{"id":123,"date":"2023-08-11T18:15:42","date_gmt":"2023-08-11T18:15:42","guid":{"rendered":"https:\/\/resources.culturalheritage.org\/contemporaryartreview\/?page_id=123"},"modified":"2024-12-06T14:37:24","modified_gmt":"2024-12-06T14:37:24","slug":"volume-1-2021","status":"publish","type":"page","link":"https:\/\/resources.culturalheritage.org\/contemporaryartreview\/volume-1-2021\/","title":{"rendered":"Volume 1 (2021)"},"content":{"rendered":"\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"791\" height=\"1024\" src=\"http:\/\/resources.culturalheritage.org\/contemporaryartreview\/wp-content\/uploads\/sites\/20\/2023\/08\/cover_page-vol-1-791x1024.jpg\" alt=\"\" class=\"wp-image-124\" style=\"width:396px;height:512px\" srcset=\"https:\/\/faic.wpenginepowered.com\/contemporaryartreview\/wp-content\/uploads\/sites\/20\/2023\/08\/cover_page-vol-1-791x1024.jpg 791w, https:\/\/faic.wpenginepowered.com\/contemporaryartreview\/wp-content\/uploads\/sites\/20\/2023\/08\/cover_page-vol-1-232x300.jpg 232w, https:\/\/faic.wpenginepowered.com\/contemporaryartreview\/wp-content\/uploads\/sites\/20\/2023\/08\/cover_page-vol-1-768x994.jpg 768w, https:\/\/faic.wpenginepowered.com\/contemporaryartreview\/wp-content\/uploads\/sites\/20\/2023\/08\/cover_page-vol-1-1187x1536.jpg 1187w, https:\/\/faic.wpenginepowered.com\/contemporaryartreview\/wp-content\/uploads\/sites\/20\/2023\/08\/cover_page-vol-1-1583x2048.jpg 1583w, https:\/\/faic.wpenginepowered.com\/contemporaryartreview\/wp-content\/uploads\/sites\/20\/2023\/08\/cover_page-vol-1-1200x1553.jpg 1200w, https:\/\/faic.wpenginepowered.com\/contemporaryartreview\/wp-content\/uploads\/sites\/20\/2023\/08\/cover_page-vol-1-1980x2562.jpg 1980w, https:\/\/faic.wpenginepowered.com\/contemporaryartreview\/wp-content\/uploads\/sites\/20\/2023\/08\/cover_page-vol-1-scaled.jpg 1978w\" sizes=\"auto, (max-width: 791px) 100vw, 791px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h4 class=\"wp-block-heading\">Contemporary Art Review, Volume 1 (2021)<\/h4>\n\n\n\n<p>Proceedings of the:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Contemporary Art Network Session, AIC 49th Virtual Annual Meeting, May 3-June 24, 2021<\/li>\n\n\n\n<li>Plastic Challenges in Cultural and Ecological Preservation Session, AIC 48th Virtual Annual Meeting, Summer 2020<\/li>\n\n\n\n<li>External Forces in Contemporary Art Conservation Session, AIC 48th Virtual Annual Meeting, Summer 2020<\/li>\n<\/ul>\n\n\n\n<p>CAN! would like to thank the team of reviewers, editors, and Spanish translators; we are grateful for their time and expertise: Luca Ackerman, Joy Bloser, Sara Cadi\u00f1anos, Brian Castriota, Ruth del Fresno Guillem, Per Knut\u00e5s, Mareike Ope\u00f1a, and Katrina Posner.<\/p>\n\n\n\n<p><strong><a href=\"https:\/\/members.culturalheritage.org\/commerce\/store?productId=AIC-CONTEMPORARY-ART-REVIEW-VOLUME-1-2021\">Download the complete Volume 1 PDF in the AIC online store (free)<\/a><\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<h5 class=\"wp-block-heading alignwide\">Presented at the External Forces in Contemporary Art Conservation Session, AIC 48th Virtual Annual Meeting, Summer 2020<\/h5>\n\n\n\n<div class=\"wp-block-columns alignwide has-white-background-color has-background is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"has-normal-font-size\"><strong><a href=\"https:\/\/resources.culturalheritage.org\/contemporaryartreview\/self-informative-conservation-exposing-deterioration-and-change-of-objects-state-during-the-treatment-of-early-paintings-by-gustav-metzger\/\">Self-Informative Conservation. Exposing Deterioration and Change of Objects\u2019 State During the Treatment of Early Paintings by Gustav Metzger<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-normal-font-size\"><strong><em><a href=\"https:\/\/resources.culturalheritage.org\/contemporaryartreview\/self-informative-conservation-exposing-deterioration-and-change-of-objects-state-during-the-treatment-of-early-paintings-by-gustav-metzger\/\">Conservaci\u00f3n Autoinformativa. Exposici\u00f3n del Deterioro y el Cambio de Estado de los Objetos durante el Tratamiento de las Primeras Pinturas de Gustav Metzger<\/a><\/em><\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<p class=\"has-normal-font-size\">Miros\u0142aw Wachowiak<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignwide has-white-background-color has-background is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"has-normal-font-size\"><strong><a href=\"https:\/\/resources.culturalheritage.org\/contemporaryartreview\/the-conservation-of-an-outdoor-public-artwork-in-an-aquatic-zone-a-highly-interventive-approach-with-limited-options\/\">The Conservation of an Outdoor Public Artwork in an Aquatic Zone: a Highly Interventive Approach with Limited Options<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-normal-font-size\"><strong><em><a href=\"https:\/\/resources.culturalheritage.org\/contemporaryartreview\/the-conservation-of-an-outdoor-public-artwork-in-an-aquatic-zone-a-highly-interventive-approach-with-limited-options\/\">La Conservaci\u00f3n de una Obra de Arte P\u00fablico al Aire Libre en Zona Acu\u00e1tica: una Propuesta Intervencionista con Limitadas Opciones<\/a><\/em><\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<p class=\"has-normal-font-size\">St\u00e9phanie Gagn\u00e9<\/p>\n<\/div>\n<\/div>\n\n\n\n<h5 class=\"wp-block-heading alignwide\">Presented at the Plastic Challenges in Cultural and Ecological Preservation Session, AIC 48th Virtual Annual Meeting, Summer 2020<\/h5>\n\n\n\n<div class=\"wp-block-columns alignwide has-white-background-color has-background is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"has-normal-font-size\"><strong><a href=\"https:\/\/resources.culturalheritage.org\/contemporaryartreview\/plastics-in-historic-house-museums-conservation-treatment-case-studies-at-gropius-house\/\">Plastics in Historic House Museums: Conservation Treatment Case Studies at Gropius House<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-normal-font-size\"><strong><em><a href=\"https:\/\/resources.culturalheritage.org\/contemporaryartreview\/plastics-in-historic-house-museums-conservation-treatment-case-studies-at-gropius-house\/\">Los Pl\u00e1sticos en las Casas-Museo Hist\u00f3ricas: Casos de Estudio sobre Tratamientos de Conservaci\u00f3n en la Casa Gropius<\/a><\/em><\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<p class=\"has-normal-font-size\">Megan Creamer<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignwide has-white-background-color has-background is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"has-normal-font-size\"><strong><a href=\"https:\/\/resources.culturalheritage.org\/contemporaryartreview\/preserving-plastics-in-the-collection-at-the-harvard-art-museums\/\">Preserving Plastics in the Collection at the Harvard Art Museums<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-normal-font-size\"><strong><em><a href=\"https:\/\/resources.culturalheritage.org\/contemporaryartreview\/preserving-plastics-in-the-collection-at-the-harvard-art-museums\/\">Conservar Pl\u00e1sticos en la Colecci\u00f3n de Harvard Art Museums<\/a><\/em><\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<p class=\"has-normal-font-size\">Susan D. Costello, Georgina Rayner, Angela Chang, and Elizabeth La Duc<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignwide has-white-background-color has-background is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"has-normal-font-size\"><strong><a href=\"https:\/\/resources.culturalheritage.org\/contemporaryartreview\/investigating-a-value-based-approach-to-conserving-deteriorating-plastics-a-case-study\/\">Investigating a Value-Based Approach to Conserving Deteriorating Plastics: A Case Study<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-normal-font-size\"><strong><em><a href=\"https:\/\/resources.culturalheritage.org\/contemporaryartreview\/investigating-a-value-based-approach-to-conserving-deteriorating-plastics-a-case-study\/\">Investigaci\u00f3n Sobre Un Enfoque Basado en Valores de la Conservaci\u00f3n de Pl\u00e1sticos en Procesos de Deterioro: Un Caso de Estudio<\/a><\/em><\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<p class=\"has-normal-font-size\">Natalya Swanson<\/p>\n<\/div>\n<\/div>\n\n\n\n<h5 class=\"wp-block-heading alignwide\">Presented at the Contemporary Art Network Session, AIC 49th Virtual Annual Meeting, May 3-June 24, 2021<\/h5>\n\n\n\n<div class=\"wp-block-columns alignwide has-white-background-color has-background is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"has-normal-font-size\"><strong><a href=\"https:\/\/resources.culturalheritage.org\/contemporaryartreview\/spaces-that-evolve-and-the-artists-intent-integrity-in-public-art-conservation\/\">Spaces that Evolve and the Artist\u2019s Intent: Integrity in Public Art Conservation<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-normal-font-size\"><strong><em><a href=\"https:\/\/resources.culturalheritage.org\/contemporaryartreview\/spaces-that-evolve-and-the-artists-intent-integrity-in-public-art-conservation\/\">Espacios que Evolucionan y la Intencionalidad del Artista: Integridad en Arte P\u00fablico<\/a><\/em><\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<p class=\"has-normal-font-size\">Ruth del Fresno-Guillem, Rita L. Amor Garcia, and Annette S. Ortiz-Miranda<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignwide has-white-background-color has-background is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"has-normal-font-size\"><strong><a href=\"https:\/\/resources.culturalheritage.org\/contemporaryartreview\/phantom-thread-research-and-preparation-for-the-care-of-a-delicate-silk-and-metal-sculpture-by-doris-salcedo\/\">Phantom Thread: Research and Preparation for the Care of a Delicate Silk and Metal Sculpture by Doris Salcedo<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-normal-font-size\"><strong><em><a href=\"https:\/\/resources.culturalheritage.org\/contemporaryartreview\/phantom-thread-research-and-preparation-for-the-care-of-a-delicate-silk-and-metal-sculpture-by-doris-salcedo\/\">El Hilo Fantasma: Investigaci\u00f3n y Preparaci\u00f3n para el Cuidado de una Delicada Escultura de Seda y Metal de Doris Salcedo<\/a><\/em><\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<p class=\"has-normal-font-size\">Megan E. Salas, Jane Gillies, and Per Knut\u00e5s<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignwide has-white-background-color has-background is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"has-normal-font-size\"><strong><a href=\"https:\/\/resources.culturalheritage.org\/contemporaryartreview\/adapting-for-the-long-term-the-realization-of-robert-gobers-untitled-1992-as-a-lasting-installation\/\">Adapting for the Long Term: The Realization of Robert Gober\u2019s <em>Untitled<\/em>, 1992, as a Lasting Installation<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-normal-font-size\"><strong><em><a href=\"https:\/\/resources.culturalheritage.org\/contemporaryartreview\/adapting-for-the-long-term-the-realization-of-robert-gobers-untitled-1992-as-a-lasting-installation\/\">Adaptaci\u00f3n para el Largo Plazo: la Realizaci\u00f3n de <\/a><\/em><a href=\"https:\/\/resources.culturalheritage.org\/contemporaryartreview\/adapting-for-the-long-term-the-realization-of-robert-gobers-untitled-1992-as-a-lasting-installation\/\">Untitled<em>,<\/em><\/a><em><a href=\"https:\/\/resources.culturalheritage.org\/contemporaryartreview\/adapting-for-the-long-term-the-realization-of-robert-gobers-untitled-1992-as-a-lasting-installation\/\"> 1992, de Robert Gober, como Instalaci\u00f3n Permanente<\/a><\/em><\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<p class=\"has-normal-font-size\">Samantha Owens and Austin Anderson<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Contemporary Art Review, Volume 1 (2021) Proceedings of the: CAN! would like to thank the team of reviewers, editors, and Spanish translators; we are grateful for their time and expertise: Luca Ackerman, Joy Bloser, Sara Cadi\u00f1anos, Brian Castriota, Ruth del Fresno Guillem, Per Knut\u00e5s, Mareike Ope\u00f1a, and Katrina Posner. Download the complete Volume 1 PDF [&hellip;]<\/p>\n","protected":false},"author":349,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-123","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/resources.culturalheritage.org\/contemporaryartreview\/wp-json\/wp\/v2\/pages\/123","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/resources.culturalheritage.org\/contemporaryartreview\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/resources.culturalheritage.org\/contemporaryartreview\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/contemporaryartreview\/wp-json\/wp\/v2\/users\/349"}],"replies":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/contemporaryartreview\/wp-json\/wp\/v2\/comments?post=123"}],"version-history":[{"count":0,"href":"https:\/\/resources.culturalheritage.org\/contemporaryartreview\/wp-json\/wp\/v2\/pages\/123\/revisions"}],"wp:attachment":[{"href":"https:\/\/resources.culturalheritage.org\/contemporaryartreview\/wp-json\/wp\/v2\/media?parent=123"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}