{"id":9130,"date":"2013-07-11T16:20:00","date_gmt":"2013-07-11T21:20:00","guid":{"rendered":"http:\/\/www.conservators-converse.org\/?p=9130"},"modified":"2013-07-11T16:20:00","modified_gmt":"2013-07-11T21:20:00","slug":"41st-annual-meeting-textile-specialty-group-may-30-finding-the-ease-approaches-to-mounting-and-installation-at-the-art-institute-of-chicago-by-isaac-facio-and-lauren-chang","status":"publish","type":"post","link":"https:\/\/resources.culturalheritage.org\/conservators-converse\/2013\/07\/11\/41st-annual-meeting-textile-specialty-group-may-30-finding-the-ease-approaches-to-mounting-and-installation-at-the-art-institute-of-chicago-by-isaac-facio-and-lauren-chang\/","title":{"rendered":"41st Annual Meeting &#8212; Textile Session, May 30, \u201cFinding the Ease: Approaches to Mounting and Installation at the Art Institute of Chicago,\u201d by Isaac Facio and Lauren Chang"},"content":{"rendered":"<p>Isaac Facio, Conservation Assistant, and Lauren Chang,Conservator of Textiles, jointly presented the techniques and mounts they have developed, in concert with other Art Institute of Chicago staff, to &#8220;find the ease&#8221; in mounting and installing textiles at that museum. They showed three mounting systems, which could be helpful to many other institutions. All were the result of that old saying, &#8220;Necessity is the mother of invention.&#8221; They needed to devise simpler and more efficient techiniques for getting textiles onto display because they had fewer people and less time to install more textiles&#8230;..a situation familiar to many of us.<br \/>\nTo mount medium- to large-sized textiles that would be displayed vertically, they devised a three-part mount, consisting of a fabric-covered board, into which the textile can be pin-mounted (their method of choice for temporary mounts for strong-enough pieces), a C-shaped, metal \u201ckick out\u201d or metal angle bracket to support the bottom of the mount and create a 10 degree angle, and wall cleats for the top.<br \/>\nTo mount long textiles that were stored rolled and that needed to have part of the textile rolled for display, they developed a rolling system that fits into brackets that are secured to the walls. The system permits the textiles to go from rolled storage to display without the need for re-rolling. This saves time and aviodes excess handling. The bracket system is one that I would love to see made available commercially.<br \/>\nFinally, they described what they had done to make it possible to mount the large tapestry exhibit, The Divine Art: Four Centuries of European Tapestries. For this exhibit, they needed to mount at least seven tapestries per day, so they needed a system that would be both more efficient and less stressful for staff than how they had previously installed tapestries. The system they developed has two significant innovations. Rather than using a flat \u201cbeam\u201d to hold the hook side of Velcro, as is often done, they developed a metal \u201cdouble-I-beam\u201d style beam, with a square profile. To support this beam, they used a shelf of MDO. The square beam prevented the tapestry from canting forward when hanging. The shelf allowed the tapestry, on the beam, to be lowered into place, with minimal handling.<br \/>\nThis is how Lauren and Isaac described the installation process:<br \/>\n\u2022 The MDO shelf was secured to the wall with drywall screws at a predetermined height.<br \/>\n\u2022 The soft, or fuzzy, side of the Velcro, which was sewn to the tapestry during treatment, was secured to the \u201cdouble-I-beam\u201d while both were still on the floor.<br \/>\n\u2022 A three-foot long two-by-four was placed into the space within the \u201cdouble-I-beams\u201d at each end, to serve as handles for the installation.<br \/>\n\u2022 They positioned a pair of hydraulic lifts with platforms at either side of the tapestry. The lifts were outfitted with arms extending in front of them.<br \/>\n\u2022 They placed the two-by-four \u201chandles\u201d on the lifts\u2019 \u201carms.\u201d<br \/>\n\u2022 With one person running each lift and Lauren standing back to guide the positioning, the tapestry \u2013 on its \u201cdouble-I-beam\u201d was lifted into place.<br \/>\n\u2022 The \u201cdouble-I-beam\u201d was then secured to the wall, and the \u201chandles\u201d removed from the beams.<br \/>\nAlthough I have tried to capture what Isaac and Lauren showed and told, I know I have missed many details. This is a paper for which I will eagerly await the Postprints. I&#8217;m hoping that they can include the video clip of the tapestry installation that they showed during the talk.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Isaac Facio, Conservation Assistant, and Lauren Chang,Conservator of Textiles, jointly presented the techniques and mounts they have developed, in concert with other Art Institute of Chicago staff, to &#8220;find the ease&#8221; in mounting and installing textiles at that museum. They showed three mounting systems, which could be helpful to many other institutions. All were the &hellip; <a href=\"https:\/\/resources.culturalheritage.org\/conservators-converse\/2013\/07\/11\/41st-annual-meeting-textile-specialty-group-may-30-finding-the-ease-approaches-to-mounting-and-installation-at-the-art-institute-of-chicago-by-isaac-facio-and-lauren-chang\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;41st Annual Meeting &#8212; Textile Session, May 30, \u201cFinding the Ease: Approaches to Mounting and Installation at the Art Institute of Chicago,\u201d by Isaac Facio and Lauren Chang&#8221;<\/span><\/a><\/p>\n","protected":false},"author":172,"featured_media":7942,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,16],"tags":[72,105,435,882,933,984,985,1002],"class_list":["post-9130","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-annual-meeting","category-specialty-sessions","tag-aics-41st-annual-meeting","tag-angle-mounts","tag-flat-textile-display","tag-rolled-textile-display","tag-slanted-mounts","tag-tapestry","tag-tapestry-installation","tag-textile-mounting"],"_links":{"self":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/posts\/9130","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/users\/172"}],"replies":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/comments?post=9130"}],"version-history":[{"count":0,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/posts\/9130\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/media\/7942"}],"wp:attachment":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/media?parent=9130"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/categories?post=9130"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/tags?post=9130"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}