{"id":644,"date":"2019-03-02T17:11:16","date_gmt":"2019-03-02T22:11:16","guid":{"rendered":"http:\/\/resources.culturalheritage.org\/emg-review\/?page_id=644"},"modified":"2019-03-02T17:39:03","modified_gmt":"2019-03-02T22:39:03","slug":"haidvogl","status":"publish","type":"page","link":"https:\/\/resources.culturalheritage.org\/emg-review\/volume-4-2015-2016\/haidvogl\/","title":{"rendered":"Matters in Media Art III: Sustaining Digital Video Art"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Martina Haidvogl and Peter Oleksik<br><em>The Electronic Media Review, Volume Four: 2015-2016<\/em><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Abstract<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Launched\nin 2005, this collaborative project between the New Art Trust (NAT) and its\npartner museums\u2014the Museum of Modern Art (MoMA), the San Francisco Museum of\nModern Art (SFMOMA), and Tate\u2014has been designed to help those who collect and\nkeep time-based media artworks. Originally conceived as a consensus-building\nproject for the three partner museums of the NAT, the enduring goal has been to\naffirm our commitment to time-based media art and artists by developing shared\npractices for the works\u2019 care and preservation. It has always been the\nconsortium\u2019s hope that if the three museums could come together to agree on\nemerging stewardship practices, then by sharing these practices online they\nwould be used, improved upon, and refined by larger audiences of artists and\ncollectors. The first two phases of Matters in Media Art\u2014acquisitions and\nloans\u2014published online in 2005 and 2008 respectively, estab\u00adlished the\nproject\u2019s record of accomplishment as a model for inter-museum exchange. Today\nwe are thrilled to present the third phase in this exciting collaborative\nproject: Sustaining Digital Video Art. This phase ventures to provide\nrecommendations and assistance to collections of all sizes, from museums to\nartists, galleries, and small private collectors. By providing a comprehensive\napproach to assessing, managing, and storing digital video art, we hope to\nsupport and encourage practices and workflows in an area that is challenging to\nindividuals and large institutions alike. Two representatives of the Matters in\nMedia Art project, Martina Haidvogl (SFMOMA) and Peter Oleksik (MoMA), will\npresent the background of phase III and provide a walk-through of the much anticipated,\nnewly launched website.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Martina Haidvogl <br>Associate Media Conservator <br>San Francisco Museum of Modern Art<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Peter Oleksik <br>Assistant Media Conservator <br>San Francisco Museum of Modern Art<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Martina Haidvogl and Peter OleksikThe Electronic Media Review, Volume Four: 2015-2016 Abstract Launched in 2005, this collaborative project between the New Art Trust (NAT) and its partner museums\u2014the Museum of Modern Art (MoMA), the San Francisco Museum of Modern Art (SFMOMA), and Tate\u2014has been designed to help those who collect and keep time-based media artworks. &hellip; <a href=\"https:\/\/resources.culturalheritage.org\/emg-review\/volume-4-2015-2016\/haidvogl\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Matters in Media Art III: Sustaining Digital Video Art&#8221;<\/span><\/a><\/p>\n","protected":false},"author":40,"featured_media":0,"parent":616,"menu_order":15,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"class_list":["post-644","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/resources.culturalheritage.org\/emg-review\/wp-json\/wp\/v2\/pages\/644","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/resources.culturalheritage.org\/emg-review\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/resources.culturalheritage.org\/emg-review\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/emg-review\/wp-json\/wp\/v2\/users\/40"}],"replies":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/emg-review\/wp-json\/wp\/v2\/comments?post=644"}],"version-history":[{"count":0,"href":"https:\/\/resources.culturalheritage.org\/emg-review\/wp-json\/wp\/v2\/pages\/644\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/emg-review\/wp-json\/wp\/v2\/pages\/616"}],"wp:attachment":[{"href":"https:\/\/resources.culturalheritage.org\/emg-review\/wp-json\/wp\/v2\/media?parent=644"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}