{"id":2114,"date":"2015-03-10T02:21:04","date_gmt":"2015-03-10T02:21:04","guid":{"rendered":"http:\/\/cool.conservation-us.org\/cool\/osg\/?page_id=2114"},"modified":"2020-04-21T20:53:08","modified_gmt":"2020-04-21T20:53:08","slug":"wolfe","status":"publish","type":"page","link":"https:\/\/resources.culturalheritage.org\/osg-postprints\/v10\/wolfe\/","title":{"rendered":"Low-tech lightfastness testing of Flashe paints"},"content":{"rendered":"<p><em>Julie Wolfe<\/em><\/p>\n<h4>Abstract<\/h4>\n<p>The matte quality of Flasche vinyl colors are visually good for inpainting losses on objects painted with Latex paints. A set of Flasche vinyl colors were tested for lightfastness using a Testing Kit from Golden&#8217;s Artist Colors. The Testing Kit allows for low-tech, easy evaluation of art materials using either ASTM Standard D 5398 or ASTM Standard D 5383. Most, but not all of the colors were found to be very light stable.<\/p>\n\n\n<h6 class=\"wp-block-heading\"><a href=\"http:\/\/resources.culturalheritage.org\/osg-postprints\/postprints\/v10\/\">2003 | Washington DC | Volume 10<\/a><\/h6>\n","protected":false},"excerpt":{"rendered":"<p>Julie Wolfe Abstract The matte quality of Flasche vinyl colors are visually good for inpainting losses on objects painted with Latex paints. A set of Flasche vinyl colors were tested for lightfastness using a Testing Kit from Golden&#8217;s Artist Colors. The Testing Kit allows for low-tech, easy evaluation of art materials using either ASTM Standard [&hellip;]<\/p>\n","protected":false},"author":16,"featured_media":0,"parent":797,"menu_order":24,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"class_list":["post-2114","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/resources.culturalheritage.org\/osg-postprints\/wp-json\/wp\/v2\/pages\/2114","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/resources.culturalheritage.org\/osg-postprints\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/resources.culturalheritage.org\/osg-postprints\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/osg-postprints\/wp-json\/wp\/v2\/users\/16"}],"replies":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/osg-postprints\/wp-json\/wp\/v2\/comments?post=2114"}],"version-history":[{"count":0,"href":"https:\/\/resources.culturalheritage.org\/osg-postprints\/wp-json\/wp\/v2\/pages\/2114\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/osg-postprints\/wp-json\/wp\/v2\/pages\/797"}],"wp:attachment":[{"href":"https:\/\/resources.culturalheritage.org\/osg-postprints\/wp-json\/wp\/v2\/media?parent=2114"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}