Papers presented at the Electronic Media Group session of the 47th AIC Annual Meeting, Uncasville, CT, 2019, and the 48th AIC Virtual Annual Meeting, 2020.<\/p>\n\n\n\n
The\u00a0full PDF of Volume 6\u00a0is available free of charge in the AIC Online Store<\/a>.<\/p>\n\n\n\n Briana Feston-Brunet, Managing Editor; Meaghan Perry, Assistant Editor; sasha arden, Assistant Editor<\/p>\n\n\n\n Revisiting Chemical Reconditioning of Cellulose Acetate Motion Picture Films for Improved Digital Reformatting<\/a> Time Base Correctors Under Control: Suggestion for a New Documentation Method for the Digitization of Analogue Video<\/a> Restoring The Residents: Correcting Fixed and Variable Speed Changes in Video Recordings<\/a> And There Was Light: Restoring the Notman & Son Neon Sign<\/a> The Use of Technology for the Preservation of Light-Kinetic Art: The Conservation Treatment on Three Strutturazioni ritmiche<\/em> by Gianni Colombo<\/a> A Race Against Time: Preserving iOS App-Based Artworks<\/a> Towards Best Practices in Disk Imaging: A Cross-Institutional Approach<\/a> The Potential of Augmented Reality (AR) in the Virtual Performance of Time-Based Media Art<\/a> First Look: Capturing Emerging Digital Art with Webrecorder<\/a> Archiving Complex Digital Artworks<\/a> Virtual Reality as an Environment and Movement Documenting Tool in Conservation Practice for Mechanical Kinetic Artwork<\/a> From Immersion to Acquisition: An Overview of Virtual Reality for Time Based Media Conservators<\/a> Monuments in Time: An Analysis of Conceptual Tensions in Media Installations<\/a> Decentralized Digital Collections Storage<\/a> Promoting Digital Media Stewardship in Art Museums<\/a> Conservators in the Wild: Collaboration with Art Studios, Galleries, and Collectors<\/a> “Artificial Intelligence in Contemporary Art”: Is it Possible to Preserve the Algorithm?<\/a> Making Practice Practical: Developing Digital Preservation for Storage of Artworks at the Museum of Modern Art<\/a> Developing the Digital Preservation Handbook for Video Games and Digital Archives at the Strong National Museum of Play<\/a> New Objects of Conservation: Web-Based Art and Web-Based Records<\/a> Conservation in the Contemporary Art Market<\/a> Conservation of a Software-Based Sound Installation: Insights from the Museum of Modern Art’s Installation of David Tudor and Composers Inside Electronics’ Rainforest V (Variation 1)<\/em><\/a> One Size Does Not Fit All: Adapting the Institution for Collecting Time-Based Media Artworks<\/a> Hans Haacke, “News”: A Case Study on Migration and Cross-Institutional Collaboration for a Conceptual Software-Based Artwork<\/a> Jim Campbell: Caring for Custom Hardware<\/a> Fitting the Pieces Together: Moving Toward a Collaborative Approach to Time-Based Media Conservation<\/a> el cuarto del Quenep\u00f3n<\/em>: Collaborative and Cross-Disciplinary Approaches in the Preservation of Time-Based Media on the Web<\/a> “Self-Documentation” as a Means of Conservation for Data-Based Installations<\/a> A Cross-Departmental Collaboration to Improve Digital Storage at the Metropolitan Museum of Art<\/a> Perfect Sound Forever: Addressing Intermittent Functionality in the Permanent Installations of Max Neuhaus<\/a> The First Stewards: Digital Preservation in Artist-Run Platforms and Galleries<\/a> From Repair to Prepare: Concepts for the Preservation of Picture Tubes in Video Art<\/a> Preservation and Documentation of Time-Based Media Art at the Reykjav\u00edk Art Museum<\/a> Capturing Scholarship and Datasets in Contemporary Art: The Joan Jonas Knowledge Base<\/a> <\/p>\n","protected":false},"excerpt":{"rendered":" Papers presented at the Electronic Media Group session of the 47th AIC Annual Meeting, Uncasville, CT, 2019, and the 48th AIC Virtual Annual Meeting, 2020. The\u00a0full PDF of Volume 6\u00a0is available free of charge in the AIC Online Store. Briana Feston-Brunet, Managing Editor; Meaghan Perry, Assistant Editor; sasha arden, Assistant Editor Papers presented at the … Continue reading “Volume 6: 2019-2020”<\/span><\/a><\/p>\n","protected":false},"author":37,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"class_list":["post-1730","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/resources.culturalheritage.org\/emg-review\/wp-json\/wp\/v2\/pages\/1730","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/resources.culturalheritage.org\/emg-review\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/resources.culturalheritage.org\/emg-review\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/emg-review\/wp-json\/wp\/v2\/users\/37"}],"replies":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/emg-review\/wp-json\/wp\/v2\/comments?post=1730"}],"version-history":[{"count":2,"href":"https:\/\/resources.culturalheritage.org\/emg-review\/wp-json\/wp\/v2\/pages\/1730\/revisions"}],"predecessor-version":[{"id":2266,"href":"https:\/\/resources.culturalheritage.org\/emg-review\/wp-json\/wp\/v2\/pages\/1730\/revisions\/2266"}],"wp:attachment":[{"href":"https:\/\/resources.culturalheritage.org\/emg-review\/wp-json\/wp\/v2\/media?parent=1730"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}Papers presented at the Electronic Media Group session of the 47th AIC Annual Meeting, Uncasville, CT, 2019.<\/h3>\n\n\n\n
John Baty; Diana Little, and La Verne Lopes<\/p>\n\n\n\n
Sophie Bunz and Agathe Jarczyk<\/p>\n\n\n\n
Bill Seery and Maurice Schechter<\/p>\n\n\n\n
Sonia Kata<\/p>\n\n\n\n
Maria Cristina Lanza<\/p>\n\n\n\n
Joey Heinen and Morgan Kessler<\/p>\n\n\n\n
Eddy Colloton, Jonathan Farbowitz, Flaminia Fortunato, and Caroline Gil<\/p>\n\n\n\n
Sasha Arden<\/p>\n\n\n\n
Amye McCarther<\/p>\n\n\n\n
Du\u0161an Barok, Annet Dekker, David Gauthier, Claudia Roeck, and Julie Boschat Thorez<\/p>\n\n\n\n
Yu-Hsien Chen and Tzu-Chuan Lin<\/p>\n\n\n\n
Savannah Campbell and Mark Hellar<\/p>\n\n\n\n
Dan Finn<\/p>\n\n\n\n
Erin Barsan and Ben Fino-Radin<\/p>\n\n\n\n
Jean Moylan<\/p>\n\n\n\n
Rachel M. Ward<\/p>\n\n\n\nPapers presented at the Electronic Media Group session of the 48th AIC Virtual Annual Meeting, 2020.<\/h3>\n\n\n\n
Julia Betancor, Dan Finn, Alvar Garc\u00eda, Isabella Galeano, and Ana L. Mata Delgado<\/p>\n\n\n\n
Amy Brost<\/p>\n<\/div><\/div>\n\n\n\n
Hillary Ellis and Julia Novakovic<\/p>\n<\/div><\/div>\n\n\n\n
Patricia Falc\u00e3o, Sarah Haylett, and Chris King<\/p>\n\n\n\n
Ben Fino-Radin<\/p>\n\n\n\n
Caroline Gil-Rodriguez<\/p>\n\n\n\n
Morgan Kessler and Joey Heinen<\/p>\n\n\n\n
Mark Hellar and Daniel Finn<\/p>\n\n\n\n
Shu-Wen Lin<\/p>\n\n\n\n
Kristin MacDonough<\/p>\n\n\n\n
Amye McCarther, Caroline Gil, Danielle Calle, and Claire Fox<\/p>\n\n\n\n
Diego Mellado Mart\u00ednez<\/p>\n\n\n\n
Alexandra Nichols and Milo Thiesen <\/p>\n\n\n\n
Meaghan Perry and Sarah Thompson<\/p>\n\n\n\n
Colin Post<\/p>\n\n\n\n
Jochen Saueracker<\/p>\n\n\n\n
Sigga Reg\u00edna Sigurthorsdottir and Edda Halldorsdottir <\/p>\n\n\n\n
Glenn Wharton, Deena Engel, and Barbara Clausen<\/p>\n\n\n\n