{"id":616,"date":"2019-03-01T19:00:43","date_gmt":"2019-03-02T00:00:43","guid":{"rendered":"http:\/\/resources.culturalheritage.org\/emg-review\/?page_id=616"},"modified":"2023-12-02T21:20:59","modified_gmt":"2023-12-03T02:20:59","slug":"volume-4-2015-2016","status":"publish","type":"page","link":"https:\/\/resources.culturalheritage.org\/emg-review\/volume-4-2015-2016\/","title":{"rendered":"Volume 4: 2015-2016"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Papers presented at the Electronic Media Group session of the 43rd AIC Annual Meeting, Miami, Florida, 2015, and the 44th AIC Annual Meeting, Montreal Canada, 2016.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Briana Feston-Brunet and Jeffrey Warda, Managing Editors<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Papers presented at the Electronic Media Group Session, AIC 43rd Annual Meeting, May 13\u201316, 2015, Miami, Florida<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/resources.culturalheritage.org\/emg-review\/volume-4-2015-2016\/passmore\/\">The Fragile Surface: Preserving the CD-DA<\/a><br>John Passmore<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/resources.culturalheritage.org\/emg-review\/volume-4-2015-2016\/rice\/\">QCTools: A Consideration of Free Software for the Quality Control of Video Digitization<\/a><br>Dave Rice and Benjamin Turkus<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/resources.culturalheritage.org\/emg-review\/volume-4-2015-2016\/turkus-2\/\">Drop Video File(s) Here: The Emergence of Free Quality Control Tools for Video Preservation<\/a><br>Benjamin Turkus<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/resources.culturalheritage.org\/emg-review\/volume-4-2015-2016\/piil-oleksik\/\">Digital Applications for Film Preservation<\/a><br>Erik Piil and Peter Oleksik<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/resources.culturalheritage.org\/emg-review\/volume-4-2015-2016\/phillips\/\">Cross-disciplinary Conservation: Building a Synergetic Time-based Media Lab<\/a><br>Joanna Phillips<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/resources.culturalheritage.org\/emg-review\/volume-4-2015-2016\/engel-hellar\/\">Computational Provenance and Computational Reproducibility: What Can We Learn about the Conservation of Software Art from Current Research in the Sciences?<\/a><br>Deena Engel and Mark Hellar<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/resources.culturalheritage.org\/emg-review\/volume-4-2015-2016\/falcao\/\">An Exploration of Significance, Dependency, and Virtualization in the Conservation of Software-based Artworks <\/a><br>Patricia Falcao, Annet Dekker, and Pip Laurenson<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/resources.culturalheritage.org\/emg-review\/volume-4-2015-2016\/magnin\/\">Defining an Ethical Framework for Preserving Cory Arcangel\u2019s <\/a><em><a href=\"http:\/\/resources.culturalheritage.org\/emg-review\/volume-4-2015-2016\/magnin\/\">Super Mario Clouds<\/a><\/em><br>Emilie Magnin<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/resources.culturalheritage.org\/emg-review\/volume-4-2015-2016\/heinen\/\">Archiving <\/a><em><a href=\"http:\/\/resources.culturalheritage.org\/emg-review\/volume-4-2015-2016\/heinen\/\">The Brotherhood<\/a><\/em><a href=\"http:\/\/resources.culturalheritage.org\/emg-review\/volume-4-2015-2016\/heinen\/\">: Proposing a Technical Genealogy for Time-Based Works<\/a><br>Joey Heinen<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/resources.culturalheritage.org\/emg-review\/volume-4-2015-2016\/kim\/\">Jeremy Blake\u2019s Time-Based Paintings: A Case Study<\/a><br>Julia Kim and Don Mennerich<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Papers presented at the Electronic Media Group Session, AIC 44th Annual Meeting, May 13\u201317, 2016, Montreal, Canada<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/resources.culturalheritage.org\/emg-review\/volume-4-2015-2016\/stevenson\/\">Conservation and Digital Preservation: (Where) Do the Two Roads Meet?<\/a><br>David Stevenson<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/resources.culturalheritage.org\/emg-review\/volume-4-2015-2016\/piil\/\">Videotape Deterioration Mechanisms and Conservation Remedies: A Primer<\/a><br>Erik Piil<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/resources.culturalheritage.org\/emg-review\/volume-4-2015-2016\/bunz\/\">How Sustainable is File-based Video Art? Exploring the Foundations for Best Practice Development<\/a><br>Brian Castriota, Sophie Bunz, Flaminia Fortunato, Carole Mai\u0302tre<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/resources.culturalheritage.org\/emg-review\/van-malssen\/\">Recovering the Eyebeam Collection Following Superstorm Sandy: Conservation lessons for all revealed by a multimedia disaster<\/a><br>Kara Van Malssen<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/resources.culturalheritage.org\/emg-review\/colloton\/\">Re-Constructions: Preserving the Video Installations of Buky Schwartz<\/a><br>Eddy Colloton<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/resources.culturalheritage.org\/emg-review\/volume-4-2015-2016\/haidvogl\">Matters in Media Art III: Sustaining Digital Video Art<\/a><br>Martina Haidvogl and Peter Oleksik<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/resources.culturalheritage.org\/emg-review\/turkus\/\">Putting the Time Base back in Time Based Media Conservation<\/a><br>Benjamin Turkus and Kelly Haydon<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/resources.culturalheritage.org\/emg-review\/volume-4-2015-2016\/oconnor\/\">Slow Dissolve: Re-presenting Synchronised Slide-based Artworks in the 21st Century<\/a><br>Fergus O\u2019Connor<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/resources.culturalheritage.org\/emg-review\/robb\/\">When Functionality Is Everything: A case study in recovering flood damaged electronic parts from a musical instrument collection<\/a><br>Hayley Robb<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/resources.culturalheritage.org\/emg-review\/mcneal\/\">Pinball for Posterity: Adapting the preservation principles of libraries to preserve arcade and pinball collections at The International Center for the History of Electronic Games<\/a><br>Carrie McNeal, Jeremy Saucier, Martin Reinhardt<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/resources.culturalheritage.org\/emg-review\/lozano-hemmer\/\">Best Practices for Conservation of Media Art from an Artist\u2019s Perspective<\/a><br>Rafael Lozano-Hemmer<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/resources.culturalheritage.org\/emg-review\/fino-radin\/\">Susan Kare and Her Macintosh Icons: A Co-Acquisition<\/a><br>Ben Fino-Radin, Martina Haidvogl and Mark Hellar<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/resources.culturalheritage.org\/emg-review\/volume-4-2015-2016\/hodges\/\">Unauthorized Archives and Unreleased Software: Preserving a Cancelled Project<\/a><br>James Hodges<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Papers presented at the Electronic Media Group session of the 43rd AIC Annual Meeting, Miami, Florida, 2015, and the 44th AIC Annual Meeting, Montreal Canada, 2016. Briana Feston-Brunet and Jeffrey Warda, Managing Editors Papers presented at the Electronic Media Group Session, AIC 43rd Annual Meeting, May 13\u201316, 2015, Miami, Florida The Fragile Surface: Preserving the &hellip; <a href=\"https:\/\/resources.culturalheritage.org\/emg-review\/volume-4-2015-2016\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Volume 4: 2015-2016&#8221;<\/span><\/a><\/p>\n","protected":false},"author":40,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-616","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/resources.culturalheritage.org\/emg-review\/wp-json\/wp\/v2\/pages\/616","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/resources.culturalheritage.org\/emg-review\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/resources.culturalheritage.org\/emg-review\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/emg-review\/wp-json\/wp\/v2\/users\/40"}],"replies":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/emg-review\/wp-json\/wp\/v2\/comments?post=616"}],"version-history":[{"count":0,"href":"https:\/\/resources.culturalheritage.org\/emg-review\/wp-json\/wp\/v2\/pages\/616\/revisions"}],"wp:attachment":[{"href":"https:\/\/resources.culturalheritage.org\/emg-review\/wp-json\/wp\/v2\/media?parent=616"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}