{"id":618,"date":"2019-03-01T19:00:53","date_gmt":"2019-03-02T00:00:53","guid":{"rendered":"http:\/\/resources.culturalheritage.org\/emg-review\/?page_id=618"},"modified":"2026-06-13T17:49:31","modified_gmt":"2026-06-13T21:49:31","slug":"volume-5-2017-2018","status":"publish","type":"page","link":"https:\/\/resources.culturalheritage.org\/emg-review\/volume-5-2017-2018\/","title":{"rendered":"Volume 5: 2017-2018"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Papers presented at the Electronic Media Group session of the 45th AIC Annual Meeting, Chicago, Illinois, 2017, and the 46th AIC Annual Meeting, Houston, Texas, 2018.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Briana Feston-Brunet, Managing Editor<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Papers presented at the Electronic Media Group Session, AIC 45th Annual Meeting, May 28\u2013June 2, 2017, Chicago, Illinois<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/emg-review\/the-ballad-of-little-bill-collaboration-in-time-based-media-conservation\/\" data-type=\"page\" data-id=\"2354\" target=\"_blank\" rel=\"noreferrer noopener\">The Ballad of Little Bill: Collaboration in Time-Based Media Conservation<\/a><br>Dan Finn and Ariel O\u2019Connor<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/emg-review\/digital-preservation-actions-as-interventive-conservation-treatments-at-the-smithsonian\/\" data-type=\"page\" data-id=\"2357\" target=\"_blank\" rel=\"noreferrer noopener\">Digital Preservation Actions as Interventive Conservation Treatments at the Smithsonian<\/a><br>Briana Feston-Brunet and Crystal Sanchez<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/emg-review\/the-role-of-conservation-treatment-in-a-mass-digitisation-program\/\" data-type=\"page\" data-id=\"2360\" target=\"_blank\" rel=\"noreferrer noopener\">The Role of Conservation Treatment in a Mass Digitisation Program<\/a><br>Felicity Corkill<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/emg-review\/me-and-my-kinetta\/\" data-type=\"page\" data-id=\"2363\" target=\"_blank\" rel=\"noreferrer noopener\">Me and My Kinetta<\/a><br>Amy Belotti<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/emg-review\/obsolescent-technology-the-viability-of-the-cathode-ray-tube-used-in-art\/\" data-type=\"page\" data-id=\"2366\" target=\"_blank\" rel=\"noreferrer noopener\">Obsolescent Technology: The Viability of the Cathode Ray Tube Used in Art<\/a><br>Sara A. Moy and Raphaele Shirley<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/emg-review\/framing-the-jones-buffer-documenting-the-history-and-preservation-of-an-iconic-image-processing-tool\/\" data-type=\"page\" data-id=\"2371\" target=\"_blank\" rel=\"noreferrer noopener\">Framing the Jones Buffer: Documenting the History and Preservation of an Iconic Image-Processing Tool<\/a><br>Athena Christa Holbrook<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/resources.culturalheritage.org\/emg-review\/volume-5-2017-2018\/colley\/\" target=\"_blank\" rel=\"noreferrer noopener\">(Not) Freaking Out Over the Videofreex: Preserving a Video Collective Archive<\/a><br>Tom Colley and Kristin MacDonough<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/resources.culturalheritage.org\/emg-review\/volume-5-2017-2018\/dobbs\/\" target=\"_blank\" rel=\"noreferrer noopener\">Overcoming Your Control Issues: Arduinos as an Emulation Strategy<\/a><br>Sasha Dobbs and Martina Haidvogl<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/resources.culturalheritage.org\/emg-review\/volume-5-2017-2018\/duckor\/\" target=\"_blank\" rel=\"noreferrer noopener\">The Conservation of Light: Managing a Collection of Light-Based Artwork<\/a><br>Abigail Duckor, Charlotte Eng, and Terry Schaffer<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/resources.culturalheritage.org\/emg-review\/volume-5-2017-2018\/lin\/\" target=\"_blank\" rel=\"noreferrer noopener\">From Virtual to Reality: Dissecting Jennifer Steinkamp\u2019s Software-Based Installation<\/a><br>Shu-Wen Lin<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/resources.culturalheritage.org\/emg-review\/volume-5-2017-2018\/engel\/\" target=\"_blank\" rel=\"noreferrer noopener\">New Research and Developments in the Conservation of Computer-Based Art <\/a><br>Deena Engel and Joanna Phillips<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/emg-review\/establishing-a-workflow-for-the-preservation-of-software-based-artworks\/\" data-type=\"page\" data-id=\"2369\" target=\"_blank\" rel=\"noreferrer noopener\">Establishing a Workflow for the Preservation of Software-Based Artworks<\/a><br>Patricia Falc\u00e3o, Klaus Rechert, Dragan Espenschied, and Tom Ensom<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/resources.culturalheritage.org\/emg-review\/volume-5-2017-2018\/brost\/\" target=\"_blank\" rel=\"noreferrer noopener\">Do You Hear What I Hear? Documentation and Assessment of Aural Elements in Media Installation Art<\/a><br>Amy Brost<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/resources.culturalheritage.org\/emg-review\/volume-5-2017-2018\/haidvogl\/\" target=\"_blank\" rel=\"noreferrer noopener\">SFMOMA\u2019s Mediawiki: Prototyping a New Object Record<\/a><br>Martina Haidvogl and Rachael Faust<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/resources.culturalheritage.org\/emg-review\/volume-5-2017-2018\/wharton\/\" target=\"_blank\" rel=\"noreferrer noopener\">The David Wojnarowicz Knowledge Base: A Wiki-Based Solution for Conservation and Exhibition Documentation<\/a><br>Glenn Wharton and Deena Engel<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/emg-review\/repair-replace-and-re-make-negotiating-navigating-the-conservation-treatment-of-ann-hamiltons-at-hand\/\" data-type=\"page\" data-id=\"2373\" target=\"_blank\" rel=\"noreferrer noopener\">Repair, Replace, and Re-make: Negotiating\/Navigating the Conservation Treatment of Ann Hamilton\u2019s <em>at hand<\/em><br>Briana Feston-Brunet, Stephanie Lussier, Michal Mikesell, Drew Doucette, and Emily Nabasny<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/emg-review\/finding-logic-within-integrated-circuits-the-restoration-of-stephan-von-huenes-tap-dancer\/\" data-type=\"page\" data-id=\"2375\" target=\"_blank\" rel=\"noreferrer noopener\">Finding Logic Within Integrated Circuits: The Restoration of Stephan von Huene\u2019s <em>Tap Dancer<\/em><\/a><br>Julie Wolfe and Coleman Wood<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Papers presented at the Electronic Media Group Session, AIC 46th Annual Meeting, May 29\u2013June 2, 2018, Houston, Texas<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/resources.culturalheritage.org\/emg-review\/volume-5-2017-2018\/colloton\/\">Rewind, Pause, Playback: Addressing a Media Conservation Backlog at the Denver Art Museum<\/a><br>Eddy Colloton and Kate Moomaw<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/resources.culturalheritage.org\/emg-review\/volume-5-2017-2018\/farbowitz\/\">Archiving Computer-Based Artworks<\/a><br>Jonathan Farbowitz<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/resources.culturalheritage.org\/emg-review\/volume-5-2017-2018\/jimenez\/\">Conservation Surveys for Time-based Media Art Collections<\/a><br>Mona Jimenez<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/resources.culturalheritage.org\/emg-review\/volume-5-2017-2018\/brost-2\/\">A Documentation Framework for Sound in Time-Based Media Installation Art<\/a><br>Amy Brost<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/resources.culturalheritage.org\/emg-review\/mcconchie\/\">VR Tools as Spatial Documentation<\/a><br>Jack McConchie<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/resources.culturalheritage.org\/emg-review\/volume-5-2017-2018\/frohnert\/\">Time-Based Media Art Conservation Education Program at NYU: Concept and Perspectives<\/a><br>Christine Frohnert and Hannelore Roemich<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/resources.culturalheritage.org\/emg-review\/volume-5-2017-2018\/brand\/\">Collaboration in the Aesthetic Zone: Trisha Brown and Robert Rauschenberg<\/a><br>Bill Brand, Shu-Wen Lin, Cori Olinghouse, and Francine Snyder<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/resources.culturalheritage.org\/emg-review\/volume-5-2017-2018\/roeck\/\"><em>Emulating Horizons<\/em> (2008) by Geert Mul: The Challenges of Intensive Graphics Rendering<\/a><br>Claudia Roeck<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/resources.culturalheritage.org\/emg-review\/volume-5-2017-2018\/bunz\/\">Preserving Stephan von Huene\u2019s Electronic Artworks by Means of Bit-Stream Documentation<\/a><br>Sophie Bunz<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/resources.culturalheritage.org\/emg-review\/volume-5-2017-2018\/engel-2\/\">Introducing \u2018Code Resituation\u2019: Applying the Concept of Minimal Intervention to the Conservation Treatment of Software-Based Art<\/a><br>Deena Engel and Joanna Phillips<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/resources.culturalheritage.org\/emg-review\/volume-5-2017-2018\/ensom\/\">Revealing Hidden Processes: Instrumentation and Reverse Engineering in the Conservation of Software-Based Art<\/a><br>Tom Ensom<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/resources.culturalheritage.org\/emg-review\/volume-5-2017-2018\/salomon\/\">Establishing Preservation Practices for Net Art and App-Based Works<\/a><br>Coral Salom\u00f3n<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/resources.culturalheritage.org\/emg-review\/volume-5-2017-2018\/barsan\/\">Looking Forwards and Backwards: Practical Approaches to the Stewardship of Time-Based Media Art<\/a><br>Erin Barsan and Elise Tanner<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/resources.culturalheritage.org\/emg-review\/volume-5-2017-2018\/sherring\/\">A Steep Learning Curve: Developments in the Field of Time-Based Art Conservation in Australia<\/a><br>Asti Sherring<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/resources.culturalheritage.org\/emg-review\/volume-5-2017-2018\/chen\/\">The Preservation and Conservation of Digital Technology Heritage: A Case Study of New Media Art Collection of National Taiwan Museum of Fine Arts<\/a><br>Yu-Hsien Chen and Shin Chieh Tzeng<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/resources.culturalheritage.org\/emg-review\/volume-5-2017-2018\/morfin\/\">Unsustainable Digital Collections<\/a><br>Jo Ana Morfin<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/resources.culturalheritage.org\/emg-review\/volume-5-2017-2018\/nichols\/\">What Happened When? Creating Retroactive Iteration Reports for Time-Based Media Artworks<\/a><br>Alexandra Nichols<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/resources.culturalheritage.org\/emg-review\/volume-5-2017-2018\/walker\/\">Getting It On Record: Stabilization, Enhanced Imaging, and Documentation of Archival Instantaneous Audio Discs<\/a><br>David M. Walker<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Papers presented at the Electronic Media Group session of the 45th AIC Annual Meeting, Chicago, Illinois, 2017, and the 46th AIC Annual Meeting, Houston, Texas, 2018. Briana Feston-Brunet, Managing Editor Papers presented at the Electronic Media Group Session, AIC 45th Annual Meeting, May 28\u2013June 2, 2017, Chicago, Illinois The Ballad of Little Bill: Collaboration in &hellip; <a href=\"https:\/\/resources.culturalheritage.org\/emg-review\/volume-5-2017-2018\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Volume 5: 2017-2018&#8221;<\/span><\/a><\/p>\n","protected":false},"author":40,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"class_list":["post-618","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/resources.culturalheritage.org\/emg-review\/wp-json\/wp\/v2\/pages\/618","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/resources.culturalheritage.org\/emg-review\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/resources.culturalheritage.org\/emg-review\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/emg-review\/wp-json\/wp\/v2\/users\/40"}],"replies":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/emg-review\/wp-json\/wp\/v2\/comments?post=618"}],"version-history":[{"count":0,"href":"https:\/\/resources.culturalheritage.org\/emg-review\/wp-json\/wp\/v2\/pages\/618\/revisions"}],"wp:attachment":[{"href":"https:\/\/resources.culturalheritage.org\/emg-review\/wp-json\/wp\/v2\/media?parent=618"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}