{"id":1384,"date":"2015-02-28T21:21:48","date_gmt":"2015-02-28T21:21:48","guid":{"rendered":"http:\/\/cool.conservation-us.org\/cool\/osg\/?page_id=1384"},"modified":"2020-04-22T21:21:43","modified_gmt":"2020-04-22T21:21:43","slug":"veloz","status":"publish","type":"page","link":"https:\/\/resources.culturalheritage.org\/osg-postprints\/v04\/veloz\/","title":{"rendered":"Development and implementation of a new method of wax application for outdoor sculpture using an airless sprayer"},"content":{"rendered":"<p><em>Nicolas F. Veloz<\/em><\/p>\n<h3>Abstract<\/h3>\n<p>Waxes have been used for centuries to protect outdoor sculpture. Through the development of microcrystalline waxes and adjustments to formulations there has been a notable improvement in their serviceability. In a few instances, such as very smooth surfaces or rough textures, the application method has a significant effect on their longevity. This paper describes the development and implementation of equipment, materials, and techniques which allows the successful spray application of wax to outdoor sculpture.<\/p>\n<p><a href=\"http:\/\/resources.culturalheritage.org\/osg-postprints\/wp-content\/uploads\/sites\/8\/2015\/02\/osg004-03.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Download full article<\/a><\/p>\n\n\n<h6 class=\"wp-block-heading\"><a href=\"http:\/\/resources.culturalheritage.org\/osg-postprints\/postprints\/v04\/\">1996 | Norfolk | Volume 4<\/a><\/h6>\n","protected":false},"excerpt":{"rendered":"<p>Nicolas F. Veloz Abstract Waxes have been used for centuries to protect outdoor sculpture. Through the development of microcrystalline waxes and adjustments to formulations there has been a notable improvement in their serviceability. In a few instances, such as very smooth surfaces or rough textures, the application method has a significant effect on their longevity. [&hellip;]<\/p>\n","protected":false},"author":16,"featured_media":0,"parent":1374,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"class_list":["post-1384","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/resources.culturalheritage.org\/osg-postprints\/wp-json\/wp\/v2\/pages\/1384","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/resources.culturalheritage.org\/osg-postprints\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/resources.culturalheritage.org\/osg-postprints\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/osg-postprints\/wp-json\/wp\/v2\/users\/16"}],"replies":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/osg-postprints\/wp-json\/wp\/v2\/comments?post=1384"}],"version-history":[{"count":0,"href":"https:\/\/resources.culturalheritage.org\/osg-postprints\/wp-json\/wp\/v2\/pages\/1384\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/osg-postprints\/wp-json\/wp\/v2\/pages\/1374"}],"wp:attachment":[{"href":"https:\/\/resources.culturalheritage.org\/osg-postprints\/wp-json\/wp\/v2\/media?parent=1384"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}