{"id":2802,"date":"2015-05-22T20:21:41","date_gmt":"2015-05-22T20:21:41","guid":{"rendered":"http:\/\/cool.conservation-us.org\/cool\/osg\/?page_id=2802"},"modified":"2021-11-30T04:45:26","modified_gmt":"2021-11-30T04:45:26","slug":"v22","status":"publish","type":"page","link":"https:\/\/resources.culturalheritage.org\/osg-postprints\/v22\/","title":{"rendered":"2015 | Volume Twenty-two"},"content":{"rendered":"<p><strong>Proceedings of Objects and Electronic Media + Objects Specialty Group Sessions<\/strong><br \/>\n<em>43rd Annual Meeting in Miami, Florida; May 13-16, 2015<\/em><\/p>\n<h1>Practical Philosophy, or Making Conservation Work<\/h1>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-3420\" src=\"http:\/\/resources.culturalheritage.org\/osg-postprints\/wp-content\/uploads\/sites\/8\/2015\/05\/osg022-cover-232x300.jpg\" width=\"167\" height=\"216\" srcset=\"https:\/\/faic.wpenginepowered.com\/osg-postprints\/wp-content\/uploads\/sites\/8\/2015\/05\/osg022-cover-232x300.jpg 232w, https:\/\/faic.wpenginepowered.com\/osg-postprints\/wp-content\/uploads\/sites\/8\/2015\/05\/osg022-cover.jpg 450w\" sizes=\"auto, (max-width: 167px) 100vw, 167px\" \/><\/p>\n<p>Edited by Emily Hamilton and Kari Dodson, with Sarah Barack and Kate Moomaw, Program Chairs<\/p>\n<p><strong><a href=\"http:\/\/resources.culturalheritage.org\/osg-postprints\/wp-content\/uploads\/sites\/8\/2021\/11\/osg022-2015.pdf\" target=\"_blank\" rel=\"noopener\">Download the complete Volume 22 PDF here<\/a><\/strong><br \/>\nIndividual article PDFs are available by following the links below<\/p>\n<p><a href=\"http:\/\/resources.culturalheritage.org\/osg-postprints\/wp-content\/uploads\/sites\/8\/2015\/05\/osg022-foreword.pdf\" target=\"_blank\" rel=\"noopener\">Program Chair&#8217;s Foreword<\/a><br \/>\nSarah Barack<\/p>\n<h3>Postprints abstracts<\/h3>\n<ul>\n<li><a href=\"http:\/\/resources.culturalheritage.org\/osg-postprints\/v22\/wharton\/\">Artist intention and the conservation of contemporary art<\/a><br \/>\nGlenn Wharton<\/li>\n<\/ul>\n<ul>\n<li><a href=\"http:\/\/resources.culturalheritage.org\/osg-postprints\/v22\/ryan\/\">From theory to practice: Instituting the Hirshhorn Artist Interview Program<\/a><br \/>\nGwynne Ryan and Steven O&#8217;Banion<\/li>\n<\/ul>\n<ul>\n<li><a href=\"http:\/\/resources.culturalheritage.org\/osg-postprints\/postprints\/v22\/chretien\/\">Preserving what is right: Finding similarities between collaborating with a living artist and Buddhist monks<\/a><br \/>\nC\u00e9line Chr\u00e9tien<\/li>\n<\/ul>\n<ul>\n<li><a href=\"http:\/\/resources.culturalheritage.org\/osg-postprints\/postprints\/v22\/hogan\/\">Sol LeWitt&#8217;s Wall Drawings: Conservation of an ephemeral art practice<\/a><br \/>\nJohn Hogan and Carol Snow<\/li>\n<\/ul>\n<ul>\n<li><a href=\"http:\/\/resources.culturalheritage.org\/osg-postprints\/postprints\/v22\/pack\/\">The butterfly effect: A case study on the value of artist collaboration in the conservation of ephemeral material<\/a><br \/>\nCrista Pack, Mina Thompson, and Tasha Ostrander<\/li>\n<\/ul>\n<ul>\n<li><a href=\"http:\/\/resources.culturalheritage.org\/osg-postprints\/v22\/williams\/\">Neutralizing the nuclear option<\/a><br \/>\nDonna Williams<\/li>\n<\/ul>\n<ul>\n<li><a title=\"Dry ice blasting in the conservation of metals \u2013 A technical assessment as a conservation technique and the practical application in the removal of surface coatings\" href=\"http:\/\/resources.culturalheritage.org\/osg-postprints\/postprints\/v22\/cutulle\/\">Dry ice blasting in the conservation of metals: A technical assessment as a conservation technique and practical application in the removal of surface coatings<\/a><br \/>\nCassy Cutulle and Seoyoung Kim<\/li>\n<\/ul>\n<ul>\n<li><a href=\"http:\/\/resources.culturalheritage.org\/osg-postprints\/v22\/hornbeck\/\">Elephant ivory: An overview of changes to its stringent regulation and considerations for its identification<\/a><br \/>\nStephanie E. Hornbeck<\/li>\n<\/ul>\n<ul>\n<li><a href=\"http:\/\/resources.culturalheritage.org\/osg-postprints\/v22\/mardikian\/\">One small step for man, one giant leap for conservation<\/a><br \/>\nPaul Mardikian, Claudia Chemello, and Jerrad Alexander<\/li>\n<\/ul>\n<ul>\n<li><a title=\"Silver or gold? Surprising challenges in cleaning a 19th-century Persian water pipe\" href=\"http:\/\/resources.culturalheritage.org\/osg-postprints\/v22\/oconnor\/\">Silver or gold? Surprising challenges in cleaning a 19th-century Persian water pipe<\/a><br \/>\nAriel O\u2019Connor, Meg Craft, Glenn Gates, and Julie Lauffenburger<\/li>\n<\/ul>\n<ul>\n<li><a title=\"Working with a collection of radioactive aircraft instruments\" href=\"http:\/\/resources.culturalheritage.org\/osg-postprints\/v22\/norquest\/\">Working with a collection of radioactive aircraft instruments<\/a><br \/>\nSharon Norquest, Amelia Kile, and David Peters<\/li>\n<\/ul>\n<h4><em>Tip Session<\/em><\/h4>\n<ul>\n<li><a href=\"http:\/\/resources.culturalheritage.org\/osg-postprints\/v22\/muros\/\">The use of CopyFlex food grade silicone rubber for making impressions of archaeological objects<\/a><br \/>\nVanessa Muros, Heather White, and \u00d6zge Gen\u00e7ay-\u00dcst\u00fcn<\/li>\n<\/ul>\n<ul>\n<li><a title=\"Tips Session: Plaster cleaning tests\" href=\"http:\/\/resources.culturalheritage.org\/osg-postprints\/postprints\/v022\/brugioni\/\">Eraser cleaning of gypsum plaster: Evaluating damage potential using reflectance transformation imaging<\/a><br \/>\nKathryn Brugioni<\/li>\n<\/ul>\n<ul>\n<li style=\"text-align: left\"><a title=\"Tips Session: Lacquer fills\" href=\"http:\/\/resources.culturalheritage.org\/osg-postprints\/postprints\/v022\/promise\/\">Flexible fills: A technique for imitating Asian lacquer<\/a><br \/>\nEllen Promise, Jessica Chloros, and Holly Salmon<\/li>\n<\/ul>\n<h3>Unpublished presentation abstracts<\/h3>\n<ul>\n<li><a title=\"Beloved treasures: Assessing the effects of long-term display on models containing wax\" href=\"http:\/\/resources.culturalheritage.org\/osg-postprints\/v22\/hargrove\/\">Beloved treasures: Assessing the effects of long-term display on models containing wax<\/a><br \/>\nSuzanne Hargrove and Marissa Stevenson<\/li>\n<\/ul>\n<ul>\n<li><a href=\"http:\/\/resources.culturalheritage.org\/osg-postprints\/postprints\/v22\/rivenc\/\">The artists&#8217; dialogues series: Exploring materiality, process, and conservation with artists from Los Angeles<\/a><br \/>\nRachel Rivenc and Tom Learner<\/li>\n<\/ul>\n<ul>\n<li><a href=\"http:\/\/resources.culturalheritage.org\/osg-postprints\/postprints\/v22\/lewis\/\">Beyond the interview: Working with artists in time-based media conservation<\/a><br \/>\nKate Lewis<\/li>\n<\/ul>\n<ul>\n<li><a href=\"http:\/\/resources.culturalheritage.org\/osg-postprints\/postprints\/v22\/albertson\/\">The Abandonment of Art: The abandonment of conservation, a Lygia Clark retrospective at MoMA<\/a><br \/>\nCindy Albertson, Roger Griffith, Eric Meier, and Margo Delidow<\/li>\n<\/ul>\n<ul>\n<li><a href=\"http:\/\/resources.culturalheritage.org\/osg-postprints\/postprints\/v22\/martin\/\">Conserving Anthony McCall&#8217;s solid light films<\/a><br \/>\nJeff Martin<\/li>\n<\/ul>\n<h4><em>Tip Session<\/em><\/h4>\n<ul>\n<li><a title=\"Tips Session: Removing soiling from painted outdoor sculpture\" href=\"http:\/\/resources.culturalheritage.org\/osg-postprints\/v22\/mack\/\">Removing soiling from painted outdoor sculpture<\/a><br \/>\nAbigail Mack<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Proceedings of Objects and Electronic Media + Objects Specialty Group Sessions 43rd Annual Meeting in Miami, Florida; May 13-16, 2015 Practical Philosophy, or Making Conservation Work Edited by Emily Hamilton and Kari Dodson, with Sarah Barack and Kate Moomaw, Program Chairs Download the complete Volume 22 PDF here Individual article PDFs are available by following [&hellip;]<\/p>\n","protected":false},"author":16,"featured_media":0,"parent":0,"menu_order":22,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"class_list":["post-2802","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/resources.culturalheritage.org\/osg-postprints\/wp-json\/wp\/v2\/pages\/2802","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/resources.culturalheritage.org\/osg-postprints\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/resources.culturalheritage.org\/osg-postprints\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/osg-postprints\/wp-json\/wp\/v2\/users\/16"}],"replies":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/osg-postprints\/wp-json\/wp\/v2\/comments?post=2802"}],"version-history":[{"count":0,"href":"https:\/\/resources.culturalheritage.org\/osg-postprints\/wp-json\/wp\/v2\/pages\/2802\/revisions"}],"wp:attachment":[{"href":"https:\/\/resources.culturalheritage.org\/osg-postprints\/wp-json\/wp\/v2\/media?parent=2802"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}