{"id":1892,"date":"2023-12-02T21:16:23","date_gmt":"2023-12-03T02:16:23","guid":{"rendered":"https:\/\/resources.culturalheritage.org\/emg-review\/?page_id=1892"},"modified":"2026-03-01T11:41:22","modified_gmt":"2026-03-01T16:41:22","slug":"volume-8-2023-2024","status":"publish","type":"page","link":"https:\/\/resources.culturalheritage.org\/emg-review\/volume-8-2023-2024\/","title":{"rendered":"Volume 8: 2023-2024"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Papers presented at the Electronic Media Group sessions of the 51st AIC Annual Meeting, Jacksonville, FL, 2023, and the 52nd AIC Annual Meeting, Salt Lake City, UT, 2024.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">sasha arden, Managing Editor; Felice Robles, Assistant Editor.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Papers presented at the Electronic Media Group sessions of the 51st AIC Annual Meeting, Jacksonville, FL, 2023<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/emg-review\/volume-8-2023-2024\/digital-preservation-of-cuban-music-case-study-of-the-collection-of-the-center-for-information-and-conservation-of-musical-archives-cicam-of-the-recording-and-musical-editions-company-egrem\/\" data-type=\"page\" data-id=\"1921\" target=\"_blank\" rel=\"noreferrer noopener\">Digital Preservation of Cuban Music: Case Study of the Collection of the Center for Information and Conservation of Musical Archives (CICAM) of the Recording and Musical Editions Company (EGREM)<\/a><br>Gretter Arias Garc\u00eda<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/emg-review\/volume-8-2023-2024\/past-present-and-future-of-new-media-conservation-learning-from-a-historical-overview\/\" data-type=\"page\" data-id=\"1923\" target=\"_blank\" rel=\"noreferrer noopener\">Past, Present and Future of New Media Conservation: Learning from a Historical Overview<\/a><br>Paula Fern\u00e1ndez Vald\u00e9s<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/emg-review\/volume-8-2023-2024\/preserving-documenting-and-exhibiting-siebren-versteegs-computer-based-artwork\/\" data-type=\"page\" data-id=\"1925\" target=\"_blank\" rel=\"noreferrer noopener\">Preserving, Documenting, and Exhibiting Siebren Versteeg&#8217;s Computer-Based Artwork<\/a><br>Taylor Healy and Briana Feston-Brunet<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/emg-review\/volume-8-2023-2024\/not-only-the-climate-is-changing-adaptation-and-mitigation-within-a-changing-ecology-of-conservation\/\" data-type=\"page\" data-id=\"1928\" target=\"_blank\" rel=\"noreferrer noopener\">Not Only the Climate is Changing: Adaptation and Mitigation within a Changing Ecology of Conservation<\/a><br>Carl Philipp Hoffmann<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/emg-review\/volume-8-2023-2024\/stories-from-the-land-of-the-long-white-cloud-reflections-from-a-time-based-media-project-in-aotearoa-new-zealand\/\" data-type=\"page\" data-id=\"1930\" target=\"_blank\" rel=\"noreferrer noopener\">Stories from the Land of the Long White Cloud: Reflections from a Time-Based Media Project in Aotearoa New Zealand<\/a><br>Eliza Penrose<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/emg-review\/volume-8-2023-2024\/rethinking-fixity-in-the-midst-of-its-costs\/\" data-type=\"page\" data-id=\"1931\" target=\"_blank\" rel=\"noreferrer noopener\">Rethinking Fixity in the Midst of its Costs<\/a><br>Crystal Sanchez<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Papers presented at the Electronic Media Group and CAN!\/EMG sessions of the 52nd AIC Annual Meeting, Salt Lake City, UT, 2024<\/h3>\n\n\n\n<h5 class=\"wp-block-heading\">Electronic Media Group Sessions<\/h5>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/emg-review\/the-migration-of-gary-hills-interactive-video-installation-tall-ships-1992\/\" data-type=\"page\" data-id=\"1992\" target=\"_blank\" rel=\"noreferrer noopener\">The Migration of Gary Hill&#8217;s Interactive Video Installation <em>Tall Ships <\/em>(1992)<\/a><br>Samantha Owens, Cass Fino-Radin, and Daniel Mauro<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/emg-review\/a-changing-solution-for-ever-changing-challenges-photoflicks-and-photofictions-by-lucas-samaras\/\" data-type=\"page\" data-id=\"1994\" target=\"_blank\" rel=\"noreferrer noopener\">A Changing Solution for Ever-Changing Challenges: <em>Photoflicks and Photofictions<\/em> by Lucas Samaras<\/a><br>Shu-Wen Lin, Joshua Churchill, and Mark Hellar<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/emg-review\/tending-to-time-based-media-art-in-aotearoa-new-zealand\/\" data-type=\"page\" data-id=\"1995\" target=\"_blank\" rel=\"noreferrer noopener\">Tending to Time-Based Media Art in Aotearoa, New Zealand<\/a><br>Asti Sherring<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/emg-review\/the-landscape-of-blockchain-based-art-preservation-risk-assessment-of-81-horizons-by-rafael-rozendaal\/\" data-type=\"page\" data-id=\"1996\" target=\"_blank\" rel=\"noreferrer noopener\">The Landscape of Blockchain-Based Art Preservation: Risk Assessment of <em>81 Horizons<\/em> by Rafa\u00ebl Rozendaal<\/a><br>Olivia Schoenfeld and Ellen Jansen<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/emg-review\/an-experiment-in-art-and-technology-negotiating-with-time-in-robert-rauschenbergs-carnal-clocks\/\" data-type=\"page\" data-id=\"1997\" target=\"_blank\" rel=\"noreferrer noopener\">An Experiment in Art and Technology: Negotiating Time in Robert Rauschenberg\u2019s <em>Carnal Clocks<\/em><\/a><br>Daniella Brice\u00f1o Villamil, adrian hernandez, Reinhard Bek, and Christina Frohnert<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/emg-review\/restoration-of-chance-words-by-augusto-de-campos-the-poem-behind-the-scenes-written-in-flash-code\/\" data-type=\"page\" data-id=\"1998\" target=\"_blank\" rel=\"noreferrer noopener\">Restoration of <em>Chance Words<\/em> by Augusto de Campos: The Poem behind the Scenes Written in Flash Code<\/a><br>Marcela Viera<\/p>\n\n\n\n<h5 class=\"wp-block-heading\">CAN!\/EMG Session<\/h5>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/contemporaryartreview\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Contemporary Art Review<\/strong><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/emg-review\/timekeeper-caring-for-a-complex-installation-by-sarah-sze\/\" data-type=\"page\" data-id=\"1999\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Timekeeper<\/em>: Caring for a Complex Installation by Sarah Sze<\/a><br>sasha arden, Esther Chao, Piotr Chizinski, Tess Hamilton, James Hughes, Agathe Jarczyk, Jeffrey Warda, and Elizaveta Yuzhakova<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/emg-review\/a-journey-into-the-preservation-of-time-based-media-the-example-of-the-heritage-conservation-centre-in-singapore-part-i\/\" data-type=\"page\" data-id=\"2000\" target=\"_blank\" rel=\"noreferrer noopener\">A Journey into the Preservation of Time-Based Media: The Example of the Heritage Conservation Centre in Singapore (Part I)<\/a><br>Fabiola Rocco, Kezia Toh, Jo-Anne Wong, Mar Cruz, Alex Soo, and Christel Pesme<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/emg-review\/dynamic-objects-evolving-collections-a-new-approach-to-changeability-at-the-national-museum-of-australia\/\" data-type=\"page\" data-id=\"2001\" target=\"_blank\" rel=\"noreferrer noopener\">Dynamic Objects, Evolving Collections: A New Approach to Changeability at the National Museum of Australia<\/a><br>Asti Sherring<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Papers presented at the Electronic Media Group sessions of the 51st AIC Annual Meeting, Jacksonville, FL, 2023, and the 52nd AIC Annual Meeting, Salt Lake City, UT, 2024. sasha arden, Managing Editor; Felice Robles, Assistant Editor. Papers presented at the Electronic Media Group sessions of the 51st AIC Annual Meeting, Jacksonville, FL, 2023 Digital Preservation &hellip; <a href=\"https:\/\/resources.culturalheritage.org\/emg-review\/volume-8-2023-2024\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Volume 8: 2023-2024&#8221;<\/span><\/a><\/p>\n","protected":false},"author":341,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1892","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/resources.culturalheritage.org\/emg-review\/wp-json\/wp\/v2\/pages\/1892","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/resources.culturalheritage.org\/emg-review\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/resources.culturalheritage.org\/emg-review\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/emg-review\/wp-json\/wp\/v2\/users\/341"}],"replies":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/emg-review\/wp-json\/wp\/v2\/comments?post=1892"}],"version-history":[{"count":0,"href":"https:\/\/resources.culturalheritage.org\/emg-review\/wp-json\/wp\/v2\/pages\/1892\/revisions"}],"wp:attachment":[{"href":"https:\/\/resources.culturalheritage.org\/emg-review\/wp-json\/wp\/v2\/media?parent=1892"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}