{"id":1811,"date":"2023-04-30T15:51:37","date_gmt":"2023-04-30T19:51:37","guid":{"rendered":"https:\/\/resources.culturalheritage.org\/emg-review\/?page_id=1811"},"modified":"2026-06-13T15:47:31","modified_gmt":"2026-06-13T19:47:31","slug":"volume-7-2021-2022","status":"publish","type":"page","link":"https:\/\/resources.culturalheritage.org\/emg-review\/volume-7-2021-2022\/","title":{"rendered":"Volume 7: 2021-2022"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Papers presented at the Electronic Media Group sessions and EMG\/Contemporary Art Network (CAN!) joint sessions of the 49th AIC Virtual Annual Meeting, 2021, and the 50th AIC Annual Meeting, Los Angeles, CA, 2022.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The&nbsp;full PDF of Volume 7&nbsp;is available free of charge in the&nbsp;<a href=\"https:\/\/members.culturalheritage.org\/commerce\/store\" target=\"_blank\" rel=\"noreferrer noopener\">AIC Online Store<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Meaghan Perry, Managing Editor; sasha arden, Assistant Editor<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Papers presented at the Electronic Media Group sessions and EMG\/Contemporary Art Network (CAN!) joint sessions of the 49th AIC Virtual Annual Meeting, 2021.<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/contemporaryartreview\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Contemporary Art Review<\/strong><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>EMG<\/strong> &#8211; <a href=\"https:\/\/resources.culturalheritage.org\/emg-review\/volume-7-2021-2022\/building-preventative-conservation-documentation-into-a-private-digital-art-collection\/\" data-type=\"page\" data-id=\"1902\" target=\"_blank\" rel=\"noreferrer noopener\">Building Preventative Conservation &amp; Documentation into a Private Digital Art Collection<\/a><br>Kate Weinstein<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>EMG<\/strong> &#8211; <a href=\"https:\/\/resources.culturalheritage.org\/emg-review\/volume-7-2021-2022\/divergent-conservation-cultural-sector-opportunities-and-challenges-relating-to-the-development-of-time-based-art-conservation-in-australasia\/\" data-type=\"page\" data-id=\"1903\" target=\"_blank\" rel=\"noreferrer noopener\">Divergent Conservation: Cultural Sector Opportunities and Challenges Relating to the Development of Time-Based Art Conservation in Australasia<\/a><br>Asti Sherring<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>EMG &#8211; <\/strong><a href=\"https:\/\/resources.culturalheritage.org\/emg-review\/volume-7-2021-2022\/collecting-in-the-shadow-of-the-state-acquiring-performance-at-imma-and-institutions-of-care-in-the-irish-context\/\" data-type=\"page\" data-id=\"1895\" target=\"_blank\" rel=\"noreferrer noopener\">Collecting in the Shadow of the State: Acquiring Performance at IMMA and Institutions of Care in the Irish Context<\/a><br>Brian Castriota and Claire Walsh<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>EMG\/CAN! PANEL<\/strong>&nbsp;\u2013&nbsp; <a href=\"https:\/\/resources.culturalheritage.org\/emg-review\/volume-7-2021-2022\/panel-in-search-of-sustainable-care-for-digital-art-establishing-networks-enhancing-collaboration-and-shifting-from-ownership-to-commons\/\" data-type=\"page\" data-id=\"1905\" target=\"_blank\" rel=\"noreferrer noopener\">In Search of Sustainable Care for Digital Art: Establishing Networks, Enhancing Collaboration and Shifting from Ownership to Commons<\/a><br>Annet Dekker, Marina Valle Noronha, and Aga Wielocha<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>EMG &#8211; <\/strong><a href=\"https:\/\/resources.culturalheritage.org\/emg-review\/volume-7-2021-2022\/sine-waves-sounds-and-sensations\/\" data-type=\"page\" data-id=\"1898\" target=\"_blank\" rel=\"noreferrer noopener\">Sine Waves, Sounds and Sensations<\/a><br>Agathe Jarczyk and Sophie Bunz<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>EMG<\/strong> &#8211; <a href=\"https:\/\/resources.culturalheritage.org\/emg-review\/volume-7-2021-2022\/the-installation-and-long-term-preservation-of-alex-da-cortes-rubber-pencil-devil-at-the-dallas-museum-of-art\/\" data-type=\"page\" data-id=\"1906\" target=\"_blank\" rel=\"noreferrer noopener\">The Installation and Long-Term Preservation of Alex Da Corte&#8217;s <em>Rubber Pencil Devil<\/em> at the Dallas Museum of Art<\/a><br>Elena Torok, Katie Province, and Lance Lander<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>EMG &#8211;<\/strong> <a href=\"https:\/\/resources.culturalheritage.org\/emg-review\/volume-7-2021-2022\/why-ask-a-60-year-old-to-run-a-daily-marathon-the-conundrum-of-documenting-and-displaying-kinetic-art-by-jean-tinguely\/\" data-type=\"page\" data-id=\"1897\" target=\"_blank\" rel=\"noreferrer noopener\">Why Ask a 60 Year Old to Run a Daily Marathon? The Conundrum of Documenting and Displaying Kinetic Art by Jean Tinguely<\/a><br>Jane Gillies<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>EMG\/CAN!<\/strong> &#8211; <a href=\"https:\/\/resources.culturalheritage.org\/emg-review\/volume-7-2021-2022\/new-art-and-new-ways-of-institutional-collecting-from-possession-to-partnership\/\" data-type=\"page\" data-id=\"1908\" target=\"_blank\" rel=\"noreferrer noopener\">New Art and New Ways of Institutional Collecting: From Possession to Partnership<\/a><br>Aga Wielocha<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>EMG\/CAN!<\/strong> &#8211; <a href=\"https:\/\/resources.culturalheritage.org\/emg-review\/volume-7-2021-2022\/how-to-lose-control-and-learn-to-like-it-the-story-of-planetary\/\" data-type=\"page\" data-id=\"1909\" target=\"_blank\" rel=\"noreferrer noopener\">How to Lose Control and Learn to Like It (The Story of Planetary)<\/a><br>Jessica Walthew and Ben Fino-Radin<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>EMG\/CAN!<\/strong>&nbsp;\u2013&nbsp; <a href=\"https:\/\/resources.culturalheritage.org\/emg-review\/volume-7-2021-2022\/trust-and-oral-tradition-as-a-proposed-strategy-for-the-conservation-of-performance-art\/\" data-type=\"page\" data-id=\"1896\" target=\"_blank\" rel=\"noreferrer noopener\">Trust and &#8220;Oral Tradition&#8221; as a Proposed Strategy for the Conservation of Performance Art<\/a><br>Ruth del Fresno-Guillem<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>EMG\/CAN!<\/strong> &#8211; <a href=\"https:\/\/resources.culturalheritage.org\/emg-review\/volume-7-2021-2022\/murals-and-the-matter-of-cultural-heritage\/\" data-type=\"page\" data-id=\"1900\" target=\"_blank\" rel=\"noreferrer noopener\">Murals and the Matter of Cultural Heritage<\/a>&nbsp;<br>Lorraine Lazama Lazard<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>EMG\/CAN!<\/strong> &#8211; <a href=\"https:\/\/resources.culturalheritage.org\/emg-review\/volume-7-2021-2022\/sfmoma-policy-on-reprinting-new-challenges-and-opportunities\/\" data-type=\"page\" data-id=\"1910\" target=\"_blank\" rel=\"noreferrer noopener\">SFMOMA Policy on Reprinting: New Challenges and Opportunities<\/a><br>Roberta Piantavigna<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>EMG\/CAN!<\/strong> &#8211; <a href=\"https:\/\/resources.culturalheritage.org\/emg-review\/volume-7-2021-2022\/developing-a-community-of-practice-between-m-and-agnsw-for-the-preservation-of-two-editions-of-a-complex-time-based-media-installation\/\" data-type=\"page\" data-id=\"1911\" target=\"_blank\" rel=\"noreferrer noopener\">Developing a Community of Practice Between M+ and AGNSW for the Preservation of Two Editions of a Complex Time-Based Media Installation Artwork, Yin Xiuzhen\u2019s <em>Beijing Opera<\/em>\u202f(2000, 2001)<\/a><br>Asti Sherring, Rebecca Barnott-Clement, Alessandra Guarascio, and Marta Garc\u00eda Celma<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Papers presented at the Electronic Media Group session of the 50th AIC Annual Meeting, Los Angeles, CA, 2022.<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/emg-review\/volume-7-2021-2022\/preserving-software-based-art-at-tate-from-research-to-best-practices\/\" data-type=\"page\" data-id=\"1915\" target=\"_blank\" rel=\"noreferrer noopener\">Preserving Software-Based Art at Tate: From Research to Best Practices<\/a><br>Tom Ensom and Patricia Falc\u00e3o<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/emg-review\/volume-7-2021-2022\/beyond-the-archive-preservation-and-access-for-web-based-interactive-data-journalism\/\" data-type=\"page\" data-id=\"1916\" target=\"_blank\" rel=\"noreferrer noopener\">Beyond the Archive: Preservation and Access for Web-Based Interactive Data Journalism<\/a><br>Josephine Jenks, Jessica Walthew, and Andrea Lipps<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/emg-review\/volume-7-2021-2022\/expanding-the-horizons-building-collaborations-to-care-for-contemporary-and-time-based-media-collections\/\" data-type=\"page\" data-id=\"1917\" target=\"_blank\" rel=\"noreferrer noopener\">Expanding the Horizons: Building Collaborations to Care for Contemporary and Time-Based Media Collections<\/a><br>Shu-Wen Lin and Jen-Jung Ku<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/emg-review\/volume-7-2021-2022\/an-analysis-of-software-based-artworks-using-max-msp-through-different-conservation-strategies\/\" data-type=\"page\" data-id=\"1918\" target=\"_blank\" rel=\"noreferrer noopener\">An Analysis of Software-Based Artworks Using Max\/MSP Through Different Conservation Strategies<\/a><br>Tzu-Chuan Lin<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/emg-review\/peer-to-peer-toward-the-collection-conservation-of-net-art\/\" data-type=\"page\" data-id=\"2047\" target=\"_blank\" rel=\"noreferrer noopener\">Peer-to-Peer: Towards the Collective Conservation of Net Art<\/a><br>Anna Mladentseva<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/emg-review\/volume-7-2021-2022\/right-sizing-a-time-based-media-conservation-program-at-glenstone\/\" data-type=\"page\" data-id=\"1920\" target=\"_blank\" rel=\"noreferrer noopener\">Right-Sizing Digital Collections at Glenstone<\/a><br>Samantha Owens, Cass Fino-Radin, and Steven O&#8217;Banion<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Papers presented at the Electronic Media Group sessions and EMG\/Contemporary Art Network (CAN!) joint sessions of the 49th AIC Virtual Annual Meeting, 2021, and the 50th AIC Annual Meeting, Los Angeles, CA, 2022. The&nbsp;full PDF of Volume 7&nbsp;is available free of charge in the&nbsp;AIC Online Store. Meaghan Perry, Managing Editor; sasha arden, Assistant Editor Papers &hellip; <a href=\"https:\/\/resources.culturalheritage.org\/emg-review\/volume-7-2021-2022\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Volume 7: 2021-2022&#8221;<\/span><\/a><\/p>\n","protected":false},"author":46,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1811","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/resources.culturalheritage.org\/emg-review\/wp-json\/wp\/v2\/pages\/1811","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/resources.culturalheritage.org\/emg-review\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/resources.culturalheritage.org\/emg-review\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/emg-review\/wp-json\/wp\/v2\/users\/46"}],"replies":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/emg-review\/wp-json\/wp\/v2\/comments?post=1811"}],"version-history":[{"count":3,"href":"https:\/\/resources.culturalheritage.org\/emg-review\/wp-json\/wp\/v2\/pages\/1811\/revisions"}],"predecessor-version":[{"id":2307,"href":"https:\/\/resources.culturalheritage.org\/emg-review\/wp-json\/wp\/v2\/pages\/1811\/revisions\/2307"}],"wp:attachment":[{"href":"https:\/\/resources.culturalheritage.org\/emg-review\/wp-json\/wp\/v2\/media?parent=1811"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}