,
\nJagiellonian University, Krakow
\n“Early 20th Century Pastel Drawings: An Anoxic Case?”<\/p>\n
David Thickett
\nSenior Conservation Scientist, English Heritage, London and
\nSalome Guggenheimer, Haute Ecole Suisse, Switzerland
\n“Oxygen and Archaeological Iron”<\/p>\n
Chris Collins
\nHead of Conservation, Palaeontology Department, Natural History
\nMuseum, London
\n“Reduced Oxygen Enclosures and Natural History and
\nAnthropological Materials”<\/p>\n
Luisa Casella
\nPhotograph Conservator, Harry Ransom Center, The University of
\nTexas at Austin
\n“Display of Original Autochrome Plates in Low-Oxygen
\nEnclosures at the Metropolitan Museum of Art”<\/p>\n
Dr. Yvonne Shashoua
\nSenior Researcher, Department of Conservation, National Museum
\nof Denmark, Copenhagen
\n“Anoxic Storage of Polymers”<\/p>\n
Bruce Ford,
\nConsultant Conservator and Scientist, Tate, London
\n“Microfading and Anoxic Enclosures”<\/p>\n
Nicki Smith
\nDeputy Manager, Conservation, National Museum of Australia,
\nCanberra (with video from Guy Hanson, Senior Curator Guy Hanson,
\nNational Museum of Australia)
\n“Into the Light: Lighting Guidelines at the National Museum
\nof Australia”<\/p>\n
Dr. Mark Underhill
\nAnalyst, Tate, London
\n“Oxygen Measurement”<\/p>\n
Dr. Bertrand Lavedrine
\nDirector, Centre de Recherche sur la Conservation des
\nCollections (CRCC-CNRS), Paris
\n“Development of Microfading Testing for Transmission
\nMeasurement on Colour Transparencies”<\/p>\n
Dr. Haida Liang
\nReader in Physics, Nottingham Trent University
\n“Latest Developments on Portable Microfading Spectrometry at
\nNottingham Trent University”<\/p>\n
Dr. Julio M. del Hoyo-Melendez
\nScientist, National Museum of Krakow
\n“Microfade Testing: A Promising Tool for Evaluating the Light
\nFastness of Coloured Fabrics and the Impacts on Lighting
\nPolicy”<\/p>\n
Dr. Eric Hagan
\nConservation Scientist, The Canadian Conservation Institute,
\nOttawa
\n“An Overview of Current Light-Fastness Testing at the
\nCanadian Conservation Institute”<\/p>\n
Plus:<\/p>\n
A group discussion with Dr Shin Maekawa, Senior Scientist, The
\nGetty Conservation Institute, Los Angeles; Deborah Potter, Head
\nof Conservation, Collection, Tate, London and Nicki Smith,
\nDeputy Manager, Conservation, National Museum of Australia,
\nCanberra.<\/p>\n
Roundtable discussion with panel: Bruce Ford, Consultant
\nConservator and Scientist, Tate, London; Dr Eric Hagan,
\nConservation Scientist, The Canadian Conservation Institute,
\nOttawa; Dr Julio M del Hoyo-Melendez, Scientist, Laboratory of
\nAnalysis and Nondestructive Investigation of Heritage Objects,
\nNational Museum of Krakow; Dr Haida Liang, Reader in Physics,
\nNottingham Trent University; Dr Bertrand Lavedrine, Director,
\nCentre de Recherche sur la Conservation des Collections
\n(CRCC-CNRS), Paris; Dr Han Neevel, Senior Conservation
\nScientist, Netherlands Cultural Heritage Agency, Amersfoort;
\nBoris Pretzel, Principal Scientist, Victoria and Albert Museum,
\nLondon.<\/p>\n
A working session with George Gawlinski, Planning Together
\nAssociates to build collaborations and explore the research
\nagenda.<\/p>\n
The conference coincided with the culmination of a five-year Tate
\nresearch project funded by the Department for Business, Innovation
\nand Skills (BIS) Public Sector Research Exploitation Fund.<\/p>\n
Dr. Pip Laurenson
\nHead of Collection Care Research
\nTate
\nMillbank
\nLondon SW1P 4RG
\n+44 207887 8776
\n+44 796606 2962<\/p>\n","protected":false},"excerpt":{"rendered":"
Presentations from Anoxia and Microfading: The impact on Collection Care (12-13 September 2011) are now available online and can be found at http:\/\/channel.tate.org.uk\/media\/1240387754001#media:\/media\/1240387754001\/1240462743001&context:\/channel\/most-popular Presentations include: Keynote Speaker: Dr David Grattan Former Manager of Conservation Research at Canadian Conservation Institute, Ottawa “Anoxia and Microfading: The Impact on Collection Care, Context and Challenge” Stephen Hackney Senior Consultant … Continue reading “Presentations from Anoxia and Microfading: The impact on Collection Care (12-13 September 2011) are now available online”<\/span><\/a><\/p>\n","protected":false},"author":52,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[272],"class_list":["post-2576","post","type-post","status-publish","format-standard","hentry","category-ccs","tag-conference-reviews"],"_links":{"self":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/posts\/2576","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/users\/52"}],"replies":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/comments?post=2576"}],"version-history":[{"count":0,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/posts\/2576\/revisions"}],"wp:attachment":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/media?parent=2576"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/categories?post=2576"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/tags?post=2576"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}