{"id":1819,"date":"2023-12-03T18:11:41","date_gmt":"2023-12-03T23:11:41","guid":{"rendered":"https:\/\/resources.culturalheritage.org\/emg-review\/?page_id=1819"},"modified":"2026-06-13T15:11:10","modified_gmt":"2026-06-13T19:11:10","slug":"gil","status":"publish","type":"page","link":"https:\/\/resources.culturalheritage.org\/emg-review\/volume-6-2019-2020\/gil\/","title":{"rendered":"&#8220;el cuarto del Quenep\u00f3n&#8221;: Collaborative and Cross-Disciplinary Approaches in the Preservation of Time-Based Media on the Web"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Caroline Gil, Claire Fox, Danielle Calle, and Amye McCarther<br><em>Electronic Media Review, Volume Six: 2019-2020<\/em><br><a href=\"https:\/\/resources.culturalheritage.org\/emg-review\/wp-content\/uploads\/sites\/15\/2026\/06\/Vol_6_Ch_27_2020_McCarther_177-178.pdf\" data-type=\"attachment\" data-id=\"2220\">Abstract PDF<\/a><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">ABSTRACT<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">In 1995, Puerto Rican visual artist and designer Mar\u00eda de Mater O\u2019Neill created the cyber zine <em>el cuarto del Quenep\u00f3n<\/em>, the first electronic publication devoted to cultural production in Latin America and one of the first Spanish-language electronic publications in the world. Taking its name from the artist\u2019s graphic design studio, O\u2019Neill envisioned the website as a cultural space\u2014a contribution toward the community\u2014with the purpose of spreading the vitality and diversity of Puerto Rican culture to a global online audience. Central to <em>Quenep\u00f3n<\/em> was its cultural projects section, which presented the work of a series of artists and writers from Puerto Rico and across Latin America, the United States, and the Caribbean.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A multidisciplinary platform that presaged the digital ecosystem of cultural production today, the site hosted the first digital library specializing in the contemporary cultural production of the Caribbean and served the online transmission of conferences via video, audio, and live chat. The site further acted as a hub of cultural activity, publishing news, artist calls, calendars of events, and an e-mail directory of artists, writers, curators, galleries, and museums. <em>Quenep\u00f3n<\/em> is both a unique cultural document and an artistic work in its own right. An early adopter and producer of online content, O\u2019Neill was only the second individual in Puerto Rico to install an Internet connection at her home in San Juan. The original site was designed to be rendered in Mosaic, an early precursor to Netscape, and continuously evolved in step with emerging multimedia and browsing technologies until its close in 2005.&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">O\u2019Neill, who continues to practice as a designer, art director, educator, and scholar, has noted her concern over the inaccessibility of <em>Quenep\u00f3n<\/em> due to technological obsolescence of proprietary tape drives used for data backups and native browsing environments, as well as the broader threat posed to Puerto Rico\u2019s design heritage due to lacking technological infrastructure in the wake of ongoing economic austerity. In 2019, while visiting Puerto Rico to participate in the APEX (Audiovisual Preservation Exchange) Program, a group of conservators and students from the Museum of Modern Art, New Museum, and the NYU Moving Image Archiving and Preservation program connected with O\u2019Neill to evaluate the possibility of migrating and preserving the data backups of <em>el cuarto del Quenep\u00f3n<\/em> and restoring the site to its original function so that researchers in Puerto Rico and beyond may once again access this rich document of the island\u2019s cultural past.&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This presentation will report on the process of restoring the website from elements stored on data tapes and optical media, and efforts to realize its original functionality via a spectrum of emulated production and browsing environments. This interdisciplinary project highlights the importance of partnerships between the embedded knowledge of artists and the expertise of time-based media conservators in identifying and preserving cultural materials that fall outside the bounds of institutional collections or that exist in regions where institutional resources have been impacted by economic austerity.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Caroline Gil<br>Andrew W. Mellon Fellow in Media Conservation<br>The Metropolitan Museum of Art<br><br>Claire Fox<br>Postgraduate Fellow<br>Regional Media Legacies Project<br><br>Danielle Calle<br>Audiovisual \/ Digital Preservation Librarian<br>National Library of Medicine&nbsp;<br><br>Amye McCarther<br>Archivist<br>New Museum<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Caroline Gil, Claire Fox, Danielle Calle, and Amye McCartherElectronic Media Review, Volume Six: 2019-2020Abstract PDF ABSTRACT In 1995, Puerto Rican visual artist and designer Mar\u00eda de Mater O\u2019Neill created the cyber zine el cuarto del Quenep\u00f3n, the first electronic publication devoted to cultural production in Latin America and one of the first Spanish-language electronic publications &hellip; <a href=\"https:\/\/resources.culturalheritage.org\/emg-review\/volume-6-2019-2020\/gil\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;&#8220;el cuarto del Quenep\u00f3n&#8221;: Collaborative and Cross-Disciplinary Approaches in the Preservation of Time-Based Media on the Web&#8221;<\/span><\/a><\/p>\n","protected":false},"author":341,"featured_media":0,"parent":1730,"menu_order":11,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1819","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/resources.culturalheritage.org\/emg-review\/wp-json\/wp\/v2\/pages\/1819","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/resources.culturalheritage.org\/emg-review\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/resources.culturalheritage.org\/emg-review\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/emg-review\/wp-json\/wp\/v2\/users\/341"}],"replies":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/emg-review\/wp-json\/wp\/v2\/comments?post=1819"}],"version-history":[{"count":1,"href":"https:\/\/resources.culturalheritage.org\/emg-review\/wp-json\/wp\/v2\/pages\/1819\/revisions"}],"predecessor-version":[{"id":2257,"href":"https:\/\/resources.culturalheritage.org\/emg-review\/wp-json\/wp\/v2\/pages\/1819\/revisions\/2257"}],"up":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/emg-review\/wp-json\/wp\/v2\/pages\/1730"}],"wp:attachment":[{"href":"https:\/\/resources.culturalheritage.org\/emg-review\/wp-json\/wp\/v2\/media?parent=1819"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}