Caroline Gil-RodriguezElectronic Media Review, Volume Six: 2019-2020Full text PDF ABSTRACT David Tudor’s (1926-1996) Rainforest performances used creative circuitry and live electronics to create a spatialized, resonant sound environment. The Rainforest series and its assorted versions are constructed upon experimentation and change, rarely being assembled or performed exactly the same way twice. The Museum of Modern … Continue reading Conservation of a Software-Based Sound Installation: Insights from the Museum of Modern Art’s Installation of David Tudor and Composers Inside Electronics’ “Rainforest V (Variation 1)”