{"id":1158,"date":"2020-09-29T18:18:19","date_gmt":"2020-09-29T18:18:19","guid":{"rendered":"http:\/\/resources.culturalheritage.org\/pmg-topics\/?page_id=1158"},"modified":"2022-11-03T15:47:10","modified_gmt":"2022-11-03T15:47:10","slug":"2019-volume-eighteen","status":"publish","type":"page","link":"https:\/\/resources.culturalheritage.org\/pmg-topics\/2019-volume-eighteen\/","title":{"rendered":"2019 | Volume Eighteen"},"content":{"rendered":"\n

While supplies last, hard copies of Volume 18 can be purchased through the AIC store<\/a>. <\/p>\n\n\n\n

Foreword
<\/strong>Marie-Lou Beauchamp<\/em><\/p>\n\n\n\n

CONTENTS <\/strong><\/p>\n\n\n\n

Papers presented at the 2018 Photographic Materials Group Session of the American Institute for Conservation Annual Meeting in Houston, Texas<\/em><\/strong><\/p>\n\n\n\n

Hinging and Float Mounting 20×24\u201d Polaroid Prints and Negatives<\/a>
Sarah Casto and Fernanda Valverde<\/em> <\/p>\n\n\n\n

Comparison of LED, L-37 Filtered Xenon Arc, and Glass-Filtered Cool White Fluorescent llumination in the Light Fading and Light-Induced Staining of Color Photographs<\/a>
Henry Wilhelm and Richard Adams<\/em><\/p>\n\n\n\n

Evaluation of Hydrolytic Accelerated Aging Protocols on Cellulose Acetate<\/a>
Carolyn Carta, Katharina Hoeyng, Herant Khanjian, Joy Mazurek, Kristen McCormick, and Michael R. Schilling<\/em><\/p>\n\n\n\n

Platinum and Palladium Photographs: Rediscoveries<\/a>
Ronel Namde and Constance McCabe<\/em><\/p>\n\n\n\n

Finding a Balance: Conservation of the Dolley Madison Cased Image from the Greensboro History Museum<\/a>
Monique Fischer and Terra Huber<\/em><\/p>\n\n\n\n

Investigation of Portrait with Applied Oil Color<\/a>
Marissa Bartz, Luisa Casella, and Abbott Nixon<\/em><\/p>\n\n\n\n

How to receive and organize a collection of 1 million photographs at once? Material and metadata discussions<\/a>
Rodrigo Porto Bozzetti<\/em> <\/p>\n\n\n\n

Revealing History with Moisture and Megabytes: Curled Panorama Prints from WWI and WWII<\/a>
Kim R. Du Boise<\/em><\/p>\n\n\n\n

Color Records: Wood\u2019s Diffraction Process of Color Photography<\/a>
Zach Long<\/em><\/p>\n\n\n\n

From Here On and Beyond: Researching Objects, History and Collection at The Museum of Modern Art<\/a>
Lee Ann Daffner<\/em><\/p>\n\n\n\n

The Chemistry of Digital Fine Art Paper Yellowing: A Comparative Case Study of Moab Entrada Rag Natural 300gsm and Harman Inkjet Glossy Art Fibre Warmtone by Hahnem\u00fchle<\/a>
Monique C. Fischer, Arthur McClelland, Savannah Butler, Carew Giberson-Chen, Nina Shevoz-Zebrun, and Vanya Zvonar<\/em><\/p>\n\n\n\n

Papers presented at the 2019 Joint Meeting of the American Institute for Conservation, Photographic Materials Group Winter Meeting and the International Council of Museums \u2013 Committee for Conservation, Photographic Materials Working Group in New York City, New York<\/em><\/strong><\/p>\n\n\n\n

Accidental Images, The Negative Before Photography?<\/a>
Bertrand Lav\u00e9drine, Marie-Ang\u00e9lique Languille, and C\u00e9line Daher<\/em><\/p>\n\n\n\n

Recent History of Kodak EKATCOLOR Papers \u2013 A Guide for Conservators<\/a>
Joseph E. LaBarca<\/em><\/p>\n\n\n\n

Repairing transparency, recovering the image. Research and testing fill materials and methods for conservation treatments on photographs face-mounted with poly(methyl methacrylate)<\/a>
Anna Lagan\u00e0, Sarah Freeman, Julia Langenbacher, Rachel Rivenc, Ma\u00eblle Caro, Vincent Dion, and Tom Learner<\/em><\/p>\n\n\n\n

The \u2018Stradivarius\u2019 of Photographic Papers: GEVALUXE VELOURS<\/a>
Hanako Murata<\/em><\/p>\n\n\n\n

It\u2019s All That: Standardization of the material characterization of photographs in the age of the extended medium field<\/a>
Jan Burandt and Jennifer McGlinchey Sexton<\/em><\/p>\n\n\n\n

Photograph Preservation and Conservation in Slovakia<\/a>
Janka Kri\u017eanov\u00e1<\/em><\/p>\n\n\n\n

Lessons Learned from the Platinum and Palladium Project: Applications to the Alfred Stieglitz Key Set at the National Gallery of Art<\/a>
Joan M. Walker and Constance McCabe<\/em><\/p>\n\n\n\n

From Teleprompters to TEDx: Lessons Learned in Public Outreach, Advocacy and Fundraising<\/a>
Debra Hess Norris<\/em><\/p>\n\n\n\n

Conservation and Mass-Digitization, Implementation of a Workflow<\/a>
Jessica R\u00e9gimbald<\/em> <\/p>\n\n\n\n

Two case studies of the treatment of photographic albums: between emic and etic approaches<\/a>
Barbara Cattaneo<\/em><\/p>\n\n\n\n

Electrotyping Daguerreotypes – The Reconstruction of an Early Reproduction Technique<\/a>
Magdalena Pilko, Martin J\u00fcrgens, Bill Wei, Clara von Waldthausen, and Ineke Joosten<\/em> <\/p>\n\n\n\n

Emerging photograph conservators of the 2020\u2019s<\/a>
Millard Schisler and Patricia de Filippi<\/em> <\/p>\n\n\n\n

The Kodak Colorama Collection at Museums Victoria<\/a>
Belinda Gourley, Rosemary Goodall, and Fiona Kinsey<\/em> <\/p>\n\n\n\n

Mouldy Matters: Conserving Ed van der Elsken\u2019s 42.000 colour slides<\/a>
Katrin Pietsch and L\u00e9nia Oliveira Fernandes<\/em><\/p>\n\n\n\n

Discovering, preserving and promoting the photographic collections at the National Library of Scotland<\/a>
Ioannis Vasallos<\/em> <\/p>\n\n\n\n

Conserving the Matrix: Investigation of the Ernest J. Bellocq glass plate negative collection<\/a>
Elsa Thyss<\/em> <\/p>\n\n\n\n

Gardner\u2019s Photographic Sketch Book of the War: A Case Study for the Manufacture and Deterioration of Photographic Albums and Books<\/a>
Laura Panadero<\/em><\/p>\n\n\n\n

Why re-create rare processes? The case of the printed daguerreotype<\/a>
Martin J\u00fcrgens<\/em><\/p>\n\n\n\n

Reproduction as strategy for photograph conservation? Theory and practice<\/a>
Marta Garc\u00eda Celma<\/em> <\/p>\n\n\n\n

SFMOMA Artist Initiative: Interdisciplinary research on reprinting color photographs as a preservation solution<\/a>
Roberta Piantavigna, Erin O\u2019Toole, and Theresa Andrews<\/em> <\/p>\n\n\n\n

Complications with \u201cMy Birth\u201d<\/a>
Krista Lough<\/em> <\/p>\n\n\n\n

Conserving the Knights-Whittome Negative Collection: A Pain in the Glass?<\/a>
Sarah Allen<\/em> <\/p>\n\n\n\n

\u201cLarger Than Life\u201d- Edwin Forrest Mammoth Daguerreotype Conservation Challenges<\/a>
Elena Bulat<\/em> <\/p>\n\n\n\n

Digitizing collections – A reflection on negative archive collections, prioritizing procedures and what is lost<\/a>
Catarina Cortes Pereira, Laura Castro, Carolina Barata, and Margarita San Andr\u00e9s<\/em> <\/p>\n\n\n\n

Coming in from the cold<\/a>
Mark Strange and Lizzie Meek<\/em> <\/p>\n\n\n\n

Albumen and gelatine photographs from the Italian artist Arturo Viligiardi\u2019s collection: conservation treatment and study on chemical hydrogels<\/a>
Giulia Fraticelli<\/em><\/p>\n\n\n\n

Elevating Photography to Fine Art: Stieglitz\u2019s Carbon Prints<\/a>
Courtney Helion, Joan M. Walker, and Constance McCabe<\/em><\/p>\n\n\n\n

PMG is Turning 40! A Look Back as the Group Celebrates a Major Anniversary and Approaches a Generational Shift<\/a>
Zach Long, Amanda Maloney, and Rachel Wetzel<\/em><\/p>\n\n\n\n

Attributions, Working Methods and Scientific Analysis of Robert Cornelius\u2019s Daguerreotypes: How a collaborative partnership of conservators, curators, scientists and artists help to collectively broaden the understanding of the history of early photography in America<\/a>
Rachel Kay Wetzel<\/em> <\/p>\n\n\n\n

Visualizing the nanoscale: new developments in the understanding and preservation of the daguerreotype image<\/a>
Andrea E. Schlather, Paul Gieri, Alejandro Manjavacas, and Silvia A. Centeno<\/em><\/p>\n\n\n\n

Refining the Daguerreotype Package<\/a>
Natasha Kung, Nora W. Kennedy, and Eric Breitung<\/em><\/p>\n\n\n\n

Disaster Recovery of Flood Damaged Glass Plates<\/a>
Erin L. Murphy, Elena Bulat, and Brenda Bernier<\/em><\/p>\n\n\n\n

Safely Handling Moldy Photographs Might be Worth a Few Stains<\/a>
Susana A. Hoyos Velasco<\/em><\/p>\n\n\n\n

Current Photograph Conservation Practices in Egypt: What To Do and What Not To Do<\/a>
Maha Ali, Emil Henin, Mervat Abdallah, and Francis Mohareb<\/em><\/p>\n\n\n\n

Sudden damage to obsolete print materials<\/a>
Teresa Mesquit<\/em><\/p>\n\n\n\n

Ethical considerations when exhibiting, studying and treating photographic albums: the Asser albums at the Rijksmuseum, Amsterdam<\/a>
Rosina Herrera Garrido<\/em><\/p>\n\n\n\n

Once upon a time; The history of the photograph conservation lab at the Art Institute of Chicago<\/a>
Marie-Lou Beauchamp<\/em> <\/p>\n\n\n\n

Papers presented at the 2019 Photographic Materials Group Session of the American Institute for Conservation Annual Meeting in Uncasville, Connecticut<\/em><\/strong><\/p>\n\n\n\n

A Context-Based Approach to Conserving Photographs On Textiles<\/a>
Anniack Parker, Shannon A. Brogdon-Grantham, Miriam Doutriaux, Gw\u00e9na\u00eblle Kavich, and Thomas Lam<\/em> <\/p>\n\n\n\n

The Expansion of the Cold and Cool Storage Vaults at the Amon Carter Museum of American Art<\/a>
Fernanda Valverde<\/em> <\/p>\n\n\n\n

19th Century Glass Manufacture and Its Relevance to Photographic Glass Stability<\/a>
Lynn Brostoff and Kate Fogle<\/em><\/p>\n\n\n\n

Blue Pigment Inclusions In Salted Paper Prints<\/a>
Lisa Barro and Silvia Centeno<\/em><\/p>\n\n\n\n

Pictorialist Experiments of Karl Struss<\/a>
Sarah Casto<\/em><\/p>\n\n\n\n

Heat and Solvent Set Repair Tissues<\/a>
Katherine S. Kelly, Jennifer K. Herrmann, Alisha Chipman, Andrew R. Davis, Yasmeen Khan, Steven Loew, Katharine Morrison Danzis, Tamara Ohanyan, Lauren Varga, Anne Witty, and Michele H. Youket<\/em><\/p>\n\n\n\n

Biodegradation Study on Photographic Archive of Khedive Ismail Pasha Back to 19th Century<\/a>
Rasha A. Shaheen and Mohamed Hendy<\/em><\/p>\n\n\n\n

Atmospheric Pressure Non-thermal Plasma of Cleaning 19th Century Tintype<\/a>
Medhat Eldabaa and Rasha A. Shaheen<\/em> <\/p>\n\n\n\n

Specular Reflection FTIR for Chemical Analysis of Historic Photographs<\/a>
Arthur McClelland and Elena Bulat<\/em> <\/p>\n\n\n

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If you find an error or a broken link, please let us know at topics.pmg@gmail.com<\/p>\n","protected":false},"excerpt":{"rendered":"

While supplies last, hard copies of Volume 18 can be purchased through the AIC store. ForewordMarie-Lou Beauchamp CONTENTS  Papers presented at the 2018 Photographic Materials Group Session of the American Institute for Conservation Annual Meeting in Houston, Texas Hinging and Float Mounting 20×24\u201d Polaroid Prints and NegativesSarah Casto and Fernanda Valverde Comparison of LED, L-37 […]<\/p>\n","protected":false},"author":49,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1158","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-json\/wp\/v2\/pages\/1158","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-json\/wp\/v2\/users\/49"}],"replies":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-json\/wp\/v2\/comments?post=1158"}],"version-history":[{"count":0,"href":"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-json\/wp\/v2\/pages\/1158\/revisions"}],"wp:attachment":[{"href":"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-json\/wp\/v2\/media?parent=1158"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}