{"id":844,"date":"2015-02-19T23:02:35","date_gmt":"2015-02-19T23:02:35","guid":{"rendered":"http:\/\/cool.conservation-us.org\/cool\/osg\/?page_id=844"},"modified":"2022-05-03T15:36:51","modified_gmt":"2022-05-03T15:36:51","slug":"v09","status":"publish","type":"page","link":"https:\/\/resources.culturalheritage.org\/osg-postprints\/v09\/","title":{"rendered":"2002 | Volume Nine"},"content":{"rendered":"\n

Proceedings of the Objects and Objects + Textiles Specialty Group Sessions<\/strong>
30th Annual Meeting in Miami, Florida; June 10, 2002<\/em><\/p>\n\n\n\n

\"osg009-cover\"<\/a><\/figure><\/div>\n\n\n\n

Compiled by Virginia Greene and Patricia Griffin<\/p>\n\n\n\n

Download the complete Volume 9 here<\/a><\/strong>
Individual article PDFs are available by following the links below<\/p>\n\n\n\n

Program Chair’s Foreword<\/a>
Patricia Griffin<\/p>\n\n\n\n

Postprints abstracts<\/h3>\n\n\n\n

On-line survey results of techniques used for outdoor bronze conservation<\/a>
Tara J. Shedlosky, Kimberly M. Stanek, and Gordon Bierwagen<\/p>\n\n\n\n

Ten years of sculpture and monument conservation on the Minnesota State Capitol Mall<\/a>
Paul S. Storch<\/p>\n\n\n\n

Aesthetics, conservation and maintenance of outdoor bronzes<\/a>
W. T. Chase<\/p>\n\n\n\n

Three case studies of outdoor sculpture with problematic intent issues
<\/a>Michael Belman<\/p>\n\n\n\n

An opportunity taken: The project design for a technical study of 26 bronzes in the exhibition Adriaen de Vries: Imperial Sculptor at the J. Paul Getty Museum
<\/a>Jane Bassett<\/p>\n\n\n\n

Non-destructive deconstruction of the Lidow fang hu on pedestal<\/a>
Laramie Hickey-Friedman<\/p>\n\n\n\n

Image recovery of worn-off hallmarks on silver and gold objects
<\/a>Paul L. Benson and Robert S. Gilmore<\/p>\n\n\n\n

Four beakers or two beakers? Only your conservator knows for sure\u2026
<\/a>Stephen P. Koob<\/p>\n\n\n\n

Mina\u2019i wares: Discovery of a 13th century Islamic ceramic transfer technology<\/a>
John Hirx<\/p>\n\n\n\n

A technological study of the painted surfaces of Zapotec urns from Xoxocotl\u00e1n<\/a>
Samantha Alderson<\/p>\n\n\n\n

A review of ultra-violet light and examination techniques<\/a>
Laramie Hickey-Friedman<\/p>\n\n\n\n

Demystifying silica gel<\/a>
Steven Weintraub<\/p>\n\n\n\n

Unpublished presentation abstracts<\/h3>\n\n\n\n

Recreating Taft’s ideas in surface finish: Treatment of the <\/a>Fountain of Time<\/a>
<\/em>Andrzej Dajnowski<\/p>\n\n\n\n

An alternative to chemical repatination of copper alloy outdoor sculpture
<\/a>Ron Harvey<\/p>\n\n\n\n

War in the Pacific Memorial: Who is the public in public art?<\/a>
Brigid Sullivan Lopez<\/p>\n\n\n\n

Balancing durability and aesthetics in the treatment of painted outdoor sculpture<\/a>
Abigail Mack, Angela Chang and Shelley Sturman<\/p>\n\n\n\n

Love and war: Issues in the technical study of two Roman bronzes in the Getty Museum<\/a>
Jeff Maish<\/p>\n\n\n\n

The lamentation and resurrection: Reflections on the creation, history and restoration of the Lamentation Over the Dead Christ<\/em> by Giovanni della Robbia and Studio
<\/a>Barbara J. Mangum<\/p>\n\n\n\n

Issues of contemporary patination on outdoor bronze sculpture<\/a>
Joanna Rowntree<\/p>\n\n\n\n

Contemporary approaches to the care of outdoor bronze
<\/a>John Scott<\/p>\n\n\n\n

<\/p>\n\n\n\n

Abstracts* for joint session with Textiles Specialty Group<\/h3>\n\n\n\n

*By agreement with the Textile Specialty Group (TSG), full papers are published as the <\/em>Textile Specialty Group (TSG) Postprints, vol. 12 (2002). TSG members have access to the complete digital archive of TSG Postprints in the “Publications” folder in the\u00a0library of the\u00a0TSG Online Community<\/a>. It is necessary to sign in to access these files. Non-members can purchase PDF copies of past volumes in the AIC Store<\/a>.<\/em><\/p>\n\n\n\n

Initial investigation into a resinous Maya burial shroud<\/a><\/div>
Candis Griggs <\/span><\/div><\/p>\n\n\n\n

Textile fragments associated with flaked stone symbols from the Maya site of Altun Ha, Belize<\/a><\/div>

Jill Plitnikas<\/p><\/p>\n\n\n\n

Severely degraded textiles on archaeological artifacts at the Agora excavations in Athens, Greece<\/a><\/div>

Julie Unruh<\/p><\/p>\n\n\n\n

The conservation of a third century BCE Chinese bronze dagger-axe with organic remains<\/a><\/div>

Ellen D. B. Tully <\/span><\/p><\/p>\n\n\n\n

Rhapsody in blue: Kingfisher feather cloisonn\u00e9 in the Arthur M. Sackler Gallery<\/a><\/div>

Ellen Salzman Chase and Blythe McCarthy <\/span><\/p><\/p>\n\n\n\n

Conserving the Wright Brothers’ 1905 Flyer III: An interdisciplinary and logistical challenge<\/a>
Deborah Bede and Malcolm Collum<\/p>\n\n\n\n

The conservation of Frederic E. Church’s leather arm chair<\/a><\/div>

Deborah Lee Trupin<\/p><\/p>\n\n\n\n

Identification of potential changes to ethnographic artifacts from low temperature pest management<\/a><\/div>

Ellen Carrlee<\/p><\/p>\n\n\n\n

Collaborative treatment for a Miami robe with silk ribbonwork and metal decoration<\/a><\/div>

Mika Takami, Susan Heald, and Jessica Johnson <\/span><\/p><\/p>\n\n\n\n

Saving America’s treasures: Threatened artifacts from the Apollo Era<\/a><\/div>

Lisa Young<\/p><\/p>\n\n\n\n

Conservation through investigation: Uncovering the story of a Japanese ceremonial doll<\/a><\/div>

Lara Kaplan<\/span><\/p><\/p>\n\n\n\n

Preparing for a masterpiece in focus: The conservation treatment and technical investigation of four Spanish processional sculptures from the early 18th-century <\/span><\/a><\/div>

Maureen Russell<\/p> <\/p>\n","protected":false},"excerpt":{"rendered":"

Proceedings of the Objects and Objects + Textiles Specialty Group Sessions30th Annual Meeting in Miami, Florida; June 10, 2002 Compiled by Virginia Greene and Patricia Griffin Download the complete Volume 9 hereIndividual article PDFs are available by following the links below Program Chair’s ForewordPatricia Griffin Postprints abstracts On-line survey results of techniques used for outdoor […]<\/p>\n","protected":false},"author":16,"featured_media":0,"parent":0,"menu_order":9,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-844","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/resources.culturalheritage.org\/osg-postprints\/wp-json\/wp\/v2\/pages\/844","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/resources.culturalheritage.org\/osg-postprints\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/resources.culturalheritage.org\/osg-postprints\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/osg-postprints\/wp-json\/wp\/v2\/users\/16"}],"replies":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/osg-postprints\/wp-json\/wp\/v2\/comments?post=844"}],"version-history":[{"count":0,"href":"https:\/\/resources.culturalheritage.org\/osg-postprints\/wp-json\/wp\/v2\/pages\/844\/revisions"}],"wp:attachment":[{"href":"https:\/\/resources.culturalheritage.org\/osg-postprints\/wp-json\/wp\/v2\/media?parent=844"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}