{"id":5010,"date":"2011-01-17T00:00:00","date_gmt":"2011-01-17T05:00:00","guid":{"rendered":"http:\/\/www.conservators-converse.org\/2011\/01\/you-dont-rush-the-work-just-because-a-painting-has-little-monetary-value-2\/"},"modified":"2011-01-17T00:00:00","modified_gmt":"2011-01-17T05:00:00","slug":"you-dont-rush-the-work-just-because-a-painting-has-little-monetary-value-2","status":"publish","type":"post","link":"https:\/\/resources.culturalheritage.org\/conservators-converse\/2011\/01\/17\/you-dont-rush-the-work-just-because-a-painting-has-little-monetary-value-2\/","title":{"rendered":"You don&#8217;t rush the work just because a painting has little monetary value"},"content":{"rendered":"<p> &#8220;Picassos in Reverse&#8221;, a brief profile of paintings conservator Simon Parkes and his studio published in the January 7, 2011 issue of <u>The Wall Street Journal<\/u>, ends with a quote from Mr. Parkes: &#8220;A picture of your granny is going to cost aproximately the same as a 1916 Picasso. I&#8217;m not going to pretend it takes any longer to do a Picasso.&#8221; These throw away lines inform the <u>Wall Street Journal <\/u>readership of an important principle of conservation<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Picassos in Reverse&#8221;, a brief profile of paintings conservator Simon Parkes and his studio published in the January 7, 2011 issue of The Wall Street Journal, ends with a quote from Mr. Parkes: &#8220;A picture of your granny is going to cost aproximately the same as a 1916 Picasso. I&#8217;m not going to pretend it &hellip; <a href=\"https:\/\/resources.culturalheritage.org\/conservators-converse\/2011\/01\/17\/you-dont-rush-the-work-just-because-a-painting-has-little-monetary-value-2\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;You don&#8217;t rush the work just because a painting has little monetary value&#8221;<\/span><\/a><\/p>\n","protected":false},"author":52,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[7],"tags":[],"class_list":["post-5010","post","type-post","status-publish","format-standard","hentry","category-in-the-news"],"_links":{"self":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/posts\/5010","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/users\/52"}],"replies":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/comments?post=5010"}],"version-history":[{"count":0,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/posts\/5010\/revisions"}],"wp:attachment":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/media?parent=5010"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/categories?post=5010"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/tags?post=5010"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}