{"id":4908,"date":"2025-06-11T16:29:09","date_gmt":"2025-06-11T16:29:09","guid":{"rendered":"https:\/\/resources.culturalheritage.org\/osg-postprints\/?page_id=4908"},"modified":"2026-08-18T18:04:54","modified_gmt":"2026-08-18T18:04:54","slug":"2025-volume-thirty-two","status":"publish","type":"page","link":"https:\/\/resources.culturalheritage.org\/osg-postprints\/2025-volume-thirty-two\/","title":{"rendered":"2025 | Volume Thirty-two"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>Proceedings of Objects<\/strong><strong> Specialty Group and Tips Sessions<\/strong><br><em>53rd Annual Meeting \u2013 Minneapolis; May 27-31, 202<\/em>5<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>What&#8217;s Your Story? The Power of Collaborations and Connections<\/strong><\/h2>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:52% auto\"><figure class=\"wp-block-media-text__media\"><a href=\"https:\/\/resources.culturalheritage.org\/osg-postprints\/wp-content\/uploads\/sites\/8\/2026\/08\/OSGPostprints2025.png\"><img loading=\"lazy\" decoding=\"async\" width=\"789\" height=\"1024\" src=\"https:\/\/resources.culturalheritage.org\/osg-postprints\/wp-content\/uploads\/sites\/8\/2026\/08\/OSGPostprints2025-789x1024.png\" alt=\"\" class=\"wp-image-5101 size-full\" srcset=\"https:\/\/faic.wpenginepowered.com\/osg-postprints\/wp-content\/uploads\/sites\/8\/2026\/08\/OSGPostprints2025-789x1024.png 789w, https:\/\/faic.wpenginepowered.com\/osg-postprints\/wp-content\/uploads\/sites\/8\/2026\/08\/OSGPostprints2025-231x300.png 231w, https:\/\/faic.wpenginepowered.com\/osg-postprints\/wp-content\/uploads\/sites\/8\/2026\/08\/OSGPostprints2025-768x997.png 768w, https:\/\/faic.wpenginepowered.com\/osg-postprints\/wp-content\/uploads\/sites\/8\/2026\/08\/OSGPostprints2025-624x810.png 624w, https:\/\/faic.wpenginepowered.com\/osg-postprints\/wp-content\/uploads\/sites\/8\/2026\/08\/OSGPostprints2025.png 1088w\" sizes=\"auto, (max-width: 789px) 100vw, 789px\" \/><\/a><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"wp-block-paragraph\">Edited by Raina Chao, Aliza Taft, and Julie Unruh, with Caroline Roberts, Program Chair<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/members.culturalheritage.org\/commerce\/store?productId=commerce-merchandise%23AIC-OBJECTS-SPECIALTY-GROUP-POSTPRINTS-VOL-32-2025\">Download the complete volume 32 PDF here<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/resources.culturalheritage.org\/osg-postprints\/wp-content\/uploads\/sites\/8\/2026\/08\/OSG2025_FM_i-vi.pdf\">Program Chair&#8217;s Foreword<\/a><br>Caroline Roberts<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Individual article PDFs are available by following the links below<\/p>\n<\/div><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"105\" src=\"http:\/\/faic.wpenginepowered.com\/osg-postprints\/wp-content\/uploads\/sites\/8\/2020\/05\/key-copy-1024x105.png\" alt=\"\" class=\"wp-image-4472\" style=\"aspect-ratio:9.751861411418353;width:449px;height:auto\" srcset=\"https:\/\/faic.wpenginepowered.com\/osg-postprints\/wp-content\/uploads\/sites\/8\/2020\/05\/key-copy-1024x105.png 1024w, https:\/\/faic.wpenginepowered.com\/osg-postprints\/wp-content\/uploads\/sites\/8\/2020\/05\/key-copy-300x31.png 300w, https:\/\/faic.wpenginepowered.com\/osg-postprints\/wp-content\/uploads\/sites\/8\/2020\/05\/key-copy-768x79.png 768w, https:\/\/faic.wpenginepowered.com\/osg-postprints\/wp-content\/uploads\/sites\/8\/2020\/05\/key-copy-624x64.png 624w, https:\/\/faic.wpenginepowered.com\/osg-postprints\/wp-content\/uploads\/sites\/8\/2020\/05\/key-copy.png 1269w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<h2 class=\"wp-block-heading\">Postprints Abstracts<\/h2>\n\n\n\n<p class=\"has-background wp-block-paragraph\" style=\"background-color:#f0f2f3\"><a href=\"https:\/\/resources.culturalheritage.org\/osg-postprints\/new-african-masquerades-flexible-mounts-for-a-collaborative-exhibition\/\" data-type=\"page\" data-id=\"4912\">New African Masquerades: Flexible Mounts for a Collaborative Exhibition<\/a><br>Ingrid Seyb<\/p>\n\n\n\n<p class=\"has-background wp-block-paragraph\" style=\"background-color:#f0f2f3\"><a href=\"https:\/\/resources.culturalheritage.org\/osg-postprints\/mighty-powder-demonstrating-that-fumed-silica-increases-the-adhesive-strength-of-acryloid-b-72\/\" data-type=\"page\" data-id=\"4918\">Mighty Powder: Demonstrating that Fumed Silica Increases the Adhesive Strength of Paraloid B-72<\/a><br>Ren\u00e9e Stein, Connie B. Roth, Olivia L. F. Boyd, Elly Stewart Davis, and Noah Trotz<\/p>\n\n\n\n<p class=\"has-background wp-block-paragraph\" style=\"background-color:#f0f2f3\"><a href=\"https:\/\/resources.culturalheritage.org\/osg-postprints\/bulked-b-72-fills\/\" data-type=\"page\" data-id=\"4920\">Bulked B-72 Fills<\/a><br>Carolyn Riccardelli<\/p>\n\n\n\n<p class=\"has-background wp-block-paragraph\" style=\"background-color:#f0f2f3\"><a href=\"https:\/\/resources.culturalheritage.org\/osg-postprints\/fit-to-float-conservation-of-a-painted-canvas-and-birchbark-canoe\/\" data-type=\"page\" data-id=\"4921\">Fit to Float: Conservation of a Painted Canvas and Birchbark Canoe <\/a><br>Sejal Goel, Fran Ritchie, and Nicole Peters <\/p>\n\n\n\n<p class=\"has-background wp-block-paragraph\" style=\"background-color:#f0f2f3\"><a href=\"https:\/\/resources.culturalheritage.org\/osg-postprints\/collaboration-on-restoring-henry-moores-bronze-form-at-the-getty-museum\/\" data-type=\"page\" data-id=\"4929\">Restoring Henry Moore&#8217;s Outdoor Sculpture Bronze Form at the Getty Museum<\/a><br>Julie Wolfe, Andrew Baxter, Robert Price, and Katrina Posner<\/p>\n\n\n\n<p class=\"has-background wp-block-paragraph\" style=\"background-color:#bae9ff\"><a href=\"https:\/\/resources.culturalheritage.org\/osg-postprints\/2026\/08\/14\/a-case-of-the-weeping-buddha-testing-a-low-maintenance-low-relative-humidity-microclimate\/\">A Case of the Weeping Buddha: Testing a Low Maintenance, Low Relative Humidity Microclimate<\/a><br>Geneva Griswold<\/p>\n\n\n\n<p class=\"has-background wp-block-paragraph\" style=\"background-color:#bae9ff\"><a href=\"https:\/\/resources.culturalheritage.org\/osg-postprints\/2026\/08\/14\/flashlight-recommendation\/\">Flashlight Recommendation<\/a><br>Miriam-Helene Rudd<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Unpublished Presentations &#8211; Abstracts Only<\/strong><\/p>\n\n\n\n<p class=\"has-background wp-block-paragraph\" style=\"background-color:#f0f2f3\"><a href=\"https:\/\/resources.culturalheritage.org\/osg-postprints\/a-sterling-conservation-project-preparing-1200-pieces-of-gorham-silver-for-exhibition-and-travel\/\" data-type=\"page\" data-id=\"4916\">A Sterling Conservation Project: Preparing 1200 Pieces of Gorham Silver for Exhibition and Travel<\/a><br>Ingrid A. Neuman <\/p>\n\n\n\n<p class=\"has-background wp-block-paragraph\" style=\"background-color:#f0f2f3\"><a href=\"https:\/\/resources.culturalheritage.org\/osg-postprints\/rediscovering-and-assembling-painted-wooden-boxes-from-king-tutankhamuns-collection-a-collaborative-approach\/\" data-type=\"page\" data-id=\"4917\">Rediscovering and Assembling Painted Wooden Boxes from King Tutankhamun&#8217;s Collection: a Collaborative Approach<\/a><br>Ahmed Abdrabou, Ali Hussein, Gilan Sultan, and Medhat Abdallah<\/p>\n\n\n\n<p class=\"has-background wp-block-paragraph\" style=\"background-color:#f0f2f3\"><a href=\"https:\/\/resources.culturalheritage.org\/osg-postprints\/exploring-consolidation-of-degraded-natural-foam-rubber\/\" data-type=\"page\" data-id=\"4919\">Exploring Consolidation of Degraded Natural Foam Rubber <\/a><br>Lindsay Cross and Lauren Horelick<\/p>\n\n\n\n<p class=\"has-background wp-block-paragraph\" style=\"background-color:#f0f2f3\"><a href=\"https:\/\/resources.culturalheritage.org\/osg-postprints\/turning-the-feather-around-conservation-of-a-monumental-george-morrison-mural\/\" data-type=\"page\" data-id=\"4922\">&#8220;Turning the Feather Around&#8221;: Conservation of a Monumental George Morrison Mural <\/a><br>Megan Emery, Courtney Murray, Luke Boehnke, Mary LaGarde, and Megan Randall<\/p>\n\n\n\n<p class=\"has-background wp-block-paragraph\" style=\"background-color:#f0f2f3\"><a href=\"https:\/\/resources.culturalheritage.org\/osg-postprints\/radiography-in-the-round-capturing-and-viewing-x-rays-in-360\/\" data-type=\"page\" data-id=\"4923\">Radiography in the Round: Capturing and Viewing X-Rays in 360\u00b0  <\/a><br>Arlen Heginbotham, BJ Farrar, Mark Erdmann<\/p>\n\n\n\n<p class=\"has-background wp-block-paragraph\" style=\"background-color:#f0f2f3\"><a href=\"https:\/\/resources.culturalheritage.org\/osg-postprints\/perpetual-conservation-a-continuing-collaboration-to-conserve-jack-nelsons-kinetic-sculpture-clock\/\" data-type=\"page\" data-id=\"4924\">Perpetual Conservation: a Continuing Collaboration to Conserve Jack Nelson&#8217;s Kinetic Sculpture Clock <\/a><br>Nicole Flam, Laura Kubick, and Kristin Cheronis<\/p>\n\n\n\n<p class=\"has-background wp-block-paragraph\" style=\"background-color:#f0f2f3\"><a href=\"https:\/\/resources.culturalheritage.org\/osg-postprints\/gorgonize-by-her-monsterful-snoutfair-visage-harriet-hosmers-medusa-in-context\/\" data-type=\"page\" data-id=\"4925\">Gorgonize by Her Monsterful Snoutfair Visage: Harriet Hosmer&#8217;s Medusa in Context<\/a><br>Clara Livingston Bailin <\/p>\n\n\n\n<p class=\"has-background wp-block-paragraph\" style=\"background-color:#f0f2f3\"><a href=\"https:\/\/resources.culturalheritage.org\/osg-postprints\/still-got-the-blues-the-technical-study-and-conservation-treatment-of-a-tian-tsui-headdress\/\" data-type=\"page\" data-id=\"4926\">Still Got the Blues: The Technical Study and Conservation Treatment of a Tian-Tsui Headdress <\/a><br>Devon Lee<\/p>\n\n\n\n<p class=\"has-background wp-block-paragraph\" style=\"background-color:#f0f2f3\"><a href=\"https:\/\/resources.culturalheritage.org\/osg-postprints\/when-art-meets-engineering-collaborative-approaches-to-outdoor-sculpture-installations-at-the-toledo-museum-of-art\/\" data-type=\"page\" data-id=\"4927\">When Art Meets Engineering: Collaborative Approaches to Outdoor Sculpture Installations at the Toledo Museum of Art<\/a><br>Emily Cummins<\/p>\n\n\n\n<p class=\"has-background wp-block-paragraph\" style=\"background-color:#f0f2f3\"><a href=\"https:\/\/resources.culturalheritage.org\/osg-postprints\/my-kingdom-for-a-drain-the-collaborative-treatment-of-robert-gobers-untitled-installation\/\" data-type=\"page\" data-id=\"4928\">My Kingdom for a Drain: The Collaborative Treatment of Robert Gober&#8217;s Untitled Installation<\/a><br>Stephanie Cashman<\/p>\n\n\n\n<p class=\"has-background wp-block-paragraph\" style=\"background-color:#f0f2f3\"><a href=\"https:\/\/resources.culturalheritage.org\/osg-postprints\/mercury-a-collections-component-a-panel-discussion\/\" data-type=\"page\" data-id=\"4930\">Mercury: A Collections Component &#8211; a Panel Discussion<\/a><br>Lisa Goldberg and Kerith Koss Schrager<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Proceedings of Objects Specialty Group and Tips Sessions53rd Annual Meeting \u2013 Minneapolis; May 27-31, 2025 What&#8217;s Your Story? The Power of Collaborations and Connections Edited by Raina Chao, Aliza Taft, and Julie Unruh, with Caroline Roberts, Program Chair Download the complete volume 32 PDF here Program Chair&#8217;s ForewordCaroline Roberts Individual article PDFs are available by [&hellip;]<\/p>\n","protected":false},"author":344,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"class_list":["post-4908","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/resources.culturalheritage.org\/osg-postprints\/wp-json\/wp\/v2\/pages\/4908","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/resources.culturalheritage.org\/osg-postprints\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/resources.culturalheritage.org\/osg-postprints\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/osg-postprints\/wp-json\/wp\/v2\/users\/344"}],"replies":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/osg-postprints\/wp-json\/wp\/v2\/comments?post=4908"}],"version-history":[{"count":16,"href":"https:\/\/resources.culturalheritage.org\/osg-postprints\/wp-json\/wp\/v2\/pages\/4908\/revisions"}],"predecessor-version":[{"id":5236,"href":"https:\/\/resources.culturalheritage.org\/osg-postprints\/wp-json\/wp\/v2\/pages\/4908\/revisions\/5236"}],"wp:attachment":[{"href":"https:\/\/resources.culturalheritage.org\/osg-postprints\/wp-json\/wp\/v2\/media?parent=4908"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}