{"id":1374,"date":"2015-02-28T21:14:47","date_gmt":"2015-02-28T21:14:47","guid":{"rendered":"http:\/\/cool.conservation-us.org\/cool\/osg\/?page_id=1374"},"modified":"2022-05-03T15:58:09","modified_gmt":"2022-05-03T15:58:09","slug":"v04","status":"publish","type":"page","link":"https:\/\/resources.culturalheritage.org\/osg-postprints\/v04\/","title":{"rendered":"1996 | Volume Four"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>Proceedings of the Objects Specialty Group Session<\/strong><br><em>24th Annual Meeting in Norfolk, Virginia; June 14, 1996<\/em><\/p>\n\n\n\n<h1 class=\"wp-block-heading\">Digital Imaging for Conservation; Environmental Standards: Research Findings and Implications; Collaborations in the Visual Arts<\/h1>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft\"><a href=\"http:\/\/resources.culturalheritage.org\/osg-postprints\/wp-content\/uploads\/sites\/8\/2015\/02\/osg004-cover.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"231\" height=\"300\" src=\"http:\/\/resources.culturalheritage.org\/osg-postprints\/wp-content\/uploads\/sites\/8\/2015\/02\/osg004-cover-231x300.jpg\" alt=\"osg004-cover\" class=\"wp-image-1706\" srcset=\"https:\/\/faic.wpenginepowered.com\/osg-postprints\/wp-content\/uploads\/sites\/8\/2015\/02\/osg004-cover-231x300.jpg 231w, https:\/\/faic.wpenginepowered.com\/osg-postprints\/wp-content\/uploads\/sites\/8\/2015\/02\/osg004-cover-791x1024.jpg 791w, https:\/\/faic.wpenginepowered.com\/osg-postprints\/wp-content\/uploads\/sites\/8\/2015\/02\/osg004-cover-624x807.jpg 624w, https:\/\/faic.wpenginepowered.com\/osg-postprints\/wp-content\/uploads\/sites\/8\/2015\/02\/osg004-cover.jpg 1275w\" sizes=\"auto, (max-width: 231px) 100vw, 231px\" \/><\/a><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Compiled by Virginia Greene and John Griswold<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/resources.culturalheritage.org\/osg-postprints\/wp-content\/uploads\/sites\/8\/2021\/11\/osg004-1996.pdf\" target=\"_blank\" rel=\"noopener\"><strong>Download the complete Volume 4 here<\/strong><\/a><br>Individual article PDFs are available by following the links below<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/resources.culturalheritage.org\/osg-postprints\/wp-content\/uploads\/sites\/8\/2015\/02\/osg004-foreword.pdf\">Program Chair&#8217;s Foreword<\/a><br>John Griswold<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Postprints abstracts<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/osg-postprints\/v04\/odegaard\/\" data-type=\"page\" data-id=\"1378\">Conservation and collaboration to understand a <em>tiponi<\/em><br><\/a>Nancy Odegaard<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/osg-postprints\/v04\/bischoff\/\" data-type=\"page\" data-id=\"1381\">The use of thin-layer chromatography in the identification of historic artificially colored varnishes and glazes<br><\/a>Judith J. Bischoff, Scott W. Nolley and Jonathan Thornton<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a title=\"Development and implementation of a new method of wax application for outdoor sculpture using an airless sprayer\" href=\"http:\/\/resources.culturalheritage.org\/osg-postprints\/postprints\/v04\/veloz\/\">Development and implementation of a new method of wax application for outdoor sculpture using an airless sprayer<\/a><br>Nicolas F. Veloz<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a title=\"Developing the Australian Survey of Sculpture, Monuments and Outdoor Cultural Material\" href=\"http:\/\/resources.culturalheritage.org\/osg-postprints\/postprints\/v04\/midwinter\/\">Developing the Australian Survey of Sculpture, Monuments and Outdoor Cultural Material<\/a><br>Donna Midwinter<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a title=\"Conservation of Howard Finster\u2019s eccentric Bible House\" href=\"http:\/\/resources.culturalheritage.org\/osg-postprints\/postprints\/v04\/rajer\/\">Conservation of Howard Finster&#8217;s eccentric <\/a><em><a title=\"Conservation of Howard Finster\u2019s eccentric Bible House\" href=\"http:\/\/resources.culturalheritage.org\/osg-postprints\/postprints\/v04\/rajer\/\">Bible House<\/a><br><\/em>Anton Rajer<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a title=\"Where east meets west: The conservation of a modern, large-scale, black lacquer sculpture exhibited in a public space\" href=\"http:\/\/resources.culturalheritage.org\/osg-postprints\/postprints\/v04\/neuman\/\">Where east meets west: The conservation of a modern, large-scale, black lacquer sculpture exhibited in a public space<\/a><br>Ingrid A. Neuman and James S. Martin<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a title=\"Mounting ethnographic featherwork on mannequins: An exotic exercise in cooperation\" href=\"http:\/\/resources.culturalheritage.org\/osg-postprints\/postprints\/v04\/greene\/\">Mounting ethnographic featherwork on mannequins: An exotic exercise in cooperation<\/a><br>Virginia Greene<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a title=\"Dowels, powder and cracks: Collaboration in the preservation of a 12th-century portal from Bordeaux\" href=\"http:\/\/resources.culturalheritage.org\/osg-postprints\/postprints\/v04\/mangum\/\">Dowels, powder and cracks: Collaboration in the preservation of a 12th-century portal from Bordeaux<\/a><br>Barbara Mangum and Valentine Talland<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a title=\"Stained glass conservation at the Isabella Stewart Gardner Museum: Putting the pieces together\" href=\"http:\/\/resources.culturalheritage.org\/osg-postprints\/postprints\/v04\/talland\/\">Stained glass conservation at the Isabella Stewart Gardner Museum: Putting the pieces together<\/a><br>Valentine Talland and Barbara Mangum<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Unpublished presentation abstracts<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><a title=\"Lost in Lloyds: A conservator in corporate America\" href=\"http:\/\/resources.culturalheritage.org\/osg-postprints\/postprints\/v04\/blank\/\">Lost in Lloyds: A conservator in corporate America<\/a><br>Sharon D. Blank<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a title=\"Twenty-five years after the bomb: Maintaining Cleveland\u2019s The Thinker\" href=\"http:\/\/resources.culturalheritage.org\/osg-postprints\/postprints\/v04\/christman\/\">Twenty-five years after the bomb: Maintaining Cleveland&#8217;s <\/a><em><a title=\"Twenty-five years after the bomb: Maintaining Cleveland\u2019s The Thinker\" href=\"http:\/\/resources.culturalheritage.org\/osg-postprints\/postprints\/v04\/christman\/\">The Thinker<\/a><br><\/em>Bruce Christman<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a title=\"From surface to seismic: Conserving Rodin\u2019s The Thinker in San Francisco\" href=\"http:\/\/resources.culturalheritage.org\/osg-postprints\/postprints\/v04\/cornu\/\">From surface to seismic: Conserving Rodin&#8217;s <em>The Thinker<\/em> in San Francisco<\/a><br>Elisabeth Cornu<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/osg-postprints\/v04\/hansen\/\" data-type=\"page\" data-id=\"2048\">The roles of the conservation scientist and the conservator in the development of treatments for painted objects<br><\/a>Eric F. Hansen and Rosa Lowinger<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/osg-postprints\/v04\/lins\/\" data-type=\"page\" data-id=\"2050\">Rodin&#8217;s <em>The Thinker<\/em> at Philadelphia: A treatment using chelating agents<br><\/a>Andrew Lins<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a title=\"Collaboration in the treatment of Rodin\u2019s The Thinker in Kansas City\" href=\"http:\/\/resources.culturalheritage.org\/osg-postprints\/postprints\/v04\/taggart\/\">Collaboration in the treatment of Rodin&#8217;s <em>The Thinker<\/em> in Kansas City<\/a><br>Jonathan Taggart<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a title=\"The production of Rodin\u2019s bronzes\" href=\"http:\/\/resources.culturalheritage.org\/osg-postprints\/postprints\/v04\/wharton\/\">The production of Rodin&#8217;s bronzes<\/a><br>Glenn Wharton<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Proceedings of the Objects Specialty Group Session24th Annual Meeting in Norfolk, Virginia; June 14, 1996 Digital Imaging for Conservation; Environmental Standards: Research Findings and Implications; Collaborations in the Visual Arts Compiled by Virginia Greene and John Griswold Download the complete Volume 4 hereIndividual article PDFs are available by following the links below Program Chair&#8217;s ForewordJohn [&hellip;]<\/p>\n","protected":false},"author":16,"featured_media":0,"parent":0,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1374","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/resources.culturalheritage.org\/osg-postprints\/wp-json\/wp\/v2\/pages\/1374","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/resources.culturalheritage.org\/osg-postprints\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/resources.culturalheritage.org\/osg-postprints\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/osg-postprints\/wp-json\/wp\/v2\/users\/16"}],"replies":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/osg-postprints\/wp-json\/wp\/v2\/comments?post=1374"}],"version-history":[{"count":0,"href":"https:\/\/resources.culturalheritage.org\/osg-postprints\/wp-json\/wp\/v2\/pages\/1374\/revisions"}],"wp:attachment":[{"href":"https:\/\/resources.culturalheritage.org\/osg-postprints\/wp-json\/wp\/v2\/media?parent=1374"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}