{"id":3491,"date":"2017-06-06T21:59:22","date_gmt":"2017-06-06T21:59:22","guid":{"rendered":"http:\/\/resources.culturalheritage.org\/osg-postprints\/?page_id=3491"},"modified":"2021-11-30T03:43:03","modified_gmt":"2021-11-30T03:43:03","slug":"v24","status":"publish","type":"page","link":"https:\/\/resources.culturalheritage.org\/osg-postprints\/v24\/","title":{"rendered":"2017 | Volume Twenty-four"},"content":{"rendered":"\n

Proceedings of the Objects Specialty Group Session
<\/strong>45th Annual Meeting in Chicago, Illinois; May 28 – June 2, 2017<\/em><\/p>\n\n\n\n

Treatment 2017: Innovation in Conservation and Collection Care<\/strong><\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

Edited by Kari Dodson and Emily Hamilton, with Anthony Sigel, Program Chair<\/p>\n\n\n\n

Download the complete volume 24 PDF here
<\/a><\/strong>Individual article PDFs are available by following the links below<\/p>\n\n\n\n

Program Chair’s Foreword
<\/a>Anthony Sigel<\/p>\n\n\n

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Postprints Abstracts<\/h2>\n\n\n\n

Postprints abstracts<\/strong><\/p>\n\n\n\n

The conservation of della Robbia sculpture: An exhibition as initiator of work
<\/a>Abigail Hykin<\/p>\n\n\n\n

The comprehensive retreatment of a Renaissance terracotta altarpiece by Benedetto Buglioni
<\/a>Rachel C. Sabino<\/p>\n\n\n\n

Truth versus beauty: Maintaining visual unity in the treatment of Florentine polychrome terracotta sculpture
<\/a>Anthony Sigel<\/p>\n\n\n\n

Conservation of 15th and 16th century Italian glazed terracotta: Thoughts from conservators in private practice
<\/a>Leslie Ransick Gat and Erin Toomey<\/p>\n\n\n\n

Tempting fate: Treatment of Giovanni della Robbia’s Adam and Eve
<\/a>Gregory Bailey<\/p>\n\n\n\n

The gap between ethics and aesthetics in Italian restoration: Experiences in the laboratories of the Opificio delle Pietre Dure in Florence – della Robbia sculpture case studies
<\/a>Laura Speranza and Shirin Afra<\/p>\n\n\n\n

The treatment of two terracotta architectural reliefs by Andrea della Robbia at the Metropolitan Museum of Art
<\/a>Carolyn Riccardelli and Wendy Walker<\/p>\n\n\n\n

Structural repair of plaster sculpture using polyvinyl butyral resin<\/a>
L. H. (Hugh) Shockey Jr.<\/p>\n\n\n\n

Carbon fiber fabric and its potential for use in objects conservation
<\/a>Carolyn Riccardelli<\/p>\n\n\n\n

So delicate, yet so strong and versatile: The use of paper in objects conservation
<\/a>Paula Artal-Isbrand<\/p>\n\n\n\n

Archaeological glass conservation: Comparative approaches and practicalities of using acrylic resin films as gap fills
<\/a>Hana Bristow and Jan Dariusz Cutajar<\/p>\n\n\n\n

Practical evaluation and application of cleaning techniques for marble sculpture
<\/a>Raina Chao<\/p>\n\n\n\n

The use of medical chelating agents for the removal of iron stains from marble
<\/a>Anna Funke, Leah Poole, Jason Church, Dr. Mary Striegel, and Martha Singer<\/p>\n\n\n\n

Well, that didn’t work, now what? Stain reduction on a 10th century Iranian ceramic
<\/a>Claire Cuyaub\u00e8re and Ellen Chase<\/p>\n\n\n\n

The case for cold: Using dry ice blasting to remove lacquer coating from the King Jagiello monument in Central Park
<\/a>Matt Reiley<\/p>\n\n\n\n

Treatment of two badly damaged Egyptian mummies and associated coffins
<\/a>J. P. Brown, Mimi Leveque, and Morgan Nau<\/p>\n\n\n\n

Sitting pretty: Collaborative treatment of an early Yayoi Kusama soft-sculpture chair
<\/a>Fran Baas and Laura Eva Hartman<\/p>\n\n\n\n

New technologies applied to restore a nineteenth-century wax Medardo Rosso sculpture
<\/a>Llu\u00efsa S\u00e0rries-Zgonc<\/p>\n\n\n\n

The case of the hydrating hydra: Examination and treatment of a Blaschka glass invertebrate model
<\/a>N. Astrid R. van Giffen<\/p>\n\n\n\n

“Do what’s right”: The conservation of a David Hammons mud sculpture
<\/a>Sasha Drosdick, Roger Griffith, and Lynda Zycherman<\/p>\n\n\n\n

Resurrecting della Robbia’s Resurrection: Challenges in the conservation of a monumental Renaissance relief
<\/a>Sara Levin, Nick Pedemonti, and Lisa Bruno<\/p>\n\n\n\n

Strut your stuff: The use of strut channel as a support system for objects
<\/a>Karl Knauer<\/p>\n\n\n\n

Modifying rivet fasteners in historic armors: Several options
<\/a>Katherine Cuffari and Debra Breslin<\/p>\n\n\n\n

“Stencil filling” technique for ceramics and the use of raking light during the filling process
<\/a>Paula Artal-Isbrand<\/p>\n\n\n\n

Pepper wax: An organic squirrel deterrent for lead
<\/a>Lauren Fair and Adam Jenkins<\/p>\n\n\n\n

Copper electroforming: An alternative to casting for metal replication
<\/a>Mark Erdmann<\/p>\n\n\n\n

Fast fills for big gaps
<\/a>Rachel C. Sabino<\/p>\n\n\n\n

Unpublished presentation abstracts<\/strong><\/p>\n\n\n\n

To B-72 or not to B-72? Alternative adhesives for archaeological ceramics
Elisheva Kamaisky and Rachael Perkins Arenstein<\/p>\n\n\n\n

An evaluation of cold paste waxes used in conservation for outdoor bronze sculpture
Julie Wolfe, Cristina L. Simms, Alessa Gambardella, Rosie Grayburn, Arlen Heginbotham, Herant Khanjian, Joy Mazurek, Alan Phenix, Katrina Posner, Michael Schilling, Magdalena Solano, Maria Olivia Davalos Stanton, and Hope Welder<\/p>\n\n\n\n

Local treatment for outdoor painted metal sculptures: Designing suitable paints for retouching
Nikki van Basten, Ulysses Jackson, and Rachel Rivenc<\/p>\n\n\n\n

New applications for Orasol dyes
Julia Sybalsky, Fran Ritchie, Lisa Elkin, and Judith Levinson<\/p>\n\n\n\n

Thermatech cleaning unit
Justin Schwebler<\/p>\n\n\n\n

Passivating stainless steel on-site
Lucinda Linderman<\/p>\n\n\n\n

Volara shaping
Craig Deller<\/p>\n","protected":false},"excerpt":{"rendered":"

Proceedings of the Objects Specialty Group Session45th Annual Meeting in Chicago, Illinois; May 28 – June 2, 2017 Treatment 2017: Innovation in Conservation and Collection Care Edited by Kari Dodson and Emily Hamilton, with Anthony Sigel, Program Chair Download the complete volume 24 PDF hereIndividual article PDFs are available by following the links below Program […]<\/p>\n","protected":false},"author":16,"featured_media":0,"parent":0,"menu_order":24,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"class_list":["post-3491","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/resources.culturalheritage.org\/osg-postprints\/wp-json\/wp\/v2\/pages\/3491","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/resources.culturalheritage.org\/osg-postprints\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/resources.culturalheritage.org\/osg-postprints\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/osg-postprints\/wp-json\/wp\/v2\/users\/16"}],"replies":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/osg-postprints\/wp-json\/wp\/v2\/comments?post=3491"}],"version-history":[{"count":0,"href":"https:\/\/resources.culturalheritage.org\/osg-postprints\/wp-json\/wp\/v2\/pages\/3491\/revisions"}],"wp:attachment":[{"href":"https:\/\/resources.culturalheritage.org\/osg-postprints\/wp-json\/wp\/v2\/media?parent=3491"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}