{"id":231,"date":"2024-12-05T20:50:43","date_gmt":"2024-12-05T20:50:43","guid":{"rendered":"https:\/\/resources.culturalheritage.org\/contemporaryartreview\/?page_id=231"},"modified":"2025-04-10T00:45:03","modified_gmt":"2025-04-10T00:45:03","slug":"volume-2-2022","status":"publish","type":"page","link":"https:\/\/resources.culturalheritage.org\/contemporaryartreview\/volume-2-2022\/","title":{"rendered":"Volume 2 (2022)"},"content":{"rendered":"\n<div class=\"wp-block-group alignwide\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"791\" height=\"1024\" src=\"http:\/\/resources.culturalheritage.org\/contemporaryartreview\/wp-content\/uploads\/sites\/20\/2024\/12\/CAR_Volume02_CoverPage-791x1024.jpg\" alt=\"\" class=\"wp-image-247\" style=\"width:396px;height:512px\" srcset=\"https:\/\/faic.wpenginepowered.com\/contemporaryartreview\/wp-content\/uploads\/sites\/20\/2024\/12\/CAR_Volume02_CoverPage-791x1024.jpg 791w, https:\/\/faic.wpenginepowered.com\/contemporaryartreview\/wp-content\/uploads\/sites\/20\/2024\/12\/CAR_Volume02_CoverPage-232x300.jpg 232w, https:\/\/faic.wpenginepowered.com\/contemporaryartreview\/wp-content\/uploads\/sites\/20\/2024\/12\/CAR_Volume02_CoverPage-768x994.jpg 768w, https:\/\/faic.wpenginepowered.com\/contemporaryartreview\/wp-content\/uploads\/sites\/20\/2024\/12\/CAR_Volume02_CoverPage-1187x1536.jpg 1187w, https:\/\/faic.wpenginepowered.com\/contemporaryartreview\/wp-content\/uploads\/sites\/20\/2024\/12\/CAR_Volume02_CoverPage-1583x2048.jpg 1583w, https:\/\/faic.wpenginepowered.com\/contemporaryartreview\/wp-content\/uploads\/sites\/20\/2024\/12\/CAR_Volume02_CoverPage-1200x1553.jpg 1200w, https:\/\/faic.wpenginepowered.com\/contemporaryartreview\/wp-content\/uploads\/sites\/20\/2024\/12\/CAR_Volume02_CoverPage-1980x2562.jpg 1980w, https:\/\/faic.wpenginepowered.com\/contemporaryartreview\/wp-content\/uploads\/sites\/20\/2024\/12\/CAR_Volume02_CoverPage-scaled.jpg 1978w\" sizes=\"auto, (max-width: 791px) 100vw, 791px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h4 class=\"wp-block-heading\">Contemporary Art Review, Volume 2 (2022)<\/h4>\n\n\n\n<p>Proceedings of the:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Contemporary Art Network Session, AIC 50th Annual Meeting, May 13\u201318, 2022<\/li>\n\n\n\n<li>Contemporary Art Network \/ Electronic Media Group Joint Session, AIC 50th Annual Meeting, May 13\u201318, 2022<\/li>\n<\/ul>\n\n\n\n<p>CAN! would like to thank the team of reviewers, editors, and Spanish translators; we are grateful for their time and expertise: Luca Ackerman, Austin Anderson, Joy Bloser, Brian Castriota, Beatriz Haspo and the team at APOYOnline, Taylor Healy, Per Knut\u00e5s, Ellen Moody, Mareike Ope\u00f1a, Katrina Posner, Jess Walthew, and Jeffrey Warda.<\/p>\n\n\n\n<p><strong><a href=\"https:\/\/members.culturalheritage.org\/commerce\/store?productId=AIC-CONTEMPORARY-ART-REVIEW-VOLUME-2-2022\" data-type=\"page\" data-id=\"11\">Download the complete Volume 2 PDF in the AIC online store (free)<\/a><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<h5 class=\"wp-block-heading alignwide\">Presented at the AIC 50th Annual Meeting, May 13\u201318, 2022<\/h5>\n\n\n\n<div class=\"wp-block-columns alignwide has-white-background-color has-background is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"has-normal-font-size\"><strong><a href=\"https:\/\/resources.culturalheritage.org\/contemporaryartreview\/guided-by-the-light-rethinking-approaches-to-the-assessment-of-light-based-artworks\/\" data-type=\"page\" data-id=\"11\">Guided by the Light: Rethinking Approaches to the Assessment of Light-Based Artworks<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-normal-font-size\"><strong><em><a href=\"https:\/\/resources.culturalheritage.org\/contemporaryartreview\/guided-by-the-light-rethinking-approaches-to-the-assessment-of-light-based-artworks\/\" data-type=\"page\" data-id=\"11\">Guiados por la luz: repensar los enfoques para la evaluaci\u00f3n de obras de arte basadas en la luz<\/a><\/em><\/strong><br><\/p>\n\n\n\n<p class=\"has-small-font-size\"><sub>This article has been corrected with minor changes<\/sub><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<p class=\"has-normal-font-size\">sasha arden<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignwide has-white-background-color has-background is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"has-normal-font-size\"><strong><a href=\"https:\/\/resources.culturalheritage.org\/contemporaryartreview\/the-conservation-of-a-walk-in-assemblage-michael-c-mcmillens-central-meridian-at-lacma\/\" data-type=\"page\" data-id=\"11\">The Conservation of a Walk-in Assemblage: Michael C. McMillen\u2019s <em>Central Meridian<\/em> at LACMA<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-normal-font-size\"><strong><em><a href=\"https:\/\/resources.culturalheritage.org\/contemporaryartreview\/the-conservation-of-a-walk-in-assemblage-michael-c-mcmillens-central-meridian-at-lacma\/\" data-type=\"page\" data-id=\"11\">La conservaci\u00f3n de un ensamblaje para recorrer: Michael C. McMillen\u2019s <\/a><\/em><a href=\"https:\/\/resources.culturalheritage.org\/contemporaryartreview\/\" data-type=\"page\" data-id=\"11\">Central Meridian<\/a><em><a href=\"https:\/\/resources.culturalheritage.org\/contemporaryartreview\/\" data-type=\"page\" data-id=\"11\"> en el LACMA<\/a><\/em><\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<p class=\"has-normal-font-size\">Jessica Chasen<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignwide has-white-background-color has-background is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"has-normal-font-size\"><strong><a href=\"https:\/\/resources.culturalheritage.org\/contemporaryartreview\/the-challenge-of-preserving-the-spirit-protest-reflecting-on-the-documentation-and-digital-reconstruction-of-a-2020-washington-dc-black-lives-matter-memorial\/\" data-type=\"page\" data-id=\"11\">The Challenge of Preserving the Spirit of Protest: Reflecting on the Documentation and Digital Reconstruction of a 2020 Washington, DC, Black Lives Matter Memorial<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-normal-font-size\"><strong><em><a href=\"https:\/\/resources.culturalheritage.org\/contemporaryartreview\/the-challenge-of-preserving-the-spirit-protest-reflecting-on-the-documentation-and-digital-reconstruction-of-a-2020-washington-dc-black-lives-matter-memorial\/\" data-type=\"page\" data-id=\"11\">El desaf\u00edo de preservar el esp\u00edritu de la protesta: reflexionando sobre la documentaci\u00f3n y reconstrucci\u00f3n digital de un memorial realizado en 2020 en Washington, DC, para Black Lives Matter<\/a><\/em><\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size\"><sub>This article has been corrected with minor changes <\/sub><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<p class=\"has-normal-font-size\">adrian hernandez<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignwide has-white-background-color has-background is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"has-normal-font-size\"><strong><a href=\"https:\/\/resources.culturalheritage.org\/contemporaryartreview\/study-and-restoration-treatment-of-a-collage-by-giulio-turcato-from-precision-mild-heat-transfer-using-imat-nanotechnology-to-novel-sustainable-methods-and-strategies-for-consolidation-and-reintegrat\/\" data-type=\"page\" data-id=\"11\">Study and Restoration Treatment of a Collage by Giulio Turcato: From Precision Mild Heat Transfer using IMAT Nanotechnology to Novel Sustainable Methods and Strategies for Consolidation and Reintegration<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-normal-font-size\"><strong><em><a href=\"https:\/\/resources.culturalheritage.org\/contemporaryartreview\/study-and-restoration-treatment-of-a-collage-by-giulio-turcato-from-precision-mild-heat-transfer-using-imat-nanotechnology-to-novel-sustainable-methods-and-strategies-for-consolidation-and-reintegrat\/\" data-type=\"page\" data-id=\"11\">Estudio y tratamiento de restauraci\u00f3n de un collage de Giulio Turcato: desde la transferencia de calor leve y precisa usando nanotecnolog\u00eda IMAT hasta nuevos m\u00e9todos y estrategias sostenibles para la consolidaci\u00f3n y reintegraci\u00f3n<\/a><\/em><\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<p class=\"has-normal-font-size\">Maddalena Magnani, Alessandra Bassi, Dominique Scalarone, Tommaso Poli, and Tomas Markevicius<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignwide has-white-background-color has-background is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"has-normal-font-size\"><strong><a href=\"https:\/\/resources.culturalheritage.org\/contemporaryartreview\/facsimile-future-past-present-projections-and-potential\/\" data-type=\"page\" data-id=\"11\">Facsimile Future: Past, Present, Projections, and Potential<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-normal-font-size\"><strong><em><a href=\"https:\/\/resources.culturalheritage.org\/contemporaryartreview\/facsimile-future-past-present-projections-and-potential\/\" data-type=\"page\" data-id=\"11\">Futuro facs\u00edmil: Pasado, presente, proyecciones y potencial<\/a><\/em><\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<p class=\"has-normal-font-size\">Alison Norton<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignwide has-white-background-color has-background is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"has-normal-font-size\"><strong><a href=\"https:\/\/resources.culturalheritage.org\/contemporaryartreview\/palliative-care-in-contemporary-art\/\" data-type=\"page\" data-id=\"11\">Palliative Care in Contemporary Art<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-normal-font-size\"><strong><em><a href=\"https:\/\/resources.culturalheritage.org\/contemporaryartreview\/palliative-care-in-contemporary-art\/\" data-type=\"page\" data-id=\"11\">Los cuidados paliativos en el arte contempor\u00e1neo<\/a><\/em><\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<p class=\"has-normal-font-size\">Martha Singer<\/p>\n<\/div>\n<\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Contemporary Art Review, Volume 2 (2022) Proceedings of the: CAN! would like to thank the team of reviewers, editors, and Spanish translators; we are grateful for their time and expertise: Luca Ackerman, Austin Anderson, Joy Bloser, Brian Castriota, Beatriz Haspo and the team at APOYOnline, Taylor Healy, Per Knut\u00e5s, Ellen Moody, Mareike Ope\u00f1a, Katrina Posner, [&hellip;]<\/p>\n","protected":false},"author":349,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-231","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/resources.culturalheritage.org\/contemporaryartreview\/wp-json\/wp\/v2\/pages\/231","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/resources.culturalheritage.org\/contemporaryartreview\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/resources.culturalheritage.org\/contemporaryartreview\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/contemporaryartreview\/wp-json\/wp\/v2\/users\/349"}],"replies":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/contemporaryartreview\/wp-json\/wp\/v2\/comments?post=231"}],"version-history":[{"count":0,"href":"https:\/\/resources.culturalheritage.org\/contemporaryartreview\/wp-json\/wp\/v2\/pages\/231\/revisions"}],"wp:attachment":[{"href":"https:\/\/resources.culturalheritage.org\/contemporaryartreview\/wp-json\/wp\/v2\/media?parent=231"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}