{"id":2908,"date":"2012-05-04T16:47:04","date_gmt":"2012-05-04T21:47:04","guid":{"rendered":"http:\/\/www.conservators-converse.org\/?p=2908"},"modified":"2012-05-04T16:47:04","modified_gmt":"2012-05-04T21:47:04","slug":"too-much-light","status":"publish","type":"post","link":"https:\/\/resources.culturalheritage.org\/conservators-converse\/2012\/05\/04\/too-much-light\/","title":{"rendered":"Too much light"},"content":{"rendered":"<p>When the Nasher Sculpture Center opened in downtown Dallas in 2003, it was hoped that its presence would be a spur to neighborhood development. According to The New York Times (&#8220;Dallas Museum Simmers in a Neighbor&#8217;s Glare&#8221;, by Robin Pogrebin, May 2, 2012), that development has come&#8211; but at the museum&#8217;s expense. Among the new structures going up near the Nasher is a 42-story building with a glass skin that reflects so much light that artworks within the museum&#8217;s galleries are threatened, plants in the museum&#8217;s garden are being destroyed, and museum visitors are blinded by the glare. The Nasher and the building&#8217;s developers are in a heated battle over who should do what to rectify the situation. As arts institutions are more and more being used by cities as &#8220;engines of economic development&#8221;, will other museums&#8217; collections be threatened by new construction? <\/p>\n","protected":false},"excerpt":{"rendered":"<p>When the Nasher Sculpture Center opened in downtown Dallas in 2003, it was hoped that its presence would be a spur to neighborhood development. According to The New York Times (&#8220;Dallas Museum Simmers in a Neighbor&#8217;s Glare&#8221;, by Robin Pogrebin, May 2, 2012), that development has come&#8211; but at the museum&#8217;s expense. Among the new &hellip; <a href=\"https:\/\/resources.culturalheritage.org\/conservators-converse\/2012\/05\/04\/too-much-light\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Too much light&#8221;<\/span><\/a><\/p>\n","protected":false},"author":70,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-2908","post","type-post","status-publish","format-standard","hentry","category-in-the-news"],"_links":{"self":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/posts\/2908","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/users\/70"}],"replies":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/comments?post=2908"}],"version-history":[{"count":0,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/posts\/2908\/revisions"}],"wp:attachment":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/media?parent=2908"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/categories?post=2908"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/tags?post=2908"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}