{"id":9597,"date":"2014-01-02T22:03:07","date_gmt":"2014-01-03T03:03:07","guid":{"rendered":"http:\/\/www.conservators-converse.org\/?p=9597"},"modified":"2014-01-02T22:03:07","modified_gmt":"2014-01-03T03:03:07","slug":"why-would-anyone-be-surprised-that-all-of-the-conservators-in-a-lab-are-women","status":"publish","type":"post","link":"https:\/\/resources.culturalheritage.org\/conservators-converse\/2014\/01\/02\/why-would-anyone-be-surprised-that-all-of-the-conservators-in-a-lab-are-women\/","title":{"rendered":"Why would anyone be surprised that all of the conservators in a lab are women?"},"content":{"rendered":"<p>The January 2, 2014 issue of The Wall Street Journal contains a short article by Stuart Isacoff about the Laboratorio di restauro dei fortepiano of the Accademia Bartolomeo Cristofori , entitled &#8220;Where\u00a0the Craftsmen Are Women&#8221;.\u00a0 In it,\u00a0Isacoff expresses surprise that all of the restorers in that lab are women. Perhaps in Italy\u00a0or perhaps in the sub-specialty of musical instrument conservation men still predominate, but in the U.S. today conservation has become for better or worse a female profession.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The January 2, 2014 issue of The Wall Street Journal contains a short article by Stuart Isacoff about the Laboratorio di restauro dei fortepiano of the Accademia Bartolomeo Cristofori , entitled &#8220;Where\u00a0the Craftsmen Are Women&#8221;.\u00a0 In it,\u00a0Isacoff expresses surprise that all of the restorers in that lab are women. Perhaps in Italy\u00a0or perhaps in the &hellip; <a href=\"https:\/\/resources.culturalheritage.org\/conservators-converse\/2014\/01\/02\/why-would-anyone-be-surprised-that-all-of-the-conservators-in-a-lab-are-women\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Why would anyone be surprised that all of the conservators in a lab are women?&#8221;<\/span><\/a><\/p>\n","protected":false},"author":70,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[7],"tags":[],"class_list":["post-9597","post","type-post","status-publish","format-standard","hentry","category-in-the-news"],"_links":{"self":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/posts\/9597","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/users\/70"}],"replies":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/comments?post=9597"}],"version-history":[{"count":0,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/posts\/9597\/revisions"}],"wp:attachment":[{"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/media?parent=9597"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/categories?post=9597"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/conservators-converse\/wp-json\/wp\/v2\/tags?post=9597"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}