{"id":3623,"date":"2017-09-24T21:04:24","date_gmt":"2017-09-24T21:04:24","guid":{"rendered":"http:\/\/resources.culturalheritage.org\/osg-postprints\/?page_id=3623"},"modified":"2020-01-01T00:06:23","modified_gmt":"2020-01-01T00:06:23","slug":"sabino2","status":"publish","type":"page","link":"https:\/\/resources.culturalheritage.org\/osg-postprints\/v24\/sabino2\/","title":{"rendered":"Fast fills for big gaps"},"content":{"rendered":"<p><em>Rachel C. Sabino<\/em><\/p>\n<h4>Abstract<\/h4>\n<p>The best method for creating a very deep fill in semi-translucent stones such as marble is to gradually build up successive layers of material(s) to achieve a satisfactory match in both color and density. However, if the treatment must be completed in a shorter time than this more controlled method requires, the materials best suited to produce a quick set over a large volume pose problems of opacity, cost, and\/or reversibility. This tip instead makes use of high-density polyethylene foam covered with a thin skin of bulked and tinted epoxy resin to achieve a time-effective, economical, reversible, and aesthetically pleasing fill.\u00a0<\/p>\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/resources.culturalheritage.org\/osg-postprints\/wp-content\/uploads\/sites\/8\/2019\/12\/osg024-027.pdf\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\">Download full article<\/a><\/p>\n\n\n\n<h6 class=\"has-text-align-left wp-block-heading\"><a href=\"http:\/\/resources.culturalheritage.org\/osg-postprints\/postprints\/v24\/\">2017 | Chicago | Volume 24<\/a><\/h6>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Rachel C. Sabino Abstract The best method for creating a very deep fill in semi-translucent stones such as marble is to gradually build up successive layers of material(s) to achieve a satisfactory match in both color and density. However, if the treatment must be completed in a shorter time than this more controlled method requires, [&hellip;]<\/p>\n","protected":false},"author":16,"featured_media":0,"parent":3491,"menu_order":32,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"class_list":["post-3623","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/resources.culturalheritage.org\/osg-postprints\/wp-json\/wp\/v2\/pages\/3623","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/resources.culturalheritage.org\/osg-postprints\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/resources.culturalheritage.org\/osg-postprints\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/osg-postprints\/wp-json\/wp\/v2\/users\/16"}],"replies":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/osg-postprints\/wp-json\/wp\/v2\/comments?post=3623"}],"version-history":[{"count":0,"href":"https:\/\/resources.culturalheritage.org\/osg-postprints\/wp-json\/wp\/v2\/pages\/3623\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/osg-postprints\/wp-json\/wp\/v2\/pages\/3491"}],"wp:attachment":[{"href":"https:\/\/resources.culturalheritage.org\/osg-postprints\/wp-json\/wp\/v2\/media?parent=3623"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}